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According to Andrew Goodwin's book, there are several key features that distinguish a successful music video, including a strong relationship between the lyrics and visuals, distinctive styles and imagery for different genres, and frequent close-ups of the main artist. The document discusses how these points are important to consider when creating a music video, as the author and their group plan to incorporate these elements based on their genre of music.
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Music Video Theory
There are five key concepts to understanding music videos: through beats, narrative and performance, star image, relation of visuals to song, and technical aspects. Through beats involves interpreting the music by examining chorus, verses, and the artist's unique voice. Narrative and performance keep audiences interested by having the artist authentically mime or participate. Star image develops over time and influences video production. Relationships between lyrics, music, and visuals; close-ups; voyeurism; and references to other media are also important features. Music videos can interpret songs differently than just listening to lyrics.
Andrew goodwin
Andrew Goodwin identified 5 key aspects of analyzing music videos:
1) Genre characteristics and how they are portrayed visually
2) The deep relationship between music and accompanying visuals
3) How close-ups of artists are used to promote them
4) How media portrays a certain "star image" of an artist
5) How women are often objectified through the "male gaze"
Andrew goodwin
Music videos can illustrate, amplify, or contradict the lyrics and music of a song. Different genres tend to have their own visual styles that are explicit in their music videos. Successful music videos often include intertextual references, voyeurism, and individual artistic images that develop the artist's persona.
Theroy
According to Andrew Goodwin's theory, music videos tend to include characteristics of their genre, with indie videos featuring misty settings, pop videos featuring bright colors and upbeat dancing, and urban videos featuring graffiti walls and urban clothing. There are also relationships between the music lyrics and visuals in the video. The record label of the artist can have demands for the video as well, such as close-ups of the artist and a consistent visual style across their work.
Andrew goodwin’s theory
Goodwin's theory outlines that music videos demonstrate the genre's characteristics through their own style. Music videos also show the relationship between the visuals and lyrics of a song, as well as how the visuals amplify the music. Other common elements include the voyeuristic treatment of women, demands for shots of the artist from record companies, and references to other media like film and television. The document also discusses the challenges of finding music videos to compare for a song that mixes genres, like electronic and indie rock.
Question 1
- The document discusses Andrew Goodwin's 7 conventions for designing successful music videos: intertextuality, lyrics and visuals, genre, star iconography, close ups, music and visuals, and conventions.
- It provides examples for most conventions to illustrate how real music videos apply each one. For instance, it notes how the music video for "Do I Wanna Know" uses sound waves that match the song's instrumentation.
- The purpose is to analyze how a media product may use, develop, or challenge established conventions in the genre. The document aims to educate on Goodwin's theory for crafting music videos that fit expectations.
Andrew Goodwin’s Theory
Andrew Goodwin proposed that music videos demonstrate characteristics of their genre. For example, pop videos typically tell a story through narrative while hip-hop videos often feature wealth symbols like expensive cars and gold chains. Goodwin also stated that the visuals and lyrics of a video should relate to each other and the tone of the music. Finally, record labels aim to profit from music videos, so they will include close-ups of the artist to promote and sell the video.
Andrew goodwin’s rules task 1
Andrew Goodwin outlines several rules for creating effective music videos, including demonstrating genre characteristics, establishing relationships between the lyrics, music, and visuals, developing a consistent visual style for the artist, and potentially incorporating notions of looking or voyeurism. Some of his recommended techniques are using narratives to link lyrics and visuals, matching the tempo of the music to the pace of images, and creating intertextual references to other media to promote the artist.
Recommended
Music Video Theory
There are five key concepts to understanding music videos: through beats, narrative and performance, star image, relation of visuals to song, and technical aspects. Through beats involves interpreting the music by examining chorus, verses, and the artist's unique voice. Narrative and performance keep audiences interested by having the artist authentically mime or participate. Star image develops over time and influences video production. Relationships between lyrics, music, and visuals; close-ups; voyeurism; and references to other media are also important features. Music videos can interpret songs differently than just listening to lyrics.
