Adding music
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Adding music to an opening sequence was challenging because the creator wanted something creepy but not too dramatic to maintain tension. They searched YouTube for creepy instrumentals to find something strange and twisted without words that could draw attention. The creator settled on a creepy music box song called "come out and play" that suited the tone and could be used since credit was given to the creator.
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Proposal document blank for unit 21
The music video will tell a narrative story through outdoor activities like skiing and skydiving set to the pop song. It will use colorful props, lights, paint, and powder to depict a journey of life experiences and love. Performances and lip syncing by the filmmaker's sister will be included to make it feel more like a traditional music video rather than a documentary.
Final edit evaluation
The document provides an evaluation of a final music video edit. It summarizes the original music video that was used as a template and the changes made to the story. The edited version tells the story of a boy who runs away from bullying and feels like he doesn't fit in. He becomes lost in the forest but finds symbols on trees and others who have the same symbols and accepts him. The final video is 3 minutes and 34 seconds long and includes outtakes of the actors and crew at the end to show their personalities. The evaluator believes the final edit is stronger and better explains the point compared to the rough edit.
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6. production reflection(4) (1)
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Task 6
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Sound part 1
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Production Log
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Music ideas
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Editing diary
1) The document describes the process of editing a film trailer, including organizing videos, importing footage, adding titles and music, and publishing the finished trailer online.
2) Key steps included cropping an establishing shot, using slow motion to make scenes longer, and cutting between shots without fading as the problem in the film escalates.
3) Music was chosen to start calm and increase in pace as the problem occurs, mimicking techniques seen in thriller trailers.
Sound research
The document discusses ensuring that any sounds used in a teaser trailer avoid copyright issues. It recommends researching which sounds are allowed and researching alternatives that are freely available and legal to use, such as creating original sounds. It provides several websites where royalty-free sounds can be found and notes the document writers' plan to incorporate a tonal shift in the music from initially sad to later happy to mirror a change in atmosphere in the teaser trailer.
The call
The group decided to end their dramatic piece with an enigmatic code that would leave viewers with questions and wanting more. They chose to do this through an odd phone call scene without any visible faces. To record the call, one member had the others act out a conversation while typing on a keyboard to represent a receptionist. Repetitive footage of the main character running through the woods without showing her face was selected to build tension as she fled something unknown.
The call
The group decided to end their dramatic piece with an enigma code that would leave viewers with questions to encourage continued watching. They also decided to include a strange phone call between two characters as the only scripted part. To record the call, one member had the other two actors perform while adding sound effects of an old phone ringing and keyboard typing to make it seem creepy and like the receptionist was looking something up. No faces would be shown during the call, keeping the main character's identity ambiguous until the end credits.
Script
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Script
A friend calls a mental hospital to visit Carrie Jackson but the receptionist cannot find any record of her after checking their system. The friend is told that Carrie Jackson has not been at the hospital for 3 years. Footage is shown of the main character running through woods as ominous non-diegetic sounds play in the background.
Script
A friend calls a mental hospital to visit Carrie Jackson but the receptionist says she hasn't been there in 3 years. The scene then shows a main character running through woods with ominous nondiegetic music playing in the background. The friend is unable to visit Carrie at the hospital as she hasn't been a patient there for some time.
Evaluation question 2
The document discusses how the main character in a media product, a teenage girl, represents various social groups. By being mentally ill and alone, she suggests that females may belong to a lower social class. Her appearance also reinforces stereotypes that teens are lower class. As a Caucasian character, she could depict white people as lower class or mentally ill, reinforcing some common assumptions. Overall, the character's portrayal of gender, age, and ethnicity may negatively impact perceptions of these social groups.
The call
The group decided to end their dramatic piece with an enigmatic code that would leave viewers with questions and wanting more. They chose to do this through an odd phone call scene without showing faces. To record the call, one member had others in the group pretend to take the call while adding sound effects of an old phone ringing and keyboard typing to make it seem creepy and like the receptionist was looking something up. Repetition of the character running through the woods without showing her face was intended to build tension as she ran away.
