8. theories for production
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The document discusses different theories of production seen in Eminem's music video including: 1) Narcissism, shown through lyrics stating "because it feels so empty without me" and "so everybody just follow me". 2) Intertextuality, with references to Batman through a belt and projected symbol similar to Batman's. 3) Parody, parodying the news channel CNN as ENN and a new report on Osama Bin Laden. 4) Bricolage, borrowing different media forms like comic books and behind-the-scenes TV. 5) Breaking the fourth wall, with Eminem directly looking at the camera to address the audience.
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The fugitive notes
The document analyzes the opening title sequence of the film "The Fugitive". It introduces the main characters Harrison Ford and Tommy Lee Jones through spotlighting them to the beat of the music. A crime scene is then shown with policemen investigating and Harrison Ford present with blood and scratches, though willingly speaking with police. Flashbacks in black and white show sirens in the city and a gun, with an ambulance identifying the setting as Chicago. The fast-paced title sequence with blue and white lights is meant to signal a fast-paced action film and catch the audience's attention.
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The opening credits sequence establishes the film noir genre through its New York skyline backdrop, non-diegetic jazz music, and busy city street scenes at night illuminated by neon signs. It then shows a chase through a stadium corridor between a woman and two men in stereotypical film noir costumes, establishing the period and tone. Low-key lighting is used throughout to create an unsettled mood. The sequence ends by introducing a new character and pulling up in a taxi, drawing the viewer into the fast-paced and action-packed story world.
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2) The sequence then introduces the main actors through their names fading in and out over shots of the sea and land. Music plays as the camera tracks between locations.
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Presentation1
The document provides a storyboard and analysis of the music video for Eminem's song "Without Me". It notes that there are many costume changes for Eminem throughout the video to keep the scenes looking fresh. The clothing worn reflects Eminem's style and is important to get right for any actor. The video cleverly addresses allegations of child molestation through its lyrics and imagery. It utilizes various scenery and camera angles to flow with the song and trigger different parts of the lyrics.
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The 5-minute opening montage establishes the rivalry between the Montague and Capulet families in Verona through a news report, title cards, and scenes showing their separate properties and family trees. Character portraits and titles introduce the main characters as the pace increases. The montage ends with the movie's title appearing in the third minute. The fourth minute shows Montague and Capulet boys encountering each other at a gas station, spotting each other's crests on their guns. Their ensuing confrontation ends the opening with a shot-reverse-shot of them preparing for battle.
Script
Callum Harrison will create a movie trailer and poster for a horror/thriller film about a serial killer for his final major project. The trailer will focus on the killer and switch quickly between scenes to build intrigue without revealing the protagonist. It will include an emergency call, news reports of murders, and voiceovers linking the crimes as tension builds with dark scenes, sounds and music. The fast-paced trailer will show text like "This Year" and the film title using Photoshop or After Effects to seem realistic, while the poster created in Photoshop will feature an image, name and credits to promote the fictional movie.
Music case study #3
This song marks the singer Nines' return to music after taking a break to pursue other work that paid more than music. The music video begins with smoke canisters creating a hazy effect before clearing to show Nines and his associates from his crew, Ice City Boys. Throughout the video, various camera techniques like panning and tracking shots are used to follow Nines' movements and depict his journey through different locations. It ends with a shot of Nines and his group that brings the top and bottom borders together like a closing curtain.
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Deconstruction
This document provides a deconstruction of the music video for the grime song "Illegal 2" by Mischief x 67 Dimzy. It analyzes various shots and visual elements in the video. The summary is as follows:
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Big combo 9 frame
The 9-frame analysis summarizes scenes from a film noir called Big Combo. It begins with title cards showing the actor names and film title over a dark city setting with jazz music, establishing the genre. Subsequent frames show a woman being chased and restrained by men in a darkened alley, emphasizing her innocence through lighting. Another frame introduces a man in a hat that may be following the woman or involved with the police, as stories focused on crime and police are common in film noir.