Andrew goodwin
Andrew Goodwin identified 5 key aspects of analyzing music videos:
1) Genre characteristics and how they are portrayed visually
2) The deep relationship between music and accompanying visuals
3) How close-ups of artists are used to promote them
4) How media portrays a certain "star image" of an artist
5) How women are often objectified through the "male gaze"
Andrew goodwin
Music videos can illustrate, amplify, or contradict the lyrics and music of a song. Different genres tend to have their own visual styles that are explicit in their music videos. Successful music videos often include intertextual references, voyeurism, and individual artistic images that develop the artist's persona.
Theroy
According to Andrew Goodwin's theory, music videos tend to include characteristics of their genre, with indie videos featuring misty settings, pop videos featuring bright colors and upbeat dancing, and urban videos featuring graffiti walls and urban clothing. There are also relationships between the music lyrics and visuals in the video. The record label of the artist can have demands for the video as well, such as close-ups of the artist and a consistent visual style across their work.
Andrew goodwin’s theory
Goodwin's theory outlines that music videos demonstrate the genre's characteristics through their own style. Music videos also show the relationship between the visuals and lyrics of a song, as well as how the visuals amplify the music. Other common elements include the voyeuristic treatment of women, demands for shots of the artist from record companies, and references to other media like film and television. The document also discusses the challenges of finding music videos to compare for a song that mixes genres, like electronic and indie rock.
Question 1
- The document discusses Andrew Goodwin's 7 conventions for designing successful music videos: intertextuality, lyrics and visuals, genre, star iconography, close ups, music and visuals, and conventions.
- It provides examples for most conventions to illustrate how real music videos apply each one. For instance, it notes how the music video for "Do I Wanna Know" uses sound waves that match the song's instrumentation.
- The purpose is to analyze how a media product may use, develop, or challenge established conventions in the genre. The document aims to educate on Goodwin's theory for crafting music videos that fit expectations.
Andrew Goodwin’s Theory
Andrew Goodwin proposed that music videos demonstrate characteristics of their genre. For example, pop videos typically tell a story through narrative while hip-hop videos often feature wealth symbols like expensive cars and gold chains. Goodwin also stated that the visuals and lyrics of a video should relate to each other and the tone of the music. Finally, record labels aim to profit from music videos, so they will include close-ups of the artist to promote and sell the video.
Andrew goodwin’s rules task 1
Andrew Goodwin outlines several rules for creating effective music videos, including demonstrating genre characteristics, establishing relationships between the lyrics, music, and visuals, developing a consistent visual style for the artist, and potentially incorporating notions of looking or voyeurism. Some of his recommended techniques are using narratives to link lyrics and visuals, matching the tempo of the music to the pace of images, and creating intertextual references to other media to promote the artist.
MVA
The music video is filmed entirely in black and white, creating a mysterious atmosphere. There are both performance elements, with the band playing on a bus, and narrative elements, following a character who is comforted after boarding the bus. Throughout the video there are close-up shots of the lead singer that reflect the questioning lyrics. Stylistic elements like dark clothing and makeup reinforce the band's image. The live performance captures the intensity of the song, and fast cuts and lighting create energy matching the heavy beat.
Goodwin music video theory - RM
Andrew Goodwin identified several key features that are commonly found in music videos. These include relationships between the lyrics and visuals, music and visuals, genre characteristics demonstrated, close-ups of the artist, development of star iconography, inclusion of voyeurism, and intertextual references. Goodwin discussed these features in his 1992 book "Dancing in the Distraction Factory" and provided examples for each one.
Présentation emilie2
The document discusses the soundtrack for an unspecified project. It includes sections on the introduction, production, composition, and track listing. The track listing section lists Anton Monsted as the executive music supervisor and co-producer. Jay-Z is listed as the executive producer and featured on the track "100$ Bill".
