Conferencia ELISAVA
17/01/2013, Barcelona
En relación a las ideas de la hipertextualidad llevadas al teatro digital se hará una breve genealogía de propuestas artísticas escénicas que han reformulado las temporalidades de la imagen proyectada.
http://www.elisava.net/es/el-centro/actualidad/agenda/conferencia-carles-sora
The invention of television emerged from the work of many individuals in the late 19th and early 20th centuries. Electronic television was first successfully demonstrated by Philo Taylor Farnsworth in San Francisco in 1927. Television transmits sound and moving images through a telecommunication system, and has evolved from early monochrome transmission to modern color and 3D transmission.
The document discusses various aspects of modernism through examples from the early 20th century including art, architecture, film, literature, and design. It explores modernist themes like utopian and dystopian visions of the future, order versus chaos, myth and primitivism, and an emphasis on using materials and forms truthfully according to their intrinsic properties rather than for decoration or imitation. A variety of modernist works are referenced from the 1920s-1960s that exemplified these concepts through new visual styles and technologies or examination of the political and social changes of the time.
The document discusses the relationship between architecture, media, and perception from the early 20th century to today. It summarizes key ideas from thinkers like Walter Benjamin, Marshall McLuhan, Guy Debord, Jean Baudrillard, Beatriz Colomina, and others on how new media technologies have transformed human perception and the role of images in architecture. Examples of modernist architecture and media from the 1920s-1970s are provided alongside more recent discussions of digital media, the internet, and concepts like the post-internet society.
A collection of thoughts about the influence that Internet and social media are exercising on architectural theory and practice, accompanied by some suggestions about how architects should react to it.
This document is a portfolio for Kramer O'Neill, a photographer and filmmaker. It summarizes their extensive experience in photography, film editing, graphic design and other visual arts. It includes sections on their editorial, documentary and commissioned photography work. It also lists their education, exhibitions, publications and contact details.
Berni Searle is a South African artist born in 1964 who uses video as a medium to produce a complex vision of female identity. Following the end of apartheid in 1994, South African artists were initially focused on achieving a distinctly South African art, but increasing globalization has led artists to take a more international perspective. Searle's video works will be analyzed to understand how she uses the video medium to represent female identity in a way that highlights the viewer's crucial role and develops an aesthetics critical of capitalism's influence.
Marco Brambilla's art installation "Apollo 18" will be displayed nightly from 11:57 pm to midnight in Times Square, NYC from March 1-31, 2015. The installation uses archival NASA footage and computer graphics to recreate the countdown and imagined launch of a Saturn V rocket, compressing the entire fictional mission into the few minutes before midnight each night. By transforming Times Square into a virtual launch site through dozens of electronic billboards, the installation aims to recapture the optimism and spectacle of manned space exploration during the Apollo era in a communal public event in the heart of New York City.
Conferencia ELISAVA
17/01/2013, Barcelona
En relación a las ideas de la hipertextualidad llevadas al teatro digital se hará una breve genealogía de propuestas artísticas escénicas que han reformulado las temporalidades de la imagen proyectada.
http://www.elisava.net/es/el-centro/actualidad/agenda/conferencia-carles-sora
The invention of television emerged from the work of many individuals in the late 19th and early 20th centuries. Electronic television was first successfully demonstrated by Philo Taylor Farnsworth in San Francisco in 1927. Television transmits sound and moving images through a telecommunication system, and has evolved from early monochrome transmission to modern color and 3D transmission.
The document discusses various aspects of modernism through examples from the early 20th century including art, architecture, film, literature, and design. It explores modernist themes like utopian and dystopian visions of the future, order versus chaos, myth and primitivism, and an emphasis on using materials and forms truthfully according to their intrinsic properties rather than for decoration or imitation. A variety of modernist works are referenced from the 1920s-1960s that exemplified these concepts through new visual styles and technologies or examination of the political and social changes of the time.