Narcos art of the title
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The document discusses several scenes from a film that build tension. It analyzes how the groceries the main character holds represent a return to normal life until he is suddenly shot. The placement of extras, a rat crawling off a balcony, and the character dropping groceries further this plot twist. Shot composition, a continuous take from an elevator to a door, and smooth editing into the apartment also slowly build intensity until the climactic shooting scene, leaving the audience in anticipation. Natural lighting is used to again represent normalcy returning before things take a dramatic turn.
Theories for production
The music video for Eminem's "Without Me" utilizes various postmodern film techniques and references numerous TV shows and films to blur reality and fiction. It references shows like ER, Batman, and Survivor by recreating scenes. Eminem also directly addresses the camera, breaking the fourth wall. The video parodies clips from movies and TV shows to comment on pop culture and reality TV. By mixing techniques like parody and breaking the fourth wall, Eminem's video keeps the audience questioning what is real and what is not.
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The document discusses the mise-en-scene and cinematography of the film Zombieland. It notes that various locations shown in the beginning imply nowhere is safe due to the presence of zombies. Most locations depict disaster and hazards, giving the feeling there is no escape. Scenes alternate between day and night, often with low lighting. The first scene shows the camera upside down, mirroring the chaos of the world, and an extreme close-up of an emotionless zombie eating a human is unsettling for viewers.
Alfred Hitchcock.
Alfred Hitchcock was a famous English film director born in 1899. One of his most famous films was Psycho, released in 1960. The film tells the story of Marion Crane who embezzles money and stays at the Bates Motel, where she is murdered by motel owner Norman Bates. A private detective investigates Marion's disappearance and other murders at the motel. The film is considered innovative for its use of music and camera techniques to create suspense. Hitchcock was a master of suspense films and Psycho in particular was groundbreaking for its portrayal of violence and sexuality.
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Similar to 8. theories for production
Theories for production
The document discusses different theories of production displayed in Eminem's music video for "Without Me" including:
1) Narcissism is shown through lyrics stating "Because it feels so empty without me", displaying that he knows what's best.
2) Intertextuality is shown through Eminem wearing a Batman belt, directly referencing the superhero.
3) Parody is shown through labeling the news channel "ENN" instead of CNN and depicting Osama Bin Laden dancing, parodying a famous news report.
Theories for production
The document discusses various theories related to music video production, including modernism/postmodernism, narcissism, intertextuality, parody, bricolage, and breaking the fourth wall. Modernism brought new ideas to music from 1890s-1960s, while postmodernism from 1970s onward makes it difficult to distinguish reality from fiction in music videos. The Eminem music video "Without Me" displays narcissism through his Robin costume, intertextuality through references to Batman, parody of an Osama Bin Laden interview, uses different media forms like comic books in an example of bricolage, and breaks the fourth wall through direct eye contact with the audience.
Eminem
The document discusses various theories of production that are used in Eminem's music video "Without Me". It analyzes how the video borrows from other media through bricolage by imitating news reports and comic book styles. It also discusses how the video engages in pastiche by copying the playboy mansion theme of Eminem surrounded by women. Additionally, the video suggests Eminem's narcissism through his portrayal surrounded by similar dressed women. The video also uses intertextuality by referencing the Batman character Robin. It parodies Batman through using the letter E instead of the Batman symbol. Finally, the video breaks the fourth wall by having Eminem directly address the camera and audience.
Goodwin theory
Goodwin's Theory outlines 6 steps for an effective music video: 1) Relationship between lyrics and visuals, 2) Relationship between music and visuals, 3) Genre icons and styles, 4) Close ups of artists, 5) Iconography, and 6) Voyeurism. The document analyzes Eminem's "Without Me" music video and finds it follows Goodwin's Theory well. It provides illustrative and amplifying examples of how the video synchronizes the lyrics and visuals and shows the artists reacting to the music. Close ups of Eminem as the main artist are used frequently. The video also carries iconography from comic books through its Batman and Robin theme.
