cultural landscape inspiration
24.04.14
FORMATIVE
FORCES
3
A BOXED-IN GENERATION
A global ‘failure to launch’ – staying at home into
adulthood at record levels
Diminishing employment opportunities
Urban planning increasingly an exercise by
adults, for adults
Teens want access to publics to see and be
seen, to socialize, and to feel as if they have
the freedoms to explore a world beyond the
heavily constrained one shaped by parents
and school.
Just as society formerly wrote women out of
civic life, we now prohibit teenagers from
many aspects of public life about.”
danah boyd. author ‘It’s Complicated: the Social Lives of Networked Teens
“
5
COMPETITION TO STAND OUT
Global competition is a given
Seeing kids becoming millionaires overnight
Pressure on uniqueness, stand-out skills & onus
on self-reliance in order to thrive
6
FROM FOLLOWING TO SIDE-
STEPPING
A de-centralization of trust
People turn sideways: side-stepping
Impacting on education (Funding4 Learning),
finance (bitcoin, Zopa), political action (Chinese
Flesh Eating Search Engines), restaurants
(Mealku)…
We want to be producers, co-producers,
consumers and evangelists all at the same
time, but current organisational structures
don’t allow us to do that.
Alan Moore, author, No Straight Lines: Making Sense of our Non-linear World
“
AN EMERGENT EMOTIONAL DRIVER
RECLAIMING
Young people have been dis-possessed of
control of their futures, failed by institutions
and sold to by corporations who want to own
youth for themselves. They feel a mix of fear
and excitement in the knowledge that re-
claiming their identities, spaces and futures for
themselves is the only option left.
9
MILLENIAL CUTURE…
RE-CLAIMING A SENSE OF
SELF & A PLACE IN SOCIETY
WELLBEING…
RE-CLAIMING CONTROL
OVER BODIES AND MINDS
“THE ENLIGHTENED SELF” “HEALTHY HIGH”
URBAN CULTURE…
RE-CLAIMING THE RIGHT TO
OCCUPY PUBLIC SPACES
“BEYOND CITY LIMITS”
3 N A R R AT I V E S O F
‘ R E C L A I M I N G ’
THE
ENLIGHTENE
D SELF
We want to be producers, co-producers,
consumers and evangelists all at the same
time, but current organisational structures
don’t allow us to do that.
Alan Moore, author, No Straight Lines: Making Sense of our Non-linear World
“
12
OBSESSIONS //
GOING DEEP MATTERS
An age of cultural omnivorousness
DIY, craft, code, re-(insert verb) the new
language
Creating and curating projects to make a mark
on the world
Custom Frame Cycle Building, Walpole (USA)
13
PLASTIC TO RAW //
GETTING BEHIND THE SCENES
Popular culture has become plasticized,
sanitized and over produced
Longing for experiences that feel unmediated,
unprocessed
Drawn to the local, craft, unpolished and informal
Parkour Practice, Gaza (PL)
Millennials have been over sold to, they
have looked behind the curtain and
seen how it has been packaged and
sold on, they no longer believe in it.
Josh Madden, Editor, Nylon Magazine
14
“
Nightclubs are too forced. Most DJs sit around
like lumps, unengaged with their audience
Decentralized Dance Party
“
15
EXPLORATION //
PUSHING YOUR BOUNDARIES
Stretching comfort zones despite an assault on
indulgences
Living without pressure of long-term
commitments pushing tastes, self-knowledge,
potential, sensation
Thinking more about self and your place in
society
Extreme Urban Exploring, Moscow (RUS)
NEW ROLES
FOR
BRANDS
A CHANGING RELATIONSHIP TO BRANDS…
xxxx
18
“
#1
DON’T JUST SELL
TO PEOPLE,
ENLIST THEM IN
YOUR PURPOSE
19
#2
LET PEOPLE SEE
BENEATH THE
SURFACE
20
#3
GIVE PEOPLE
SKILLS
21
#4
GIVE PEOPLE A
MARKETPLACE
22
#5
HELP PEOPLE
COLLABORATE
AND BUILD
COMMUNITIES

