Art and Politics Reading: Spivey, “Art and Power” Terms/Concepts: power, politics, protest,  Key Monuments: Pablo Picasso,  Guernica , 1937. Alfredo Jaar, The Silence of Nduwayezu, 1997 (Part of the Rwanda Project 1994-2000) Margaret Bourke-White, Louisville Flood Victims, 1937. Judy Chicago,  The Dinner Party , 1974-1979. Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
Vera Mukhina , Industrial Worker and Collective Farm Girl , made for the Paris International Exhibition of 1937.
Power vs. Politics Power “ possession of control, authority, or influence over others.” A force One voice determining outcomes and wielding influence. Politics “ Who gets what, when and how.” –Harold Lasswell A negotiation Persuasion Multiple voices competing for influence. How do individual artists gain an influence over social matters?
Topics of Protest War Inequality Environment
Topics of Protest War Inequality Environment
Fransisco de Goya,  The Third of May , 1814-1815.
 
Fransisco de Goya,  The Third of May , 1814-1815.
Pablo Picasso,  Guernica , 1937.
Guernica
The aftermath of the bombing in Guernica, Spain, 1937. Reports of the escalating situation in Spain from French newspaper, L’Humanite, 1936.
Pablo Picasso,  Guernica , 1937
Alfredo Jaar,  The Silence of Nduwayezu , 1997 (Part of the Rwanda Project 1994-2000)
 
 
Alfredo Jaar, The Silence of Nduwayezu, 1997 (Part of the Rwanda Project 1994-2000)
Comments by the Artist See Video Below
Topics of Protest War Inequality Environment
Margaret Bourke-White, Louisville Flood Victims, 1937. 1937 Ohio River flood at the intersection of Barret Avenue and Broadway in Louisville, Kentucky. Private citizens brought boats and canoes to support the rescue efforts.
The Great Depression
Louisville Flood of 1937 70% of Louisville was underwater, leaving over 175,000 people homeless.
Margaret Bourke-White, Louisville Flood Victims, 1937. 1937 Ohio River flood at the intersection of Barret Avenue and Broadway in Louisville, Kentucky. Private citizens brought boats and canoes to support the rescue efforts.
Collaborators on the Dinner Party, 1974.
Judy Chicago,  The Dinner Party , 1974-1979.
Judy Chicago,  The Dinner Party , 1974-1979.
Judy Chicago, Emily Dickenson Placemat,  The Dinner Party , 1974-1979.
The Guerilla Girls
Guerilla Girls,  Do women have to be naked to get into the Met. Museum? , 1989.
Jacques Dominique Ingres, The Odalisque, 1814.
Guerrilla Girls,  Advantages of Being a Woman Artist , 1986.
Topics of Protest War Inequality Environment
Evening Cloud, Ellery Lake, Sierra Nevada, California, 1934.
Winter Sunrise, Sierra Nevada, 1944.  “ The National Parks are truly symbolic of America and our national life…The grandeurs and intimacies of Nature as presented here will, I hope, encourage the spectator to seek for himself the inexhaustible sources of beauty in the natural world.” -- Ansel Adams
Tetons and the Snake River, Grand Teton National Park, 1942. “ I have been concerned with conservation matters for years, but I find most conservation literature insufferably dull…Something has to be done to interest the average citizen. -- Ansel Adams
Mount McKinley and Wonder Lake, 1947. It is horrifying that we have to fight our own government to save the environment.  -- Ansel Adams
Pig’s Eye Landfill, St. Paul, Minnesota. Pig’s Eye Landfill, St. Paul, Minnesota, 1995.
Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.

