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- 1. Hi.
- 2. Fernando Gonzalez Reyes A r c h i t e c t PORTFOLIO Selected works Selected works 2012 - 2023 2012 - 2023
- 3. ABOUT ME I’m Fer, a dreamer, a perfectionist, a team player known for my crafty innovations and my ability to remain focused working under pressure. I believe in hard work because it is just so fun and fulfilling. Ibelieveintruelove.Mydesignthinkingisaboutresolveproblems,findsolutionsandcreatemanufacturing processes in order to refresh a retailer’s brand identity (Graphic art), product development (industrial designandmanufacture)orplanningconstruction,thethriveresultin,itscalledArchitecture.Itisimportant to understand what people like’s and surprise them with something more, striving to make everyday places that people occupy more inspiring, more resilient and more impactful. It is our essential humanity that moves us to do good.The approach experience of space discovering brings happiness to the inhabit human spirit. ABOUT ME
- 4. FERNANDO GONZALEZ REYES Architect MAJOR PROJECTS_ 2010 - 2012 SEDEREC, Secretaría de Desarrollo Rural y Equidad para las Comunidades, Mexico City: Government Funded Urban Agricultural Project , Architecture Specialist Green House Designer, Xochipilli Team from 2015 Hongomex, Huautla de Jimenez and Puerto Escondido, Oaxaca, Mexico: Industrial, Brand and Front-end Designer, Mushroom Farm Company July 2015 Play Farm, Marcolla, Oregon, USA: Landscape Mapping Designer May 2016 DACC | Daegu Architectural Culture Confederation, SIAC | Suncheon International Architecture Competition, Suncheon, South Korea: Architect June 2017 Happy Pastures, Rochester Hills, Michigan, USA: Brand Designer October 2017 Cornerstone Industrial, Rochester Hills, Michigan, USA: Architectural Draft and Construction Planning Project, BIM Model April 2018 Caosmovision | Urban Arts Fusion Platform Project, Mexico City: Cultural Project Producer Sep 2021 Wowtla Housing, Huautla de Jimenez, Oaxaca, Mexico: (In Process) Site Topography Survey, Architectural Draft and Construction Planning Project, BIM Model May 2023 DHL | Aeropuerto Internacional Felipe Angeles | AIFA | Mexico City: Electric and Plumbing MEP System Designer, BIM Model SOFTWARE PROFICIENCY_ AutoCad Rhinoceros Adobe Creative Suite Unity Revit Grasshopper Quartz Composer Atom Archicad 3D Studio Max Touch Designer Modul8 Sketch Up Pro Cinema 4D Painter Mad Mapper Ecotect V-Ray Office Suite Pro Tools INTERESTS_ Cinema, Filming, Fine Arts, Graphics & Music Scoring, Industrial Design, Welding, Geography, Mycology and Mountain Biking. Victoria 94, 06000, Centro, + 52 (55) 5495 6303 arq.gorefer@gmail.com Mexico City Adress | Mobile | e-mail | Full Command Spanish | English LANGUAGES_ CONTACT_ EDUCATION BACKGROUND_ From 2007 to 2012 UNITEC, Universidad Tecnologica de Mexico, Mexico City: Bachelor of Arts & Sciences, Major in Architecture From 2021 to date FERMATTA, Centro Universitario de Musica, Mexico City: Master in Sound Design & Music Scoring for Film, TV & Video Games PROFESSIONAL DEVELOPMENT_ December 2014 UNAM, Universidad Nacional Autonoma de Mexico, Mexico City: Easel Painting Praxis Workshop November 2016 University of Colorado, United States: Fundamentals of Global Energy Business May 2017 EIT Digital: Software Architecture for the Internet of Things September 2017 Hong Kong University of Science and Technology, China: HTML, CSS and JavaScript September 2018 CENART, Centro Nacional de las Artes, Mexico City: ABC for the Cultural Projects Creation
- 5. T A B L E O F C O N T E N T S 00 XOCHIPILLI 01 HONGOMEX 02 PLAY FARM 03 SIAC 04 HAPPY PASTURES 05 CORNERSTONE INDUSTRIAL 07 CAOSMOVISION 08 DHL - AIFA URBAN AGRICULTURE 2D DRAFT BRAND INDUSTRIAL FRONT-END DESIGNER LABEL LANDSCAPE MAPPING 2D DRAFT ART VISITOR CENTER BIM MODEL BRAND DESIGNER GRAPHIC DESIGN HOME ADDITION BIM MODEL PRODUCER ART EXHIBITION BIM | MEP DESIGNER BIM MODEL 2 0 1 2 - 2 0 2 3 S E L E C T E D W O R K S 06 WOWTLA HOUSING HOUSING CABIN RESORT BIM MODEL
