PHOT 154, History of Photography, Grossmont College, Documentary photography, Farm Security Administration, FSA, Walker Evans, American Photographs, Dorothea Lange, Margaret Bourke White, LIFE, Gordon Parks, August Sander, Photography and Science, Robert Capa, Normandy Invasion, WW2, Magnum Photo
PHOT 154, History of Photography, Grossmont College, photography and the social sciences, ethnographic studies, John Lamprey, Orientalism, C.A. Woolley, Thomas Annan, John Thomson, photographic studies of human expression, Duchenne de Boulogne, Oscar Rejlander, Jean-Martin Charcot, photography in medicine and science, photomicrography, astronomical photographs.
PHOT 154, History of Photography, Grossmont College, War and Photography, Roger Fenton, Matthew Brady, Civil War, Alexander Gardner, Timothy O' Sullivan, Survey Photography, westward expansion, preservation of the wilderness, William Henry Jackson, Yelllowstone, Yosemite, Eadward Muybridge
PHOT 154, History of Photography, Grossmont College, Family of Man exhibition, Photography in South America, Photography in West Africa, Photography in Japan, Cold War
PHOT 154, History of Photography, Grossmont College, Photography and Mass Media, DADA, Surrealism, Surrealist Photography, Duchamp, Man Ray, Readymade, Rodchenko, Photomontage, Hannah Hoch, Maholy-Nagy, Hans Bellmer, Claude Cahun, André Kertész, Henri Cartier-bResson, Paul Outerbridge, Bauhaus, Experimental Photography and
Advertising, California Modern, f64 Group, Straight Photography, Film und Foto exhibition
PHOT 154, History of Photography, Grossmont College, the photography of movement, Muybridge, Marey, Eakins, futurism, photography and the invention of moving pictures, lumiere brothers, autochrome, Photography and Social Reform, Lewis Hine, Jacob Riis
PHOT 154, History of Photography, Grossmont College, Photography in mass media, the postcard craze, Eastman, Kodak camera, naturalistic photography, Peter Henry Emerson, Pictorialism, George Davison, F. Holland Day, Robert Demachy, the Linked Ring, Frederick Evans, the Photo-Secession, Alfred Stieglitz, Edward Steichen, women in the Pictorialist movement, Gertrude Kasebeir.
PHOT 154, History of Photography, Grossmont College, stereograph, ambrotype, carte-de-visite, cliché verre, spirit photography, photography as a fine art, Julia Margaret Cameron, Lady Hawarden, Lewis Carroll, Lewis Carroll's photographs of children, Nadar, Oscar Rejlander, combination printing, Henry Peach Robinson, Victorian era,
PHOT 154, History of Photography, Grossmont College, photography and the social sciences, ethnographic studies, John Lamprey, Orientalism, C.A. Woolley, Thomas Annan, John Thomson, photographic studies of human expression, Duchenne de Boulogne, Oscar Rejlander, Jean-Martin Charcot, photography in medicine and science, photomicrography, astronomical photographs.
PHOT 154, History of Photography, Grossmont College, War and Photography, Roger Fenton, Matthew Brady, Civil War, Alexander Gardner, Timothy O' Sullivan, Survey Photography, westward expansion, preservation of the wilderness, William Henry Jackson, Yelllowstone, Yosemite, Eadward Muybridge
PHOT 154, History of Photography, Grossmont College, Family of Man exhibition, Photography in South America, Photography in West Africa, Photography in Japan, Cold War
PHOT 154, History of Photography, Grossmont College, Photography and Mass Media, DADA, Surrealism, Surrealist Photography, Duchamp, Man Ray, Readymade, Rodchenko, Photomontage, Hannah Hoch, Maholy-Nagy, Hans Bellmer, Claude Cahun, André Kertész, Henri Cartier-bResson, Paul Outerbridge, Bauhaus, Experimental Photography and
Advertising, California Modern, f64 Group, Straight Photography, Film und Foto exhibition
PHOT 154, History of Photography, Grossmont College, the photography of movement, Muybridge, Marey, Eakins, futurism, photography and the invention of moving pictures, lumiere brothers, autochrome, Photography and Social Reform, Lewis Hine, Jacob Riis
PHOT 154, History of Photography, Grossmont College, Photography in mass media, the postcard craze, Eastman, Kodak camera, naturalistic photography, Peter Henry Emerson, Pictorialism, George Davison, F. Holland Day, Robert Demachy, the Linked Ring, Frederick Evans, the Photo-Secession, Alfred Stieglitz, Edward Steichen, women in the Pictorialist movement, Gertrude Kasebeir.
PHOT 154, History of Photography, Grossmont College, stereograph, ambrotype, carte-de-visite, cliché verre, spirit photography, photography as a fine art, Julia Margaret Cameron, Lady Hawarden, Lewis Carroll, Lewis Carroll's photographs of children, Nadar, Oscar Rejlander, combination printing, Henry Peach Robinson, Victorian era,
Digital Watchdog DWC-MB421TIR650 User ManualJMAC Supply
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Arrenta, Asociación para el Fomento del Alquiler y Acceso a la Vivienda, se crea para dar una respuesta rápida a las necesidades de seguridad que demandan los propietarios e inquilinos a la hora de alquilar su vivienda o local.
Chapter 3 of a university course in media history by Prof. Bill Kovarik, based on the book Revolutions in Communication: Media History from Gutenberg to the Digital Age (Bloomsbury, 2nd ed., 2015).