Intro music video rm
The document provides an overview of music videos, including their purpose, history, and styles. It discusses how music videos originated as promotional tools for The Beatles in the 1960s. The spread of home video technologies in the 1980s helped music videos flourish as an industry. The document also outlines some common visual conventions and representations across different genres of music videos like rock, pop, and hip hop.
Andrew goodwin theory
Andrew Goodwin established a theory in his 1992 book "Dancing in the Distraction Factory" identifying six main elements that audiences observe in music videos. These elements are: 1) the relationship between lyrics and visuals, 2) the relationship between music and visuals, 3) genre-related style and iconography, 4) multiple close-ups of the artist, 5) voyeurism and focusing on the female body, and 6) intertextual references to other media. Goodwin's theory provides a framework for understanding how music videos engage audiences through illustrating, amplifying, or contradicting the music, lyrics, and artist's persona.
Question 1
The document discusses the conventions of music videos according to Andrew Goodwin. It summarizes that music videos typically demonstrate genre characteristics, have a relationship between music and visuals in terms of tone and atmosphere, include close-ups of the artist, reference notions of looking, and can include intertextual references. The response then analyzes how the student's own music video conforms to several of these conventions, including having visuals that reflect the tone of the music, including close-ups of the actor's face, and illustrating the overall story or narrative of the song.
Andrew Goodwin Music Video Theory
Andrew Goodwin's book "Dancing in the Distraction Factory" identifies six elements that are commonly featured in music videos. These elements include demonstrating genre characteristics, showing relationships between lyrics and visuals as well as music and visuals, including close ups and motifs of artists per record label demands, treating the female body in a voyeuristic way, and making intertextual references to other media. The book aims to bring these common elements to audiences' attention and assist music video directors in their work.
Music Video Theory
Goodwin's music video theory outlines 5 key features of successful music videos: 1) A strong relationship between lyrics and visuals, 2) Thought through beat, 3) Narrative and song performance, 4) Technical aspects like editing and effects, 5) Developing the star image. Visuals can illustrate, disjuncture from, or amplify the song's meaning. Technical elements like lighting create mood. The artist's involvement and unique star image engage audiences.
Andrew goodwin’s theory
Andrew Goodwin proposed that there are three ways music videos can relate to the song: illustration, amplification, and disjuncture. Illustration uses literal visuals of the song lyrics. Amplification builds on the lyrics' meaning through performance and narrative. Disjuncture intentionally ignores the song's content to create new meanings, often using abstract imagery that may not make sense.
Genre theory
Goodwin states that music videos use visuals to either illustrate, amplify, or contradict the lyrics of a song in order to strengthen the message being conveyed. The quote emphasizes that different music genres have their own styles and visual symbols associated with them, such as live performances for heavy rock music. The document discusses applying Goodwin's theories about relating visuals to lyrics and genre conventions to a music video being created for the J-pop song "Odds & Ends by Ryo," noting that animation is often used to depict fictional characters singing in that genre.
Music video analysis
The document analyzes the music video for Ed Sheeran's "The A Team" based on Goodwin's features of music video analysis. It finds that the visuals closely match the lyrics at several points. It also notes that the edits and music have the same pace. While Ed Sheeran is linked to many genres, the video does not focus on a particular style. It suggests the video tells the story of a girl from an outsider's perspective rather than involving the artist. Voyeurism is present as the video shows personal aspects of the girl's life falling into drugs and prostitution.
Andrew Goodwin
Andrew Goodwin proposed six main ideologies for analyzing music videos: 1) Demonstration of genre characteristics. 2) Relationship between lyrics and visuals. 3) Relationship between music and visuals. 4) Demands of the record label. 5) Notion of looking and voyeurism of the female body. 6) Use of intertextuality through references to other works. Examples are provided for each ideology.
