This document provides information about forms of poetry for a Grade 11/12 Creative Writing module. It begins with an introduction to poetry and its three main classifications: narrative, lyric, and dramatic. Several forms are discussed under each classification, including ballads, epics, sonnets, and soliloquies. The module aims to help students understand different elements, techniques, and literary devices used in various poetic forms. It includes activities for students to practice identifying classifications and creating acrostic and narrative poems.
or your third Individual Project, you will be writing an essay of .docxMARRY7
or your third Individual Project, you will be writing
an essay of 1,000 words or more about two additional poems from the assigned reading list
. Please select two works from the list of fifteen—excluding the one you already reflected on in Part A of the Phase 3 DB assignment—and answer the questions below. Again, be sure to begin your paper with an engaging introduction and clear thesis statement, develop each point in the body of your paper using examples and quotes from the poems, and conclude your paper with a restatement of your thesis and closing remarks. Also, make sure you maintain your credibility by including in-text citations and a reference list correctly formatted in APA style.
Imagery: What visual images can you identify in both poems? Comment on the details you notice about objects, places, people, colors, textures and so forth. Which of your other senses are stimulated by the poets’ descriptions?
Figures of Speech: List the specific metaphors, similes, puns and other figures of speech each poet uses and how they contribute to the poem’s overall meaning. (Remember, figurative language is not literal but rather suggestive of something else. For example, the metaphor, “Jack is a pig,” is not a reference to an actual animal with hooves but rather someone named Jack who has pig-like qualities or mannerisms.)
Symbolism: Identify the symbols you notice in each poem. What abstract concepts (e.g., love, death, truth) might the concrete objects (e.g., persons, places, things) suggest?
Language and Word Choice: Every word in a poem has been included (or left out) after much deliberation, as poets choose their words very carefully. Remark on the following in each poem: Does the poet use informal or formal language? Does he or she write in an older dialect or contemporary English? Provide examples.
Tone: What tone does each poet take (e.g., sad, humorous, sarcastic, loving, etc.) toward his or her subject matter?
Themes: What are the main messages of both poems? Give reasons for your answers.
Sound: Read both poems aloud. What do you notice about their rhythms, rhyme schemes and musicality? How does listening to the sound of a poem differ from merely reading it as words on a page?
Final Thoughts: Poetry can enlighten and/or evoke deep emotion in readers. Express the impact each of the two poems you have analyzed for this assignment had on you. What insights did you gain about life or human nature, and what feelings did each piece stir in you? Has your view of poetry changed in any way since reading and analyzing the Phase 3 poems? Explain your answer
Be able to describe the key elements of form, character, voice, symbolism, language, etc., that enable the writer to deliver a key message
Can articulate the (sometimes various) main meaning or key message in a story or poem as the writer intended it, as well as describe the writer’s unique point of view
Can reflect upon how a piece of literature illuminates or enriches one’ own experience
Un.
In the text that you are about to read, you will discover that indeed, whatever hindrances in life, if there is the will to succeed, a person will surely rise above his or her circumstances.
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1. Republic of the Philippines
Department of Education
Regional Office IX-Zamboanga Peninsula
Creative Writing
Quarter 3 – Module 4:
Forms of Poetry
Zest for Progress
Zeal of Partnership
11/
12
Name of Learner: ___________________________
Grade & Section: ___________________________
Name of School: ___________________________
2. Creative Writing – Grade 11/12
Alternative Delivery Mode
Quarter 3 – Module 4: Forms of Poetry (First Edition, 2020)
Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or
office wherein the work is created shall be necessary for the exploitation of such work for a
profit. Such agency or office may, among other things, impose as a condition the payment of
royalties.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.
