Presentation on Afrofuturism within the literary, music, religious, movies, comics, and visual arts fields from its beginning in the 1930s until recent times.
Beyond the visual: The Body in Contemporary ArtDeborahJ
When we think of the Body in Contemporary Art we could consider a number of different and relevant aspects. For instance, the body - the human form - is central in art, traditionally the body was often used to explore allegory, beauty and sexuality and so on. But in the twentieth century there was a significant shift in both how the body was perceived, and how it was used to create art across a range of media, from painting and sculpture to installation, photography, video art, performance and participatory art. By considering the different roles played by the body in art, we can identify that there has been a shift from being the subject, for example, in a portraiture, to becoming an active presence in live and participatory events. Alongside this there has also been a significant transformation of the role of the audience, broadly speaking, from passive viewer to active participant.
Beyond the visual: The Body in Contemporary ArtDeborahJ
When we think of the Body in Contemporary Art we could consider a number of different and relevant aspects. For instance, the body - the human form - is central in art, traditionally the body was often used to explore allegory, beauty and sexuality and so on. But in the twentieth century there was a significant shift in both how the body was perceived, and how it was used to create art across a range of media, from painting and sculpture to installation, photography, video art, performance and participatory art. By considering the different roles played by the body in art, we can identify that there has been a shift from being the subject, for example, in a portraiture, to becoming an active presence in live and participatory events. Alongside this there has also been a significant transformation of the role of the audience, broadly speaking, from passive viewer to active participant.
In celebration of the 50th anniversary of the first commercially sold Moog Modular Synthesizer, we look at the invigorating music technology scene in 2014 with innovations from Sonar + D, Music Tech Fest and beyond. Click images for video links.
For more music technology innovations visit: brightlightsandfancydreams.com
Follow me on twitter: @___aoife
Aoife McGuinness / Junior Innovator @HeyHumanAgency
GAME ON! Integrating Games and Simulations in the Classroom Brian Housand
Brian Housand, Ph.D.
brianhousand.com
@brianhousand
GAME ON! Integrating Games and Simulations in the Classroom
It is estimated that by the time that today’s youth enters adulthood that they will have played an average of 10,000 hours of video games. By playing games, research suggests that they have developed abilities related to creativity, collaboration, and critical thinking. Come explore the history of games and simulations in the classroom and investigate ways that current games and simulations in digital and non-digital formats can be meaningfully and purposefully integrated into your learning environment.
“Color Struck”: Racial Mimicry as the Root Jeremy Borgia
Zora Neale Hurston, born in 1891, has emerged as an iconic author in the fields of African-American and feminist literature; most famous for her novel Their Eyes Were Watching God, Hurston wrote a number of novels, plays, and short stories. Writing from the 1920s to the 1950s, Hurston’s work is predominantly positioned in the era of the Harlem Renaissance, which ended around the time of the Great Depression. She was an influential voice during this time period, working and arguing both with and alongside the likes of W.E.B. Du Bois and Alain Locke, each of whom had a disparate view of the role of art and literature in the movement for black American equality. Locke rejected “propaganda and ‘racial rhetoric’ for the most part as
obstacles to literary excellence and universal acceptance” (Classon 8), while Du Bois proclaimed, “I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda’’ (Du Bois 22). Hurston, however, was
suspicious of her contemporaries’ rhetoric, recognizing the superficial division between these two views. Both men endeavored to artificially bolster the black race by “proving” their merit to white America through literature—propagandistic or not; Hurston, however, was troubled by the notion that black society was being defined against “whiteness” in culture and literature. Indeed, her works demonstrate a criticism of these black leaders: that in their quest for equality, equality was confused with mimicking whiteness. In other words, the movement for equality became lost in the quest for sameness.
Dystopian literature is a form of speculative fiction that began as a response to utopian literature. A dystopia is an imagined community or society that is dehumanizing and frightening. A dystopia is an antonym of a utopia, which is a perfect society.Dystopian novels that have a didactic message often explore themes like anarchism, oppression, and mass poverty. Margaret Atwood, one of literature’s most celebrated authors of dystopian fiction, thinks about it like this. If you’re interested in writing speculative fiction, one way to generate a plot is to take an idea from current society and move it a little further down the road. Even if humans are short-term thinkers, fiction can anticipate and extrapolate into multiple versions of the future.
The Glastonbury Zodiac and Earth Mysteries UFOlogyPaul Weston
A vividly visual promotional glimpse into a unique new book, revealing a neglected side of the story of modern Glastonbury, the mystical capital if Britain. Please note: these images are not part of the book itself but illustrative of its contents.