Proposal
The document proposes a music video for the song "Sal Paradise" by the band The Crookes. It will be a hybrid concept, narrative, and performance video directed and produced by Hayden Yau. The video will follow a mysterious character wearing a cartoon mask and playing guitar as he walks looking for something. At the end, he removes his mask and guitar, becoming a different person. The goal is to create a unique video that appeals to the indie music audience of males aged 17-24 through an original story, shooting in a local area with both interior and exterior daylight shots to portray negativity through the grey, cold weather.
Andrew goodwin
Goodwin introduced 5 key aspects of music videos: 1) Narrative and Performance, 2) Thought beats, 3) The Star’s Image, 4) Relation of visuals to the song, and 5) Technical aspects. Narrative and performance give some information about the true narrative but videos should ignore common narratives. Thought beats involve seeing the sound structure and mode of address of the artist telling the audience a story. The star's image is a key recognizable aspect. The relation of visuals can illustrate, amplify, or create disjuncture from the song's meaning. Technical aspects like editing, camerawork, lighting, and mise-en-scene are important.
Example 1
This document summarizes Elliot Hogan-Keogh's presentation on the codes and conventions of music videos. It discusses several purposes and types of music videos, such as performance-based, narrative-based, and concept-based videos. It also examines how genre characteristics are demonstrated in videos, how lyrics and visuals relate, and how music and visuals synchronize. Specific examples are provided to illustrate techniques like cutting to the beat, focusing on the singer during choruses/repetition, and relating album artwork to video imagery. The document also discusses Andrew Goodwin's notions of "looking" in music videos through techniques like screens within screens and voyeuristic treatment of the female body.
My presentation 6
Our music video for the band focuses on showing the band playing their music, a common characteristic in rock music videos, and establishes a relationship between the lyrics and music with the visuals, as the band performs. The video features close-ups of the band members playing, as required by record labels, but does not include the random motifs or references to pop culture sometimes seen in Red Hot Chili Peppers videos, and instead aims for a sincere presentation of the performance.
U2 Presentation
The document summarizes the music video for U2's song "Where The Streets Have No Name". It describes how the video was filmed without authorization on the roof of a liquor store in LA and attracted a large crowd. During the shoot, U2 performed an eight song set before being shut down by authorities. The video captures the raw, unstaged events as they unfolded. It goes on to analyze camera shots and angles used in the video that highlight the band and fan interaction. The video was well received and won a Grammy for best music video.
Goodwin Theory
Andrew Goodwin developed a theory with 8 key parts for analyzing music videos: 1) Links between lyrics and visuals, 2) Links between music and visuals, 3) Genre characteristics, 4) Intertextual reference, 5) Notions of looking, 6) Voyeurism, 7) Demands of the record label, 8) Performance, narrative or concept-based styles. The theory states that lyrics should relate to visuals, visuals emphasize lyrics, and music links to visuals depending on genre. Genre also influences characteristics. Intertextual references draw from outside influences. Videos involve notions of looking into lives and voyeurism. Record labels demand artist appearances. Styles depend on genre and lyrics.
Andrew Goodwin theory
Todd Goodwin is a theorist and founder of USF's media studies department. He authored a book analyzing music videos and developed theories about codes and conventions in music videos. His work showed that visuals can illustrate, amplify, or contradict lyrics and music. Common conventions include demonstrating genre characteristics through repeated actions, using sexual imagery for voyeurism and wider appeal, including references to other media, and promoting artists' star quality through close-up shots. Goodwin's theories provided a framework for analyzing relationships between audio and visual elements in music videos.
Music video types
There are three main types of music videos: performance videos that primarily show the artist performing the song, narrative videos that tell a story through footage with or without actors, and conceptual videos based around a single idea that often require more editing and effects. Most modern videos contain elements of all three types. Andrew Goodwin identified six key features of music videos in his book "Dancing in the Distraction", including demonstrating genre characteristics, relating lyrics and visuals, relating music and visuals, including close-ups of the artist, frequent references to looking, and intertextual references to other works. Goodwin later outlined five aspects to consider when analyzing music videos, such as relating visuals to the song structure, portraying the narrative
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MVA
The music video is filmed entirely in black and white, creating a mysterious atmosphere. There are both performance elements, with the band playing on a bus, and narrative elements, following a character who is comforted after boarding the bus. Throughout the video there are close-up shots of the lead singer that reflect the questioning lyrics. Stylistic elements like dark clothing and makeup reinforce the band's image. The live performance captures the intensity of the song, and fast cuts and lighting create energy matching the heavy beat.
