Types of music video
3 typesof music video
 Performance - Showonlythe bandor artistperformingthe song.Cheapestandeasiesttype
of videotomake.Large varietyof shotsin quicksuccessionorthe videomaybecome boring.
 Narrative – Mostlyshows footage thatshowsa storyline orsometimesseveral storylines
runningalongside eachother.Sometimeswithactorsorsometimeswithartists.Goodfor
suggestingthemestothe audiences.
 Conceptual – Basedarounda single conceptoridea.Theyare oftenhardertofilmwithmore
editingandspecial effectsandhence canbe more expensive
Most modernvideoscontainelementsof all 3 typesof musicvideo.Thisgivesitawiderrange of
appeal andideas
AndrewGoodwin(1992) - He wrote a bookcalled“Dancing in the distraction theory” whichsays
that there are 6 featuresof a musicvideo…
 Demonstrate genre characteristics – Certainfeaturesare expectedoutof avideodepending
on the genre of music.
 Relationshipbetweenlyricsand visuals – lyricsare representedbythe visualsusingmise-
en-scene tohelpportraythe message of the song.
 Relationshipbetweenthe musicand the visuals – the cuts and editsof the videoare insync
withthe rhythmand beatof the song.Sad musicshouldhave a sadvisuals.
 The demandsof the record label will include the needfor lots of close ups of the artist -
the artist maydevelopmotifswhichrecuracrosstheirwork(a visual style)
 Frequentreference tothe notionof looking – screenswithinscreens,mirrorsandstages
etc.and particularlyvoyeuristictreatmentof the female body
 Intertextual references –Music videosreference films,TV programmesandothermusic
videos
Goodwin’s5keyaspectsof musicvideos
1. Thought beats – ‘seeing’the sound
o Look at the musicitself,take intoaccountthe structure (versesandchorusesetc.)
o The voice of the artist– Itis unique andcan formidentification
o The artists mode of address – songscan be seenasstoriesandthe artiststhe
storyteller
2. Narrative and Performance
o Songs fail to give usthe complete narrative
o We onlygeta gist of the meaningof the song
o Music videoshave coherentrepeatability–repeatedchorusshouldhave repeated,
matchingvisuals
o Artistisacting as botha narrator and participant
o The audience needsto believe thisisreal
3. The Star Image
o How isthe ‘star’ represented?
o Pay attentionto style,clothingand persona
4. Relationof visualsto the song
o Illustrate – musicvideoscanuse a set of imagesto illustrate the meaningof lyrics&
genre
o Amplify– Meaningsand effectsare manipulatedandconstantlyshownthroughthe
videoanddrummedintoourvision
o Disjuncture – The meaningof the song iscompletelyignored
5. Technical aspects
o Camerawork,movement,angle,mise-en-scene,editing,soundandspecial effects
o Speed,cameramovement,editing,cuttingandpostproductionare all formsof use
of camera
o Lightingandcolourhelpsetmoodsand emphasise keymovementsof the songfor
dramaticeffect.
o Mise-en-scene,the settingof musicvideosneedstolookauthenticto attain
professionalism
o Cut to the beat

Music video types

  • 1.
    Types of musicvideo 3 typesof music video  Performance - Showonlythe bandor artistperformingthe song.Cheapestandeasiesttype of videotomake.Large varietyof shotsin quicksuccessionorthe videomaybecome boring.  Narrative – Mostlyshows footage thatshowsa storyline orsometimesseveral storylines runningalongside eachother.Sometimeswithactorsorsometimeswithartists.Goodfor suggestingthemestothe audiences.  Conceptual – Basedarounda single conceptoridea.Theyare oftenhardertofilmwithmore editingandspecial effectsandhence canbe more expensive Most modernvideoscontainelementsof all 3 typesof musicvideo.Thisgivesitawiderrange of appeal andideas AndrewGoodwin(1992) - He wrote a bookcalled“Dancing in the distraction theory” whichsays that there are 6 featuresof a musicvideo…  Demonstrate genre characteristics – Certainfeaturesare expectedoutof avideodepending on the genre of music.  Relationshipbetweenlyricsand visuals – lyricsare representedbythe visualsusingmise- en-scene tohelpportraythe message of the song.  Relationshipbetweenthe musicand the visuals – the cuts and editsof the videoare insync withthe rhythmand beatof the song.Sad musicshouldhave a sadvisuals.  The demandsof the record label will include the needfor lots of close ups of the artist - the artist maydevelopmotifswhichrecuracrosstheirwork(a visual style)  Frequentreference tothe notionof looking – screenswithinscreens,mirrorsandstages etc.and particularlyvoyeuristictreatmentof the female body  Intertextual references –Music videosreference films,TV programmesandothermusic videos Goodwin’s5keyaspectsof musicvideos 1. Thought beats – ‘seeing’the sound o Look at the musicitself,take intoaccountthe structure (versesandchorusesetc.) o The voice of the artist– Itis unique andcan formidentification o The artists mode of address – songscan be seenasstoriesandthe artiststhe storyteller 2. Narrative and Performance o Songs fail to give usthe complete narrative o We onlygeta gist of the meaningof the song o Music videoshave coherentrepeatability–repeatedchorusshouldhave repeated, matchingvisuals o Artistisacting as botha narrator and participant o The audience needsto believe thisisreal 3. The Star Image o How isthe ‘star’ represented? o Pay attentionto style,clothingand persona
  • 2.
    4. Relationof visualstothe song o Illustrate – musicvideoscanuse a set of imagesto illustrate the meaningof lyrics& genre o Amplify– Meaningsand effectsare manipulatedandconstantlyshownthroughthe videoanddrummedintoourvision o Disjuncture – The meaningof the song iscompletelyignored 5. Technical aspects o Camerawork,movement,angle,mise-en-scene,editing,soundandspecial effects o Speed,cameramovement,editing,cuttingandpostproductionare all formsof use of camera o Lightingandcolourhelpsetmoodsand emphasise keymovementsof the songfor dramaticeffect. o Mise-en-scene,the settingof musicvideosneedstolookauthenticto attain professionalism o Cut to the beat