Evaluation question 3
The document discusses potential media institutions that could distribute the author's horror film media product. It evaluates that a major studio like 20th Century Fox would not be suitable due to focusing on mass audience films. While a large conglomerate like AOL Time Warner could successfully distribute it with ample marketing budgets, an independent distributor may be most fitting as an unknown first-time production, relying more on viral marketing. The author considers Twisted Pictures the best match as its films have a similar "twisted" tone to the opening sequence of their product.
Evaluation question 3
Twisted Pictures would be the most suitable institution to distribute the media product, as it specializes in distributing twisted horror films similar in tone to the opening sequence, while more mainstream studios like 20th Century Fox and institutions like Blum House Productions that focus on paranormal horror would not be appropriate fits due to their different target audiences and genres.
Sound track research
The document summarizes the sound track research done for a film project. It discusses two websites, incompetech.com and YouTube's music library, that provided a variety of royalty-free music and sound effects to choose from. It describes how different music tracks and sound effects were tried in scenes until ones were found that best fit the mood. It also notes that some sound effects were removed because they drew too much attention away from the scene itself. In the end, music and sound effects were placed strategically so as not to take away from the storyline.
In what ways does your media product use, develop or challenge forms and conv...
The document discusses how the media product uses, develops, and challenges conventions of real media. Specifically:
- The opening sequence uses non-diegetic sound and music to set a mysterious mood without dialogue, as the genre is action.
- Credits are displayed subtly in the corner without distracting from the visuals. This develops conventions by keeping credits effective but unobtrusive.
- Accompanying music was included to fill gaps without dialogue, developing conventions by adding to the mood. Audience feedback was mixed on the music's pace versus the visuals' pace.
Q1
The document discusses how a media student created a pop music video for their class project that both followed and challenged conventions of the genre. Specifically:
- The student researched typical conventions like close-ups and used bright colors based on the song's lyrics about money. Locations like a studio and arcade were chosen to fit the theme.
- Inspiration was taken from music videos by Taylor Swift and The Saturdays that told narratives through locations like a restaurant.
- Mise-en-scene elements like a purple dress were used deliberately based on location. Bright lighting was attempted in the studio but didn't work out as planned.
- The video mostly followed pop music conventions but attempted to challenge them
In what why does your media product use, develop or challenge forms and conve...
This document discusses how the author's opening media sequence for a film uses, develops, and challenges conventions of real media products. Specifically:
1) It uses non-diegetic sound like music to set a mysterious mood without dialogue, and includes one sound effect of a car being crushed.
2) The credits are displayed subtly in the corner without distracting from the visuals, following standard ordering of production roles.
3) Accompanying music was chosen to avoid silence given the lack of dialogue, and received mixed feedback on whether its pace matched the quick shots.
Question 1
The document discusses how the author's music video uses, challenges, and develops conventions of real media products. It examines how the author took inspiration from narrative music videos like Rudimental's "Waiting All Night" video in deciding to tell a story. The author analyzed elements like setting, costumes, editing, and transitions in their video and how they conformed to or developed conventions seen in other drum and bass music videos. Feedback from peers noted the editing could have been faster in one section to better match the upbeat pace of the song.
Sound research
The document discusses research done into sounds to enhance a film trailer. YouTube was used to explore sounds that could accompany the studio ident and scenes. The goal was to capture audience attention while fitting the film's concept. A piece of music was found that may work for the equilibrium part of the film where things are good initially. Additional sounds considered were a cinematic mood soundtrack and an FMJ soundtrack that works well with the studio ident by demonstrating contrasting sounds. The researcher also decided to create whispering voices themselves rather than use sounds found online and to record a childlike song using household objects.
Sound research
The document discusses research done into sounds to enhance a film trailer. YouTube was used to explore sounds that could accompany the studio ident and scenes. The goal was to capture audience attention while fitting the film's concept. A piece of music was found that may work for the equilibrium part of the film where things are good initially. Additional sounds considered were a cinematic mood soundtrack and an FMJ soundtrack that works well with the studio ident by demonstrating contrasting sounds. The researcher also decided to create custom whispering voices and a childlike song rather than using found options.
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Task 6
The document describes 4 sounds that were created for a game. The first sound was inspired by Mario and used a string effect. The second sound was of an alien spaceship flying overhead with other ships in the background. The third sound used a medium pitch to sound intense and futuristic like an alien invasion. The final sound was a steady drumming beat that builds intensity and tension as it progresses.