Published by the Department of Education
Secretary: Leonor Magtolis Briones
Undersecretary: Diosdado M. San Antonio
Printed in the Philippines by ________________________
Department of Education – Region IX
Office Address: ____________________________________________
____________________________________________
Telefax: ____________________________________________
E-mail Address: ____________________________________________
Development Team of the Module
Writer: Nuriza R. Salasain
Editor/QA: Marion B. Guerrero
Reviewers: Florenda H. Quinte, PD
Valeriafides G. Corteza, PhD
EPS-English
Layout Artist: Jovie R. Cruz
Management Team:
Roy C. Tuballa, EMD, JD, CESO VI
Jay S. Montealto, CESO VI
Norma T. Francisco, DM
Mildred D. Dayao, EdD
Valeriafides G. Corteza, PhD
Aida Coyme, EdD
Printed in the Philippines
Department of Education Region IX – Zamboanga Peninsula
Office Address: Pres. Corazon C. Aquino Regional Government
Center, Balintawak, Pagadian City, Zamboanga del
Sur Province 7016
Telefax: (062) 215-3753, 215-3751, 991-1907, 215-3789
E-mail Address: region9@deped.gov.ph
3. 1
Creative writing is used extensively in literature. It is used to capture in words
‘significant human experiences’ or describe in vivid details feelings, emotions, and memories
that may be real or not. Literature comes in three genres: prose, poetry, and drama. For this
particular module, the focus will be on poetry.
Poetry as a genre of literature is considered to be the shortest in number of words
involved but the most complex in terms of interpretation. It is no surprise then, that many
readers find analyzing a poem quite challenging.
This module is made for you to understand the forms of poetry and it provides you with
a world view of subjects, topics, and content that adds to your knowledge.
In this module, you are expected to:
• Identify the various elements, techniques, and literary devices in specific
forms of poetry. HUMSS_CW/MP11/12cf-6
What I Know
Directions: Choose the letter of the best answer, and write these on a separate sheet of paper.
1. The main identifiable structure of poetry is the?
a. the line c. the language
b. the persona d. the metaphor
2. This figure of speech is a requirement in poetry.
a. metonymy c. metaphor
b. meronymy d. metathesis
3. A type of poetry that tells a story
a. lyric c. descriptive
b. dramatic d. narrative
4. A lyric poem that expresses grief at death
a. elegy c. enology
b. eulogy d. emery
5. This type of poem tells a story and connects the reader to an audience through emotions
or behavior
a. lyric c. descriptive
b. dramatic d. narrative
What I Need to Know
4. 2
Lesson
1 FORMS OF POETRY
Poetry is a form of literature that presents an awareness of one’s imagination or
experience of a specific emotion or feeling through language selected and arranged to create
meaning, sound, rhythm. In addition, poetry utilizes forms and conventions of language to
suggest a variety of interpretations of words, or to evoke emotive responses. As such, creative
writing plays an important role in the creation of poetry.
Poetry comes in three classification: (1) narrative, (2) lyric, and (3) dramatic. Under
these classifications are numerous forms, some of which will be discussed in this module. We
will also be analyzing some passages/excerpts from examples.
We have now defined poetry. Now, we will discuss further the classification and some
forms of poetry.
What’s In
Directions: Below is a passage from the poem written by Anthony L. Tan, Letter to
Ling. Read it and answer the succeeding questions. Write your answers on a separate
sheet of paper.
I’m writing to tell you
How like my falling hair
Things are falling away from me.
Indeed, like a tired planet,
I have lost my gravity.
And as I whirl daily in space,
Like one marooned,
Things are flying away from me.
I have been flying, too,
Flying towards you,
But it only gives me this vertigo.
Tonight, across the light-years of your absence,
The silence in this room is made palpable
By the rasping of amorous lizards on the wall. (Source: deviantart.com/karlc/journal/)
5. 3
1. This excerpt belongs to which classification of poetry?
a. lyric c. descriptive
b. dramatic d. narrative
2. The phrase in bold in the excerpt is which type of imagery?
a. auditory c. kinesthetic
b. gustatory d. olfactory
3. What is being emphasized in this poem?
a. data c. emotion
b. facts d. information
Directions: Below is a poem written by Merlie M Alunan, Old Man at Midday. Read it
and answer the succeeding questions. Write your answers on a separate sheet of paper.