Eminem not afraid
Eminem - Not Afraid music video uses effective cinematography and mise-en-scene. Wide shots and zooms are used to portray Eminem as "Not Afraid" either facing his fears or standing confidently alone against others. The video contrasts Eminem's past struggles in a basement with his present success in the city. His dark clothing symbolizes depression and hardship while also making him stand out from others. The narrative shows Eminem finding himself again and not being afraid, linked to the song's lyrics, as he stands on tall buildings without fear.
Theories for production
The music video for Eminem's song "Without Me" references and parodies many popular TV shows and films through techniques of intertextuality and breaking the fourth wall. It references shows like ER, Batman, and Survivor by imitating scenes from them. It also parodies news channels like CNN. Throughout the video, Eminem directly addresses the camera, trying to build a connection with the audience. The video blurs reality and fiction to both mock and reference pop culture in a way that makes the audience engage with Eminem's perspective and experience.
Theories for production_final[1]
Eminem's music video for "Without Me" uses various techniques from intertextuality to breaking the fourth wall to parody and hyper-reality. It references many popular TV shows through costumes and scenes, such as ER, Batman, and reality shows. Eminem also directly engages with the camera, treating the audience as if he is rapping to them personally. The video parodies clips and storylines from movies and shows to comment on pop culture and create a satirical version of reality. Eminem's style blurs reality and fiction to craft a unique viewing experience for the audience.
Eminem - Mockingbird
Eminem's music video for "Mockingbird" features old home video footage of him with his daughters and their mother. The video depicts Eminem alone, watching these old videos and lamenting not being able to be with his family as his career requires him to be away. Through personal lyrics directly addressing his daughters, the video shows Eminem's love for his family and desire to protect and support his daughters, despite being physically distant from them due to his work and their mother struggling with addiction issues. Intercutting old home videos with scenes of Eminem's success and coverage of his wife's legal troubles, the video uses nostalgia and sentimentality to provide context for the song's emotional lyrics and
Theories for Production
The document discusses several postmodern theories used in Eminem's music video for "Without Me". It analyzes how the video uses intertextuality by referencing popular TV shows like ER and news channels. It also discusses how the video breaks the fourth wall with Eminem rapping directly to the camera. Additionally, the video parodies other works through costumes and scenes that mock Batman and other pop culture icons. Overall, the document analyzes how the "Without Me" video blurs reality and fiction through these postmodern techniques to engage audiences.
9 theories for productions
The document applies several postmodern theories to analyze Eminem's music video for "Without Me", including narcissism, bricolage, intertexuality, breaking the fourth wall, and parody. Specifically, it notes similarities between the video and Men in Black that show narcissism. Comic themes and Marvel references exemplify bricolage. Depictions of Eminem as Robin reference Batman to demonstrate intertexuality. Eminem looks at the camera, breaking the fourth wall. And parodies of Elvis and the American government hiding Bin Laden are also analyzed.
Eminem
The document discusses how Eminem's music video copies and imitates elements from other works. It depicts him in bed with multiple women, similar to Hugh Hefner, and uses comic book-style text and a newsroom setting, mimicking properties like DC, Marvel, and BBC News. Eminem also portrays himself as Robin from Batman and directly addresses the audience, breaking the fourth wall. Various scenes in the video parody things like YouTube video blogs, Batman, and Elvis Presley's death.
Goodwin’s features of music videos
The document provides an analysis of the music video for Eminem's song "Stan" featuring Dido:
1) The music video tells the narrative story of an obsessive fan named Stan whose letters to Eminem show his deteriorating mental state and obsession, culminating in Stan killing his pregnant girlfriend.
2) The visuals in the video closely relate to and illustrate the lyrics, such as showing rain falling outside when the lyrics mention rain clouds.
3) Elements like the deep bass and darkness create an atmosphere of negativity that reflects the tone of the song. Close-ups show Stan becoming increasingly angry and distressed as he feels rejected by his idol Eminem.