Sound part 1
The document describes downloading a soundtrack from online, converting it to MP3 format, saving it to a shared folder, and then importing it into video editing software to use for a trailer. It discusses adjusting the volume levels of the music track and testing it against ambient sounds to create a realistic trailer.
Production Log
The document discusses editing together separately recorded voice overs to create a natural sounding conversation for an advertisement. Background music was also added from YouTube, using only a 7 second clip to avoid copyright infringement. The original upload was too loud so the sound was lowered to make the audio more clear.
Music ideas
Thriller films often use ominous, slowly-paced music at the beginning to build suspense, as shown in the opening of Panic Room. The music in Panic Room starts slow with long, ominous notes alongside city sounds. As time passes in the film, the music speeds up, mirroring increasing panic and unease. Non-diegetic clock ticking emphasizes the sense of a looming deadline, hinting at what may happen in the film. For their own thriller opening, the document's authors created music in GarageBand and collaborated with a friend studying music technology.
Editing diary
1) The document describes the process of editing a film trailer, including organizing videos, importing footage, adding titles and music, and publishing the finished trailer online.
2) Key steps included cropping an establishing shot, using slow motion to make scenes longer, and cutting between shots without fading as the problem in the film escalates.
3) Music was chosen to start calm and increase in pace as the problem occurs, mimicking techniques seen in thriller trailers.
Sound research
The document discusses ensuring that any sounds used in a teaser trailer avoid copyright issues. It recommends researching which sounds are allowed and researching alternatives that are freely available and legal to use, such as creating original sounds. It provides several websites where royalty-free sounds can be found and notes the document writers' plan to incorporate a tonal shift in the music from initially sad to later happy to mirror a change in atmosphere in the teaser trailer.
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The call
The group decided to end their dramatic piece with an enigmatic code that would leave viewers with questions and wanting more. They chose to do this through an odd phone call scene without any visible faces. To record the call, one member had the others act out a conversation while typing on a keyboard to represent a receptionist. Repetitive footage of the main character running through the woods without showing her face was selected to build tension as she fled something unknown.
The call
The group decided to end their dramatic piece with an enigma code that would leave viewers with questions to encourage continued watching. They also decided to include a strange phone call between two characters as the only scripted part. To record the call, one member had the other two actors perform while adding sound effects of an old phone ringing and keyboard typing to make it seem creepy and like the receptionist was looking something up. No faces would be shown during the call, keeping the main character's identity ambiguous until the end credits.
Script
A friend calls the Bethlem mental hospital to visit Carrie Jackson but the receptionist says she hasn't been there in 3 years. The scene then shows the main character running through the woods with non-diegetic sound playing in the background. The short script takes place at a mental institution and involves a missed connection between a friend visiting and the patient they were looking for.
Script
A friend calls a mental hospital to visit Carrie Jackson but the receptionist cannot find any record of her after checking their system. The friend is told that Carrie Jackson has not been at the hospital for 3 years. Footage is shown of the main character running through woods as ominous non-diegetic sounds play in the background.
Script
A friend calls a mental hospital to visit Carrie Jackson but the receptionist says she hasn't been there in 3 years. The scene then shows a main character running through woods with ominous nondiegetic music playing in the background. The friend is unable to visit Carrie at the hospital as she hasn't been a patient there for some time.
Evaluation question 2
The document discusses how the main character in a media product, a teenage girl, represents various social groups. By being mentally ill and alone, she suggests that females may belong to a lower social class. Her appearance also reinforces stereotypes that teens are lower class. As a Caucasian character, she could depict white people as lower class or mentally ill, reinforcing some common assumptions. Overall, the character's portrayal of gender, age, and ethnicity may negatively impact perceptions of these social groups.
The call
The group decided to end their dramatic piece with an enigmatic code that would leave viewers with questions and wanting more. They chose to do this through an odd phone call scene without showing faces. To record the call, one member had others in the group pretend to take the call while adding sound effects of an old phone ringing and keyboard typing to make it seem creepy and like the receptionist was looking something up. Repetition of the character running through the woods without showing her face was intended to build tension as she ran away.