Goodwin music video theory - RM
Andrew Goodwin identified several key features that are commonly found in music videos. These include relationships between the lyrics and visuals, music and visuals, genre characteristics demonstrated, close-ups of the artist, development of star iconography, inclusion of voyeurism, and intertextual references. Goodwin discussed these features in his 1992 book "Dancing in the Distraction Factory" and provided examples for each one.
Présentation emilie2
The document discusses the soundtrack for an unspecified project. It includes sections on the introduction, production, composition, and track listing. The track listing section lists Anton Monsted as the executive music supervisor and co-producer. Jay-Z is listed as the executive producer and featured on the track "100$ Bill".
Intro music video rm
The document provides an overview of music videos, including their purpose, history, and styles. It discusses how music videos originated as promotional tools for The Beatles in the 1960s. The spread of home video technologies in the 1980s helped music videos flourish as an industry. The document also outlines some common visual conventions and representations across different genres of music videos like rock, pop, and hip hop.
Andrew goodwin theory
Andrew Goodwin established a theory in his 1992 book "Dancing in the Distraction Factory" identifying six main elements that audiences observe in music videos. These elements are: 1) the relationship between lyrics and visuals, 2) the relationship between music and visuals, 3) genre-related style and iconography, 4) multiple close-ups of the artist, 5) voyeurism and focusing on the female body, and 6) intertextual references to other media. Goodwin's theory provides a framework for understanding how music videos engage audiences through illustrating, amplifying, or contradicting the music, lyrics, and artist's persona.
Question 1
The document discusses the conventions of music videos according to Andrew Goodwin. It summarizes that music videos typically demonstrate genre characteristics, have a relationship between music and visuals in terms of tone and atmosphere, include close-ups of the artist, reference notions of looking, and can include intertextual references. The response then analyzes how the student's own music video conforms to several of these conventions, including having visuals that reflect the tone of the music, including close-ups of the actor's face, and illustrating the overall story or narrative of the song.
Andrew Goodwin Music Video Theory
Andrew Goodwin's book "Dancing in the Distraction Factory" identifies six elements that are commonly featured in music videos. These elements include demonstrating genre characteristics, showing relationships between lyrics and visuals as well as music and visuals, including close ups and motifs of artists per record label demands, treating the female body in a voyeuristic way, and making intertextual references to other media. The book aims to bring these common elements to audiences' attention and assist music video directors in their work.
Music Video Theory
Goodwin's music video theory outlines 5 key features of successful music videos: 1) A strong relationship between lyrics and visuals, 2) Thought through beat, 3) Narrative and song performance, 4) Technical aspects like editing and effects, 5) Developing the star image. Visuals can illustrate, disjuncture from, or amplify the song's meaning. Technical elements like lighting create mood. The artist's involvement and unique star image engage audiences.
Andrew goodwin’s theory
Andrew Goodwin proposed that there are three ways music videos can relate to the song: illustration, amplification, and disjuncture. Illustration uses literal visuals of the song lyrics. Amplification builds on the lyrics' meaning through performance and narrative. Disjuncture intentionally ignores the song's content to create new meanings, often using abstract imagery that may not make sense.
Genre theory
Goodwin states that music videos use visuals to either illustrate, amplify, or contradict the lyrics of a song in order to strengthen the message being conveyed. The quote emphasizes that different music genres have their own styles and visual symbols associated with them, such as live performances for heavy rock music. The document discusses applying Goodwin's theories about relating visuals to lyrics and genre conventions to a music video being created for the J-pop song "Odds & Ends by Ryo," noting that animation is often used to depict fictional characters singing in that genre.