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2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives Project
Ch. 9: Documentary Expression and Popular Photography
1. Documentary Expression & Popular Photography
The Great Depression in the United States
• Longest and worst economic collapse in the history of the
modern industrial world.
• Lasted from the end of 1929 until early 40s.
• There was a decline in the production and sale of goods, and a
severe rise in unemployment.
• Businesses - banks - closed. People lost jobs, homes, savings.
• Many people depended on charity to survive.
• Many Americans spent more than they earned, farmers had to
deal with heavy debt and lower prices for their goods.
• The effects of World War 1 (1914-1918) caused economic
problems in many countries. Europe was struggling to pay war
debts.
• These problems-and the resulting weak economy-contributed
to the major crisis that started the Great Depression - the
U.S. stock market crash of 1929, which financially ruined
thousands of investors.
3. In 1935, the US government turned to various agencies for help
in fighting the Depression. In 1937, the Resettlement
Aministration became part of the Dept. of Agriculture under the
title of Farm Security Administration (FSA).
4. Right: Chief of Historical Section of FSA, Roy Stryker
The goal was to show America a desperate situation and to
gain support for President Roosevelt’s new programs:
grants, loans and resettlement money to displaced farmers.
“Was it journalism? Yes and No. Was it history? Of course.
Was it education? Very much so. If I had to sum it up, I’d
say…we (the FSA photographic corps) succeeded in doing exactly
what…we should do: we introduced Americans to America.”
-- Roy Stryker
17. Evans, 1936
Evans was concerned that his photographs not be
considered ‘propaganda’ or ‘political.’ When he
accepted the FSA assignment, he wrote a note to
himself which read “..Never make photographic
statements for the government. This is pure record,
not propaganda.”
18. “I do have a critical mind, but I am not a social protest
artist, although I have been taken as one very widely.
You’re not, and shouldn’t be, I think, trying to change the
world, saying ‘Open up your heart and b;leed for these
people.’ I would never dream of saying anything like that.
I believe in staying out of the way.” -- Evans speaking to
an audience of Harvard students.
42. Parks, Muhammad Ali, 1970
Parks’ photo essays highlighting African American
issues and leaders from a cross-section of the
community, such as Martin Luther King, Eldridge Cleaver
and Muhammad Ali, reached a broad audience
(via LIFE magazine).
44. Parks, Shaft, 1971 (introduced into the Library of Congress in 2000) , Shaft 2000
45. As WW2 approached, there was a trend of optimism -
people wanted to put troubling news aside. This attitude
would take hold in the late 1930s - early 1940s. The images
done by the FSA were opposite of this optimistic view.
“Teach the underprivileged to have fewer children and less
misery,” “Touched me to the point were I would like to quit
everything in order to help these stricken people,” “A false
impression is given of American farm conditions. Typical of
the New Deal bunk at taxpayer’s expense.” “Every
comfortable person who objects to the present Administration’s
efforts to help the poor should be made to look at these splendid
pictures until they see daylight.” -- written responses to a New
York exhibition of FSA photographs in 1938.
48. Capra, It’s a Wonderful Life, 1946 - WW2 ended in 1945
49. Margaret Bourke-White, first cover of LIFE magazine, 1936
“To see life; to see the world; to eyewitness great events, to watch the face of the poor and the
gestures of the proud; to see strange things; to see and take pleasure in seeing; to see and be
amazed; to see and be instructed.”
50. Margaret Bourke-White, first cover of LIFE magazine, 1936
“To see life; the see the world; to eyewitness great events; to
watch the face of the poor and the gestures of the proud; to
see strange things; to see and take pleasure in seeing; to
see and be amazed; to see and be instructed.”
- LIFE magazine, November 1936
56. August Sander, Master Upholsterer, Berlin, 1929
“Simple, natural portraits that show the subject in an
environment corresponding to their own individuality.”
61. • In 1929, the first of a proposed series of 20 volumes of
Sander’s photographs was published under the title “Face
of Our Time.”
• The Nazis banned the book in 1934, destroyed the printing
press, confiscated the books and negatives.
• They believed the photographs revealed a diversity of
physical characteristics that were contrary to Nazi
teachings about class and race.
Sander, Boxers, Cologne 1929
81. World War II- a few facts
• Global war - lasted from 1939-1945 (some conflicts in Asia started
earlier).
• Involved the vast majority of the world’s nations.
• The most widespread war in history - involved more than 100 million
people from more than 30 countries.
• “Total war” - all economic, industrial and scientific capabilities were
utilized for the “war effort.”
• Massive deaths of civilians: including the Holocaust, massive use of
airpower to bomb enemy cities, and first use of nuclear weapons
(Hiroshima, Nagasaki).
• Reulted in 50-85 million fatalities.
• Deadliest conflict in human history
• W. Eugene Smith, Battle of Saipan Island, U,.S. Marines in combat with
Japanese.
90. Chapter 9: Retake
• With the Great Depression came an age of documentary
practice in American film and photography.
• Central to photojournalism: images of the poor and efforts to
help them.
• The FSA’s straightfoward style became popular in newspapers
and magazines as did the photo essay (several images
dedicated to a single theme).
• Photography’s capability for entertainment (photo booths,
celebrity images) grew.
• During WWII, newspapers and picture magazines (LIFE) were
ready to report, protest and propagandize.
• The eye witness documentary style became strongly
associated with the Great Depression and the war years.