Through a slit in the slats of the wood
By the kitchen stove from where I stood,
He looked no more than a thumb’s length tall.
He would not see or hear me if I call.
Among the limp shrubs stunted with the heat he merged,
A scarecrow dressed in rags, dragging
His feet (1). I seemed to hear as he passed
The gravel crunching, the hiss of dead grass
He bent, perhaps to right a twig, or gather
An old man’s poor booty in summer—
Wood to raise as evening’s humble fire.
I would never see from where I stood
What fixed his eyes past the sapling grove,
But oh, why in my gut this sudden cold? (2) (Source: merliealunan.blogspot.com/)
4. This excerpt belongs to which classification of poetry?
a. lyric c. descriptive
b. dramatic d. narrative
5. This line in bold (1) in the excerpt is which type of imagery?
a. auditory c. tactile
b. gustatory d. visual
6. This line in bold (2) in the excerpt is which type of imagery?
c. auditory c. organic
d. kinesthetic d. visual
6. 4
Directions: Copy the following on a separate sheet of paper and draw a check mark
beside the sentence that you think contains a figure of speech.
____ 1. Poetry utilizes language from factual sources to establish claims.
____ 2. Emotions and feelings are heightened in poetic language.
____ 3. The difference between prose and poetry lies in their structure.
____ 4. A poem has chapters to divide the flow of its plot.
____ 5. A poem requires the use of metaphor and other figures of speech.
What’s New
What Is It
Poetry comes in three classifications, under which are different forms.
This module presents some of these.
The three classifications of poetry.
1. Narrative. By its name, narrative poetry tells a story or a series of
events. Some forms of narrative poetry include ballad (a short poem
that often includes a dialogue through simple language), metrical tale
(a poem with plenty of descriptions of attitudes and opinions in verse
form), and epic (a very lengthy poem about heroes and great warriors
often in fantastical and lofty language.)
2. Lyric. Often melodious because of the rhyming patterns that it
follows, lyric poetry present emotions, feelings and/or memories and
does not tell a story. Forms of lyric poetry include reflective lyric (a
poetic response through recalling past emotions), elegy (dignified
poem about grief and death), ode (formal poetic language used to
commemorate an important or historical event) and sonnet (a poem
that follows a strict rhyme scheme and structure).
3. Dramatic. Also known as dramatic verse or verse drama, this poetry
tells a story and is meant to be spoken or acted. This classification
includes dramatic narrative (a poem that tells a story through the
point of view of a person involved in it), dramatic monologue (a
poetic speech addressed to the audience or to an absent character) and
soliloquy (a poetic speech of one character speaking alone, usually to
him or herself).
7. 5
What’s More
Activity 1: MODIFIED ACROSTIC
Directions: Describe poetry through sentences or phrases that begin in the following letters
that spell the word POETRY. Write your answers on a separate sheet of paper.
P
O
E
T
R
Y
Activity 2:
Directions: The following subjects belong to which classification of poetry? Choose the letter
of the correct answer, and write these on a separate sheet of paper.
A. narrative
B. lyric
C. dramatic
1. The adventures of Hercules.
2. The death of a husband.
3. Indarapatra and Sulayman in the Kingdom of Mantapoli
4. Talking to Justice as if it were a real person.
5. A speech on the how the youth can emulate Rizal in the present.
6. Two farmers discussing about hardships of rural life.
7. Romeo and Juliet
8. Losing a beloved pet dog.
9. Memories of childhood games.
10. The important lesson of Araw ng Kagitingan.
8. 6
Narrative Poetry
Dramatic Poetry
Lyric Poetry
What I Have Learned
Directions: Fill out the graphic organizer to show the similarities and differences of the three
classifications of poetry. Do this on a separate sheet of paper.
9. 7
Directions: Narrative poems are poems that tell stories. Just like a story, narrative poems have
a beginning, a middle, and an end. Study the following example and try to create your own
narrative poem about your day. Narrative poems also do not have to rhyme. Use a separate
sheet of paper for this activity.