Music video analysis
The document analyzes the music video for Ed Sheeran's "The A Team" based on Goodwin's features of music video analysis. It finds that the visuals closely match the lyrics at several points. It also notes that the edits and music have the same pace. While Ed Sheeran is linked to many genres, the video does not focus on a particular style. It suggests the video tells the story of a girl from an outsider's perspective rather than involving the artist. Voyeurism is present as the video shows personal aspects of the girl's life falling into drugs and prostitution.
Andrew Goodwin
Andrew Goodwin proposed six main ideologies for analyzing music videos: 1) Demonstration of genre characteristics. 2) Relationship between lyrics and visuals. 3) Relationship between music and visuals. 4) Demands of the record label. 5) Notion of looking and voyeurism of the female body. 6) Use of intertextuality through references to other works. Examples are provided for each ideology.
Proposal
The document proposes a music video for the song "Sal Paradise" by the band The Crookes. It will be a hybrid concept, narrative, and performance video directed and produced by Hayden Yau. The video will follow a mysterious character wearing a cartoon mask and playing guitar as he walks looking for something. At the end, he removes his mask and guitar, becoming a different person. The goal is to create a unique video that appeals to the indie music audience of males aged 17-24 through an original story, shooting in a local area with both interior and exterior daylight shots to portray negativity through the grey, cold weather.
Andrew goodwin
Goodwin introduced 5 key aspects of music videos: 1) Narrative and Performance, 2) Thought beats, 3) The Star’s Image, 4) Relation of visuals to the song, and 5) Technical aspects. Narrative and performance give some information about the true narrative but videos should ignore common narratives. Thought beats involve seeing the sound structure and mode of address of the artist telling the audience a story. The star's image is a key recognizable aspect. The relation of visuals can illustrate, amplify, or create disjuncture from the song's meaning. Technical aspects like editing, camerawork, lighting, and mise-en-scene are important.
Example 1
This document summarizes Elliot Hogan-Keogh's presentation on the codes and conventions of music videos. It discusses several purposes and types of music videos, such as performance-based, narrative-based, and concept-based videos. It also examines how genre characteristics are demonstrated in videos, how lyrics and visuals relate, and how music and visuals synchronize. Specific examples are provided to illustrate techniques like cutting to the beat, focusing on the singer during choruses/repetition, and relating album artwork to video imagery. The document also discusses Andrew Goodwin's notions of "looking" in music videos through techniques like screens within screens and voyeuristic treatment of the female body.
My presentation 6
Our music video for the band focuses on showing the band playing their music, a common characteristic in rock music videos, and establishes a relationship between the lyrics and music with the visuals, as the band performs. The video features close-ups of the band members playing, as required by record labels, but does not include the random motifs or references to pop culture sometimes seen in Red Hot Chili Peppers videos, and instead aims for a sincere presentation of the performance.
U2 Presentation
The document summarizes the music video for U2's song "Where The Streets Have No Name". It describes how the video was filmed without authorization on the roof of a liquor store in LA and attracted a large crowd. During the shoot, U2 performed an eight song set before being shut down by authorities. The video captures the raw, unstaged events as they unfolded. It goes on to analyze camera shots and angles used in the video that highlight the band and fan interaction. The video was well received and won a Grammy for best music video.
Goodwin Theory
Andrew Goodwin developed a theory with 8 key parts for analyzing music videos: 1) Links between lyrics and visuals, 2) Links between music and visuals, 3) Genre characteristics, 4) Intertextual reference, 5) Notions of looking, 6) Voyeurism, 7) Demands of the record label, 8) Performance, narrative or concept-based styles. The theory states that lyrics should relate to visuals, visuals emphasize lyrics, and music links to visuals depending on genre. Genre also influences characteristics. Intertextual references draw from outside influences. Videos involve notions of looking into lives and voyeurism. Record labels demand artist appearances. Styles depend on genre and lyrics.
