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Although it was so brilliantly fine
light like white wine splashed over the Jardins Publiques
had decided on her fur. The air was motionless, but when you
ope
was just a faint chill, like a chill from a glass of iced water
before you sip, and now and
again a leaf came drifting
touched her fur. Dear little thing! It was nice to feel i
box that afternoon, shaken out the moth
life back into the dim little eyes. "What has been happening to
me?" said the sad little
eyes. Oh, how sweet it was to see them snap
the nose, which was of some black composition, wasn't at all
firm. It must have had a
knock, somehow. Never mind
when it was absolutely necessary... Little rog
Little rogue biting its tail just by her left ear. She could have
taken it off and laid it on her
lap and stroked it. She felt a tingling in her hands and arms, but
that came from walking,
she supposed. And when
something gentle seemed to move in her bosom.
There were a number of people out this afternoon, far more than
last Sunday. And the
band sounded louder and gayer. That was because the Season
had b
the band played all the year round on Sundays, out of season it
was never the same. It
was like some one playing with only the family to listen; it
didn't care how it played if
there weren't any strangers present. Wasn't the conductor we
was sure it was new. He scraped with his foot and flapped his
arms like a rooster about to
crow, and the bandsmen sitting in the green rotunda blew out
their cheeks and glared at
the music. Now there came a little "flutey" bit
drops. She was sure it would be repeated. It was; she lifted her
head and smiled.
Only two people shared her "special" seat: a fine old man in a
velvet coat, his hands
clasped over a huge carved walking
roll of knitting on her embroidered apron. They did not speak.
This was disappointing, for
Miss Brill always looked forward to the conversation. She had
become really quite
expert, she thought, at listening as though she
lives just for a minute while they talked round her.
She glanced, sideways, at the old couple. Perhaps they would go
soon. Last Sunday, too,
hadn't been as interesting as usual. An Englishman and his wife,
he w
Panama hat and she button boots. And she'd gone on the whole
time about how she ought
to wear spectacles; she knew she needed them; but that it was
no good getting any; they'd
be sure to break and they'd never keep on. And he'd been so pa
everything—gold rims, the kind that curved round your ears,
little pads inside the bridge.
http://www.katherinemansfieldsociety.org
MISS BRILL (1920)
By Katherine Mansfield
Although it was so brilliantly fine—the blue sky powdered with
gold and great spots of
light like white wine splashed over the Jardins Publiques—Miss
Brill was glad that she
had decided on her fur. The air was motionless, but when you
opened your mouth there
was just a faint chill, like a chill from a glass of iced water
before you sip, and now and
again a leaf came drifting—from nowhere, from the sky. Miss
Brill put up her hand and
touched her fur. Dear little thing! It was nice to feel it again.
She had taken it out of its
box that afternoon, shaken out the moth-powder, given it a good
brush, and rubbed the
life back into the dim little eyes. "What has been happening to
me?" said the sad little
eyes. Oh, how sweet it was to see them snap at her again from
the red eiderdown!... But
the nose, which was of some black composition, wasn't at all
firm. It must have had a
knock, somehow. Never mind—a little dab of black sealing-wax
when the time came
when it was absolutely necessary... Little rogue! Yes, she really
felt like that about it.
Little rogue biting its tail just by her left ear. She could have
taken it off and laid it on her
lap and stroked it. She felt a tingling in her hands and arms, but
that came from walking,
she breathed, something light and sad—no, not sad, exactly
something gentle seemed to move in her bosom.
There were a number of people out this afternoon, far more than
last Sunday. And the
band sounded louder and gayer. That was because the Season
had begun. For although
the band played all the year round on Sundays, out of season it
was never the same. It
was like some one playing with only the family to listen; it
didn't care how it played if
there weren't any strangers present. Wasn't the conductor
wearing a new coat, too? She
was sure it was new. He scraped with his foot and flapped his
arms like a rooster about to
crow, and the bandsmen sitting in the green rotunda blew out
their cheeks and glared at
the music. Now there came a little "flutey" bit—very pretty!—a
little chain of bright
drops. She was sure it would be repeated. It was; she lifted her
head and smiled.
Only two people shared her "special" seat: a fine old man in a
velvet coat, his hands
clasped over a huge carved walking-stick, and a big old woman,
sitting upright, with a
roll of knitting on her embroidered apron. They did not speak.
This was disappointing, for
Miss Brill always looked forward to the conversation. She had
become really quite
expert, she thought, at listening as though she didn't listen, at
sitting in other people's
lives just for a minute while they talked round her.
She glanced, sideways, at the old couple. Perhaps they would go
soon. Last Sunday, too,
hadn't been as interesting as usual. An Englishman and his wife,
he w
Panama hat and she button boots. And she'd gone on the whole
time about how she ought
to wear spectacles; she knew she needed them; but that it was
no good getting any; they'd
be sure to break and they'd never keep on. And he'd been so
patient. He'd suggested
gold rims, the kind that curved round your ears, little pads
inside the bridge.
1
the blue sky powdered with gold and great spots of
Miss Brill was glad that she
ned your mouth there
was just a faint chill, like a chill from a glass of iced water
before you sip, and now and
from nowhere, from the sky. Miss Brill put up her hand and
t again. She had taken it out of its
powder, given it a good brush, and rubbed the
life back into the dim little eyes. "What has been happening to
me?" said the sad little
at her again from the red eiderdown!... But
the nose, which was of some black composition, wasn't at all
firm. It must have had a
wax when the time came—
ue! Yes, she really felt like that about it.