Task 3: Music Video Analysis
The music video for "Stan" tells a dark narrative story through its imagery and lyrics. It follows the character of Stan, an obsessed fan of Eminem who goes to extremes in his fandom. His obsession grows increasingly disturbing and violent throughout the video, culminating in him driving off a bridge into a lake with his pregnant girlfriend in the trunk of the car. The video uses lighting, color symbolism, and Stan's unstable mental state to convey his dangerous obsession and send a message to fans about maintaining healthy boundaries with celebrities.
Synopsis
This document outlines the characters, props, location, narrative, themes, and lighting for a music video summarizing the song "Stan" by Eminem. The main characters are Eminem, Stan, and Dido (played by Kim Mathers). The video will be shot in a dark room at a local high school using low lighting and strobe effects. It will retell the story from Dido's perspective, showing Stan's growing obsession with Eminem through her eyes as she watches helplessly. Key shots will include Dido waking in bed, Stan writing letters to Eminem, and a toy car symbolizing Stan's fatal car crash at the end. The overall theme is a dark, somber
Task3casestudy.docx redone
The music video for Eminem's song "Stan" tells a narrative story through its lyrics and visuals. It depicts an obsessive fan named Stan whose obsession with Eminem grows increasingly dangerous and ends in tragedy. The video shows Stan isolating himself in his basement, getting tattoos of Eminem, and strangling his pregnant girlfriend before driving off a bridge with her in the trunk. Eminem remains unaware of Stan's deterioration until reading a news report of the incident. The video uses various techniques like lighting, camera angles, and references to other songs to depict Stan's declining mental state and amplify the dark and depressing tone of the song.
Task 3 case study
The document provides an in-depth analysis of the music video for Eminem's song "Stan" featuring Dido. It summarizes the plot of the music video, which tells the story of an obsessive fan named Stan who becomes increasingly disturbed and dangerous in his obsession with Eminem. The analysis breaks down how various scenes and lyrics relate to each other. It also references other songs and videos that are alluded to in "Stan." In the end, Stan drives his car into a body of water after Eminem fails to respond to his letters, and Eminem realizes the fan he drove to suicide was named Stan.
Eminem real slim shady
Eminem's "Real Slim Shady" music video takes place in a mental hospital. It uses synesthesia at the start to establish the location. The video tells the story of the real Slim Shady through clips that illustrate the lyrics, such as spitting onion rings. Eminem is always centered in shots to show he is the center of attention, and wears different clothes than the other people, who are Eminem lookalikes dressed the same.
Task 3 new
The music video for Eminem's song "Stan" tells the story of an obsessive fan named Stan through a dark and unconventional narrative style for a hip hop video. It follows Stan as he becomes increasingly disturbed and obsessed with Eminem, writing him letters that go unanswered, until he records a message driving his pregnant girlfriend off a bridge. The video uses lighting, camera work and symbolism to depict Stan's deteriorating mental state and the message that celebrity worship is unhealthy. It differs from typical hip hop videos by not glorifying wealth or using sex appeal, aiming instead to warn fans about the dangers of obsession.
Stan analysis
The document provides an analysis of the music video for Eminem's song "Stan" in three paragraphs. It summarizes that the video tells the story of an obsessive fan named Stan who idolizes Eminem and dies in a car crash while recording a message for his idol. The last part is from Eminem's perspective as he realizes Stan has died and feels responsible. Cinematography like lighting and camera shots are used to build tension and convey emotion. While a hip hop genre, the video takes place in darker settings rather than typical parties for the genre. It warns that Stan's little brother may also become obsessed with Eminem like his late brother.
Without me analysis 2
Eminem is one of the best-selling artists of all time, having sold over 300 million records worldwide. He has won 15 Grammys and an Oscar. The music video for his song "Without Me" uses a disjunctive narrative structure where Eminem portrays Batman and Robin. It features fast editing and camera cuts to match the upbeat tempo of the song. Eminem is shown in baggy clothes of the early 2000s hip hop style. The visuals amplify and illustrate the lyrics, such as impersonating his mother and threatening another artist mentioned in the song.