Evaluation question 3
The document discusses potential media institutions that could distribute the author's horror film media product. It evaluates that a major studio like 20th Century Fox would not be suitable due to focusing on mass audience films. While a large conglomerate like AOL Time Warner could successfully distribute it with ample marketing budgets, an independent distributor may be most fitting as an unknown first-time production, relying more on viral marketing. The author considers Twisted Pictures the best match as its films have a similar "twisted" tone to the opening sequence of their product.
Evaluation question 3
Twisted Pictures would be the most suitable institution to distribute the media product, as it specializes in distributing twisted horror films similar in tone to the opening sequence, while more mainstream studios like 20th Century Fox and institutions like Blum House Productions that focus on paranormal horror would not be appropriate fits due to their different target audiences and genres.
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Sound track research
The document summarizes the sound track research done for a film project. It discusses two websites, incompetech.com and YouTube's music library, that provided a variety of royalty-free music and sound effects to choose from. It describes how different music tracks and sound effects were tried in scenes until ones were found that best fit the mood. It also notes that some sound effects were removed because they drew too much attention away from the scene itself. In the end, music and sound effects were placed strategically so as not to take away from the storyline.
In what ways does your media product use, develop or challenge forms and conv...
The document discusses how the media product uses, develops, and challenges conventions of real media. Specifically:
- The opening sequence uses non-diegetic sound and music to set a mysterious mood without dialogue, as the genre is action.
- Credits are displayed subtly in the corner without distracting from the visuals. This develops conventions by keeping credits effective but unobtrusive.
- Accompanying music was included to fill gaps without dialogue, developing conventions by adding to the mood. Audience feedback was mixed on the music's pace versus the visuals' pace.
Q1
The document discusses how a media student created a pop music video for their class project that both followed and challenged conventions of the genre. Specifically:
- The student researched typical conventions like close-ups and used bright colors based on the song's lyrics about money. Locations like a studio and arcade were chosen to fit the theme.
- Inspiration was taken from music videos by Taylor Swift and The Saturdays that told narratives through locations like a restaurant.
- Mise-en-scene elements like a purple dress were used deliberately based on location. Bright lighting was attempted in the studio but didn't work out as planned.
- The video mostly followed pop music conventions but attempted to challenge them
In what why does your media product use, develop or challenge forms and conve...
This document discusses how the author's opening media sequence for a film uses, develops, and challenges conventions of real media products. Specifically:
1) It uses non-diegetic sound like music to set a mysterious mood without dialogue, and includes one sound effect of a car being crushed.
2) The credits are displayed subtly in the corner without distracting from the visuals, following standard ordering of production roles.
3) Accompanying music was chosen to avoid silence given the lack of dialogue, and received mixed feedback on whether its pace matched the quick shots.
Question 1
The document discusses how the author's music video uses, challenges, and develops conventions of real media products. It examines how the author took inspiration from narrative music videos like Rudimental's "Waiting All Night" video in deciding to tell a story. The author analyzed elements like setting, costumes, editing, and transitions in their video and how they conformed to or developed conventions seen in other drum and bass music videos. Feedback from peers noted the editing could have been faster in one section to better match the upbeat pace of the song.
Sound research
The document discusses research done into sounds to enhance a film trailer. YouTube was used to explore sounds that could accompany the studio ident and scenes. The goal was to capture audience attention while fitting the film's concept. A piece of music was found that may work for the equilibrium part of the film where things are good initially. Additional sounds considered were a cinematic mood soundtrack and an FMJ soundtrack that works well with the studio ident by demonstrating contrasting sounds. The researcher also decided to create whispering voices themselves rather than use sounds found online and to record a childlike song using household objects.
Sound research
The document discusses research done into sounds to enhance a film trailer. YouTube was used to explore sounds that could accompany the studio ident and scenes. The goal was to capture audience attention while fitting the film's concept. A piece of music was found that may work for the equilibrium part of the film where things are good initially. Additional sounds considered were a cinematic mood soundtrack and an FMJ soundtrack that works well with the studio ident by demonstrating contrasting sounds. The researcher also decided to create custom whispering voices and a childlike song rather than using found options.