Andrew Goodwin theory
Todd Goodwin is a theorist and founder of USF's media studies department. He authored a book analyzing music videos and developed theories about codes and conventions in music videos. His work showed that visuals can illustrate, amplify, or contradict lyrics and music. Common conventions include demonstrating genre characteristics through repeated actions, using sexual imagery for voyeurism and wider appeal, including references to other media, and promoting artists' star quality through close-up shots. Goodwin's theories provided a framework for analyzing relationships between audio and visual elements in music videos.
Music video types
There are three main types of music videos: performance videos that primarily show the artist performing the song, narrative videos that tell a story through footage with or without actors, and conceptual videos based around a single idea that often require more editing and effects. Most modern videos contain elements of all three types. Andrew Goodwin identified six key features of music videos in his book "Dancing in the Distraction", including demonstrating genre characteristics, relating lyrics and visuals, relating music and visuals, including close-ups of the artist, frequent references to looking, and intertextual references to other works. Goodwin later outlined five aspects to consider when analyzing music videos, such as relating visuals to the song structure, portraying the narrative
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3) Across all elements, we aim to reinforce the themes of being "torn" through subtle design choices while still maintaining clarity of information
Music video production
This document summarizes the production process for a music video. It describes how stop motion scenes were created in Serif Movie+ and exported to Adobe Premier for further editing. Various effects like black and white, page turns, blurs, split screens, dissolves, and fades were added to reinforce themes and ensure smooth transitions between scenes. The editing was refined based on audience feedback to improve the overall flow and storytelling of the video.
1 in what ways does your media product use
Our media product challenges conventions of real media products in the following ways:
1. Instead of a single picture of the artist, our CD cover uses recurring pictures of the artist becoming more shattered to show the effect of being torn.
2. The inlay leaves the background plain for the message and image to stand out, and adds credits not typically seen.
3. The CD adds a copyright around the edge not typically seen.
4. The back insert adds social media logos and uses the album's red color instead of the front's color.
5. The magazine ad uses two artist pictures in the same clothes and a QR code for mobile access.
6. The music video
2 how effective is the combination of your main
The document discusses ensuring connections between a main product and ancillary texts through consistent use of color, fonts, images, and mood. Off-white, blue, red, black, and dark reddish black are used throughout to link the CD cover, magazine advert, and other materials. Facial expressions and clothing depict sad emotions, and the black and white color scheme echoes the sad theme of the song and music video. A variety of shots and locations are used to show variety while maintaining the sad tone.
3 reasons for changes on storyboard
The document discusses changes made to a storyboard based on audience feedback. Scenes were moved, modified or replaced to improve the narrative and emotional impact. Effects and transitions were also adjusted. Feedback indicated that certain scenes were not effective so they were removed or redesigned to better engage the target audience.
3 what have you learnt from your audience feedback
The document provides feedback from an audience on various marketing materials for a music release, including the CD cover, inlay, back insert, magazine advert, music video, and more. The feedback suggested changes to things like colors, layouts, images, and text to make the materials more visually appealing and clearly convey the intended messages. Suggested changes included adding more color to the CD cover, rearranging elements on the back insert, adjusting colors on the magazine advert to fit the overall scheme, and splitting screens in the music video to show two scenes simultaneously.
4 how did you use new media technologies in
The document discusses the various new media technologies used during the planning, research, construction, and evaluation stages of a project. These included Blogger for blogging, USBs for storing files, Hotmail for email communication, Microsoft Word and PowerPoint for creating documents and slides, Slideshare for sharing presentations, Serif Movie+ for video editing, YouTube for uploading and sharing videos, Adobe Photoshop for image editing, Adobe Premiere for video editing, cameras for photographs and stop motion filming.
Production of the magazine advert 2
The document describes the process of producing a magazine advertisement. [1] The first stages involved cutting out an image, converting it to greyscale, and resizing it for the advert. [2] Additional layers were then added using brush tools to create a torn effect on the image. [3] Text and additional design elements like logos and a QR code were incorporated to complete the advert.
