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Aimee Nezhukumatathil
Presented by:

FELIX-LEE ANDRADES, III

          &

    INDIA MCCLARY
Biography and Accomplishments
 Born in Chicago of Filipino and    Awards include:
  Indian descent                         Balcones Prize
 Graduated from Ohio State                At the Drive-In Volcano
  University                             Tupelo Press Prize
   Received degrees in
                                         ForeWord Magazine’s
    English, Poetry, and Creative         Book of the Year
    Non-Fiction
                                         Global Filipino Award
 Author of three poetry
                                           Miracle Fruit
  collections
   Miracle Fruit (2003)
                                         Snail’s Pace Press Prize
                                           Fishbone (2000)
   At the Drive-In Volcano
    (2007)                                   Aimee’s first chapbook

   Lucky Fish (2011)
At the Drive-In Volcano
             Descriptions for her style of
              poetry:
                 Jovial and accessible
                 Uses lush descriptions of exotic
                  foods and landscapes
                 Uses her ethnic background to
                  give a unique expression on
                  love, loss, and nature.
             Notable LITERARY
              ELEMENTS:
                 Similes/Metaphors
                 Symbolism
                 Tone (Casual)
                 Enjambment
                 Blank Verse
How the Robin’s                  Simile is used briefly when the poet explains the
Breast Became                     similarities between the robin’s breast and “…the
     Red                          center of a tulip”.
“I know someone will say it      Archetypes (universal symbols) are used:
     is more rust or even          Symbolic color (RED/ORANGE)
   orange. The glow of a
     campfire. A stub of               Used to bring forth images of blood or fire
   cigarillo thrown on the
                                       Conjures emotional ideas of passion.
street. More like the center
  of a tulip, a guitar of the            Noticeable when Aimee describes “…a
 man I loved. Robins will                  robin’s breast first splashed red when it
  never suffer a corpse to
    remain unburied but
                                           tried to pluck out the thorns from Christ’s
  instead. cover the body                  brow…”
with leaves, bits of string…”    Tone seems to be reflective and optimistic:
                                   Given the symbolism found, it seems as though
                                     the robin, the image of Christ, and the idea of
                                     death itself are used to tell a pleasant story of re-
                                     incarnation.
   Uses metaphors to describe feelings and the idea of an
                            engagement:
 Flashlight                    “When      I tried        to sugar         my iced
    Fish                        coffee,        all the granules sank
                                bottom of the glass          and stayed,
                                                                                     to the

                                     no matter how hard I stirred. It’s like that.
    “Ever since he                      Just when             I think no one         could or
        placed                  would-         he stays and               stays, sweetens
                                                  the deal after all.”
           a ring on       Uses metaphors to describe meaningful, powerful
                my          objects:
     finger, I am              The symbolic ring is being compared to a flashlight fish:
drawn to the light                 “Lite-Brite bacteria live under
                                     of the flashlight fish…”
                                                                        the eye

  on my hand               Enjambment is slightly used:
           and have            Enjambment is clear in the way the most of the lines carry
  nearly driven off             grammatical meaning on to the next without so much
                                punctuation
           the road
                           Tone is very dramatic and reflective:
 hypnotized        as          The heavy use of symbolism and metaphors help solidify the
if I am standing in             idea of how powerful the relationship with her husband has
       snow…”                   come to be
Fugu Soup                    Vivid imagery is used to describe this culinary
                              delicacy:
  Blues                          “Consider the way the porcupine fish dies…when a
   “Nothing good can              cleaver comes near its head, it even winces…”
   come out of eating        Tone is eloquently adventurous, but can also
   something named
                              be urgent:
porcupine fish. It’s like
     playing Russian             Aimee’s description of this traditional Japanese dish
                                  seems to go back in forth between caution and wanting.
Roulette when you cook
it—the pulse of toxin in     Symbolism is abundant:
its sweet little body can        Japanese proverb is added as an introduction to her
    kill thirty men…”             poem:
                                     “Those who eat fugu soup are stupid. Those who don’t eat
                                      fugu soup are also stupid”
                                        The idea of experiencing this dish is equivalent to life being
                                         full of risks. Those who want to enjoy life completely are
                                         compelled to play Russian Roulette. Eating fugu soup is an
                                         experience one needs to have…even if it might prove to be
                                         fatal. It’s all about seeking the thrill out of life itself.
 Tone is very casual and
                           conversational
First Fool
                          Blank verse seems to be used:
                             “In Ohio, the first fool is often jogging/the
 “I thought it was a          side slit in his shorts flapping/dangerously
 Midwestern thing             high and open—like wind/on the side of a
    but here he is            mountain. In Wisconsin…”
   again: the first       Artistic and abstracts elements are
fool wearing shorts
 in this entire town
                          included:
  and it’s only fifty-       “They know better. The pale scissors of
two degrees here in           this guy’s legs always cut me up. All that’s
    Western New               left of me is a paper snowflake—nothing
       York…”                 but folds and tiny diamond holes.”
Works Cited

 Aimee Nezhukumatathil. 2011. Web. 29 Apr. 2011.
 Dr. Wheeler’s Website—Literary Vocabulary. 1998.
     Web. 7 May 2011.
 Nezhukumatathil, Aimee. At the Drive-In Volcano.
     North Adams: Tupelo Press, 2011. Print.