- 6. Xochipilli Team, a group of enthusiastic young people, committedtocommunitydevelopment,socialparticipation andself-managedproductionfromasocialbasis.Thisproject wasaimedfortheintegrationanddevelopmentofourculture. Recognizing the social impact in addition to the above mentionedobjectives,ourgroupwentonthetaskofventuring into the cultivation of urban lettuces, working with the nutrientfilmtechnique,sincewewereawareoftheglobal foodcrisisthatcurrentlyprevailswewereconvincedthat urbanagricultureisthemeansthroughwhichnotonlyisthe supplyoffresh,healthyandqualityfoodguaranteed,butalso promotessocialorganization,collectiveself-management, cooperativerelationsandsolidarityorganization,aswellasa reductioninecologicalimpactduringitsproduction,inorder topromoteandfosteracultureofsustainabledevelopment. URBAN AGRICULTURAL PROJECT XOCHIPILLI TEAM 2D DRAFT TYPOLOGY l TEAM l LOCATION l PERIOD l SIZE l Urban Agriculture Xochipilli Calle Hamburgo No. 43, Colonia Juárez, Alcaldía Cuauhtémoc, Mexico City. 2010 - 2012 46 m2 00 | GOVERNMENT FUNDED URBAN AGRICULTURAL PROJECT | XOCHIPILLI TEAM “Agriculture is a path of spiritual fulfillment, a way where the human being can find its true dimension on this planet“ Masanoby Fukoka 10 | 11
- 7. CUSTOM LABEL FOR MEDICINAL CAPSULES BOTTLE Ihavecreatedtheproductslabelvisualdesignofthecompany whichrevitalizedtheimageoftheproductsandtriple-sizedthe sales around the country. Thecombinationofinformationandtraditionweretheleading pathtoinnovatewiththegraphicimagedesigncompositionfor thelabels,thekeyelementtofitthecompanyrequirements beside its clients needs. PRODUCT LABEL DESIGN HONGOMEX TEAM GRAPHIC DESIGNER TYPOLOGY l TEAM l LOCATION l PERIOD l QUANTITY l Branding Design Hongomex Carretera Maria Sabina S/N, Huautla de Jiménez, 68500, Oaxaca, Mexico From 2015 Eighteen product labels Labeling data features: • 18labelsmadewithanancientinkpaintingbackground,showingbamboosticks,thisChinesetechniqueit’scalledXieyi,meaning“freehand”,usuallyusedinlandscapes. • Company’s name and logo. • Each label show’s up the picture and type of mushroom which the capsules are made from, as well with different formulas. • Quantity and weight of capsules each bottle contains. • Medicinal properties table. • Company’s Information: address, phone number, website and e-mail address. • Recommended dose. • USDA, United States Department of Agriculture, organic product seal. • QR code which leads to the company website. • Barcode, enabling to sell the product in any store. 01 | 1.1 PRODUCT LABEL DESIGN FOR MEDICINAL FUNGI CAPSULES | HONGOMEX TEAM LABELS 12 | 13
- 8. Afteraperiodoftestingwithapreviousequipment,Idesignedanewstainlesssteeltablefor thecolumnmushroominoculatingprocess,whichincreasedthefarmharvestingstorage capacityofferinggreaterimpermeabilityallowingthefungustoreproducebetterbecause itpreventsthelodgingofbacteriathatcaninfectmushroomreducingitsreproductive capacity,bydoingso,theproductivityandqualityforediblemushroomswereincreased. STAINLESS STEEL COLUMN MUSHROOM INOCULATION TABLE DESIGN HONGOMEX TEAM INDUSTRIAL DESIGN & MANUFACTURE TYPOLOGYl TEAM l LOCATION l PERIOD l QUANTITY l Industrial Design Hongomex Carretera Maria Sabina S/N, HuautladeJiménez,68500,Oaxaca,Mexico From 2015 A two-piece table STAINLESS STEEL COLUMN MUSHROOM INOCULATION TABLE ELEVATION STAINLESS STEEL COLUMN MUSHROOM INOCULATION TABLE PLAN 01 | 1.2 STAINLESS STEEL COLUMN MUSHROOM INOCULATION TABLE DESIGN | HONGOMEX TEAM TABLECAP HANDLE HANDLE MANUFACTURING Placed on mushroom farm Growing and harvest inside the mushroom farm 14 | 15
- 9. Thecompanyrequiredtorefreshtheirimagewithanewwebsite inordertopromotetheirproductsintoawiderrangeofclients sowetookthedecisiontotakeitonestepfurthermaking forthemafront-enddesignwebsitewhichnotjustincluded itsproductsbutaswell,thepossibilitiestogiveworkshops tobeannouncedoverthewebsite,makingasobererbut alsomoreimpactfulpresentation,addingamoreinteractive websitewiththeirownphotographsandgraphicdesign. FRONT END WEBSITE DESIGN HONGOMEX TEAM FRONT-END DESIGNER TYPOLOGY l TEAM l LOCATION l RELEASE DATE l WEBSITE l Front-end Design Hongomex A.P.#17,PuertoEscondido,71980,Oaxaca,Mexico August 2017 www.hongomex.com FRONT PAGE Website navigation features: • Menu front page • About page • Services page • Products page, this link contains five more sub pages for direct product finding • Where to buy • Contact • More info, this link contains two more sub pages for different topics • Shopping cart 01 | 1.3 FRONT-END WEBSITE DESIGN | HONGOMEX TEAM Front page and master About page Products page link to sub page, dried mushrooms Products link to sub page, capsules Productslinktosubpage,specialformulas Productslinktosubpage,specialproducts Where to buy page Contact page More info page Shopping cart page link to store website 16 | 17