Little rogue biting its tail just by her left ear. She could have
taken it off and laid it on her
lap and stroked it. She felt a tingling in her hands and arms, but
that came from walking,
no, not sad, exactly—
There were a number of people out this afternoon, far more than
last Sunday. And the
egun. For although
the band played all the year round on Sundays, out of season it
was never the same. It
was like some one playing with only the family to listen; it
didn't care how it played if
aring a new coat, too? She
was sure it was new. He scraped with his foot and flapped his
arms like a rooster about to
crow, and the bandsmen sitting in the green rotunda blew out
their cheeks and glared at
a little chain of bright
drops. She was sure it would be repeated. It was; she lifted her
head and smiled.
Only two people shared her "special" seat: a fine old man in a
velvet coat, his hands
old woman, sitting upright, with a
roll of knitting on her embroidered apron. They did not speak.
This was disappointing, for
Miss Brill always looked forward to the conversation. She had
become really quite
didn't listen, at sitting in other people's
She glanced, sideways, at the old couple. Perhaps they would go
soon. Last Sunday, too,
hadn't been as interesting as usual. An Englishman and his wife,
he wearing a dreadful
Panama hat and she button boots. And she'd gone on the whole
time about how she ought
to wear spectacles; she knew she needed them; but that it was
no good getting any; they'd
tient. He'd suggested
gold rims, the kind that curved round your ears, little pads
inside the bridge.
No, nothing would please her. "They'll always be sliding down
my nose!" Miss Brill had
wanted to shake her.
The old people sat on the bench, s
to watch. To and fro, in front of the flower
groups paraded, stopped to talk, to greet, to buy a handful of
flowers from the old beggar
who had his tray fixed to the railings. Little children ran among
them, swooping and
laughing; little boys with big white silk bows under their chins,
little girls, little French
dolls, dressed up in velvet and lace. And sometimes a tiny
staggerer came suddenly
rocking into the open from under the trees, stopped, stared, as
suddenly sat down "flop,"
until its small high-stepping mother, like a young hen, rushed
scolding to its rescue. Other
people sat on the benches and green chairs, but they were nearly
always the same, Sunday
after Sunday, and—Miss Brill had often noticed
nearly all of them. They were odd, silent, nearly all old, and
from the way they stared
they looked as though they'd just come from dark little rooms or
even
Behind the rotunda the slender trees with yellow leaves down
drooping, and through
them just a line of sea, and beyond the blue sky with gold
Tum-tum-tum tiddle-um! tiddle
Two young girls in red cam
laughed and paired and went off arm
passed, gravely, leading beautiful smoke
A beautiful woman came along
after to hand them to her, and she took them and threw them
away as if they'd been
poisoned. Dear me! Miss Brill didn't know whether to admire
that or not! And now an
ermine toque and a gentleman in gr
and she was wearing the ermine toque she'd bought when her
hair was yellow. Now
everything, her hair, her face, even her eyes, was the same
colour as the shabby ermine,
and her hand, in its cleane
she was so pleased to see him
that afternoon. She described where she'd been
sea. The day was so char
shook his head, lighted a cigarette, slowly breathed a great deep
puff into her face, and
even while she was still talking and laughing, flicked the match
away and walked on. The
ermine toque was alone; she smiled more brightly than ever. But
even the band seemed to
know what she was feeling and played more softly, played
tenderly, and the drum beat,
"The Brute! The Brute!" over and over. What would she do?
What was going to happen
now? But as Miss Brill wondered, the ermine toque turned,
raised her hand as though
she'd seen some one else, much nicer, just over there, and
pattered away. And the band
changed again and played more quickly, more gayly than ever,
and the old couple on
Miss Brill's seat got up and marched away, and such a funny old
man with long whiskers
hobbled along in time to the music and was nearly knocked over
by four girls walking
abreast.
Oh, how fascinating it was! How she enjoyed it! How she loved
sitting here, watching it
all! It was like a play. It was exactly like a play. Who could
believe the sky at the back
wasn't painted? But it wasn't till a little brown dog trotted on
solemn and then slowly
trotted off, like a little "theatre" dog, a little dog that had been
drugged, that
http://www.katherinemansfieldsociety.org
No, nothing would please her. "They'll always be sliding down
my nose!" Miss Brill had
The old people sat on the bench, still as statues. Never mind,
there was always the crowd
to watch. To and fro, in front of the flower-beds and the band
rotunda, the couples and
groups paraded, stopped to talk, to greet, to buy a handful of
flowers from the old beggar
d to the railings. Little children ran among them, swooping and
laughing; little boys with big white silk bows under their chins,
little girls, little French
dolls, dressed up in velvet and lace. And sometimes a tiny
staggerer came suddenly
e open from under the trees, stopped, stared, as suddenly sat
down "flop,"
stepping mother, like a young hen, rushed scolding to its rescue.
Other
people sat on the benches and green chairs, but they were nearly
always the same, Sunday
Miss Brill had often noticed—there was something funny about
nearly all of them. They were odd, silent, nearly all old, and
from the way they stared
they looked as though they'd just come from dark little rooms or
even—
ehind the rotunda the slender trees with yellow leaves down
drooping, and through
them just a line of sea, and beyond the blue sky with gold-
veined clouds.
um! tiddle-um! tum tiddley-um tum ta! blew the band.
Two young girls in red came by and two young soldiers in blue
met them, and they
laughed and paired and went off arm-in-arm. Two peasant
women with funny straw hats
passed, gravely, leading beautiful smoke-coloured donkeys. A
cold, pale nun hurried by.
A beautiful woman came along and dropped her bunch of
violets, and a little boy ran
after to hand them to her, and she took them and threw them
away as if they'd been
poisoned. Dear me! Miss Brill didn't know whether to admire
that or not! And now an
ermine toque and a gentleman in grey met just in front of her.
