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Area of Study 4

Capercaillie ‘Skye Waulking Song’


Time signature is 12/8

Structure – the piece can be divided into two sections.

Instruments – Bouzouki, Uilleann pipes, flute, fiddle, accordion, acoustic
guitar, electric bass, drumkit, synthesizer, bodhran.

There are nonsense lyrics. Oral tradition.

The melody is pentatonic.

Tonality – The first section is in E minor. Moves between the chords of Em and
G

The second section (verse 4) has the chords:

||: C         |G          | Em        |C           :||

Instrumental section – the fiddle and uilleann pipes play a melody together
with small variations (heterophonic).



Koko ‘Yiri’


Koko are a band from Burkina Faso

African music will often feature:

Call and response

Repetition (use of ostinato)

Polyphony/polyrhythms
Improvisation

Instruments – Djembe, Donno (talking drum), Dundun, Balafon,
Voices

The piece is in Gb major.

Begins with a solo balafon. This is a monophonic texture. This is
joined by a second balafon. They play a similar part. This is
heterophonic.

Talking drums and djembes enter and play a repeated rhythm. This is
maintained throughout (one quaver followed by two semiquavers).

Voices sing in unison at some points and call and response at others.

The balafons have improvised solos.



Rag Desh


Structure –

Alap– Opening section. No tempo. Explores the notes of the rag.

Jhor – Tempo introduced. Still fairly slow. Melody is improvised.

Jhalla – Slightly faster. Still uses improvisation.

Gat/Bandish/Bhajan – Prepared melody. Final section in
instrumental music is the gat. If there are vocals this is known as
either bandish/bhajan. There may still be improvisation.

Instruments – Sitar, sarod (lower range than sitar), sarangi (bowed),
esraj (bowed), tabla (two small drums), bansuri (wooden flute),
tambura (plays the drone), pakhawaj (drum), cymbals
Key words

Tala – rhythmic cycle

Rag – scale in Indian music

Mind (pronounced ‘meend’) – note bending

Sam – the first beat

Rasa – mood of the piece

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Area of Study 4

  • 1. Area of Study 4 Capercaillie ‘Skye Waulking Song’ Time signature is 12/8 Structure – the piece can be divided into two sections. Instruments – Bouzouki, Uilleann pipes, flute, fiddle, accordion, acoustic guitar, electric bass, drumkit, synthesizer, bodhran. There are nonsense lyrics. Oral tradition. The melody is pentatonic. Tonality – The first section is in E minor. Moves between the chords of Em and G The second section (verse 4) has the chords: ||: C |G | Em |C :|| Instrumental section – the fiddle and uilleann pipes play a melody together with small variations (heterophonic). Koko ‘Yiri’ Koko are a band from Burkina Faso African music will often feature: Call and response Repetition (use of ostinato) Polyphony/polyrhythms
  • 2. Improvisation Instruments – Djembe, Donno (talking drum), Dundun, Balafon, Voices The piece is in Gb major. Begins with a solo balafon. This is a monophonic texture. This is joined by a second balafon. They play a similar part. This is heterophonic. Talking drums and djembes enter and play a repeated rhythm. This is maintained throughout (one quaver followed by two semiquavers). Voices sing in unison at some points and call and response at others. The balafons have improvised solos. Rag Desh Structure – Alap– Opening section. No tempo. Explores the notes of the rag. Jhor – Tempo introduced. Still fairly slow. Melody is improvised. Jhalla – Slightly faster. Still uses improvisation. Gat/Bandish/Bhajan – Prepared melody. Final section in instrumental music is the gat. If there are vocals this is known as either bandish/bhajan. There may still be improvisation. Instruments – Sitar, sarod (lower range than sitar), sarangi (bowed), esraj (bowed), tabla (two small drums), bansuri (wooden flute), tambura (plays the drone), pakhawaj (drum), cymbals
  • 3. Key words Tala – rhythmic cycle Rag – scale in Indian music Mind (pronounced ‘meend’) – note bending Sam – the first beat Rasa – mood of the piece