- 10. IhavecreatedthelandscapemappingdesignforPlayFarm, touristicresort,tobeusedasaguidetoitsvisitors,providinga suitableconcepttotherequireduseofit’sguest’sasathematic resort. LANDSCAPE MAPPING DESIGNER PLAY FARM 2D DRAFT TYPOLOGY l TEAM l LOCATION l PERIOD l Landscape Mapping Play Farm 39633WendlingRoad,Marcola,97454,OR,North America April 2015 02 | LANDSCAPE MAPPING DESIGNER | PLAY FARM Play Farm, Tipi Play Farm custom map 18 | 19
- 11. 03 | ART VISITOR CENTER | SIAC SUNCHEON INTERNATIONAL ARCHITECTURE COMPETITION In collaboration with: Pascual Reyes, Engineer, Principal Completions Advisor, Schlumberger, USA. Taowastheconceptandthepointofdeparture;onecirclewas drawnfirst,thenasecondcircleintercalatedwiththefirstoneand athirdcirclealsointerposedtotheprevioustwo.Thisgeometric figureyieldedanellipticalorovalshapethatwasthebaseforthe ArtPlatform.Theprofilewascarvedtoharmonizethebuilding withthetopographyofthezonewheretheArtPlatformislocated andwherethemountainsfeaturethelandscapeoftheplace. ART PLATFORM SIAC BIM MODEL TYPOLOGY | COMPETITION | LOCATION | PERIOD | WEBSITE | Cultural Center - Museum SIAC | Suncheon International Architecture Competition DACC | 27, Apsansunhwan-ro 89-gil, Nam-gu, Daegu, 42490, Rep. of KOREA. May 2016 http://www.siac.kr Art Platform top view, City of Suncheon Details: F.L. Floor Level 1. ART & VISITOR CENTER 2. PARKING 3. THE NEW YEONJA - RU 4. CAFETERIA Project Composition TheArtPlatformisconceivedtobeaplacethatencouragesthegatheringofpeoplearound multiplemanifestationsofart;music,sculpture,theater,painting,amongotherperformers. Thespaceisapportionedtoattractboth,urbanartistsandthemoreformalexpressionsof artandculturetobeexhibitedinthehallsofthemainbuilding.SuncheonArtPlatformwas designedtobeatthecenterofthespaciousSiteAnearbythecafeteriaandtheYeonja-Ru. Underground Amphitheater Exhibition Ramp Administrative Area Permanent Exhibition Hall Curatorship Lobby Coffee shop Contemporary Exhibits Yeonja-Ru Terrace Parking Cafeteria Underground Level 03 Underground Level 02 Underground Level 01 Exhibition Ramp Permanent Exhibition Hall Exhibitions Repository Temporary Exhibits Hall Staircase Staircase Staircase Staircase Staircase Utilities Room Groceries Women’s Restroom Surveillance Women’s Locker Room Women’s Restroom Lounge Lecture Terrace Women’s Restroom Curatorship Management Department Women’s Restroom Coffee shop Contemporary Exhibits Women’s Restroom Parking Underground Level 03 Underground Level 02 Underground Level 01 Yeonja-Ru Terrace Staircase Underground Amphitheater Control Room Backstage Machinery Room Maintenance Staircase Staircase Staircase Staircase Emergency Exit Personnel Access Stage Front Desk Lobby Gallery Access Utilities Room Exhibits Terrace Box Office Wardrobe Permanent Exhibition Hall Exhibition Ramp Contemporary Exhibits Panoramic View Environment Terrace Environment Terrace Environment Terrace Utilities Room Utilities Room Janitor Utilities Room Parking Underground Level 03 Underground Level 02 Underground Level 01 Underground Tunnel Connection 20 | 21
- 12. 03 | ART VISITOR CENTER | SIAC SUNCHEON INTERNATIONAL ARCHITECTURE COMPETITION Site A. Art & Visitor Center The building is oriented such that the exhibition area is located in the most prominent position in the Art Platform. Conceived to be an urban sculpture theexhibitionspaceislocatedtowardstheNorthwhiletheSouthconcentratesotheramenitiesincludingthesouvenirsstore,educationcenterandadministrationarea. Thenumerousterracesallowthevisitortoappreciatethemagnificentoutdoorslandscapethatcharacterizesthewestsideofthebuilding,besides,thevisitor canappreciatetheoutdoorexhibitionspacelocatedintheadjacentplaza.Theeastsidecountswithalargeviewpointthatenablestheguesttoenjoytheview of the neighboring commercial district. Closely related to the educational center, the underground is filled with a multi- functional amphitheater, home of multiple cultural manifestations that embrace music concerts, movie theater, drama performances or other public meetings.The architectural deployment of the buildings is planned to interconnect them in complete harmony with the remarkable mountainous topography that surrounds the Suncheon Valley. Thebuildingfacadesfinishconsistsof“rainscreen”aluminumpanelsthatprovideabeautifulchromaticeffectthatresemblesacrystal-clearreflexofrunningwater. Thisbuildingcomplexisalsoconceivedtoprotecttheenvironment;theinstallationofsolarphotovoltaicpanelsandsuitablebatteriescanmakethisfacilityaCO2neutralstructure, leading the way to a modern, environmentally friendly City of Suncheon. Staircase