He was tall, stiff, dignified,
and she was wearing the ermine toque she'd bought when her
hair was yellow. Now
everything, her hair, her face, even her eyes, was the same
colour as the shabby ermine,
and her hand, in its cleaned glove, lifted to dab her lips, was a
tiny yellowish paw. Oh,
she was so pleased to see him—delighted! She rather thought
they were going to meet
that afternoon. She described where she'd been—everywhere,
here, there, along by the
sea. The day was so charming—didn't he agree? And wouldn't
he, perhaps?... But he
shook his head, lighted a cigarette, slowly breathed a great deep
puff into her face, and
even while she was still talking and laughing, flicked the match
away and walked on. The
one; she smiled more brightly than ever. But even the band
seemed to
know what she was feeling and played more softly, played
tenderly, and the drum beat,
"The Brute! The Brute!" over and over. What would she do?
What was going to happen
rill wondered, the ermine toque turned, raised her hand as
though
she'd seen some one else, much nicer, just over there, and
pattered away. And the band
changed again and played more quickly, more gayly than ever,
and the old couple on
t up and marched away, and such a funny old man with long
whiskers
hobbled along in time to the music and was nearly knocked over
by four girls walking
Oh, how fascinating it was! How she enjoyed it! How she loved
sitting here, watching it
t was like a play. It was exactly like a play. Who could believe
the sky at the back
wasn't painted? But it wasn't till a little brown dog trotted on
solemn and then slowly
trotted off, like a little "theatre" dog, a little dog that had been
drugged, that
2
No, nothing would please her. "They'll always be sliding down
my nose!" Miss Brill had
till as statues. Never mind, there was always the crowd
beds and the band rotunda, the couples and
groups paraded, stopped to talk, to greet, to buy a handful of
flowers from the old beggar
d to the railings. Little children ran among them, swooping and
laughing; little boys with big white silk bows under their chins,
little girls, little French
dolls, dressed up in velvet and lace. And sometimes a tiny
staggerer came suddenly
e open from under the trees, stopped, stared, as suddenly sat
down "flop,"
stepping mother, like a young hen, rushed scolding to its rescue.
Other
people sat on the benches and green chairs, but they were nearly
always the same, Sunday
there was something funny about
nearly all of them. They were odd, silent, nearly all old, and
from the way they stared
—even cupboards!
ehind the rotunda the slender trees with yellow leaves down
drooping, and through
veined clouds.
um tum ta! blew the band.
e by and two young soldiers in blue met them, and they
arm. Two peasant women with funny straw hats
coloured donkeys. A cold, pale nun hurried by.
and dropped her bunch of violets, and a little boy ran
after to hand them to her, and she took them and threw them
away as if they'd been
poisoned. Dear me! Miss Brill didn't know whether to admire
that or not! And now an
ey met just in front of her. He was tall, stiff, dignified,
and she was wearing the ermine toque she'd bought when her
hair was yellow. Now
everything, her hair, her face, even her eyes, was the same
colour as the shabby ermine,
d glove, lifted to dab her lips, was a tiny yellowish paw. Oh,
delighted! She rather thought they were going to meet
everywhere, here, there, along by the
didn't he agree? And wouldn't he, perhaps?... But he
shook his head, lighted a cigarette, slowly breathed a great deep
puff into her face, and
even while she was still talking and laughing, flicked the match
away and walked on. The
one; she smiled more brightly than ever. But even the band
seemed to
know what she was feeling and played more softly, played
tenderly, and the drum beat,
"The Brute! The Brute!" over and over. What would she do?
What was going to happen
rill wondered, the ermine toque turned, raised her hand as
though
she'd seen some one else, much nicer, just over there, and
pattered away. And the band
changed again and played more quickly, more gayly than ever,
and the old couple on
t up and marched away, and such a funny old man with long
whiskers
hobbled along in time to the music and was nearly knocked over
by four girls walking
Oh, how fascinating it was! How she enjoyed it! How she loved
sitting here, watching it
t was like a play. It was exactly like a play. Who could believe
the sky at the back
wasn't painted? But it wasn't till a little brown dog trotted on
solemn and then slowly
trotted off, like a little "theatre" dog, a little dog that had been
drugged, that Miss Brill
discovered what it was that made it so exciting. They were all
on the stage. They weren't
only the audience, not only looking on; they were acting. Even
she had a part and came
every Sunday. No doubt somebody would have noticed if she
hadn't bee
part of the performance after all. How strange she'd never
thought of it like that before!
And yet it explained why she made such a point of starting from
home at just the same
time each week—so as not to be late for the performance
had quite a queer, shy feeling at telling her English pupils how
she spent her Sunday
afternoons. No wonder! Miss Brill nearly laughed out loud. She
was on the stage. She
thought of the old invalid gentleman to whom she read the new
week while he slept in the garden. She had got quite used to the
frail head on the cotton
pillow, the hollowed eyes, the open mouth and the high pinched
nose. If he'd been dead
she mightn't have noticed for weeks; she wouldn't have
was having the paper read to him by an actress! "An actress!"
The old head lifted; two
points of light quivered in the old eyes. "An actress
the newspaper as though it were the manuscript of
been an actress for a long time."
The band had been having a rest. Now they started again. And
what they played was
warm, sunny, yet there was just a faint chill
no, not sadness—a something that made you want to sing. The
tune lifted, lifted, the light
shone; and it seemed to Miss Brill that in another moment all of
them, all the whole
company, would begin singing. The young ones, the laughing
ones who were moving
together, they would begin, and the men's voices, very resolute
and brave, would join
them. And then she too, she too, and the others on the benches
a kind of accompaniment
beautiful—moving... And Miss Brill's eyes filled with tears and
she looked smiling at all
the other members of the company. Yes, we understand, we
understand, she thought
though what they understood she didn't know.
