21 prato design lab cw heritage hub. f.bolli
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The Textile Museum of Prato Design Lab offers workshops and lessons to students and designers focused on exploiting the textile heritage of Prato, Italy. Workshops include analyzing historical archives from the museum and local textile companies, reinterpreting archival materials through digital printing and design, and networking opportunities. The goal is to transfer innovation tools to help preserve industry archives and support the creative reworking of local heritage in new textile and fashion designs. A related initiative, CreativeWear Prato Pilot, aims to digitize the textile district's archives to inspire new productions and provide tools, consulting and marketing support to local companies.
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Cultural Heritage is made, held, collected, curated, exhibited, or simply exists in many arenas. In this context, it is possible to speak of the ‘decentring’ of culture and cultural heritage away from institutional structures towards the individual. Undeniably, the nature of the change brought about by the pace and scope of developments in digital technology is unprecedented. With the advent of digitisation and the migration from the analogue to the digital, what demands have arisen in relation to how we understand, collect and make available Europe’s cultural heritage? In what ways is the individual forcing a rethinking of the institution and how can the latter renew and remake themselves? What hierarchies of knowledge, expertise and authority in cultural heritage are being disrupted, transformed or undermined by the digital? Beyond this, the talk will consider how citizens can play a co-creative role in cultural heritage, the significance of identity and ‘belonging’, and the importance of cultural heritage as a force in economic development. Researchers as well as policy makers, funding bodies and managers of cultural heritage institutions and sector professionals are all challenged by these questions as they engage with the transmission and exploitation of cultural heritage. The talk will present evidence and recommendations emerging from the research undertaken and is located within the broad context of debates and discussion about the value, preservation, promotion and future of Europe’s cultural heritage.
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This short presentation is concerned with some of the important changes that impact upon cultural heritage in the contemporary world, and is based on the work being undertaken by RICHES – Renewal, Innovation, and Change: Heritage and European Society – a research project funded by the European Commission’s Seventh Framework Programme. The project’s main objective is to reduce the distance between people and culture, recalibrating the relationship between heritage professionals and heritage users in order to maximise cultural creativity and ensure that all of Europe can benefit from the social and economic potential of cultural heritage.
Cultural Heritage is made, held, collected, curated, exhibited, or simply exists in many arenas. In this context, it is possible to speak of the ‘decentring’ of culture and cultural heritage away from institutional structures towards the individual. Undeniably, the nature of the change brought about by the pace and scope of developments in digital technology is unprecedented. With the advent of digitisation and the migration from the analogue to the digital, what demands have arisen in relation to how we understand, collect and make available Europe’s cultural heritage? In what ways is the individual forcing a rethinking of the institution and how can the latter renew and remake themselves? What hierarchies of knowledge, expertise and authority in cultural heritage are being disrupted, transformed or undermined by the digital? Beyond this, the talk will consider how citizens can play a co-creative role in cultural heritage, the significance of identity and ‘belonging’, and the importance of cultural heritage as a force in economic development. Researchers as well as policy makers, funding bodies and managers of cultural heritage institutions and sector professionals are all challenged by these questions as they engage with the transmission and exploitation of cultural heritage. The talk will present evidence and recommendations emerging from the research undertaken and is located within the broad context of debates and discussion about the value, preservation, promotion and future of Europe’s cultural heritage.
Presentació goteborg
The document discusses two case studies of institutional innovation for the cognitive-cultural economy in Southern Europe: Hangar in Barcelona and Isola della Moda in Milan. Hangar is a self-managed center that provides affordable work spaces and resources for artists. Isola della Moda promotes an alternative approach to fashion design focused on ethics, craftsmanship, and local production. Both case studies show how grassroots initiatives can foster creativity, professional development, social inclusion, and redefine local production systems through collaboration and horizontal networking rather than top-down control.
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21 prato design lab cw heritage hub. f.bolli
- 1. Textile Museum of Prato TCBL _ Design Lab Prato, Italy Francesco Bolli, f.bolli@museodeltessuto.it
- 2. TCBL-Prato Design Lab Who we are&what we do Location Prato Textile Museum People Fashion design and textile students | young creatives and designers • To exploit the extraordinary heritage of Prato textile district • To valorize Prato Textile Museum archives as resource for heritage based activities • To enhance the development of creative reinterpretation of textile and fashion heritage into a design reality
- 3. Lesson Cycle - INSIDE THE HISTORICAL ARCHIVE connection: Marangoni Institute, Arts Management course Developing ideas on cultural promotional activities from archives exploiting social platforms. target: fashion, arts & communication students | participants: 2 groups of 15 people each Workshop - RE/COLLECTION: APPROACHING THE ARCHIVE in collaboration with Lottozero / textile laboratories Two days creative design methodology workshop aimed at providing tools for archive material reworking as inspirational basis for new projects. target: textile & fashion designers and professionals | participants: 1 classroom of 20 Workshop - TEXTILE DESIGN&DIGITAL PRINTING connection: Textile Solution Centre Epson Italia Textile design evolution through digital printing development starting from "Tra Arte e Moda“ exhibition artworks by Fifties greatest Italian artists. target: designers, textile companies, students & creatives | participants: 130 people What we’ve done so far Workshop - DISCOVERING TEXTILES connection: Tullio Buzzi Technical Institute Study and technical analysis of Museum historical archives discovering connections to contemporary production. target: textile students | participants: 2 groups of 10 people each
- 4. JULY 2017 Workshop - TEXTILE SUMMER CAMP in collaboration with Lottozero / textile laboratories An intensive involvement in Prato textile heritage. - visits and meeting at textile companies style offices - talks with international artists and designers - focus on Prato industrial product in textile museum archives - networking opportunities What’s next
- 5. Why we do this T&C sector archives cherish the memory of companies history, they focus on keeping alive their identity and values with a certified and smart return on developing new business models. TCBL Prato Design Lab activities aims to transfer innovation tools and creative methods mostly working on Textile Museum archives, especially on textile companies
- 6. Creativewear Prato Pilot The Heritage Hub Prato, Italy Francesco Bolli, f.bolli@museodeltessuto.it
- 7. Applying TCBL Business Labs model to a more territorial cluster/hub logic Prato Pilot is focused on local companies textile heritage as a source of innovation THE HERITAGE HUB aims to digitalise the local industrial district’s significant textile heritage to inspire creativity and a strong Mediterranean identity for new T&C productions ● development of CREATIVEWEAR HERITAGE MANAGER - cataloguing software for T&C companies archives (software training cataloguing campaign) ● design consulting led by international artists, designers, trends consultants and experts ● development of heritage based small scale collections ● marketing & communication activities: brand communication and heritage marketing product story telling promoting events at European T&C fairs and events The Heritage Hub Who we are & what we do
- 8. Why we do this Our objectives: ● Provide shared tools and methodologies in archives digitization ● Boosting creative re-interpretation of local heritage in textile design ● Support testing/pilot activities ● Fostering new marketing & communication strategies on cultural and heritage added value
- 9. In common & beyond TCBL Prato Design Lab – ISSUE Textile Museum heritage – TARGET Textile/fashion students/young designers ACTIONS Testing activities raising awareness on archives importance Deepening TCBL Project model: CreativeWear Prato The Heritage Hub – ISSUE Prato district textile heritage – TARGET Textile companies - ACTIONS Pilots experiences, tools and services development on archives digitalisation
- 10. Thank you Textile Museum TCBL_DesignLab | CreativeWear Heritage Hub Francesco Bolli, f.bolli@museodeltessuto.it