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Art History 2: Weeks 8 and 9

  Please note: I have condensed the Week 9 onto the same sheet as Week 8, so we will use this
 sheet again next week. Also please note that in the second half of class during Week 9 we will
                              have our review for the final exam.

Poussin, LeBrun, French Academy, Rococo, Watteau (Embarkation from Cythera), Boucher
(Venuses), Fragonard, Jacques-Louis David (Oath of the Horatii, Death of Socrates, Brutus,
Napoleon), Romanticism, Gericault (Raft of the Medusa), Delacroix, Academy/Salon, Goya
(Spain), Friedrich (Germany), Realism, Gustave Courbet, Realism, socialism, Edouard Manet
(France), Luncheon on the Grass (Dejeuner sur l’Herbe), Salon des Refuses, Whistler, Ruskin,
“nocturnes,” Impressionism, Claude Monet (France), en plein air, Post-Impressionism,
Pointillism, Georges Seurat (France), Vincent van Gogh (Holland), Expressionism, Edvard
Munch (Norway), Ernst Ludwig Kirchner (Germany), Fauvism, Henri Mattise (France), Cubism,
Pablo Picasso (Spain), Blue/Rose Periods, Guernica (Spanish Civil War), De Stijl (Piet
Mondrian), Surrealism, Salvador Dali (Spain), Andre Breton, Rene Magritte (Belgium), Joan
Miro (Spain), automatism, Abstract Expressionism, Jackson Pollock (USA), David Smith
(sculpture, Cubi, USA), Dada, “anti-art,” Tzara, Zurich, Cabaret Voltaire, Marcel Duchamp,
“Non-Retinal Art,” “Readymades,” “R. Mutt”

Possible essay questions:

--What is “Neoclassicism?” Discuss the career of Jacque-Louis David—how was he influential
beyond the realm of art? How was his Neoclassicism intended as a borrowing not just of classical
form, but also of ethics and morality, and what kinds of messages did his revolutionary-era
paintings deliver?

-- Who was Edouard Manet and what was the Salon des Refuses? Discuss the legal battle
between Whistler and Ruskin. How were the Salon des Refuses and the Whistler/Ruskin trial
important to the birth of Modernism?

--Discuss Dadaism. What were some of its intentions and methods? Discuss Marcel Duchamp’s
concepts of “non-retinal art” and the “readymade.”

Images from the text:
The Oath of the Horatii by J.L. David, 1783-84, page 476
Massacre at Chios by E. Delacroix, 1824, page 492
Burial at Ornans by G. Courbet, 1849-50, page 502
Luncheon on the Grass by E. Manet, 1863, page 504
Symphony in White #2 by JAM Whistler, 1864, page 514
Sunday Afternoon on La Grande Jatte by G. Seurat, 1880s, page 528
Starry Night by Vincent van Gogh, 1889, page 529
The Scream by E. Munch, 1893, page 534
Damoiselles d’Avignon by P. Picasso, 1907, page 549
Fountain by M. Duchamp, 1917, page 571
The Persistence of Memory by S. Dali, 1931, page 577

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Ah 2 Class 8 And 9 Done

  • 1. Art History 2: Weeks 8 and 9 Please note: I have condensed the Week 9 onto the same sheet as Week 8, so we will use this sheet again next week. Also please note that in the second half of class during Week 9 we will have our review for the final exam. Poussin, LeBrun, French Academy, Rococo, Watteau (Embarkation from Cythera), Boucher (Venuses), Fragonard, Jacques-Louis David (Oath of the Horatii, Death of Socrates, Brutus, Napoleon), Romanticism, Gericault (Raft of the Medusa), Delacroix, Academy/Salon, Goya (Spain), Friedrich (Germany), Realism, Gustave Courbet, Realism, socialism, Edouard Manet (France), Luncheon on the Grass (Dejeuner sur l’Herbe), Salon des Refuses, Whistler, Ruskin, “nocturnes,” Impressionism, Claude Monet (France), en plein air, Post-Impressionism, Pointillism, Georges Seurat (France), Vincent van Gogh (Holland), Expressionism, Edvard Munch (Norway), Ernst Ludwig Kirchner (Germany), Fauvism, Henri Mattise (France), Cubism, Pablo Picasso (Spain), Blue/Rose Periods, Guernica (Spanish Civil War), De Stijl (Piet Mondrian), Surrealism, Salvador Dali (Spain), Andre Breton, Rene Magritte (Belgium), Joan Miro (Spain), automatism, Abstract Expressionism, Jackson Pollock (USA), David Smith (sculpture, Cubi, USA), Dada, “anti-art,” Tzara, Zurich, Cabaret Voltaire, Marcel Duchamp, “Non-Retinal Art,” “Readymades,” “R. Mutt” Possible essay questions: --What is “Neoclassicism?” Discuss the career of Jacque-Louis David—how was he influential beyond the realm of art? How was his Neoclassicism intended as a borrowing not just of classical form, but also of ethics and morality, and what kinds of messages did his revolutionary-era paintings deliver? -- Who was Edouard Manet and what was the Salon des Refuses? Discuss the legal battle between Whistler and Ruskin. How were the Salon des Refuses and the Whistler/Ruskin trial important to the birth of Modernism? --Discuss Dadaism. What were some of its intentions and methods? Discuss Marcel Duchamp’s concepts of “non-retinal art” and the “readymade.” Images from the text: The Oath of the Horatii by J.L. David, 1783-84, page 476 Massacre at Chios by E. Delacroix, 1824, page 492 Burial at Ornans by G. Courbet, 1849-50, page 502 Luncheon on the Grass by E. Manet, 1863, page 504 Symphony in White #2 by JAM Whistler, 1864, page 514 Sunday Afternoon on La Grande Jatte by G. Seurat, 1880s, page 528 Starry Night by Vincent van Gogh, 1889, page 529 The Scream by E. Munch, 1893, page 534 Damoiselles d’Avignon by P. Picasso, 1907, page 549 Fountain by M. Duchamp, 1917, page 571 The Persistence of Memory by S. Dali, 1931, page 577