Just at that moment a boy and girl came and sat down wher
They were beautifully dressed; they were in love. The hero and
heroine, of course, just
arrived from his father's yacht. And still soundlessly singing,
still with that trembling
smile, Miss Brill prepared to listen.
"No, not now," said the girl. "Not here, I can't."
"But why? Because of that stupid old thing at the end there?"
asked the boy. "Why does
she come here at all—who wants her? Why doesn't she keep her
silly old mug at home?"
"It's her fu-ur which is so funny," giggled
"Ah, be off with you!" said the boy in an angry whisper. Then:
"Tell me, ma petite
chere—"
"No, not here," said the girl. "Not
On her way home she usually bought a slice of honey
Sunday treat. Sometimes there was an almond in her slice,
sometimes not. It made a great
difference. If there was an almond it was like carrying home a
tiny present
http://www.katherinemansfieldsociety.org
discovered what it was that made it so exciting. They were all
on the stage. They weren't
only the audience, not only looking on; they were acting. Even
she had a part and came
every Sunday. No doubt somebody would have noticed if she
hadn't bee
part of the performance after all. How strange she'd never
thought of it like that before!
And yet it explained why she made such a point of starting from
home at just the same
so as not to be late for the performance—and it also explained
why she
had quite a queer, shy feeling at telling her English pupils how
she spent her Sunday
afternoons. No wonder! Miss Brill nearly laughed out loud. She
was on the stage. She
thought of the old invalid gentleman to whom she read the
newspaper four afternoons a
week while he slept in the garden. She had got quite used to the
frail head on the cotton
pillow, the hollowed eyes, the open mouth and the high pinched
nose. If he'd been dead
she mightn't have noticed for weeks; she wouldn't have minded.
But suddenly he knew he
was having the paper read to him by an actress! "An actress!"
The old head lifted; two
points of light quivered in the old eyes. "An actress—are ye?"
And Miss Brill smoothed
the newspaper as though it were the manuscript of her part and
said gently; "Yes, I have
been an actress for a long time."
The band had been having a rest. Now they started again. And
what they played was
warm, sunny, yet there was just a faint chill—a something, what
was it?
a something that made you want to sing. The tune lifted, lifted,
the light
shone; and it seemed to Miss Brill that in another moment all of
them, all the whole
company, would begin singing. The young ones, the laughing
ones who were moving
would begin, and the men's voices, very resolute and brave,
would join
them. And then she too, she too, and the others on the
benches—they would come in with
a kind of accompaniment—something low, that scarcely rose or
fell, something so
. And Miss Brill's eyes filled with tears and she looked smiling
at all
the other members of the company. Yes, we understand, we
understand, she thought
though what they understood she didn't know.
Just at that moment a boy and girl came and sat down where the
old couple had been.
They were beautifully dressed; they were in love. The hero and
heroine, of course, just
arrived from his father's yacht. And still soundlessly singing,
still with that trembling
smile, Miss Brill prepared to listen.
," said the girl. "Not here, I can't."
"But why? Because of that stupid old thing at the end there?"
asked the boy. "Why does
who wants her? Why doesn't she keep her silly old mug at
home?"
ur which is so funny," giggled the girl. "It's exactly like a fried
whiting."
"Ah, be off with you!" said the boy in an angry whisper. Then:
"Tell me, ma petite
"No, not here," said the girl. "Not yet."
On her way home she usually bought a slice of honey-cake at
the baker'
Sunday treat. Sometimes there was an almond in her slice,
sometimes not. It made a great
difference. If there was an almond it was like carrying home a
tiny present
3
discovered what it was that made it so exciting. They were all
on the stage. They weren't
only the audience, not only looking on; they were acting. Even
she had a part and came
every Sunday. No doubt somebody would have noticed if she
hadn't been there; she was
part of the performance after all. How strange she'd never
thought of it like that before!
And yet it explained why she made such a point of starting from
home at just the same
also explained why she
had quite a queer, shy feeling at telling her English pupils how
she spent her Sunday
afternoons. No wonder! Miss Brill nearly laughed out loud. She
was on the stage. She
spaper four afternoons a
week while he slept in the garden. She had got quite used to the
frail head on the cotton
pillow, the hollowed eyes, the open mouth and the high pinched
nose. If he'd been dead
minded. But suddenly he knew he
was having the paper read to him by an actress! "An actress!"
The old head lifted; two
are ye?" And Miss Brill smoothed
her part and said gently; "Yes, I have
The band had been having a rest. Now they started again. And
what they played was
a something, what was it?—not sadness—
a something that made you want to sing. The tune lifted, lifted,
the light
shone; and it seemed to Miss Brill that in another moment all of
them, all the whole
company, would begin singing. The young ones, the laughing
ones who were moving
would begin, and the men's voices, very resolute and brave,
would join
they would come in with
something low, that scarcely rose or fell, something so
. And Miss Brill's eyes filled with tears and she looked smiling
at all
the other members of the company. Yes, we understand, we
understand, she thought—
e the old couple had been.
They were beautifully dressed; they were in love. The hero and
heroine, of course, just
arrived from his father's yacht. And still soundlessly singing,
still with that trembling
"But why? Because of that stupid old thing at the end there?"
asked the boy. "Why does
who wants her? Why doesn't she keep her silly old mug at
home?"
the girl. "It's exactly like a fried whiting."
"Ah, be off with you!" said the boy in an angry whisper. Then:
"Tell me, ma petite
cake at the baker's. It was her
Sunday treat. Sometimes there was an almond in her slice,
sometimes not. It made a great
difference. If there was an almond it was like carrying home a
tiny present—a surprise—
something that might very well not have been there. She hurried
on
and struck the match for the kettle in quite a dashing way.