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Star image miley cyrus
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The document outlines common stereotypes that are associated with both women and men. For women, the stereotypes include being in the kitchen, more caring, less aggressive, bad at sports, poor drivers, and seen as sexual objects. For men, the stereotypes include being strong, lazy, game addicts, immature, good at sports, and more aggressive.
Film audience
There are four main types of cinema audiences: mainstream audiences who prefer familiar genres like comedy and action and avoid foreign films; mainstream plus audiences who are drawn more to a film's nature than its country of origin but mostly watch American films; aficionados audiences who enjoy specialist films with unfamiliar casts but also tend to avoid foreign films; and film avids who appreciate films for their cultural meanings and enjoy various genres. Different age groups tend to prefer different methods of watching films - teenagers prefer streaming online for control options, adults favor DVDs for convenience and repeat viewings, and teenagers and young adults go to cinemas for social experiences and novelty effects like 3D.
Film audience
There are four main types of cinema audiences: mainstream audiences who prefer familiar genres like comedy and action and avoid foreign films; mainstream plus audiences who are drawn more to the nature of films than nationality but mostly watch American films; aficionados audiences who enjoy specialist films with unfamiliar casts but also tend to avoid foreign films; and film avids who appreciate films for their cultural morals and enjoy the cinema experience without preference to a single genre. Different methods of watching films appeal more to certain target audiences: teenagers prefer watching online due to control options, adults find DVDs more convenient to watch repeatedly, and teenagers and young adults are most interested in the social and 3D experiences of cinema.
History of a genre
The document traces the history and evolution of horror films from the late 19th century through the 2000s. Some of the earliest horror films included works by Georges Méliès in the 1890s and adaptations of Victor Hugo's The Hunchback of Notre Dame. German Expressionist films of the 1920s like The Cabinet of Dr. Caligari were influential. Universal Studios launched the first iconic horror franchises with Dracula and Frankenstein in the 1930s. The genre continued to develop through the mid-20th century with films exploring themes of science, armageddon, and the demonic. The 1970s saw a rise in occult and devil-possession films like The Exorcist. Horror diversified further in
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The document traces the history and evolution of horror films from the late 19th century through the 2000s. Some of the earliest horror films adapted novels like The Hunchback of Notre Dame and were produced in the late 1890s and early 1900s. German Expressionist films of the 1920s like The Cabinet of Dr. Caligari were influential on the genre. Universal Studios produced many iconic horror films in the 1930s featuring characters like Dracula and Frankenstein. The genre continued to evolve with films incorporating new themes like nuclear radiation throughout the 1950s-1970s and trends like slasher films emerging in the 1980s. In the 2000s, the zombie subgenre became popular again and torture porn emerged as a new extreme
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- 2. Narcissism These two print screens show narcissism. Allowed they visually do not show this, the lyrics which are said state “because it feels so empty without me” and also “so everybody just follow me”, this clearly shows that everyone should follow him because he knows everything and he knows what’s best.
- 3. Intertextuality These two print screens show intertextuality in Eminem’s video as it directly refers to Batman and robin. The first print screen shows Eminem putting on a belt and this is direct reference batman and his belt as seen on below, although the colours of the costume have a link to the colours of Robins costume. The print screen below shows another link to Batman, but this time the link is to batman’s system being projected into the sky and as seen in the image below on the right, Eminem’s ‘E’ is being projected into the sky.
- 4. Parody These two print screens parody a very famous news channel ‘CNN’ which in the video is ‘ENN’. The video also parodies a very famous news report of Osama Bin Laden on the news and in the video Eminem has decided a very similar effect with the same feel of the news report allow he has made it funnier with Bin Laden dancing with some soldiers.
- 5. Bricolage These print screens show bricolage as they borrow different forms of media. The first print screen uses the comic book affect to stick the superhero theme that is seen throughout the majority of the song. The second print screen shows the ‘behind the scenes’ part of a TV show.
- 6. Breaking down the forth wall These print screens show Eminem breaking down the forth wall as he is directly looking at the camera and therefore directly addressing the audience to allow the audience have a sense of belonging in the music video.