Underground Amphitheater Control Room Backstage Machinery Room Maintenance Staircase Staircase Staircase Staircase Emergency Exit Personnel Access Stage Front Desk Lobby Gallery Access Utilities Room Exhibits Terrace Box Office Wardrobe Permanent Exhibition Hall Exhibition Ramp Contemporary Exhibits Panoramic View Environment Terrace Environment Terrace Environment Terrace Utilities Room Utilities Room Janitor Utilities Room Exhibition Ramp Permanent Exhibition Hall Exhibitions Repository Temporary Exhibits Hall Environment Terrace Environment Terrace Environment Terrace Shop/Store Communication Department Management Department Coffee shop Contemporary Exhibits Exhibits Terrace Emergency Stairs Emergency Stairs Emergency Stairs Backstage Maintenance Janitor Man’s Locker Room Temporary Exhibits Hall Staff Kitchenette Database Systems Regional Agency Exhibition Ramp Permanent Exhibition Hall Curatorship Administrative Area Coffee shop Contemporary Exhibits Emergency Stairs Emergency Stairs Emergency Stairs Emergency Exit Emergency Stairs Emergency Stairs Emergency Stairs Emergency Exit Amphitheater Access Stairs Surveillance Permanent Exhibition Hall Exhibition Ramp Contemporary Exhibits Panoramic View Stairs Stairs Trash Gathering Room Repository Repository Contemporary Exhibits Repository Art Platform, conceived to be an urban sculpture. Lobby High Ceiling View Permanent Collection Exhibition Space Level 2 Temporary Exhibition Level 4 Temporary Exhibition Space Level 1 Permanent Collection Exhibition Space Level 2 Permanent Collection Exhibition Space Level 2 22 | 23
- 13. 03 | ART VISITOR CENTER | SIAC SUNCHEON INTERNATIONAL ARCHITECTURE COMPETITION The New Yeonja-ru, east side facade Parking The parking is composed of three underground levels with capacity for 135 vehicles, from which 5 are dedicated to handicapped space in a total of 2140 m2 area. The parking space physically connects with the undergroundshoppingareaadjacenttotheArtCenter. Thedesignintendstoreinvigoratethedynamismofthe shoppingspaceinconjunctionwiththenewArtfacilities. Site B ThisspacewasconceivedinharmonytoconnectwiththeSitesAandC,which enables the peaceful and quiet enjoyment of the Ok Stream to the South. The New Yeonja-Ru Thisarchitecturalpiecewasdesignedtobeanopenspacewith74.6m2surface thatthevisitorcanaccessthroughwidespreadrampsthatleadtovariousterraces comprehendedatdifferentheightsthatcanprovidediversestandpointstothevisitors. Cafeteria Thevisitorswhoarewillingtotakeabreakfromtheirvisitandenjoyalightmealor justacupofcoffeeorteacanproceedtothecafeteria,whichcountswith195.6m2 ofspaceandislocatedinthesiteB.Thisfacilitywasdesignedinmodulesthatallow, notonlytheeventualexpansionofthecafeteria,butalsotheloading,unloading andfoodprocessingseparatefromthedinningroomwherethecustomersare greeted and served. Parking Underground Level 03 Underground Level 02 Underground Level 01 Underground Tunnel Connection Parking Underground Level 03 Underground Level 02 Underground Level 01 23 | 24
- 14. The Tao gives birth to one, one gives birth to two, two gives birth to three, three gives birth to all things. Lao tzu 03 | ART VISITOR CENTER | SIAC SUNCHEON INTERNATIONAL ARCHITECTURE COMPETITION
- 15. 04 | BRAND STRATEGY | HAPPY PASTURES During this project, I went through the process of discovering ideas to portrait the spirit of the company, according to their business type and company name, I worked on their branding strategy, creating their company logos, one for product commercialization under a market place trader, besides this, I helped the company as consultant for the information contained in the promoting brochure, which gave them an image and the ability to display their products to every potential customer hand on hand, supporting the company with any further step on the way of their brand identity. GRASSFED BEEF COMPANY BRAND STRATEGY HAPPY PASTURES GRAPHIC DESIGNER TYPOLOGY | COMPANY | LOCATION | PERIOD | Branding Design Happy Pastures 1150 Bloomer Rd, Rochester Hills MI, 48307, North America From May 2017 BRAND LOGO Logotype for the Graze Meat Co. trader market URL: https://www.grazemeatco.com/ Facebook: https://web.facebook.com/grazemeatcompany/?_ rdc=1&_rdr Happy Pastures, Brand Label. 27 | 28
- 16. Inside brochure Outside brochure 04 | BRAND STRATEGY | HAPPY PASTURES | BROCHURE 29 | 30