Sound research
The document discusses the process of researching sound and music for a project. The author knew they wanted a soundtrack similar to the movie "Nerve" but initially did not realize copyrighted music could not be used. Hours of searching YouTube found no non-copyrighted songs that fit the needed genre of a "chick flick" soundtrack looking for a girly, happy, and emotional feel. The perfect song was eventually found from the "Nerve" movie soundtrack itself that fit the film project perfectly in beat and feel.
Evaluation
The document discusses the forms and conventions of pop music videos and how the author's music video project for a course adhered to and challenged some of those conventions. Specifically:
- Pop music videos typically feature many shots of the band members performing and include props, costumes, and colorful settings to engage audiences.
- The author took inspiration from videos by The Saturdays band but chose to tell more of a narrative story with one character rather than just performance shots, as the song's lyrics were from one person's perspective.
- Some conventions it followed included lip syncing, using props and outfits to portray different personalities, and relating scenes to the song lyrics. However, focusing on one character's experience challenged
Evaluation Question
The document discusses the forms and conventions of pop music videos and how the author's music video project for a course adhered to and challenged some of those conventions. Specifically:
- Pop music videos typically feature close-up shots of band members performing to engage fans. The author's video focused on a single character getting ready to go out rather than a band performance.
- Color, costumes, props, and settings are usually vibrant in pop videos to create a feel-good atmosphere. The author incorporated these elements but in a realistic setting rather than constructed scenes.
- Narrative footage was prioritized over performance to keep viewers engaged, challenging conventions focused on lip syncing performances.
- The single character concept
Presentation1 suspense techniques(1)
The filmmakers used a heartbeat effect to add tension and suspense to a scene that otherwise would have been dull for their thriller. They also employed a musical technique of starting quiet and mysterious before building up volume and pace to create tension and drama, cutting off suddenly to surprise the audience by symbolizing nothing was in the kitchen despite expectations of something happening.
Evaluation 1
The student created a music video for the song "Pieces" by Stone Sour, which did not previously have a music video. To make the video seem realistic, the student analyzed Stone Sour's music videos, particularly "Hesitate", borrowing compositional frames and the depiction of dismissing a memory. However, to avoid being too conventional, the student also drew from Parkway Drive's unconventional surfing-themed "Karma" video. This inspired filming outdoors in a upbeat tone rather than the typical dark, indoor genre conventions. By both conforming to and challenging real music video conventions, the student aimed to create a unique video that still felt authentic.
Evaluation 1
The student created a music video for the song "Pieces" by Stone Sour, which did not previously have a music video. To make the video seem realistic, the student analyzed Stone Sour's music videos, particularly "Hesitate", borrowing compositional frames and the depiction of smashing a memory. However, inspired by Parkway Drive's unconventional surfing music video for "Karma", the student sought to challenge conventions by making an uplifting video set outdoors at the beach rather than the typical indoor, depressing genre video. By both conforming to and challenging conventions of music video forms, the student aimed to create a unique video that still felt like a real media product.
Evaluation 1
The student created a music video for the song "Pieces" by Stone Sour, which did not previously have a music video. To make the video realistic, the student analyzed Stone Sour's music videos, particularly "Hesitate", borrowing compositional frames and the depiction of smashing a memory against a wall. The student also drew from Parkway Drive's unconventional surfing-themed "Karma" video, filming outdoors rather than indoors and using a warm filter to convey a feeling of contentment rather than darkness. By both conforming to and challenging conventions of the heavy rock genre, the student aimed to create a unique video that still felt like a real media product.
Editing process
The student used Premiere Pro to edit their short film. They used the cut and crop tool to select the parts they wanted to keep and delete unwanted footage. They added a title scene at the beginning to introduce the film and a credits sequence at the end. The student also added a non-diegetic horror soundtrack that gradually increased in volume. Through trial and error, they learned how to unlink audio from video to increase volume and change color levels to match the music.
Audio pro forma
Here are a few key points about how your audio project appeals to your target audiences:
- The scary story concept and use of sound effects/music to build tension and atmosphere appeals to both age groups' interest in horror and thrill-seeking content.
- The first-person narrative style makes it easy for listeners to immerse themselves in the story and experience the scare vicariously. This engagement factor is appealing.