But to-day she passed the baker's by, climbed the stairs, went
into the little dark room
her room like a cupboard—
time. The box that the fur came out of was on the bed. She
unclasped the necklet quickly;
quickly, without looking, laid it inside. But when she put the lid
on she thought she heard
something crying.
http://www.katherinemansfieldsociety.org
something that might very well not have been there. She hurried
on the almond Sundays
and struck the match for the kettle in quite a dashing way.
day she passed the baker's by, climbed the stairs, went into the
little dark room
—and sat down on the red eiderdown. She sat there for a long
ime. The box that the fur came out of was on the bed. She
unclasped the necklet quickly;
quickly, without looking, laid it inside. But when she put the lid
on she thought she heard
4
the almond Sundays
day she passed the baker's by, climbed the stairs, went into the
little dark room—
and sat down on the red eiderdown. She sat there for a long
ime. The box that the fur came out of was on the bed. She
unclasped the necklet quickly;
quickly, without looking, laid it inside. But when she put the lid
on she thought she heard

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  • 1. Although it was so brilliantly fine light like white wine splashed over the Jardins Publiques had decided on her fur. The air was motionless, but when you ope was just a faint chill, like a chill from a glass of iced water before you sip, and now and again a leaf came drifting touched her fur. Dear little thing! It was nice to feel i box that afternoon, shaken out the moth life back into the dim little eyes. "What has been happening to me?" said the sad little eyes. Oh, how sweet it was to see them snap the nose, which was of some black composition, wasn't at all firm. It must have had a knock, somehow. Never mind when it was absolutely necessary... Little rog Little rogue biting its tail just by her left ear. She could have taken it off and laid it on her lap and stroked it. She felt a tingling in her hands and arms, but that came from walking, she supposed. And when something gentle seemed to move in her bosom. There were a number of people out this afternoon, far more than last Sunday. And the band sounded louder and gayer. That was because the Season had b the band played all the year round on Sundays, out of season it was never the same. It
  • 2. was like some one playing with only the family to listen; it didn't care how it played if there weren't any strangers present. Wasn't the conductor we was sure it was new. He scraped with his foot and flapped his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda blew out their cheeks and glared at the music. Now there came a little "flutey" bit drops. She was sure it would be repeated. It was; she lifted her head and smiled. Only two people shared her "special" seat: a fine old man in a velvet coat, his hands clasped over a huge carved walking roll of knitting on her embroidered apron. They did not speak. This was disappointing, for Miss Brill always looked forward to the conversation. She had become really quite expert, she thought, at listening as though she lives just for a minute while they talked round her. She glanced, sideways, at the old couple. Perhaps they would go soon. Last Sunday, too, hadn't been as interesting as usual. An Englishman and his wife, he w Panama hat and she button boots. And she'd gone on the whole time about how she ought to wear spectacles; she knew she needed them; but that it was no good getting any; they'd be sure to break and they'd never keep on. And he'd been so pa everything—gold rims, the kind that curved round your ears, little pads inside the bridge. http://www.katherinemansfieldsociety.org
  • 3. MISS BRILL (1920) By Katherine Mansfield Although it was so brilliantly fine—the blue sky powdered with gold and great spots of light like white wine splashed over the Jardins Publiques—Miss Brill was glad that she had decided on her fur. The air was motionless, but when you opened your mouth there was just a faint chill, like a chill from a glass of iced water before you sip, and now and again a leaf came drifting—from nowhere, from the sky. Miss Brill put up her hand and touched her fur. Dear little thing! It was nice to feel it again. She had taken it out of its box that afternoon, shaken out the moth-powder, given it a good brush, and rubbed the life back into the dim little eyes. "What has been happening to me?" said the sad little eyes. Oh, how sweet it was to see them snap at her again from the red eiderdown!... But the nose, which was of some black composition, wasn't at all firm. It must have had a knock, somehow. Never mind—a little dab of black sealing-wax when the time came when it was absolutely necessary... Little rogue! Yes, she really felt like that about it. Little rogue biting its tail just by her left ear. She could have taken it off and laid it on her lap and stroked it. She felt a tingling in her hands and arms, but that came from walking, she breathed, something light and sad—no, not sad, exactly
  • 4. something gentle seemed to move in her bosom. There were a number of people out this afternoon, far more than last Sunday. And the band sounded louder and gayer. That was because the Season had begun. For although the band played all the year round on Sundays, out of season it was never the same. It was like some one playing with only the family to listen; it didn't care how it played if there weren't any strangers present. Wasn't the conductor wearing a new coat, too? She was sure it was new. He scraped with his foot and flapped his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda blew out their cheeks and glared at the music. Now there came a little "flutey" bit—very pretty!—a little chain of bright drops. She was sure it would be repeated. It was; she lifted her head and smiled. Only two people shared her "special" seat: a fine old man in a velvet coat, his hands clasped over a huge carved walking-stick, and a big old woman, sitting upright, with a roll of knitting on her embroidered apron. They did not speak. This was disappointing, for Miss Brill always looked forward to the conversation. She had become really quite expert, she thought, at listening as though she didn't listen, at sitting in other people's lives just for a minute while they talked round her. She glanced, sideways, at the old couple. Perhaps they would go soon. Last Sunday, too, hadn't been as interesting as usual. An Englishman and his wife,