- 17. 05 | CONSTRUCTION PLANNING PROJECT BIM MODEL | CORNERSTONE INDUSTRIAL In collaboration with: Ron Carnwath, Cornerstone Industrial President & CEO USA. WorkingforCornerstoneIndustrialwasawonderfulchallenging experiencewhichhelpmetolearnandunderstandanother techniquefromtherangeofconstructionandarchitecture. Myroleonthisconstruction-designadditionworkingwiththe leaderoftheteam,wastohelphiminmakingtheBuilding InformationModeling(BIM),whichinvolved,partialdemolition andconstructionprojectofhishouse.Thegenerationofthe presentdigitalrepresentationsenabledtouncovermorefunctional characteristicsofinfrastructureandconstructiontoplanand manage the project more efficiently. CONSTRUCTION PLANNING PROJECT BIM MODEL TYPOLOGY | COMPANY | LOCATION | PERIOD | WEBSITE | Home Addition Cornerstone Industrial 1150 Bloomer Rd, Rochester Hills MI, 48307, North America August 2017 http://www.cornerstoneindustrial.green Style and Transition TheinfluenceofVictorianarchitectureandtheStickstylearetheremainingelementsthatgave birthtothe“Americanfoursquare”,thisstyleincorporateselementsofthePrairieschooland theCraftsmanstylesaswell.Itisalsosometimescalledthetransitionalperiod.Thiscontribution ofelementssatisfiesthefunctionalityandtheornamentalaestheticsforthecurrentwayof constructionoverNorthAmerica.Theconstructionprocessleadsmetoshowthetransition fromtheexistingresidencetothefutureextentofthebuildingwhichamplifiesthedomestic functionalityofthehouseasindicatedondrawings.Inthiscasescenario,drawingswererequired tosuittheconstructionintent,tocorrectlyascertainthescopeoftheservicesandtoincludeall pertinentcostsduringconstructionsotheindicatedstructurescanbedemolishedandbuildin an orderly and careful manner. HOME ADDITION SITE PLAN 31 | 32
- 18. 05 | CONSTRUCTION PLANNING PROJECT BIM MODEL | CORNERSTONE INDUSTRIAL MASTER BEDROOM CLOSET 3 CAR GARAGE BASEMENT HALL BATHROOM LAUNDRY DINING BASEMENT STAIR LIVING RM PORCH MASTER BEDROOM DRIVE WAY PORCH BASEMENT HALL FRONT DOOR PORCH DINING BASEMENT BATHROOM CLOSET MASTER BEDROOM BASEMENT 3 CAR GARAGE 33 | 34
- 19. North Side Facade Axonometry Roof Trusses Structural Building Perspective Axonometric Building Section Ceiling Joists, Sky view Sheating and Trusses Section Floor Joist + Bridging Facade Section Perspective Ceiling beam (Ground Floor), Floor Joists + bridging (Basement) Facade Section Perspective Trusses (Ground Floor), Floor Joists + bridging (Basement) Facade Perspective Siding and stone (Ground Floor), Window well enclosure (Basement) Facade Perspective Ground (Ground Floor), Plumbing system (Basement) Facade Perspective BIM MODEL 35 | 36 05 | CONSTRUCTION PLANNING PROJECT BIM MODEL | CORNERSTONE INDUSTRIAL
- 20. SOIL BASED ARCHITECTURE PROJECT PROPOSAL WOWTLA HOUSING | CABIN RESORT GATEAWAY BIM MODEL TYPOLOGY | CUSTOMER | LOCATION | PERIOD | Off the grid Housing | Cabin Resort | Soil Based Architecture Ricardo J. Asbury Carretera Maria Sabina S/N, Agua de Estrella, Huautla de Jiménez, 68500, Oaxaca, Mexico. January - September 2021 to date. The topography and site environment condition dictates the design parameters of the cabin. (Site, North side, sky view, Agua de estrella, Huautla de Jimenez, Oaxaca, Mexico.) 06 | SOIL BASED ARCHITECTURE | WOWTLA HOUSING | CABIN RESORT GATEWAY Featuring a two story cabin of 48 m2 ground area, a cost effective, energy efficient, an off the grid location green design proposal from it’s local resources and specific needs. One inherent problem with building small is creating space that is comfortable to live in. This compact family design proposalaimstokeepthecostsandenvironmentalimpactto aminimumandstillcreatecomfortablelivingspace.Ifindthat, in particular, double height ceilings and strategically placed windows make even very small cabins feel comfortable. The layout of this design is more like that of a small house than a cabin.Itincorporatesafullcentralkitchenaswellasafireplace and full bath, this cabin is a cozy year-round retreat, sleeping accommodationsforuptosixpeopleintwoprivatebedrooms, the loft gives some privacy to the sleeping accommodations and allows the first floor to have an open stretch of floor space , a porch, a terrace and a balcony accessible from the livingspaceand throughtheopenairpatioaccess.Thissetup offers a great view of the outdoors from the main living area. The traditional construction method of the place due to soil taxonomy (daub bricks). Agua de estrella is located at 1970 meters above sea level.The climate is warm and temperate.The rainfall in Huautla de Jimenez is significant, with precipitation even during the driest