Ah 2 Class 7 Spr
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The document provides an overview of major artists and movements in art history from the 17th century to the early 20th century. It mentions Neoclassicist artists like Poussin, LeBrun, and David; Rococo artists like Watteau and Boucher; Romantic era artists like Gericault and Delacroix; Realists like Courbet; Impressionists like Monet; Post-Impressionists like Seurat; Expressionists like Munch; Fauvists like Matisse; Cubists like Picasso; Surrealists like Dali; and Abstract Expressionists like Pollock. It also lists possible essay questions focusing on Neoclassicism and David, Manet and
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The Modern World:
Romanticism, Realism, Impressionism
& Post-Impressionism
ART-6, Q. Bemiller, Norco College
Louis Daguerre, Boulevard du Temple (first photograph of a
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Romanticism
• Romanticism was named after the adventurous stories told in the
“Romance” languages (Spanish, Portuguese, French, Italian and
Romanian.) "Romance languages" originate from Latin, the language
spoken in the Western Roman Empire.
• Romanticism reacted against the logical, rational and objective truths
of Neoclassicism. Instead, Romanticists focused on individual
freedom, imagination, emotions, subjective reality, intuition and
originality.
• Romanticism lasted from about 1800-1890 and led to avant-garde
movements in the 20th century.
• Artists include Francisco Goya, Caspar David Friedrich, Henry Fuseli,
John Constable, J.M.W. Turner, Eugène Delacroix and Théodore
Géricault.
Francisco Goya, The Third of May, 1808, 1814, oil on
canvas
Caspar David Friedrich, The Abbey in the Oakwood, 1809-
10; Wanderer Above the Sea of Fog, 1818, oil on canvas
Henry Fuseli, The Nightmare, 1781 and 1790-91, oil on
canvas
John Constable, Salisbury Cathedral from the meadows,
1831, oil on canvas
J.M.W. Turner, The Burning of the Houses of Lords and
Commons, 1834/35, oil on canvas
Sir Charles Barry and Augustus Welby Northmore Pugin,
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Eugène Delacroix, Liberty Leading the People, 1830,
oil on canvas
Théodore Géricault, The Raft of the Medusa, c. 1819
oil on canvas, and study of severed heads, 1818.
Realism
• “It is not a question, here, of seeking for an 'absolute' of beauty. The artist is neither
painting history nor his soul. What is termed 'composition' does not exist for him, and
he has not set himself the task of representing some abstract idea or some historical
episode. And it is because of this that he should neither be judged as a moralist nor as
a literary man. He should be judged simply as a painter.” –Émile Zola, (1840-1902)
• The Realism movement rejected both Romanticism and Neoclassicism. They focused
on everyday life, the reality of life. For them, art and life were one.
• Realist artists dared to make paintings of lower-class people, drawing attention to
social inequities. They also showed the animals and workers of the land, reminding
the “city folks” where their food came from, and the natural landscape that could be
forgotten in the cities.
• The Realist artists were perhaps the first “modern” artists. The movement was
roughly 1848-1900. Key artists were Gustave Courbet, Édouard.
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Sample Short Answer and Essay Questions.
Why is the human figure rare in Islamic art?
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Art history review UCD
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Chapter 1 the origins of modern art
1. James Whistler and John Ruskin held opposing views on art, with Whistler believing in "art for art's sake" without social concerns. This led to Whistler suing Ruskin for libel over criticism of one of Whistler's paintings.
2. In the late 18th century, the focus in art shifted from emulating tradition to an artist's unique vision and imagination, influenced by neoclassicism and romanticism. This established the idea of the artist as a "visionary genius."
3. Major artists like Jacques-Louis David, Francisco Goya, Eugène Delacroix, John Constable, J.M.W. Turner, Jean-Fran
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The document provides an overview of major modern art movements from Impressionism to Surrealism. It summarizes that Modernism from 1910-1950s featured formal rigor and the subjective expression of the artist, while Postmodernism from the 1960s-1980s was more inclusive, open, and featured mixing of mediums and concepts. Key modern art movements discussed include Impressionism, Post-Impressionism, Fauvism, Cubism, German Expressionism, Abstract Art, Futurism, De Stijl, Dada, and Surrealism.
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Review for AP Art History exam with this brief slidecast comparing NeoClassical painter David with the Romantic painters that follow. For educational purposes ONLY... all images courtesy of Wikipedia Commons.
801.a crash course in the 20th century art a guide to understanding and enjoy...
This document appears to be an instruction manual or guidebook about modern art movements in the 20th century. It covers several major art movements in chronological order, including Impressionism, Fauvism, Cubism, Futurism, Expressionism, Abstract Art, Dada, Surrealism, Op Art and Pop Art. Each section provides background on the movement, examples of key artists, and exercises or activities for understanding and interacting with works from that movement. The document aims to give readers a crash course in modern art to help them better understand and engage with modern and contemporary art.
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The arts are a hallmark of civilization, but can their benefit be crystallized as aesthetic resources that can be mobilized to new situations? How can aesthetic resources help in moments of crisis?