  • 5. he w Panama hat and she button boots. And she'd gone on the whole time about how she ought to wear spectacles; she knew she needed them; but that it was no good getting any; they'd be sure to break and they'd never keep on. And he'd been so patient. He'd suggested gold rims, the kind that curved round your ears, little pads inside the bridge. 1 the blue sky powdered with gold and great spots of Miss Brill was glad that she ned your mouth there was just a faint chill, like a chill from a glass of iced water before you sip, and now and from nowhere, from the sky. Miss Brill put up her hand and t again. She had taken it out of its powder, given it a good brush, and rubbed the life back into the dim little eyes. "What has been happening to me?" said the sad little at her again from the red eiderdown!... But the nose, which was of some black composition, wasn't at all firm. It must have had a wax when the time came— ue! Yes, she really felt like that about it. Little rogue biting its tail just by her left ear. She could have taken it off and laid it on her
  • 6. lap and stroked it. She felt a tingling in her hands and arms, but that came from walking, no, not sad, exactly— There were a number of people out this afternoon, far more than last Sunday. And the egun. For although the band played all the year round on Sundays, out of season it was never the same. It was like some one playing with only the family to listen; it didn't care how it played if aring a new coat, too? She was sure it was new. He scraped with his foot and flapped his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda blew out their cheeks and glared at a little chain of bright drops. She was sure it would be repeated. It was; she lifted her head and smiled. Only two people shared her "special" seat: a fine old man in a velvet coat, his hands old woman, sitting upright, with a roll of knitting on her embroidered apron. They did not speak. This was disappointing, for Miss Brill always looked forward to the conversation. She had become really quite didn't listen, at sitting in other people's She glanced, sideways, at the old couple. Perhaps they would go
  • 7. soon. Last Sunday, too, hadn't been as interesting as usual. An Englishman and his wife, he wearing a dreadful Panama hat and she button boots. And she'd gone on the whole time about how she ought to wear spectacles; she knew she needed them; but that it was no good getting any; they'd tient. He'd suggested gold rims, the kind that curved round your ears, little pads inside the bridge. No, nothing would please her. "They'll always be sliding down my nose!" Miss Brill had wanted to shake her. The old people sat on the bench, s to watch. To and fro, in front of the flower groups paraded, stopped to talk, to greet, to buy a handful of flowers from the old beggar who had his tray fixed to the railings. Little children ran among them, swooping and laughing; little boys with big white silk bows under their chins, little girls, little French dolls, dressed up in velvet and lace. And sometimes a tiny staggerer came suddenly rocking into the open from under the trees, stopped, stared, as suddenly sat down "flop," until its small high-stepping mother, like a young hen, rushed scolding to its rescue. Other people sat on the benches and green chairs, but they were nearly always the same, Sunday after Sunday, and—Miss Brill had often noticed
  • 8. nearly all of them. They were odd, silent, nearly all old, and from the way they stared they looked as though they'd just come from dark little rooms or even Behind the rotunda the slender trees with yellow leaves down drooping, and through them just a line of sea, and beyond the blue sky with gold Tum-tum-tum tiddle-um! tiddle Two young girls in red cam laughed and paired and went off arm passed, gravely, leading beautiful smoke A beautiful woman came along after to hand them to her, and she took them and threw them away as if they'd been poisoned. Dear me! Miss Brill didn't know whether to admire that or not! And now an ermine toque and a gentleman in gr and she was wearing the ermine toque she'd bought when her hair was yellow. Now everything, her hair, her face, even her eyes, was the same colour as the shabby ermine, and her hand, in its cleane she was so pleased to see him that afternoon. She described where she'd been sea. The day was so char shook his head, lighted a cigarette, slowly breathed a great deep puff into her face, and even while she was still talking and laughing, flicked the match away and walked on. The ermine toque was alone; she smiled more brightly than ever. But even the band seemed to know what she was feeling and played more softly, played tenderly, and the drum beat,
  • 9. "The Brute! The Brute!" over and over. What would she do? What was going to happen now? But as Miss Brill wondered, the ermine toque turned, raised her hand as though she'd seen some one else, much nicer, just over there, and pattered away. And the band changed again and played more quickly, more gayly than ever, and the old couple on Miss Brill's seat got up and marched away, and such a funny old man with long whiskers hobbled along in time to the music and was nearly knocked over by four girls walking abreast. Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it all! It was like a play. It was exactly like a play. Who could believe the sky at the back wasn't painted? But it wasn't till a little brown dog trotted on solemn and then slowly trotted off, like a little "theatre" dog, a little dog that had been drugged, that http://www.katherinemansfieldsociety.org No, nothing would please her. "They'll always be sliding down my nose!" Miss Brill had The old people sat on the bench, still as statues. Never mind, there was always the crowd to watch. To and fro, in front of the flower-beds and the band rotunda, the couples and groups paraded, stopped to talk, to greet, to buy a handful of
  • 10. flowers from the old beggar d to the railings. Little children ran among them, swooping and laughing; little boys with big white silk bows under their chins, little girls, little French dolls, dressed up in velvet and lace. And sometimes a tiny staggerer came suddenly e open from under the trees, stopped, stared, as suddenly sat down "flop," stepping mother, like a young hen, rushed scolding to its rescue. Other people sat on the benches and green chairs, but they were nearly always the same, Sunday Miss Brill had often noticed—there was something funny about nearly all of them. They were odd, silent, nearly all old, and from the way they stared they looked as though they'd just come from dark little rooms or even— ehind the rotunda the slender trees with yellow leaves down drooping, and through them just a line of sea, and beyond the blue sky with gold- veined clouds. um! tiddle-um! tum tiddley-um tum ta! blew the band. Two young girls in red came by and two young soldiers in blue met them, and they laughed and paired and went off arm-in-arm. Two peasant women with funny straw hats passed, gravely, leading beautiful smoke-coloured donkeys. A cold, pale nun hurried by. A beautiful woman came along and dropped her bunch of