month. According to Köppen and Geiger climate is classified as Cfb. In a year, the precipitation is 2182 mm. In Huautla de Jiménez, the average annual temperature is 17.7 °C. Most of the communities that used soil for construction realized that it was possible to improve its original condition through the interaction of humidity and density. Water is the basis for the transformation of earth into constructive material, since it has the effect not only of altering the clays polarity, but also of causing movement within the mixture. Then, by means of certain conditions of fluidity, they can be adjusted for their use in an infinity of forms. Case study by Mechanical Percussion and Right Densification from daub performance. The technique was tested by stabilizing the soil with calcium hydroxide and subsequently densifying it. Tested against compression, retraction, absorption and weathering showed remarkable results in being able to increase its resistance and durability. The construction system known as rammed earth, adobe bricks, or bahareque (wattle and doub) uses only 12 or 15% humidity (liquid limit), and is dependent on the use of formwork to achieve adequate structural formation, a component that, in addition to confining a soil that tends to otherwise flow due to its low humidity, is indispensable to densify it in superimposed layers by means of the rammer’s blows. After several hours of compaction, the result is a very solid block, next to which other subsequent blocks are built that progressively build up the rows of a wall. As is known, the reaction that explains the composition of soil mixtures is more due to physical phenomena than a chemical one. The micelles that make up the composition of clay, develop forces of electrostatic attraction and repulsion that propitiate their reaccommodation and interaction with components of greater dimensions, such as silt, sand, gravel and additional aggregates, such as fibers. Therefore, one of the determining factors for the durability of earth construction systems, as well as in their coatings, is linked to the balance of the granulometry of its components. It is known that the slower and more homogeneous a drying process, the better the organization of the crystals inside the structures which makes them more resistant to both mechanical stress and possible weathering. In this way, both the internal force that clay confers onto the soil and the adherence to the preexisting layers are maintained, but the retraction that would naturally be generated by its presence is controlled by mechanical percussion.This means that the“fissure closure”, besides having an aesthetic or damage prevention function, guarantees the adequate densification of a material that, if it had been left to dry freely, would end up being fractured. Since ancient times, traditional adobe architecture has relied on its refined design to adequately repel different climatic threats as well as seismic movements. A very sutil but relevant behavior which had not manifested itself so dramatically, derives from the fact that, when seismic movements occur, concrete surfaces crack very easily due to their rigidity, while the adobe structures remain stable inside, as they have greater ductility, since they are joined with mortars that are also made with mud, they absorb significant deformations without cracking. The aim is to adapt traditional responses to current conditions, trying to make them accessible for nonspecialists to implement, and to use less water and offsite materials, so that processes are more ecological, economical and, above all, increase the resistance and longevity of the structures they are being used on. Taking into consideration the adequate cyclical exchange of air and water vapor that the earth needs to carry out with the environment.Thus the importance of quality of ductility, stability and continuity, combined with the thickness of earthen walls, defines their stability and resistance. In addition the interaction that users have historically had with their habitat has a notable impact on the effectiveness in construction, the knowledge associated with such construction has been kept alive by the continuity of intergenerational participation during these endeavors. Cultures of earthen constructionhavealwaysbeenbasedonthetransferoftechnologiesandinformallearningderivedfromtheroutinepracticeofbuildingandrepairing. Daub stability test. 36 | 37
