4. 180 and rule of thirds
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The document discusses techniques for framing shots and maintaining continuity in video production. It defines the 180-degree rule as an imaginary line that should not be crossed between shots to maintain consistent screen direction. It also explains the rule of thirds, which involves dividing the frame into a tic-tac-toe grid and placing the subject of interest at the intersection points to create a balanced composition.
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4. conflict
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8. exposure
The document defines key photography terms such as exposure, video gain, iris, f-stop, focal length, and depth of field. Exposure refers to the total amount of light entering the lens, while video gain boosts picture brightness. An iris is an adjustable lens opening that controls light levels, and the f-stop indicates the iris opening size, with larger numbers meaning a smaller aperture. Focal length is the distance from the lens to the camera's sensor for a focused image at infinity, and depth of field is the range of distances that appear in focus, depending on focal length, f-stop, and object distance.
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4. 180 and rule of thirds
- 1. Warm Up What are headroom, leadroom, and noseroom?
- 2. 180 Degree Rule & The Rule of Thirds Page 32 (TEKS 11Di) Demonstrate how to frame and maintain picture composition.
- 3. 180 Degree Rule It is important to maintain interest in an interview by having a variety of shots that show different perspectives or angles. However, it is essential to maintain “consistency of screen direction.”
- 4. Definition: 180 Degree Rule 180 degree rule: An imaginary line drawn between two subjects or along a line of motion to maintain continuity of screen direction. Crossing it from one shot to the next creates an error in continuity.
- 6. Rule of Thirds Definition Rule of thirds: The placing of a key part of the picture or action on one of the intersections of a tic-tac-toe grid.
- 7. Rule of Thirds -When framing a shot, mentally divide the frame into thirds horizontally and vertically. - Place your elements along the lines, preferably with the center of interest at one of the four points where the lines cross.