Production of the cd
The document describes the process of producing a CD. First, a CD template was downloaded and the color of the inlay was matched to the CD. Second, a dark red color was chosen for the background. Research found that most CDs include a copyright, so one was added and colored red to match the theme. Text was added using specific fonts and colors to be consistent with the CD cover design.
Production of the cd cover 2
The document describes the process of designing a CD cover. The designer began by getting the correct dimensions for the CD cover. They then cut out an image from a magazine advert and placed it on different layers on the CD cover file. The image was duplicated and adjusted to create a "torn" effect, which reinforced the album name. Text was added using fonts that stood out and related to the album name. Finally, the record label's logo was added to complete the conventional CD cover design.
Production of the inlay 2
The document summarizes the process for producing an inlay. First, the creator cut out an image of actors hugging from an album cover to use. They then matched the color of the inlay material to the album cover. Finally, the image was placed on the inlay, writing was added, and a credit was included at the bottom in a smaller font.
Production of the magazine advert 2
The document summarizes the process of producing a magazine advertisement. It involves several steps:
1. Cutting out a picture and converting it to greyscale to place on different layers.
2. Resizing the picture to the correct magazine size and choosing a color.
3. Adding a torn/ripped effect using a brush tool and adding layers with less tears and a drop shadow.
4. Adding text and logos, using different fonts like "Monotype Corsiva" and "Trash" to stand out.
5. Placing additional elements like a CD cover above text and adding effects like glows and shadows to make elements pop.
Production of the magazine advert
The document describes the process of producing a magazine advertisement. It involved cutting out an image, sizing it for the advert, adding brush effects to simulate tears, adding layers with drop shadows. Text was added promoting the purchase of a smartphone album. Fonts, shadows and glows were used to make elements like the artist name, album title and CD cover stand out. The process involved selecting colors, fonts, effects and positioning elements like images and text to clearly promote the album release in the advert.
Production of the magazine advert
The document describes the process of producing a magazine advertisement. It involves several steps:
1. Cutting out a picture using a magnetic lasso tool to isolate it from the background.
2. Resizing the picture to the correct size for the magazine advert and choosing a color scheme.
3. Adding torn/ripped effects to the background layers using brush tools and drop shadows.
4. Adding text elements like the artist and album names using different fonts along with effects like shadows and glows.
5. Placing additional elements like logos and a CD cover graphic and adjusting their positioning.
Research analysis into the mediums of ancillary texts
The document analyzes the mediums used to promote albums, including CD covers, CDs themselves, and magazine advertisements. It discusses typical design elements like images of the artist, typography, color schemes, and institutional information. The goal is to attract audiences, visually represent the artist, use standard conventions, and maximize sales. Elements like eye-catching images and clearly stated artist/album names help potential buyers identify and learn about new releases.
Actors
The document discusses possible actors for a soul/R&B genre project, including a main female character suited to play a heartbroken girl, a main male character suited to play a heartbreaker who flirts with the female character and a side character, and a side character the male character cheats with who is attractive.
Technical ep
This document outlines the equipment and software needed to create a music video, including a tripod to keep the video camera still while filming scenes, a camera to capture animation sequences, and Adobe Premiere Pro and other software to edit together the footage, planning, research, and overall finished video.
Themes that need to be incorporated into the music video
The document discusses themes of confusion, heartbreak, frustration, and sadness that are implied in song lyrics. The lyrics express confusion about why the singer is in a situation again, heartbreak over being left for someone else who meant more, frustration with games and immaturity, and sadness over a broken heart and relationship ending.
More from nehajasmine (20)
3 what have you learnt from your audience feedback
3 what have you learnt from your audience feedback
Research analysis into the mediums of ancillary texts
Research analysis into the mediums of ancillary texts
Themes that need to be incorporated into the music video
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
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◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
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学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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Top IPTV UK Providers of A Comprehensive Review.pdf
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
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University of Western Sydney degree offer diploma Transcript
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