Rotten, Icky Monday Mornings by Alison Roozeboom
Those rotten, icky Monday mornings
always get my goat.
This morning I woke up and had
an itchy, scratchy throat,
I burnt my tongue on hot cocoa,
then tripped down half the stairs,
forgot my lunch, forgot my books,
forgot to brush my hair.
At recess Billy said to me,
“Ha-ha, you’re such a nerd!”
I was so upset that during class
I didn’t hear a word,
and when the teacher called on me
I had nothing to say.
When class was done, Miss Johnson came
to me and asked, “Bad day?”
I nodded, so she smiled and said,
“I thought that you seemed blue—
those rotten, icky Monday mornings
get me sometimes, too.
I’ll tell you what I do to turn
a nasty day around:
First, I jump a dozen times
just one foot on the ground.
I scrunch my nose and purse my lips
and shut my eyes so tight,
I flap my arms like chicken wings
and roar with all my might.”
And sure enough, the silly jig
was like a magic cure.
I did it all the way back home
and I can say for sure,
those rotten, icky Monday mornings
may be quite a pain,
but laughing makes it easier
to pick yourself up again.
________________________________________________________________
________________________________________________________________
________________________________________________________________
________________________________________________________________
________________________________________________________________
________________________________________________________________
________________________________________________________________
What I Can Do
10. 8
Directions: Read the questions and choose the letter of the best answer. Use a separate sheet
of paper for your responses.
1. Poetry crafts language to create lines that elevate ____?
a. scientific facts
b. emotions or memories
c. mathematical equations
d. estimates and percentages
2. The structural difference of poetry from prose
a. use of narration
b. figures of speech
c. presence of imagery
d. lines instead of sentences
3. Which of the following statements describe narrative poetry?
a. Narrative poetry exclusively deals with heightening emotions and feelings.
b. Narrative poetry aims to be performed on stage or through actors.
c. Narrative poetry is based on memories or recollections of the past.
d. Narrative poetry is composed of sequences of events or a plot.
4. Which of the following poetic form is classified as narrative?
a. haiku
b. tanka
c. epic
d. sonnet
5. The following are examples of narrative poetry EXCEPT
a. epic
b. ballad
c. metrical tale
d. dramatic verse
6. Which of the following statements is a description of lyric poetry?
a. Lyric poetry expresses attitudes and opinions.
b. Lyric poetry utilizes the stage as platform of communication.
c. Lyric poetry records the legendary adventures of folk heroes.
d. Lyric poetry commemorates the value of an important event.
7. The following subjects may be made into a lyric poem, EXCEPT
a. emotions
b. memories
c. recollections
d. heroic deeds
Assessment
11. 9
8. Which of the following is a form of lyric poetry?
a. elegy
b. sonata
c. soliloquy
d. novelette
9. A requirement for dramatic poetry.
a. historical basis
b. mythical elements
c. stage performance
d. factual information
10. A dramatic poem where the speaker is talking to an absent listener.
a. aside
b. monologue
c. soliloquy
d. novelette
12. 10
Additional Activities
Directions: Read the poem below. Determine its classification and discuss why it is such.
The Conversion
by J. Neil Garcia
It happened in a metal drum.
They put me there, my family
That loved me. The water
Had been saved just for it, that day.
The laundry lay caked and smelly
In the flower-shaped basins.
Dishes soiled with fat and swill
Pilled high in the sink, and grew flies.
My cousins did not get washed that morning.
Lost in masks of snot and dust,
Their faces looked tired and resigned
To the dirty lot of children.
All the neighbors gathered around our
open-aired bathroom. Wives peered out
from the upper floor of their houses
into our yard. Father had arrived booming
with cousins, my uncles.
They were big, strong men, my uncles.
They turned the house inside-out
Looking for me. Curled up in the deepest corner
Of my dead mother’s cabinet, father found me.
