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splatter




        reasons why
                the printed
                page is still
                the pinnacle




   We realize this is a contentious subject, and all of us at Bike—
   willing or not—are fairly active members of the all-too-cozy
   global ‘online community.’ Like most publications these days,
   we’ve long had our own websites, and we do our damndest to
   make them as interesting and inspiring as possible. But we’d
   be lying if we said our websites were dearer to our hearts than
   our beloved magazines. Here is an effort to explain why:

      Print—whether books, magazines or newspapers—is the
   last bastion of journalistic competency. Most reputable print
   outlets still take pains to ensure that their photographers,
   writers and editors are experienced professionals. While
   some websites uphold higher standards of journalism and
   art, most exhibit the aesthetic sensibilities of a peasant in a
   potato field.

      Producing high-quality print materials costs
   considerably more money than maintaining websites.
   Simply put, magazines pay much more for words and
   photographs than almost all websites. As a result,
   the quality of the printed word and image tends to be
   dramatically higher. You get what you pay for.

      For generations of journalists, photographers and
   artists, the established print media formed a professional
   peer group that served as an educated filter for what was
   newsworthy or demonstrated artistic merit. On the World
   Wide Web, there are few filters. All photos, words and
   opinions are regrettably considered equal.

      Photographs must be of a high caliber to look exquisite
   in a magazine. This is not true on the Internet, where any
   schoolboy’s snapshot can look acceptable at 72 dpi.

      The Internet is a pernicious breeding ground for
   plagiarism, where inaccuracies are constantly recycled
   with scant fear of reprisal. If you get something wrong
   in print—or if you plagiarize from a print source—you are
   definitely going to hear about it.

      Print is permanent, or at least it feels like it. By
   contrast, a Web story or image seems to evaporate into
   the ether as quickly as it appears.

      You can hold a magazine, newspaper or book in your
   hand—and take it to the bathroom. Nobody takes a laptop
   into the bog just to look at bike porn. —Brice Minnigh




044 I   bikemag.com                                                   Photo: nicolas teichrob

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7 reasons

  • 1. splatter reasons why the printed page is still the pinnacle We realize this is a contentious subject, and all of us at Bike— willing or not—are fairly active members of the all-too-cozy global ‘online community.’ Like most publications these days, we’ve long had our own websites, and we do our damndest to make them as interesting and inspiring as possible. But we’d be lying if we said our websites were dearer to our hearts than our beloved magazines. Here is an effort to explain why: Print—whether books, magazines or newspapers—is the last bastion of journalistic competency. Most reputable print outlets still take pains to ensure that their photographers, writers and editors are experienced professionals. While some websites uphold higher standards of journalism and art, most exhibit the aesthetic sensibilities of a peasant in a potato field. Producing high-quality print materials costs considerably more money than maintaining websites. Simply put, magazines pay much more for words and photographs than almost all websites. As a result, the quality of the printed word and image tends to be dramatically higher. You get what you pay for. For generations of journalists, photographers and artists, the established print media formed a professional peer group that served as an educated filter for what was newsworthy or demonstrated artistic merit. On the World Wide Web, there are few filters. All photos, words and opinions are regrettably considered equal. Photographs must be of a high caliber to look exquisite in a magazine. This is not true on the Internet, where any schoolboy’s snapshot can look acceptable at 72 dpi. The Internet is a pernicious breeding ground for plagiarism, where inaccuracies are constantly recycled with scant fear of reprisal. If you get something wrong in print—or if you plagiarize from a print source—you are definitely going to hear about it. Print is permanent, or at least it feels like it. By contrast, a Web story or image seems to evaporate into the ether as quickly as it appears. You can hold a magazine, newspaper or book in your hand—and take it to the bathroom. Nobody takes a laptop into the bog just to look at bike porn. —Brice Minnigh 044 I bikemag.com Photo: nicolas teichrob