- 21. 06 | SOIL BASED ARCHITECTURE | WOWTLA HOUSING | CABIN RESORT GATEWAY 1. Foundation Plan 5. Second Level Plan 6. Lenght Section 4. First Level Ceiling Plan 3. First Level Plan 2. Ground Floor Plan 7. Transversal Section BAHAREQUE, CONSTRUCTION WITH COB It is a system that is characterized by the use of hydrated and rested doub and wattle with a consistency similar to that used when making adobes or plasters. The builders take manageable portions of the material and sculpt them into manageable spheres with a diameter of between 10 to 20 cm, which are piled up and protected from the weather, so that they can later be taken to the construction site. As the material dries, it is tapped by hand, feet or with a wooden tool to densify it and make a continuous mass that transforms into a layer that will remain attached to the rest of the construction, constituting monolithic components. In this way, both the internal force that clay confers onto the soil and the adherence to the pre-existing layers are maintained, but the retraction that would naturally be generated by its presence is controlled by mechanical percussion. This means that the“fissure closure”, besides having an aesthetic or damage prevention function, guarantees the adequate densification of a material that, if it had been left to dry freely, would end up being fractured. Structures are composed of elements that interact dynamically, meaning that they are not mechanically compatible with rigid elements or joints that limit their autonomy of movement. The elaboration of mud balls, or masses not only makes the transfer and placement possible, but also acts as a sort of quality control with respect to the humidity, homogeneity and consistency required by the process. The quality of the walls, their arrangement in rows and the apparent presence of blocks produce walls that are remarkably similar to rammed earth structures. Recently, as this building technique has become“fashionable”in the field of bioconstruction, it has become known by its name in English: cob. A rigid structure will always be more vulnerable to external forces than a ductile one. This property can be derived from the shape of components, from their materiality and, in the case of structures, it can be achieved through the appropriate organization of systems, even though these naturally lack plasticity. This is what happens as a result of the superposition of layers. Even though they present differences in resistance or flexibility, if they are properly arranged, they can interact and form systems that behave as if they were ductile. These works are fully sustainable from the ecological, economic and socio-cultural point of view, because they are executed and conserved with highly abundant materials that are easy to manipulate by their own inhabitants. By using materials that are abundant in the region, low in water consumption, requiring minimal amounts of calcium hydroxide and local labor, which also has the benefit of recovering forgotten ancestral knowledge that, having sustained the life of complex societies throughout the world, has proven its efficiency resisting gravitational pressures and accidental stresses for centuries 3D Section of the house, walls made of wooden wattle and daub frames, timber load bearing and A frame roof. ARCHITECTURAL FLOOR PLANS SITE PLAN PERSPECTIVE A remarkable view of the horizon. 38 | 39
- 22. 07 | URBAN ARTS FUSION PLATFORM PROJECT | CAOSMOVISION By carrying out a community team project we got involved generating a versatile artistic frequency. We developed an artistic phenomenon interpreted as“CAOSMOVISION”, which participates through arts on fundamental objectives for a neighborhood community atmosphere, seeking to renew public spaces with the aim of promoting the expression and direction of urban popular culture; focused on the cultural and social issues that usually are involved in contemporary urban transformations as a consequence of economic and political processes.We believe in the strength that encourages us to reinvent ourselves in which art and culture are the fields of reflection and action to improve life quality. So we propose to experiment this search looking towards the past, the present and the future from the “Cosmovision” concept, its ethnic roots connection from the human being insight, and nature to the understanding of life interpreted as medicine and technology, connecting the community participation spirit from a scientific