  • 11. violets, and a little boy ran after to hand them to her, and she took them and threw them away as if they'd been poisoned. Dear me! Miss Brill didn't know whether to admire that or not! And now an ermine toque and a gentleman in grey met just in front of her. He was tall, stiff, dignified, and she was wearing the ermine toque she'd bought when her hair was yellow. Now everything, her hair, her face, even her eyes, was the same colour as the shabby ermine, and her hand, in its cleaned glove, lifted to dab her lips, was a tiny yellowish paw. Oh, she was so pleased to see him—delighted! She rather thought they were going to meet that afternoon. She described where she'd been—everywhere, here, there, along by the sea. The day was so charming—didn't he agree? And wouldn't he, perhaps?... But he shook his head, lighted a cigarette, slowly breathed a great deep puff into her face, and even while she was still talking and laughing, flicked the match away and walked on. The one; she smiled more brightly than ever. But even the band seemed to know what she was feeling and played more softly, played tenderly, and the drum beat, "The Brute! The Brute!" over and over. What would she do? What was going to happen rill wondered, the ermine toque turned, raised her hand as though she'd seen some one else, much nicer, just over there, and pattered away. And the band changed again and played more quickly, more gayly than ever,
  • 12. and the old couple on t up and marched away, and such a funny old man with long whiskers hobbled along in time to the music and was nearly knocked over by four girls walking Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it t was like a play. It was exactly like a play. Who could believe the sky at the back wasn't painted? But it wasn't till a little brown dog trotted on solemn and then slowly trotted off, like a little "theatre" dog, a little dog that had been drugged, that 2 No, nothing would please her. "They'll always be sliding down my nose!" Miss Brill had till as statues. Never mind, there was always the crowd beds and the band rotunda, the couples and groups paraded, stopped to talk, to greet, to buy a handful of flowers from the old beggar d to the railings. Little children ran among them, swooping and laughing; little boys with big white silk bows under their chins, little girls, little French dolls, dressed up in velvet and lace. And sometimes a tiny staggerer came suddenly e open from under the trees, stopped, stared, as suddenly sat down "flop,"
  • 13. stepping mother, like a young hen, rushed scolding to its rescue. Other people sat on the benches and green chairs, but they were nearly always the same, Sunday there was something funny about nearly all of them. They were odd, silent, nearly all old, and from the way they stared —even cupboards! ehind the rotunda the slender trees with yellow leaves down drooping, and through veined clouds. um tum ta! blew the band. e by and two young soldiers in blue met them, and they arm. Two peasant women with funny straw hats coloured donkeys. A cold, pale nun hurried by. and dropped her bunch of violets, and a little boy ran after to hand them to her, and she took them and threw them away as if they'd been poisoned. Dear me! Miss Brill didn't know whether to admire that or not! And now an ey met just in front of her. He was tall, stiff, dignified, and she was wearing the ermine toque she'd bought when her hair was yellow. Now everything, her hair, her face, even her eyes, was the same colour as the shabby ermine, d glove, lifted to dab her lips, was a tiny yellowish paw. Oh, delighted! She rather thought they were going to meet
  • 14. everywhere, here, there, along by the didn't he agree? And wouldn't he, perhaps?... But he shook his head, lighted a cigarette, slowly breathed a great deep puff into her face, and even while she was still talking and laughing, flicked the match away and walked on. The one; she smiled more brightly than ever. But even the band seemed to know what she was feeling and played more softly, played tenderly, and the drum beat, "The Brute! The Brute!" over and over. What would she do? What was going to happen rill wondered, the ermine toque turned, raised her hand as though she'd seen some one else, much nicer, just over there, and pattered away. And the band changed again and played more quickly, more gayly than ever, and the old couple on t up and marched away, and such a funny old man with long whiskers hobbled along in time to the music and was nearly knocked over by four girls walking Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it t was like a play. It was exactly like a play. Who could believe the sky at the back wasn't painted? But it wasn't till a little brown dog trotted on solemn and then slowly trotted off, like a little "theatre" dog, a little dog that had been drugged, that Miss Brill
  • 15. discovered what it was that made it so exciting. They were all on the stage. They weren't only the audience, not only looking on; they were acting. Even she had a part and came every Sunday. No doubt somebody would have noticed if she hadn't bee part of the performance after all. How strange she'd never thought of it like that before! And yet it explained why she made such a point of starting from home at just the same time each week—so as not to be late for the performance had quite a queer, shy feeling at telling her English pupils how she spent her Sunday afternoons. No wonder! Miss Brill nearly laughed out loud. She was on the stage. She thought of the old invalid gentleman to whom she read the new week while he slept in the garden. She had got quite used to the frail head on the cotton pillow, the hollowed eyes, the open mouth and the high pinched nose. If he'd been dead she mightn't have noticed for weeks; she wouldn't have was having the paper read to him by an actress! "An actress!" The old head lifted; two points of light quivered in the old eyes. "An actress the newspaper as though it were the manuscript of been an actress for a long time." The band had been having a rest. Now they started again. And what they played was warm, sunny, yet there was just a faint chill no, not sadness—a something that made you want to sing. The tune lifted, lifted, the light
  • 16. shone; and it seemed to Miss Brill that in another moment all of them, all the whole company, would begin singing. The young ones, the laughing ones who were moving together, they would begin, and the men's voices, very resolute and brave, would join them. And then she too, she too, and the others on the benches a kind of accompaniment beautiful—moving... And Miss Brill's eyes filled with tears and she looked smiling at all the other members of the company. Yes, we understand, we understand, she thought though what they understood she didn't know. Just at that moment a boy and girl came and sat down wher They were beautifully dressed; they were in love. The hero and heroine, of course, just arrived from his father's yacht. And still soundlessly singing, still with that trembling smile, Miss Brill prepared to listen. "No, not now," said the girl. "Not here, I can't." "But why? Because of that stupid old thing at the end there?" asked the boy. "Why does she come here at all—who wants her? Why doesn't she keep her silly old mug at home?" "It's her fu-ur which is so funny," giggled "Ah, be off with you!" said the boy in an angry whisper. Then: "Tell me, ma petite chere—" "No, not here," said the girl. "Not