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Aimee nezhukumatathil

  • 2. Presented by: FELIX-LEE ANDRADES, III & INDIA MCCLARY
  • 3. Biography and Accomplishments  Born in Chicago of Filipino and  Awards include: Indian descent  Balcones Prize  Graduated from Ohio State  At the Drive-In Volcano University  Tupelo Press Prize  Received degrees in  ForeWord Magazine’s English, Poetry, and Creative Book of the Year Non-Fiction  Global Filipino Award  Author of three poetry  Miracle Fruit collections  Miracle Fruit (2003)  Snail’s Pace Press Prize  Fishbone (2000)  At the Drive-In Volcano (2007)  Aimee’s first chapbook  Lucky Fish (2011)
  • 4. At the Drive-In Volcano  Descriptions for her style of poetry:  Jovial and accessible  Uses lush descriptions of exotic foods and landscapes  Uses her ethnic background to give a unique expression on love, loss, and nature.  Notable LITERARY ELEMENTS:  Similes/Metaphors  Symbolism  Tone (Casual)  Enjambment  Blank Verse
  • 5. How the Robin’s  Simile is used briefly when the poet explains the Breast Became similarities between the robin’s breast and “…the Red center of a tulip”. “I know someone will say it  Archetypes (universal symbols) are used: is more rust or even  Symbolic color (RED/ORANGE) orange. The glow of a campfire. A stub of  Used to bring forth images of blood or fire cigarillo thrown on the  Conjures emotional ideas of passion. street. More like the center of a tulip, a guitar of the  Noticeable when Aimee describes “…a man I loved. Robins will robin’s breast first splashed red when it never suffer a corpse to remain unburied but tried to pluck out the thorns from Christ’s instead. cover the body brow…” with leaves, bits of string…”  Tone seems to be reflective and optimistic:  Given the symbolism found, it seems as though the robin, the image of Christ, and the idea of death itself are used to tell a pleasant story of re- incarnation.
  • 6. Uses metaphors to describe feelings and the idea of an engagement: Flashlight  “When I tried to sugar my iced Fish coffee, all the granules sank bottom of the glass and stayed, to the no matter how hard I stirred. It’s like that. “Ever since he Just when I think no one could or placed would- he stays and stays, sweetens the deal after all.” a ring on  Uses metaphors to describe meaningful, powerful my objects: finger, I am  The symbolic ring is being compared to a flashlight fish: drawn to the light  “Lite-Brite bacteria live under of the flashlight fish…” the eye on my hand  Enjambment is slightly used: and have  Enjambment is clear in the way the most of the lines carry nearly driven off grammatical meaning on to the next without so much punctuation the road  Tone is very dramatic and reflective: hypnotized as  The heavy use of symbolism and metaphors help solidify the if I am standing in idea of how powerful the relationship with her husband has snow…” come to be
  • 7. Fugu Soup  Vivid imagery is used to describe this culinary delicacy: Blues  “Consider the way the porcupine fish dies…when a “Nothing good can cleaver comes near its head, it even winces…” come out of eating  Tone is eloquently adventurous, but can also something named be urgent: porcupine fish. It’s like playing Russian  Aimee’s description of this traditional Japanese dish seems to go back in forth between caution and wanting. Roulette when you cook it—the pulse of toxin in  Symbolism is abundant: its sweet little body can  Japanese proverb is added as an introduction to her kill thirty men…” poem:  “Those who eat fugu soup are stupid. Those who don’t eat fugu soup are also stupid”  The idea of experiencing this dish is equivalent to life being full of risks. Those who want to enjoy life completely are compelled to play Russian Roulette. Eating fugu soup is an experience one needs to have…even if it might prove to be fatal. It’s all about seeking the thrill out of life itself.
  • 8.  Tone is very casual and conversational First Fool  Blank verse seems to be used:  “In Ohio, the first fool is often jogging/the “I thought it was a side slit in his shorts flapping/dangerously Midwestern thing high and open—like wind/on the side of a but here he is mountain. In Wisconsin…” again: the first  Artistic and abstracts elements are fool wearing shorts in this entire town included: and it’s only fifty-  “They know better. The pale scissors of two degrees here in this guy’s legs always cut me up. All that’s Western New left of me is a paper snowflake—nothing York…” but folds and tiny diamond holes.”
  • 9. Works Cited  Aimee Nezhukumatathil. 2011. Web. 29 Apr. 2011.  Dr. Wheeler’s Website—Literary Vocabulary. 1998. Web. 7 May 2011.  Nezhukumatathil, Aimee. At the Drive-In Volcano. North Adams: Tupelo Press, 2011. Print.

Editor's Notes

  1. Archetypes are symbols, themes, settings, or characters that have a common meaning in an entire culture, or even the entire human race.
  2. Enjambment is a line that has no pause or end punctuation…but has uninterrupted grammatical meaning continuing into the next line.
  3. Blank verse is considered unrhymed iambic pentameter.