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MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE
CONSTRUCTION & THE
UNCANNY | PRESENTED AT
GOLDSMITH DESIGN FESTIVAL
2015
Speculation as Design Research
Tobie Kerridge, Max Mollon,
Luiza Prado de O. Martins, Alison Thomson
While speculative and critical design (SCD)
approaches have been written about extensively,
there is scope to develop empirically robust
accounts of these practices as a form of
design research.
This symposium brings together an
international group of students and
researchers who are challenging popular
and rhetorical modes of writing about SCD
by responding to issues that impinge upon
their practice, including patient experience,
upstream engagement and colonialism.
Symposium
Friday 4th September, 10:00 - 13:00
LG02, Professor Stuart Hall Building
GOLDSMITHS DESIGN
DEPARTMENT OF DESIGN
gold.ac.uk
FESTIVAL
3 - 9 SEPT
Speculation as Design Research
Tobie Kerridge, Max Mollon,
Luiza Prado de O. Martins, Alison Thomson
While speculative and critical design (SCD)
approaches have been written about extensively,
there is scope to develop empirically robust
accounts of these practices as a form of
design research.
This symposium brings together an
international group of students and
researchers who are challenging popular
and rhetorical modes of writing about SCD
by responding to issues that impinge upon
their practice, including patient experience,
upstream engagement and colonialism.
3 - 9 SEPT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
SPECULATION AS DESIGN RESEARCH

SYMPOSIUM ORGANISED BY TOBIE KERRIDGE. PART OF THE GOLDSMITH DESIGN FESTIVAL 2015 OCT. O4TH

WITH LUIZA PRADO DE O. MARTINS, MAX MOLLON, ALISON THOMSON.
My initial reply to Tobie’s demand:
In my work, I argue SCD uses design speculations to look into
“people's reactions” when facing alternative views to the world
they know. Indeed, “people’s reactions are the true product”
of these practices – as James Auger puts it, in his thesis. For
that reason, I feel the word empiric to echo with the
relationship of SCD to its audiences. Empirical Speculation can
refer to specific phases of the design process: collecting the
audience reactions. 

Collecting people’s reactions can occur along two phases: 

the production & the reception of the artefact.
• First, showing the project to potential users allows to crash-
test the relevance of a speculation (regarding a specific
audience’s background). These experiments allow to test
the ability of a proposition to elicit “meaningful reactions”
and so, to ensure good reception conditions for the
project (eg. avoiding unintended debates). This is close to
classical design’s pre-release user-testing, enabling to
fine-tune the project. I like to call it “potential-user testing”.

• The second step happens in live conditions of diffusion,
collecting actual reactions of an audience.
To put it in one word, Empirical Speculation is less about
verifying the accuracy of a conjecture than its effect on
people. It is therefore all about ensuring the relevance of a
speculation to a public and collecting its reactions.
For a matter of brevity, we will not go deeper into the
questions of unintended debates, and situated audiences, yet.
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
BONJOUR!
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
1. STORY OF THE PROJECT

2. THEORETICAL BACKGROUND

3. RESEARCH QUESTIONS

—

AUDIENCE CONSTRUCTION 

& THE UNCANNY
TODAY’S MENU:
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
THE

MEMENTO MOR-E

PROJECT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MEMENTO MOR-E
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
9
PLEASE CHECK THE VIDEO:VIMEO.COM/MAXMOLLON/EPHEMERIDE
10
11
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
PROJECT’S INTENTION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
RESEARCH INTENTIONS
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015MY 3 MASTERS TUTORS
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
WHAT IS 

SPECULATIVE DESIGN
CLAIM?
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
SPECULATIVE DESIGN AIMS AT 

PROPOSING ALTERNATIVES 

TO THE WORLD AS WE KNOW IT 

IN ORDER TO

ENGAGE PEOPLE INTO 

REFLECTION & DISCUSSION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
HOW TO ALLOW REFLECTION?

WHO TO ENGAGE INTO DISCUSSION?
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
THEORETICAL
BACKGROUND:

TEXTS STUDIES

PROJECTS ANALYSIS
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
HOW TO ALLOW REFLECTION?

WHO TO ENGAGE INTO DISCUSSION?
UNCANNY

CONSTRUCTION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
EXPERIMENT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
FIRST OBSERVATION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
SECOND OBSERVATION
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
GMO › BIG-DATA & LIVING BEINGS HEALTH › HUMAN HEALTH PREDICTIONS ›

› MND & HEALTHCARE › MND & TECHNOLOGIES › INSURANCE PLANS & TECHNOLOGIES › …
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
WORK IN
PROGRESS
AUDIENCE CONSTRUCTION 

& THE UNCANNY

–

SPECULATIVE DESIGN AS A TOOL FOR 

COLLECTIVE REFLECTION & DISCUSSION 

ABOUT THE PREFERABLE FUTURES
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
THANKS!
LICENSED UNDER CREATIVE COMMONS 2.5: 

ATTRIBUTION NON-COMMERCIAL NO DERIVATIVES.
AUDIENCE CONSTRUCTION 

& THE UNCANNY

–

MAXMOLLON@GMAIL.COM
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
PICTURES 

OF THE EVENT
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015

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(2015) Audience Construction & The Uncanny – At Goldsmith DF