  • 17. On her way home she usually bought a slice of honey Sunday treat. Sometimes there was an almond in her slice, sometimes not. It made a great difference. If there was an almond it was like carrying home a tiny present http://www.katherinemansfieldsociety.org discovered what it was that made it so exciting. They were all on the stage. They weren't only the audience, not only looking on; they were acting. Even she had a part and came every Sunday. No doubt somebody would have noticed if she hadn't bee part of the performance after all. How strange she'd never thought of it like that before! And yet it explained why she made such a point of starting from home at just the same so as not to be late for the performance—and it also explained why she had quite a queer, shy feeling at telling her English pupils how she spent her Sunday afternoons. No wonder! Miss Brill nearly laughed out loud. She was on the stage. She thought of the old invalid gentleman to whom she read the newspaper four afternoons a week while he slept in the garden. She had got quite used to the frail head on the cotton pillow, the hollowed eyes, the open mouth and the high pinched nose. If he'd been dead she mightn't have noticed for weeks; she wouldn't have minded. But suddenly he knew he
  • 18. was having the paper read to him by an actress! "An actress!" The old head lifted; two points of light quivered in the old eyes. "An actress—are ye?" And Miss Brill smoothed the newspaper as though it were the manuscript of her part and said gently; "Yes, I have been an actress for a long time." The band had been having a rest. Now they started again. And what they played was warm, sunny, yet there was just a faint chill—a something, what was it? a something that made you want to sing. The tune lifted, lifted, the light shone; and it seemed to Miss Brill that in another moment all of them, all the whole company, would begin singing. The young ones, the laughing ones who were moving would begin, and the men's voices, very resolute and brave, would join them. And then she too, she too, and the others on the benches—they would come in with a kind of accompaniment—something low, that scarcely rose or fell, something so . And Miss Brill's eyes filled with tears and she looked smiling at all the other members of the company. Yes, we understand, we understand, she thought though what they understood she didn't know. Just at that moment a boy and girl came and sat down where the old couple had been. They were beautifully dressed; they were in love. The hero and
  • 19. heroine, of course, just arrived from his father's yacht. And still soundlessly singing, still with that trembling smile, Miss Brill prepared to listen. ," said the girl. "Not here, I can't." "But why? Because of that stupid old thing at the end there?" asked the boy. "Why does who wants her? Why doesn't she keep her silly old mug at home?" ur which is so funny," giggled the girl. "It's exactly like a fried whiting." "Ah, be off with you!" said the boy in an angry whisper. Then: "Tell me, ma petite "No, not here," said the girl. "Not yet." On her way home she usually bought a slice of honey-cake at the baker' Sunday treat. Sometimes there was an almond in her slice, sometimes not. It made a great difference. If there was an almond it was like carrying home a tiny present 3 discovered what it was that made it so exciting. They were all on the stage. They weren't only the audience, not only looking on; they were acting. Even she had a part and came every Sunday. No doubt somebody would have noticed if she hadn't been there; she was part of the performance after all. How strange she'd never
  • 20. thought of it like that before! And yet it explained why she made such a point of starting from home at just the same also explained why she had quite a queer, shy feeling at telling her English pupils how she spent her Sunday afternoons. No wonder! Miss Brill nearly laughed out loud. She was on the stage. She spaper four afternoons a week while he slept in the garden. She had got quite used to the frail head on the cotton pillow, the hollowed eyes, the open mouth and the high pinched nose. If he'd been dead minded. But suddenly he knew he was having the paper read to him by an actress! "An actress!" The old head lifted; two are ye?" And Miss Brill smoothed her part and said gently; "Yes, I have The band had been having a rest. Now they started again. And what they played was a something, what was it?—not sadness— a something that made you want to sing. The tune lifted, lifted, the light shone; and it seemed to Miss Brill that in another moment all of them, all the whole company, would begin singing. The young ones, the laughing ones who were moving would begin, and the men's voices, very resolute and brave, would join
  • 21. they would come in with something low, that scarcely rose or fell, something so . And Miss Brill's eyes filled with tears and she looked smiling at all the other members of the company. Yes, we understand, we understand, she thought— e the old couple had been. They were beautifully dressed; they were in love. The hero and heroine, of course, just arrived from his father's yacht. And still soundlessly singing, still with that trembling "But why? Because of that stupid old thing at the end there?" asked the boy. "Why does who wants her? Why doesn't she keep her silly old mug at home?" the girl. "It's exactly like a fried whiting." "Ah, be off with you!" said the boy in an angry whisper. Then: "Tell me, ma petite cake at the baker's. It was her Sunday treat. Sometimes there was an almond in her slice, sometimes not. It made a great difference. If there was an almond it was like carrying home a tiny present—a surprise— something that might very well not have been there. She hurried
  • 22. on and struck the match for the kettle in quite a dashing way. But to-day she passed the baker's by, climbed the stairs, went into the little dark room her room like a cupboard— time. The box that the fur came out of was on the bed. She unclasped the necklet quickly; quickly, without looking, laid it inside. But when she put the lid on she thought she heard something crying. http://www.katherinemansfieldsociety.org something that might very well not have been there. She hurried on the almond Sundays and struck the match for the kettle in quite a dashing way. day she passed the baker's by, climbed the stairs, went into the little dark room —and sat down on the red eiderdown. She sat there for a long ime. The box that the fur came out of was on the bed. She unclasped the necklet quickly; quickly, without looking, laid it inside. But when she put the lid on she thought she heard 4 the almond Sundays day she passed the baker's by, climbed the stairs, went into the little dark room—
  • 23. and sat down on the red eiderdown. She sat there for a long ime. The box that the fur came out of was on the bed. She unclasped the necklet quickly; quickly, without looking, laid it inside. But when she put the lid on she thought she heard