- While the jump scare at the end may be more exciting for teens, young adults can appreciate the overall craft of using audio to unsettle and surprise the listener.
- Keeping the story relatively short at just over 4 minutes maintains interest and pace for both attention spans.
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Media Studies Evaluation
The document provides details about the student's music video project. Some key points:
- The video uses conventions of real music videos like focusing on the artist and having a simple narrative that relates to the song lyrics.
- Feedback was gathered through questionnaires to help improve drafts of the video and ancillary materials like the CD cover.
- Various media technologies were used, including iMovie for editing and Photoshop for designing ancillary materials. Research involved analyzing other music videos online.
Initial ideas
The document discusses the process of choosing a song to base a coursework project around. It begins by explaining why the group chose Maroon 5's "Misery" over other options like "Moves Like Jagger". Research was also done on the band Innerpartysystem and their song "Don't Stop". Elements from music videos like the use of stop motion effects, costumes, and symbolism will be recreated in the group's own video while keeping it accessible to a general audience like the bands Maroon 5 and The Feeling.
Initial ideas
The document discusses the process of choosing a song to base a coursework project around. It begins by explaining why the group chose Maroon 5's "Misery" over other options like "Moves Like Jagger". Research was also done on the band Innerpartysystem and their song "Don't Stop". Inspiration was drawn from music videos like Panic! At The Disco's "I Write Sins Not Tragedies" in terms of costumes and symbolism. Between The Feeling and Maroon 5, they ultimately chose Maroon 5 because their album was newer. Aspects they want to recreate include the use of stop motion from "Don't Stop" and symbolism/costumes from "I Write
Q1 in what ways does your media product use, develop or challenge forms and ...
Q1 in what ways does your media product use, develop or challenge forms and ...matthewwilliamsasmedia
This document discusses how the media product challenges and develops conventions of real music videos and products. It analyzes the use of titles, performances, narratives, editing techniques, subtitles, posters, and digipaks. Each section explains how conventions from other music videos are used or developed, such as using scribble effects excessively as a narrative device rather than just for short moments. The goal is to create engaging media that promotes the artist while experimenting with conventions.Similar to Adding music (20)
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
In what why does your media product use, develop or challenge forms and conve...
In what why does your media product use, develop or challenge forms and conve...
Q1 in what ways does your media product use, develop or challenge forms and ...
Q1 in what ways does your media product use, develop or challenge forms and ...
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Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
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1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
原版纸张【微信：741003700 】【(nyu毕业证书)美国纽约大学毕业证、文凭毕业证】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Everything You Need to Know About IPTV Ireland.pdf
The way we consume television has evolved dramatically over the past decade. Internet Protocol Television (IPTV) has emerged as a popular alternative to traditional cable and satellite TV, offering a wide range of channels and on-demand content via the internet. In Ireland, IPTV is rapidly gaining traction, with Xtreame HDTV being one of the prominent providers in the market. This comprehensive guide will delve into everything you need to know about IPTV Ireland, focusing on Xtreame HDTV, its features, benefits, and how it is revolutionizing TV viewing for Irish audiences.
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
Eternal IPTV distinguishes itself from other IPTV services through its extensive library of content and superior streaming quality.
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学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
Paul Haggis is undoubtedly a visionary filmmaker whose work has not only shaped cinema but has also pushed boundaries when it comes to diversity and representation within the industry. From his thought-provoking scripts to his engaging directorial style, Haggis has become a prominent figure in the world of film.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
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Adding music
- 1. Adding Music Adding music to the opening sequence was difficult, because I wanted to find something creepy, yet I did not want it to be too dramatic, as the sequence would need to have a sense of tension throughout and it is hard to get that amount of tension to match with music. I was searching creepy instrumentals on YouTube, as I wanted a sense of creepiness rather than being completely scared, so it seems strange twisted. I also did not want any words to appear in the opening sequence so that it doesn’t draw attention away from what the audience are viewing. I came across a video called ‘ “come out and play” creepy music box royalty free music’. When listening to this I thought that it would really suit my opening sequence. So I was lucky that the creator of it doesn’t mind it being used as long as credit is given. So for the credits this means that we will use his name.