A cultural intelligence point of view on teens

  • 1.
  • 2.
  • 3.
    3 A BOXED-IN GENERATION Aglobal ‘failure to launch’ – staying at home into adulthood at record levels Diminishing employment opportunities Urban planning increasingly an exercise by adults, for adults
  • 4.
    Teens want accessto publics to see and be seen, to socialize, and to feel as if they have the freedoms to explore a world beyond the heavily constrained one shaped by parents and school. Just as society formerly wrote women out of civic life, we now prohibit teenagers from many aspects of public life about.” danah boyd. author ‘It’s Complicated: the Social Lives of Networked Teens “
  • 5.
    5 COMPETITION TO STANDOUT Global competition is a given Seeing kids becoming millionaires overnight Pressure on uniqueness, stand-out skills & onus on self-reliance in order to thrive
  • 6.
    6 FROM FOLLOWING TOSIDE- STEPPING A de-centralization of trust People turn sideways: side-stepping Impacting on education (Funding4 Learning), finance (bitcoin, Zopa), political action (Chinese Flesh Eating Search Engines), restaurants (Mealku)…
  • 7.
    We want tobe producers, co-producers, consumers and evangelists all at the same time, but current organisational structures don’t allow us to do that. Alan Moore, author, No Straight Lines: Making Sense of our Non-linear World “
  • 8.
    AN EMERGENT EMOTIONALDRIVER RECLAIMING Young people have been dis-possessed of control of their futures, failed by institutions and sold to by corporations who want to own youth for themselves. They feel a mix of fear and excitement in the knowledge that re- claiming their identities, spaces and futures for themselves is the only option left.
  • 9.
    9 MILLENIAL CUTURE… RE-CLAIMING ASENSE OF SELF & A PLACE IN SOCIETY WELLBEING… RE-CLAIMING CONTROL OVER BODIES AND MINDS “THE ENLIGHTENED SELF” “HEALTHY HIGH” URBAN CULTURE… RE-CLAIMING THE RIGHT TO OCCUPY PUBLIC SPACES “BEYOND CITY LIMITS” 3 N A R R AT I V E S O F ‘ R E C L A I M I N G ’
  • 10.
  • 11.
    We want tobe producers, co-producers, consumers and evangelists all at the same time, but current organisational structures don’t allow us to do that. Alan Moore, author, No Straight Lines: Making Sense of our Non-linear World “
  • 12.
    12 OBSESSIONS // GOING DEEPMATTERS An age of cultural omnivorousness DIY, craft, code, re-(insert verb) the new language Creating and curating projects to make a mark on the world Custom Frame Cycle Building, Walpole (USA)
  • 13.
    13 PLASTIC TO RAW// GETTING BEHIND THE SCENES Popular culture has become plasticized, sanitized and over produced Longing for experiences that feel unmediated, unprocessed Drawn to the local, craft, unpolished and informal Parkour Practice, Gaza (PL) Millennials have been over sold to, they have looked behind the curtain and seen how it has been packaged and sold on, they no longer believe in it. Josh Madden, Editor, Nylon Magazine
  • 14.
    14 “ Nightclubs are tooforced. Most DJs sit around like lumps, unengaged with their audience Decentralized Dance Party “
  • 15.
    15 EXPLORATION // PUSHING YOURBOUNDARIES Stretching comfort zones despite an assault on indulgences Living without pressure of long-term commitments pushing tastes, self-knowledge, potential, sensation Thinking more about self and your place in society Extreme Urban Exploring, Moscow (RUS)
  • 16.
  • 17.
    A CHANGING RELATIONSHIPTO BRANDS… xxxx
  • 18.
    18 “ #1 DON’T JUST SELL TOPEOPLE, ENLIST THEM IN YOUR PURPOSE
  • 19.
  • 20.
  • 21.
  • 22.

Editor's Notes

  • #3 3 key formative forces which our work tells us are shaping the cultural landscape for millenials / the younger generation. We call these formative as we think they will have a longer-term impact on the DNA of the generation, colouring their worldview, not just behaviours or trends in the short-term.   In contrast to many trend reports, perhaps more of a story of optimism blended with some tough realities.
  • #4 Failure to launch: the number of “millennials” -- adults aged 18 to 31-- living at home rose to 36% last year (highest percentage in the last four decades) – Pew Research Centre US. 48% of Europe’s 18-30 year olds now live with their parents Lawsuits brought against Indian youth playing and being ‘disruptive’ in public spaces increasingly owned by multnationals and turned into manicured show lawns surrounding their buildings
  • #6 7 million grads from China last year
  • #7 Trust in authorities, institutions, systems to generate ideas which improve self & society has eroded
  • #20 BURBERRY created a reputation for letting the consumer behind the catwalk by posting videos and images of the collection’s clothes onto Youtube and Twitter allowing Burberry’s fans to see the fashion show in London before the fashion world itself sees it Giving people the chance to have the first exclusive look – share that, send notes to friends, become a fashionista This activity is a great example of a key attribute of brands with cultural traction – they ‘hack’ culture to create an event designed to engage, provoke, reveal and be shared. 
  • #21 UK publisher Faber through the Faber Academy. Run seminars, masterclasses, open weekends. Think about creating your own free online courses.
  • #22 Like fashion retailer ASOS, which enables customers to sell clothes they no longer want. AmEx is funding people’s project ideas, which anyone can submit just through a tweet. Engage DIYers and give them a platform so they can become brands themselves
  • #23 Communities springing up around food collectives and co-operatives like Mealku who aim to re-wire the food system to be more about sharing, less waste, discovering local cooks and sharing food in more neighborly ways mission is to provide a place for everyone to find delicious, healthy meal options with easy access to locally-prepared food from trusted neighborhood home cooks.  Mealku acts as a middle man and provides everything from the reservations system, the pickup and delivery, and the containers to store the food Their platform allows home cooks to connect with one another, collaborate their efforts, and share valuable skills and wisdom.  Picture from a mealku supper club