He dragged me down the stairs by the hair
Into the waiting arms of my uncles.
Because of modesty, I merely screamed and cried.
Their hands, swollen and black with hair, bore me
Up in the air, and touched me. Into the cold
Of the drum I slipped, the tingling
Too much to bear at times my knees
Felt like they had turned into water.
Waves swirled up and down around me, my head
Bobbing up and down. Father kept booming,
Girl or boy. I thought about it and squealed,
Girl. Water curled under my nose.
When I rose the same two words from father.
The same girl kept sinking deeper,
Breathing deeper in the churning void.
In the end I had to say what they all
Wanted me to say. I had to bring down this diversion
To its happy end, if only for the pot of rice
Left burning in the kitchen. I had to stop
13. 11
Wearing my dead mother’s clothes. In the mirror
I watched the holes on my ears grow smaller,
Until they looked as if they had never heard
Of rhinestones, nor felt their glassy weight.
I should feel happy that I’m now
Redeemed. And I do. Father died within five years
I got my wife pregnant with the next.
Our four children, all boys,
Are the joy of my manhood, my proof.
Cousins who never shed their masks
Play them for all their snot and grime.
Another child is on the way.
I have stopped caring what it will be.
Water is still a problem and the drum
Is still there, deep and rusty.
The bathroom has been roofed over with plastic.
Scrubbed and clean, my wife knows I like things.
She follows, though sometimes a pighead she is.
It does not hurt to show who is the man.
A woman needs some talking sense into. If not,
I hit her in the mouth to learn her.
Every time, swill drips from her shredded lips.
I drink with my uncles who all agree.
They should because tonight I own their souls
And the bottles they nuzzle like their prides.
While they boom and boom flies whirr
Over their heads that grew them. Though nobody
Remembers, I sometimes think of the girl
Who drowned somewhere in a dream many dreams ago.
I see her at night with bubbles
Springing like flowers from her nose.
She is dying and before she sinks I try to touch
Her open face. But the water learns
To heal itself and closes around her like a wound.
I should feel sorry but I drown myself in gin before
I can. Better off dead, I say to myself
And my family that loves me for my bitter breath.
We die to rise to a better life.
15. 13
References
Electronic Sources
Source: “Letter to Ling,” Anthony L. Tan, September 09, 2005 accessed December 13, 2020,
https://www.deviantart.com/karlc/journal/Letter-to-Ling-249257530
Source: “Old Man at Midday,” Merlie M. Alunan, September 19, 2006 accessed January 03,
2021, http://merliealunan.blogspot.com/2006/09/old-man-at-midday.html
Source: “Poetry,” Howard Nemerov, November 05, 2020 accessed December 13, 2020,
https://www.britannica.com/art/poetry
Source: “Rotten, Icky Monday Mornings,” Alison Roozeboom, 2014 accessed December 13,
2020, https://nie.post-dispatch.com/system/files/lessons/132855/narrative-poetry.pdf
Source: “The Conversion,” J. Neil Garcia, June 13, 2016 accessed January 03, 2021,
https://asmallarchive.tumblr.com/post/145863797867/the-conversion-by-j-neil-garcia
Source: “Three Classifications of Poetry,” Ma Lorraine D. Faa, August 26, 2014 accessed
December 13, 2020, https://www.slideshare.net/malorrainedee/three-classifications-of-poetry
16. 14
Development Team
Writer: Nuriza R. Salasain
Don Pablo Lorenzo Memorial High School
Stand-Alone Senior High School
Zamboanga City
Editor/QA: Marion B. Guerrero
Reviewer: Florenda H. Quinte, PD
Valeria Fides G. Corteza, PhD
EPS – English
Layout Artist: Jovie R. Cruz
Management Team:
Roy C. Tuballa, EMD, JD, CESO VI
Jay S. Montealto, CESO VI
Norma T. Francisco, DM
Mildred D. Dayao, EdD
Valeriafides G. Corteza, PhD
Aida Coyme, EdD