  • 1. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | PRESENTED AT GOLDSMITH DESIGN FESTIVAL 2015
  • 2. Speculation as Design Research Tobie Kerridge, Max Mollon, Luiza Prado de O. Martins, Alison Thomson While speculative and critical design (SCD) approaches have been written about extensively, there is scope to develop empirically robust accounts of these practices as a form of design research. This symposium brings together an international group of students and researchers who are challenging popular and rhetorical modes of writing about SCD by responding to issues that impinge upon their practice, including patient experience, upstream engagement and colonialism. Symposium Friday 4th September, 10:00 - 13:00 LG02, Professor Stuart Hall Building GOLDSMITHS DESIGN DEPARTMENT OF DESIGN gold.ac.uk FESTIVAL 3 - 9 SEPT Speculation as Design Research Tobie Kerridge, Max Mollon, Luiza Prado de O. Martins, Alison Thomson While speculative and critical design (SCD) approaches have been written about extensively, there is scope to develop empirically robust accounts of these practices as a form of design research. This symposium brings together an international group of students and researchers who are challenging popular and rhetorical modes of writing about SCD by responding to issues that impinge upon their practice, including patient experience, upstream engagement and colonialism. 3 - 9 SEPT
  • 3. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 SPECULATION AS DESIGN RESEARCH SYMPOSIUM ORGANISED BY TOBIE KERRIDGE. PART OF THE GOLDSMITH DESIGN FESTIVAL 2015 OCT. O4TH
 WITH LUIZA PRADO DE O. MARTINS, MAX MOLLON, ALISON THOMSON. My initial reply to Tobie’s demand: In my work, I argue SCD uses design speculations to look into “people's reactions” when facing alternative views to the world they know. Indeed, “people’s reactions are the true product” of these practices – as James Auger puts it, in his thesis. For that reason, I feel the word empiric to echo with the relationship of SCD to its audiences. Empirical Speculation can refer to specific phases of the design process: collecting the audience reactions. 
 Collecting people’s reactions can occur along two phases: 
 the production & the reception of the artefact. • First, showing the project to potential users allows to crash- test the relevance of a speculation (regarding a specific audience’s background). These experiments allow to test the ability of a proposition to elicit “meaningful reactions” and so, to ensure good reception conditions for the project (eg. avoiding unintended debates). This is close to classical design’s pre-release user-testing, enabling to fine-tune the project. I like to call it “potential-user testing”.
 • The second step happens in live conditions of diffusion, collecting actual reactions of an audience. To put it in one word, Empirical Speculation is less about verifying the accuracy of a conjecture than its effect on people. It is therefore all about ensuring the relevance of a speculation to a public and collecting its reactions. For a matter of brevity, we will not go deeper into the questions of unintended debates, and situated audiences, yet.
  • 4. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 BONJOUR!
  • 5. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 1. STORY OF THE PROJECT 2. THEORETICAL BACKGROUND 3. RESEARCH QUESTIONS — AUDIENCE CONSTRUCTION & THE UNCANNY TODAY’S MENU:
  • 6. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 THE MEMENTO MOR-E PROJECT
  • 7. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 MEMENTO MOR-E
  • 8. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 9. 9 PLEASE CHECK THE VIDEO:VIMEO.COM/MAXMOLLON/EPHEMERIDE
  • 10. 10
  • 11. 11
  • 12. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 13. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 PROJECT’S INTENTION
  • 14. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 15. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 16. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 17. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 RESEARCH INTENTIONS
  • 18. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 19. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015MY 3 MASTERS TUTORS
  • 20. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 21. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 22. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 WHAT IS SPECULATIVE DESIGN CLAIM?
  • 23. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 SPECULATIVE DESIGN AIMS AT PROPOSING ALTERNATIVES TO THE WORLD AS WE KNOW IT IN ORDER TO ENGAGE PEOPLE INTO REFLECTION & DISCUSSION
  • 24. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 25. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 HOW TO ALLOW REFLECTION? WHO TO ENGAGE INTO DISCUSSION?
  • 26. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 THEORETICAL BACKGROUND: TEXTS STUDIES PROJECTS ANALYSIS
  • 27. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 HOW TO ALLOW REFLECTION? WHO TO ENGAGE INTO DISCUSSION? UNCANNY CONSTRUCTION
  • 28. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 EXPERIMENT
  • 29. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 30. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 31. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 32. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 FIRST OBSERVATION
  • 33. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 34. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 35. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 SECOND OBSERVATION
  • 36. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 37. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 38. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 39. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 40. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 41. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 42. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 43. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 44. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 GMO › BIG-DATA & LIVING BEINGS HEALTH › HUMAN HEALTH PREDICTIONS › › MND & HEALTHCARE › MND & TECHNOLOGIES › INSURANCE PLANS & TECHNOLOGIES › …
  • 45. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 46. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 47. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 WORK IN PROGRESS AUDIENCE CONSTRUCTION & THE UNCANNY – SPECULATIVE DESIGN AS A TOOL FOR COLLECTIVE REFLECTION & DISCUSSION ABOUT THE PREFERABLE FUTURES
  • 48. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 THANKS! LICENSED UNDER CREATIVE COMMONS 2.5: 
 ATTRIBUTION NON-COMMERCIAL NO DERIVATIVES. AUDIENCE CONSTRUCTION & THE UNCANNY – MAXMOLLON@GMAIL.COM
  • 49. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015 PICTURES OF THE EVENT
  • 50. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 51. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 52. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 53. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 54. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 55. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 56. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 57. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015
  • 58. MAX MOLLON | AUDIENCE CONSTRUCTION & THE UNCANNY | GOLDSMITH DESIGN FESTIVAL 2015