11VA Theory - Sarolta Ban
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Sorolta Ban is a photo manipulation artist born in 1982 in Budapest, Hungary who was originally a jewellery designer. She enjoys using ordinary elements in her photos and combining them to tell various stories and give personalities. Her works are dream-like, ethereal, highly polished and skillfully combine multiple layers of photos. She explores themes of childhood, solitude and consumerism through symbolism, angles, perspective and color.
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11VA Sarolta Ban 2015
Sorolta Ban is a Hungarian photo manipulation artist who creates dreamlike and ethereal digital compositions using ordinary elements combined in various ways to tell stories and evoke different meanings for different viewers. Originally a jewellery designer, she became passionate about digital photo manipulation and now shoots with a basic point and shoot camera, spending hours to days manipulating her images layer by layer in Photoshop to express themes of childhood, solitude, and consumerism through symbolism, angles, perspective, color, and texture.
Surreal
Sarolta Ban was born in 1982 in Budapest, Hungary. She started as a jewelry designer but later discovered her passion for digital photo manipulation, which became her main artistic focus. In her photos, she combines ordinary elements to give them new stories and meanings. The interpretations of her pictures are open-ended, allowing each viewer to find their own personal aspects within them.
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This document discusses an investigation into how color is associated with emotions like happy and angry in photographs. The author will examine works by Hector Sos, Gillian Wearing, and Kyungwoo Chun to analyze how these artists use color in their photos to express emotions. Hector Sos creates paper masks for portraits that use color and paper details to suggest feelings. Gillian Wearing photographs people holding signs with their inner thoughts, using lack of facial expression with messages. Kyungwoo Chun uses blurred portraits and bold colors that the author thinks could emphasize emotions when combined with colored backdrops.
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Photography self portraits PPT
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11VA Sarolta Ban 2015
Sorolta Ban is a Hungarian photo manipulation artist who creates dreamlike and ethereal digital compositions using ordinary elements combined in various ways to tell stories and evoke different meanings for different viewers. Originally a jewellery designer, she became passionate about digital photo manipulation and now shoots with a basic point and shoot camera, spending hours to days manipulating her images layer by layer in Photoshop to express themes of childhood, solitude, and consumerism through symbolism, angles, perspective, color, and texture.
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This document discusses an investigation into how color is associated with emotions like happy and angry in photographs. The author will examine works by Hector Sos, Gillian Wearing, and Kyungwoo Chun to analyze how these artists use color in their photos to express emotions. Hector Sos creates paper masks for portraits that use color and paper details to suggest feelings. Gillian Wearing photographs people holding signs with their inner thoughts, using lack of facial expression with messages. Kyungwoo Chun uses blurred portraits and bold colors that the author thinks could emphasize emotions when combined with colored backdrops.
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This document discusses key concepts in art including elements of art like line, shape, and color. It outlines different roles of artists such as designing, recording, and helping people understand the unknown. The document also defines important art terms like style and functions of art for personal, social, spiritual, physical, and educational purposes. Principles of art like balance, emphasis, and rhythm are presented. Finally, it provides guidance for critiquing art by describing what you see, analyzing how it's organized, interpreting the artist's message, and judging the artwork's success.
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The document discusses the personal and cultural value of self-portraits created by artists. It notes that since the 15th century, nearly every artist across different mediums has explored self-portraits as a way to examine their own psyche or simply because they are the most available model. By viewing these self-portraits, viewers can gain insight into how artists see themselves and their different "selves", and better understand their personalities and what they wish to show or hide. The self has long been an important subject in art as it expresses how individuals view themselves while also providing wider cultural insights. Contemporary self-portraits encourage debates around issues like identity and individuality.
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This art piece was a collaboration between Jeff Cruz and Rubinh0 depicting the character Illidan from the game World of Warcraft. Jeff Cruz drew and inked the initial piece, which Rubinh0 then painted digitally. The artwork employs pop art styles to advertise an upcoming expansion, using strong contrasts in color to emphasize the character against the background. The primary goal was to portray Illidan's strength and anger through realistic yet cartoon-like lines and over-the-top coloring.
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What is parody
A parody is a work that mocks or comments on an original work through humorous or satirical imitation. It establishes a connection to the original by reproducing its style and requires a full understanding of the original. While sometimes intended to be funny, a parody can also provide a fresh perspective on the original work or convey a modern view of something created in the past due to changing societal views. To write an effective parody, one must be familiar with the original work being parodied.