The document discusses the relationship between architecture, media, and perception from the early 20th century to today. It summarizes key ideas from thinkers like Walter Benjamin, Marshall McLuhan, Guy Debord, Jean Baudrillard, Beatriz Colomina, and others on how new media technologies have transformed human perception and the role of images in architecture. Examples of modernist architecture and media from the 1920s-1970s are provided alongside more recent discussions of digital media, the internet, and concepts like the post-internet society.
A collection of thoughts about the influence that Internet and social media are exercising on architectural theory and practice, accompanied by some suggestions about how architects should react to it.
This document is a portfolio for Kramer O'Neill, a photographer and filmmaker. It summarizes their extensive experience in photography, film editing, graphic design and other visual arts. It includes sections on their editorial, documentary and commissioned photography work. It also lists their education, exhibitions, publications and contact details.
Berni Searle is a South African artist born in 1964 who uses video as a medium to produce a complex vision of female identity. Following the end of apartheid in 1994, South African artists were initially focused on achieving a distinctly South African art, but increasing globalization has led artists to take a more international perspective. Searle's video works will be analyzed to understand how she uses the video medium to represent female identity in a way that highlights the viewer's crucial role and develops an aesthetics critical of capitalism's influence.
Marco Brambilla's art installation "Apollo 18" will be displayed nightly from 11:57 pm to midnight in Times Square, NYC from March 1-31, 2015. The installation uses archival NASA footage and computer graphics to recreate the countdown and imagined launch of a Saturn V rocket, compressing the entire fictional mission into the few minutes before midnight each night. By transforming Times Square into a virtual launch site through dozens of electronic billboards, the installation aims to recapture the optimism and spectacle of manned space exploration during the Apollo era in a communal public event in the heart of New York City.
Art As Idea, The Roots Of Conceptual ArtJames Clegg
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This document appears to be an instruction manual or guidebook about modern art movements in the 20th century. It covers several major art movements in chronological order, including Impressionism, Fauvism, Cubism, Futurism, Expressionism, Abstract Art, Dada, Surrealism, Op Art and Pop Art. Each section provides background on the movement, examples of key artists, and exercises or activities for understanding and interacting with works from that movement. The document aims to give readers a crash course in modern art to help them better understand and engage with modern and contemporary art.
Read about the creative artistic Futurism and you'll read the names of notorious dictators who twisted the ideals of speed and development associated with it to vindicate their irrational regimes against people and society.
Yet this slideshare proposes a narrative showing that Futurism was simply a crystallisation of many influences and also makes many hallmarks today.
Understanding the Need to Understand Indonesian Traditional ArchitectureCitata Tata
OMAH Architecture Library and Konteks Presented Short Course "Journey to the East". This is the second lecture of this series, presented by Setiadi Sopandi
Photography has evolved greatly since its origins in ancient Greece. The first photographs were created in the early 1800s using chemicals to capture images on surfaces like zinc and tin. Early innovators like Niepce, Talbot, and Daguerre helped develop the first permanent photographs and methods like the daguerreotype. As new chemicals and materials were discovered, photography progressed to include photographs on paper and the first color image. Further advances like roll film and digital cameras brought photography to the masses and allowed for instant photographs. The document traces the key developments in early photography from its scientific beginnings to becoming a mainstream technology and art form.
Making Sense of the World through Visual Analysis and Narration.
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Art Deco was a popular design movement between 1910 and 1939 that influenced architecture, interior design, and other visual arts. It drew inspiration from modern industrial designs as well as styles like Cubism and Futurism. Art Deco celebrated the Machine Age through symmetrical designs and use of materials like glass and steel. It was seen as elegant and modern in the 1920s but lost popularity after World War II. However, interest revived in later decades and Art Deco continues to influence modern architecture, media, and entertainment through its retro style.
Historic Timeline: The Capture of Movement in Painting and Photography by Ric...Rick Doble
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A Visual History of the Visual Arts - Part 2piero scaruffi
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This document provides an overview of postmodern architectural history and theory from the late modern period in the 1960s through developments in the 1970s and beyond. It discusses key architects and projects that questioned modernist tenets like form following function, including Robert Venturi's rejection of modernism as "boring." It also covers Charles Jencks declaring the "death of modern architecture" in 1972 when the Pruitt-Igoe housing project was demolished, and the rise of pluralism, metaphor, and deconstruction in postmodern thought. The document traces the evolution of postmodernism and its rejection of universal styles in favor of multiple approaches.