National Humanities Center Resource Toolbox .docxhallettfaustina
National Humanities Center Resource Toolbox
The Making of African American Identity: Vol. III, 1917-1968
LARRY NEAL
The Black Arts Movement
Drama Review, *Summer 1968
Part One of Three (excerpts)
BLACK REVOLUTIONARY THEATRE is the name given to that
special Black American strain of theatre, film, and agitprop public
activity that originated in the Black Arts Movement, the Black
religious and spiritual sects, and in Third World Revolutionary
Cultural and Political societies. [Eds.]
1.
The Black Arts Movement is radically opposed to any concept of the
artist that alienates him from his community. This movement is the
aesthetic and spiritual sister of the Black Power concept. As such, it
envisions an art that speaks directly to the needs and aspirations of Black
America. In order to perform this task, the Black Arts Movement proposes a radical reordering of the
western cultural aesthetic. It proposes a separate symbolism, mythology, critique, and iconology. The
Black Arts and the Black Power concept both relate broadly to the Afro-American’s desire for self-
determination and nationhood. Both concepts are nationalistic. One is concerned with the relationship
between art and politics; the other with the art of politics.
Recently, these two movements have begun to merge: the political values inherent in the Black Power
concept are now finding concrete expression in the aesthetics of Afro-American dramatists, poets,
choreographers, musicians, and novelists. A main tenet of Black Power is the necessity for Black people
to define the world in their own terms. The Black artist has made the same point in the context of
aesthetics. The two movements postulate that there are in fact and in spirit two Americas — one black,
one white. The Black artist takes this to mean that his primary duty is to speak to the spiritual and cultural
needs of Black people. Therefore, the main thrust of this new breed of contemporary writers is to confront
the contradictions arising out of the Black man’s experience in the racist West. Currently, these writers
are re-evaluating western aesthetic, the traditional role of the writer, and the social function of art.
Implicit in this re-evaluation is the need to develop a “black aesthetic.” It is the opinion of many Black
writers, I among them, that the Western aesthetic has run its course: it is impossible to construct anything
meaningful within its decaying structure. We advocate a cultural revolution in art and ideas. The cultural
values inherent in western history must either be radicalized or destroyed, and we will probably find that
even radicalization is impossible. In fact, what is needed is a whole new system of ideas. Poet Don L.
Lee1 expresses it:
. . . We must destroy Faulkner, dick, jane,2 and other perpetrators of evil. It’s time for DuBois, Nat
Turner, and Kwame Nkrumah.3 As Frantz Fanon4 points out: destroy the culture and ...
The Horror Genre An Overview - visit my site www.subversive-horror-films.comjontowlson
A brief history of the horror film by Jon Towlson, the author of Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present (McFarland & Co, 2014)
In linguistics, X-bar theory is a model of phrase-structure grammar and a theory of syntactic category formation[1] that was first proposed by Noam Chomsky in 1970[2] reformulating the ideas of Zellig Harris (1951,[3]) and further developed by Ray Jackendoff (1974,[4] 1977a,[5] 1977b[6]), along the lines of the theory of generative grammar put forth in the 1950s by Chomsky.[7][8] It attempts to capture the structure of phrasal categories with a single uniform structure called the X-bar schema, basing itself on the assumption that any phrase in natural language is an XP (X phrase) that is headed by a given syntactic category X. It played a significant role in resolving issues that phrase structure rules had, representative of which is the proliferation of grammatical rules, which is against the thesis of generative grammar.
In linguistics, X-bar theory is a model of phrase-structure grammar and a theory of syntactic category formation[1] that was first proposed by Noam Chomsky in 1970[2] reformulating the ideas of Zellig Harris (1951,[3]) and further developed by Ray Jackendoff (1974,[4] 1977a,[5] 1977b[6]), along the lines of the theory of generative grammar put forth in the 1950s by Chomsky.[7][8] It attempts to capture the structure of phrasal categories with a single uniform structure called the X-bar schema, basing itself on the assumption that any phrase in natural language is an XP (X phrase) that is headed by a given syntactic category X. It played a significant role in resolving issues that phrase structure rules had, representative of which is the proliferation of grammatical rules, which is against the thesis of generative grammar.
X-bar theory was incorporated into both transformational and nontransformational theories of syntax, including government and binding theory (GB), generalized phrase structure grammar (GPSG), lexical-functional grammar (LFG), and head-driven phrase structure grammar (HPSG).[9] Although recent work in the minimalist program has largely abandoned X-bar schemata in favor of bare phrase structure approaches, the theory's central assumptions are still valid in different forms and terms in many theories of minimalist syntax.
Similar to Afrofuturism: When Art Meets Politics (19)
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
Brushstrokes of Inspiration: Four Major Influences in Victor Gilbert’s Artist...KendraJohnson54
Throughout his career, Victor Gilbert was influenced heavily by various factors, the most notable being his upbringing and the artistic movements of his time. A rich tapestry of inspirations appears in Gilbert’s work, ranging from their own experiences to the art movements of that period.