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Hayan Kim
ARTT 103
Daniel Reismeyer
D8/7/14
Adam’s work here demonstrates
that everyone, no matter how
old, will always have a sense of
admiration. This couple here
takes time to look up to adore
something out of our sight. The
amusement on their faces and
the fact that they stopped to
admire what was above and out
of sight.
I enjoyed the way that Adams
had captured the body image of
those who are in the midst of
adoration. I took this photo
while doing another project and
thought it paired perfectly.
Although on a moving walkway,
we find our subject here
standing in a total relaxed state
to admire the lights above as
well as at the end of the
hallway. I chose to follow
Adams’ take on using black and
white to take the view back to a
nostalgic state. Because my
subject’s face is hidden, I tried
to portray the same sense of
mystery portrayed in his original
Untitled (1981). While in his, we
wonder what the couple is
looking at, here we can wonder
at what exactly our subject is
admiring.
Elanor Antin used this photo to
highlight the homeless as they
wander on the streets with
efforts to find a home. Here
shows a man sitting on a couch
and on Solona Beach, California
where Antin named him King of
this beach. He is the only one
present and judging by the
layers of clothes he has on, it’s
during the cold season when no
one would be found on the
beach.
After seeing how solemn Antin’s
The King of Solana Beach turned
out to be, I was inspired to
create a similar photo – but with
a different take. This photo was
taken in Ocean City the other
week where a young boy was
charismatically playing his
Ukulele. What you can’t see is
the crowd going wild for him on
the sides. I like this picture
because the young boy contrasts
the old man as they both sit on
the empty beach road. I wanted
to create a photo to counteract
Antin’s.
Ursula Von Rydingsvard
mentioned that this piece was
especially fun to make! She
wanted to give it anxious
movements, but in an organized
and regulated manner. Her
sculptures are meant to mimic
her family’s heritage in pre-
industrial Poland before WWII.
This piece overall shows
significant movement and
seems so strong and so sturdy.
To me, this piece resembles
strength and mystery, as each
divot holds a darkness I cannot
see through.
I took this photo because I was
inspired by Von Rydingsvard’s
Doolin Doolin. After seeing it
from afar on the Art21 website, I
found this matter similar to
what was in her photo. I chose
to take a close up because I feel
after seeing the strength of the
structure from afar, it’s time to
show that same strength from
up close as well! While looking
up close, you see that it, in fact,
appears to be just as strong as it
appears to be! I also wanted to
catch the shadow of the divot
because I know from afar, I
could not identify what was in it.
Up close, it is just the same – a
mystery as we are unsure of
what may be hidden in the
shadows of this strength.

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Art 21 project

  • 1. Hayan Kim ARTT 103 Daniel Reismeyer D8/7/14
  • 2. Adam’s work here demonstrates that everyone, no matter how old, will always have a sense of admiration. This couple here takes time to look up to adore something out of our sight. The amusement on their faces and the fact that they stopped to admire what was above and out of sight.
  • 3. I enjoyed the way that Adams had captured the body image of those who are in the midst of adoration. I took this photo while doing another project and thought it paired perfectly. Although on a moving walkway, we find our subject here standing in a total relaxed state to admire the lights above as well as at the end of the hallway. I chose to follow Adams’ take on using black and white to take the view back to a nostalgic state. Because my subject’s face is hidden, I tried to portray the same sense of mystery portrayed in his original Untitled (1981). While in his, we wonder what the couple is looking at, here we can wonder at what exactly our subject is admiring.
  • 4. Elanor Antin used this photo to highlight the homeless as they wander on the streets with efforts to find a home. Here shows a man sitting on a couch and on Solona Beach, California where Antin named him King of this beach. He is the only one present and judging by the layers of clothes he has on, it’s during the cold season when no one would be found on the beach.
  • 5. After seeing how solemn Antin’s The King of Solana Beach turned out to be, I was inspired to create a similar photo – but with a different take. This photo was taken in Ocean City the other week where a young boy was charismatically playing his Ukulele. What you can’t see is the crowd going wild for him on the sides. I like this picture because the young boy contrasts the old man as they both sit on the empty beach road. I wanted to create a photo to counteract Antin’s.
  • 6. Ursula Von Rydingsvard mentioned that this piece was especially fun to make! She wanted to give it anxious movements, but in an organized and regulated manner. Her sculptures are meant to mimic her family’s heritage in pre- industrial Poland before WWII. This piece overall shows significant movement and seems so strong and so sturdy. To me, this piece resembles strength and mystery, as each divot holds a darkness I cannot see through.
  • 7. I took this photo because I was inspired by Von Rydingsvard’s Doolin Doolin. After seeing it from afar on the Art21 website, I found this matter similar to what was in her photo. I chose to take a close up because I feel after seeing the strength of the structure from afar, it’s time to show that same strength from up close as well! While looking up close, you see that it, in fact, appears to be just as strong as it appears to be! I also wanted to catch the shadow of the divot because I know from afar, I could not identify what was in it. Up close, it is just the same – a mystery as we are unsure of what may be hidden in the shadows of this strength.