A worldwide social identity crisis has been provoked by pandemic recovery, politics, equity, and environmental sustainability. Philosophical and aesthetic resources can help. Understanding art as a reflection of who we are as individuals and groups, this talk explores conceptualizations of art, with examples, in different periodizations from the 1800s to the present. A marquis definition as to what constitutes an artwork is Adorno’s, for whom the work must promulgate its own natural law and engage in novel materials manipulation. For many theorists, art is the pressing of our self-concept into concrete materiality (whether pyramids, sculpture, or painting). What do contemporary periodizations of art mean to our current and forward-looking self-concept? Recent eras include the neo-avant-gardes of 1945, the conceptual art of the 1960s, and post-conceptual art starting in the 1970s, produced generatively with found materials, the digital domain, and audience interactivity. What is the now-current idea of art? Is today’s Baudelairian flâneur and Balzacian modern hero incarnated in the quantum aesthetic imaginary and the digital cryptocitizen? Far from an “end of art” thesis sometimes attributed to Hegel, aesthetic practices are more relevant than ever. Individually and societally, we are reinventing creative energy and productive imagination in venues from science, technology, health, and biology to the arts.
The Modern WorldRomanticism, Realism, Impressionism& Po.docx
The Modern World:
Romanticism, Realism, Impressionism
& Post-Impressionism
ART-6, Q. Bemiller, Norco College
Louis Daguerre, Boulevard du Temple (first photograph of a
living person in Paris), 1838, daguerreotype
1800-1945 = major changes!
• 1785-1813 Power Loom
• 1807 Steamboat
• 1814 Steam Locomotive
• 1826 Photograph
• 1837 Telegraph
• 1876 Telephone
• 1870s-80s Phonograph, Light Bulb, Motion Pictures
• 1885 Automobile
• 1895 Radio
• 1903 Airplane
• 1927 Television
• 1935 Electric Guitar
• 1942 Nuclear Reactor
Romanticism
• Romanticism was named after the adventurous stories told in the
“Romance” languages (Spanish, Portuguese, French, Italian and
Romanian.) "Romance languages" originate from Latin, the language
spoken in the Western Roman Empire.
• Romanticism reacted against the logical, rational and objective truths
of Neoclassicism. Instead, Romanticists focused on individual
freedom, imagination, emotions, subjective reality, intuition and
originality.
• Romanticism lasted from about 1800-1890 and led to avant-garde
movements in the 20th century.
• Artists include Francisco Goya, Caspar David Friedrich, Henry Fuseli,
John Constable, J.M.W. Turner, Eugène Delacroix and Théodore
Géricault.
Francisco Goya, The Third of May, 1808, 1814, oil on
canvas
Caspar David Friedrich, The Abbey in the Oakwood, 1809-
10; Wanderer Above the Sea of Fog, 1818, oil on canvas
Henry Fuseli, The Nightmare, 1781 and 1790-91, oil on
canvas
John Constable, Salisbury Cathedral from the meadows,
1831, oil on canvas
J.M.W. Turner, The Burning of the Houses of Lords and
Commons, 1834/35, oil on canvas
Sir Charles Barry and Augustus Welby Northmore Pugin,
Houses of Parliament, London, a complex of Gothic Revival
buildings, 1837–60
Eugène Delacroix, Liberty Leading the People, 1830,
oil on canvas
Théodore Géricault, The Raft of the Medusa, c. 1819
oil on canvas, and study of severed heads, 1818.
Realism
• “It is not a question, here, of seeking for an 'absolute' of beauty. The artist is neither
painting history nor his soul. What is termed 'composition' does not exist for him, and
he has not set himself the task of representing some abstract idea or some historical
episode. And it is because of this that he should neither be judged as a moralist nor as
a literary man. He should be judged simply as a painter.” –Émile Zola, (1840-1902)
• The Realism movement rejected both Romanticism and Neoclassicism. They focused
on everyday life, the reality of life. For them, art and life were one.
• Realist artists dared to make paintings of lower-class people, drawing attention to
social inequities. They also showed the animals and workers of the land, reminding
the “city folks” where their food came from, and the natural landscape that could be
forgotten in the cities.
• The Realist artists were perhaps the first “modern” artists. The movement was
roughly 1848-1900. Key artists were Gustave Courbet, Édouard.
Why art matters module 5
This document discusses how art influences society through facilitating understanding and driving social change. It provides examples of how artists throughout history have used their work to expose political issues and scandals, such as Theodore Gericault's painting "The Raft of the Medusa" which depicted a shipwreck caused by governmental incompetence. The document also examines art movements like Dadaism that formed in protest of World War I and used non-traditional techniques like collage and chance to critique war and society. Additionally, it discusses Pablo Picasso's famous painting "Guernica" which brought attention to the brutality of the Spanish Civil War bombing of Guernica through its stark imagery.
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i need answers for these study guide ART101Book (( artform prebles.docx
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AP Art History Content Area 4 - Later Europe & Americas
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Kubisme in parijs II - Montparnasse en Puteaux (section d'or)
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