Art and politics upload

  • 1.
    Art and PoliticsReading: Spivey, “Art and Power” Terms/Concepts: power, politics, protest, Key Monuments: Pablo Picasso, Guernica , 1937. Alfredo Jaar, The Silence of Nduwayezu, 1997 (Part of the Rwanda Project 1994-2000) Margaret Bourke-White, Louisville Flood Victims, 1937. Judy Chicago, The Dinner Party , 1974-1979. Mel Chin, Revival Field, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
  • 2.
    Vera Mukhina ,Industrial Worker and Collective Farm Girl , made for the Paris International Exhibition of 1937.
  • 3.
    Power vs. PoliticsPower “ possession of control, authority, or influence over others.” A force One voice determining outcomes and wielding influence. Politics “ Who gets what, when and how.” –Harold Lasswell A negotiation Persuasion Multiple voices competing for influence. How do individual artists gain an influence over social matters?
  • 4.
    Topics of ProtestWar Inequality Environment
  • 5.
    Topics of ProtestWar Inequality Environment
  • 6.
    Fransisco de Goya, The Third of May , 1814-1815.
  • 7.
  • 8.
    Fransisco de Goya, The Third of May , 1814-1815.
  • 9.
    Pablo Picasso, Guernica , 1937.
  • 10.
  • 11.
    The aftermath ofthe bombing in Guernica, Spain, 1937. Reports of the escalating situation in Spain from French newspaper, L’Humanite, 1936.
  • 12.
    Pablo Picasso, Guernica , 1937
  • 13.
    Alfredo Jaar, The Silence of Nduwayezu , 1997 (Part of the Rwanda Project 1994-2000)
  • 14.
  • 15.
  • 16.
    Alfredo Jaar, TheSilence of Nduwayezu, 1997 (Part of the Rwanda Project 1994-2000)
  • 17.
    Comments by theArtist See Video Below
  • 18.
    Topics of ProtestWar Inequality Environment
  • 19.
    Margaret Bourke-White, LouisvilleFlood Victims, 1937. 1937 Ohio River flood at the intersection of Barret Avenue and Broadway in Louisville, Kentucky. Private citizens brought boats and canoes to support the rescue efforts.
  • 20.
  • 21.
    Louisville Flood of1937 70% of Louisville was underwater, leaving over 175,000 people homeless.
  • 22.
    Margaret Bourke-White, LouisvilleFlood Victims, 1937. 1937 Ohio River flood at the intersection of Barret Avenue and Broadway in Louisville, Kentucky. Private citizens brought boats and canoes to support the rescue efforts.
  • 23.
    Collaborators on theDinner Party, 1974.
  • 24.
    Judy Chicago, The Dinner Party , 1974-1979.
  • 25.
    Judy Chicago, The Dinner Party , 1974-1979.
  • 26.
    Judy Chicago, EmilyDickenson Placemat, The Dinner Party , 1974-1979.
  • 27.
  • 28.
    Guerilla Girls, Do women have to be naked to get into the Met. Museum? , 1989.
  • 29.
    Jacques Dominique Ingres,The Odalisque, 1814.
  • 30.
    Guerrilla Girls, Advantages of Being a Woman Artist , 1986.
  • 31.
    Topics of ProtestWar Inequality Environment
  • 32.
    Evening Cloud, ElleryLake, Sierra Nevada, California, 1934.
  • 33.
    Winter Sunrise, SierraNevada, 1944. “ The National Parks are truly symbolic of America and our national life…The grandeurs and intimacies of Nature as presented here will, I hope, encourage the spectator to seek for himself the inexhaustible sources of beauty in the natural world.” -- Ansel Adams
  • 34.
    Tetons and theSnake River, Grand Teton National Park, 1942. “ I have been concerned with conservation matters for years, but I find most conservation literature insufferably dull…Something has to be done to interest the average citizen. -- Ansel Adams
  • 35.
    Mount McKinley andWonder Lake, 1947. It is horrifying that we have to fight our own government to save the environment. -- Ansel Adams
  • 36.
    Pig’s Eye Landfill,St. Paul, Minnesota. Pig’s Eye Landfill, St. Paul, Minnesota, 1995.
  • 37.
    Mel Chin, RevivalField, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
  • 38.
    Mel Chin, RevivalField, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
  • 39.
    Mel Chin, RevivalField, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
  • 40.
    Mel Chin, RevivalField, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
  • 41.
    Mel Chin, RevivalField, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.
  • 42.
    Mel Chin, RevivalField, Pig’s Eye Landfill, St. Paul, Minnesota, 1990-1993.