This document discusses the changing relationship between art and technology from the early 20th century to today. It notes that early modernist artists saw machines as a threat but then began to see their potential as tools for creativity. As technology became more prevalent in daily life, artists in the 1960s and 70s began incorporating technology into their work, creating "cyborg art" that merges humans and machines. The document explores how cyborg art questions ideas of authenticity, ownership, and the individual artist in the digital age.
T A D E U S Z K A N T O R R E S O U R C E P A C Kmatthawthorn
Tadeusz Kantor was a Polish theater director, painter, and scenographer born in 1915. He studied at the Academy of Fine Arts in Krakow and founded the experimental Theatre of Death in 1975. Some of his most famous productions included The Dead Class and Wielopole, Wielopole. Kantor drew influence from movements like Constructivism, Dadaism, and Informel and won numerous awards throughout his career for his avant-garde work that pushed boundaries in theater. He is still considered one of Poland's most important artists.
A 20-minute introduction to the history of digital art.
Presentation for the symposium ‘Transformation Digital Art’
International symposium on the preservation of born-digital art
Stichting Behoud Moderne Kunst and LIMA, Amsterdam, NL
http://www.sbmk.nl/projects/detail/id/36
Urban Intervention Practice involves participatory acts performed in cities to stimulate community involvement and create social awareness of urban issues. It has evolved from early church processions and festivals to include influential movements like Fluxus and the Situationists. Urban interventions are categorized as performative, social, political, or spatial. Examples provided include performance art, media art projects, interventions aimed at social impact or political provocation, and temporary architectural or land art installations.
The document discusses the history and evolution of painting from the 1970s onward. It outlines several major painting genres and movements that emerged during this period, including Photorealism, New Image painting, and Bad Painting. It also discusses the expansion of painting practices to include new mediums, subjects, and approaches. The document examines how painting has become less bound by traditional categories and more diverse and pluralistic in contemporary art.
AP Art History Content Area 4 - Later Europe & Americasamityapah
This document provides an overview of art from 1750-1980 in Europe and the Americas. It discusses major artistic movements like Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Symbolism, Expressionism, Cubism, Constructivism, Abstraction, Surrealism, Abstract Expressionism, and Pop Art. It also addresses changes in patronage, the rise of museums and commercial galleries, new roles for artists, and challenges audiences faced in understanding innovative new styles.
This presentation discusses important historical events and developments in various art forms during the Modern Period. It begins with an introduction that defines the Modern Period as beginning in the 16th century and including major events like the World Wars and the Modernism movement. The presentation then covers developments in visual arts, drama, music, and dance during this period. For each art form, it discusses defining characteristics, significant artists, relevant timeframes, where the movements originated, and how society was involved.
Estudi de la producció de documentals interactius a Catalunya. Grup d'investigació DigiDoc del Departament de Comunicació de la Universitat Pompeu Fabra.
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14. 1.1 Modernity and its crystallized time.
1.2 Spatial and temporal metaphors
1.3 Learning, language and cultural context of time
Henri Berson, Gilles Deleuze, Gaston Bachelard, Igor Prigogine, Steven Hawking, Albert Einstein, J.F.
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16. 4. Film objects and space-time correlations in
interactive media
3. Artefacts and devices for a manipulative time.
17. 5. new media temporalities & Interface experiments
When will users apply their preminent time-arrow-model in gestural interactions?
Could the shape of the interface interfere in the users time models?
18. 9 trials with left-right direction: 70%
3 trials with right -left: 23%
1 diagonal 7%
19. 6 trials with clockwise direction: 60%
2 trial with anticlockwise direction: 20%
1 trials with left-right direction: 10%
1 vertical top-bottom direction: 10%