perspective, in this tangible cultural manifestation, we were prompt to join forces in a game-changing project merging several artistic disciplines such as visual arts, music, electronic and multimedia performance, into four stages, these public exhibitions were intended to fill with vigor our collective understanding because our differences were expanded to configure and reflect that: There Should Be No End To Experimentation. ARTS FUSION PLATFORM PROJECT CAOSMOVISION TYPOLOGY | TEAM | LOCATION | PERIOD | WEBSITE | Cultural Project Producer Caosmovision JaimeTorresBodet160Col.Sta.MaríalaRibera, Alcaldia Cuauhtémoc. C.P 06400 April 2018 http://www.caosmovision.com Custom flyer printing Mural paintings CommunityMural Art exhibition gallery OpenairArtexhibition Openairmovietheaterscreen Museography, gallery floorplan In our time there are many artists who do something because it is new; they see their value and their justification in this newness. They are deceiving themselves; novelty is seldom the essential. This has to do with one thing only; making a subject better from its intrinsic nature. Henri de Tolouse Lautrec Website and Four Stages Inordertopromoteandcallthegeneralpublic,Ibuiltafront-endwebsitewhichenabledalltheCaosmovisionproject informationtobereachedfromanywhere,besidesthewebsiteandallthemediainvolvedtopropeltheproject,wewerejust abletoproduceonlytwooftheintendedfourstagesduetothepoliticalelectoraltransitionoccurredinJuly2018,sadlythe Murals and the Mapping couldn’t be realized. Website front page Unfolding menu, displaying the four stages: • Art exhibition entitled“Esporadico Extravagante” (Esporadic Extravagant) • Mural Art entitled“Arte Urbano Ritual” (Ritual Urban Art) • Film projection entitled“Cinemagonia” (Cinemagony) • Mapping Projection entitled“Caosmocinema” (Cinemachaos) Unfoldingmenudisplayingtheartistandstaffregistration,thespecifiedinstructionsdocumentationdownloading forthedifferentartistscallssuchasthecollectiveartexhibition,themuralarts,andthemonumentalmapping. Unfolding menu for artist calls downloading documentation Unfolding menu for art exhibition gallery floorplan downloading documentation Unfolding menu for monumental mapping plan downloading documentation Art exhibition entitled“Esporadico Extravagante” (Esporadic Extravagant) Mural Art entitled“Arte Urbano Ritual” (Ritual Urban Art) Film projection entitled“Cinemagonia” (Cinemagony) Mapping Projection entitled“Caosmocinema” (Cinemachaos) FOUR STAGES Film projection movie list Mural Art flyer entitled“Arte Urbano Ritual”(Ritual Urban Art) Mapping Projection flyer entitled“Caosmocinema”(Cinemachaos) WEBSITE Audio system Projectiontower SkyView - Perspective Projection Axonometry Size Ratio Facade-MappingProjectionPlam Audio System MoorishKiosk Audio System Projection Tower Mural walls Exhibition Art Opening Elevation 40 | 41
- 23. 08 |DHL - AIFA | CARGO BAY | MEZZANINE ADDITION | MEP SYSTEMS BIM | MEP MEZZANINE ADDITION MEP DESIGNER | BIM MODEL TYPOLOGY | CUSTOMER | LOCATION | PERIOD | MEP Systems DHL - AIFA Mexico City Airport From 2023 DHL is the global leader in the logistics industry. Specializing in international shipping, courier services and transportation. I provide full-service drafting, 3D model, and MEP systems such as Electric and Plumbing in order to configure the charge and pressure needed for the Mezzanine addition to the DHL-AIFA (Felipe Angeles International Airport) cargo bay operations infraestructure. Current location, Mexico city Glazing 42 | 43 DHL - AIFA cargo bay perspective, Mexico city MEP | Electric Distribution System | MEZZANINE MEP | Electric Installation System | MEZZANINE A PANEL B PANEL C PANEL
- 24. 08 |DHL - AIFA | CARGO BAY | MEZZANINE ADDITION | MEP SYSTEMS MEP | Plumbing System Perspective 44 | 45 MEP | Plumbing System Perspective ZOOM IN MEP | Plumbing System Perspective | Domestic Cold Water and Sanitary Installation MEP | Domestic Cold Water MEP | Sanitary
- 25. FERNANDOGONZALEZREYESPORTFOLIO Mobile: +52 (55) 5495 6303 THE PLANTS WOULD TELL YOU HOW BY SITTING STILL YOU CAN FOLLOW YOUR INNER GUIDANCE AND FLOWER. ALTHOUGH EVENTS‘OUT THERE’ORCHESTRATE THE CHANGES, THEY MERELY LEAD YOU TO CULTIVATE A SHIFT OF AWARENESS‘IN HERE’. IF A WHEEL IS SET ON FIRE, THE ENERGY MAKES IT TURN AND IT WON’T STOP UNTIL THE FIRE BURNS ITSELF OUT. ALL WE NEED IS SOME BALANCE - AN EXERCISE IN“SLOWING DOWN.” e-mail: arq.gorefer@gmail.com Address: Victoria 94, Centro 06000, Cuauhtemoc, Mexico City