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Pop art uses bright colors and focuses compositions in the middle so viewers are drawn to the center. It depicts recognizable characters in simplified, graphic styles unlike realistic art. The sample images show a girl in front of a red background and Mickey Mouse in a Campbell's can. Pop art is similar to anime in its use of bright hues and less realistic portrayals, but differs from photo-realistic art which aims for perfect detail.
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Barbara Kruger is an American collage artist known for her work exploring feminist theory and critiquing consumerism. She layers found photographs with text in bold red and black fonts designed as advertisements to provoke viewers into considering issues of power, control, gender, and desire. Much of her work questions social norms and power dynamics between men and women as established through patriarchal systems and the male gaze. She reveals how everything in consumerist culture can be owned or sold, including relationships and individuals' bodies.
12VA Julie Rrap, 2016
Julie Rrap is an Australian artist born in 1950 in Lismore, NSW. She established herself as an artist by reversing her surname "Parr" to avoid associations with her brother, the controversial artist Mike Parr. Rrap is known for her body-centric artwork incorporating photography, painting, sculpture, video, and performance art. Between 1986-1994 she lived in France and Belgium where she exhibited widely and gained international recognition. Major retrospectives of her work have been held at the Australian Centre for Contemporary Art in 1995 and the Museum of Contemporary Art, Sydney in 2007.
The Male & Female Nude in Art, 2016
This document discusses the changing depictions of male and female nudes in art over time. It addresses how gender roles were traditionally divided in the art world, with different fields dominated by men or women. It provides links to visual timelines showing how the depiction of males and females in art progressed. It discusses how society and audiences can influence subject matter and how some artists rebelled against traditional norms. One example discussed is the work of the Guerrilla Girls addressing the lack of female artists represented at the Met Museum. The document also directs readers to videos of an art critic discussing gender perspectives in art.
Your BoW, 2016
The document provides guidelines for the types of materials that cannot be included in visual arts submissions for the HSC. Specifically, it states that hypodermic syringes, bodily fluids, perishable foods, liquids, medications, glass, sharp objects, ammunition, and uncertified electrical wiring cannot be part of students' body of work. Any electrical components require certification from an electrician.
11 VA Linda Alterwitz
Linda Alterwitz is a visual artist from Las Vegas, Nevada whose work explores the boundaries between science, technology, and art. Her ongoing project "While I Am Still" consists of three photographic suites that rework medical images of the human body. Alterwitz sources the images from friends and family who undergo medical scans. She then photographs the images using different cameras to reveal new details and aesthetics. The project examines the fragility of the human body and finds beauty in medical facts and technology. It also aims to inspire questions about the relationship between art and science.
11VA Craig Walsh
Craig Walsh is an Australian artist born in 1966 who is renowned for site-specific digital artworks created through collaboration. He experiments with cutting-edge technologies and projects video and images onto landscapes and structures. His most well-known work is Humanature, begun in 1994, which projects enormous human faces onto trees and rock faces in natural environments, challenging notions of portraiture and place. Walsh seeks to provoke audiences into reconsidering their relationship to environments and incorporates local knowledge into each customized work.
Photo-manipulation Aesthetic Examples
The document discusses aesthetic examples and going through the motions. It seems to be about how people can go through daily routines without truly experiencing them or finding meaning and beauty in simple everyday actions and experiences. The document suggests that people should pay more attention to their surroundings and the present moment to find more fulfillment and appreciation in life.
11 VA, Bill Viola, 2015
Bill Viola is an internationally renowned American video artist born in 1952. Over his 40 year career, he has pioneered the use of video as a contemporary art form and created immersive video and sound installations that envelop viewers. Viola's works focus on universal human experiences like birth, death, and the unfolding of consciousness, drawing from Eastern and Western spiritual traditions. He uses video to explore perceptions and how they relate to self-knowledge.
Theory - Fiona Foley (Part 1 of 3) 2015
Fiona Foley is an Aboriginal artist from Australia who uses her art to raise awareness about Aboriginal histories and cultures. As an artist from the Badtjala people, who are the original inhabitants of Fraser Island, Foley feels a responsibility to advocate for her land and people. Her work challenges the ignorance of non-Indigenous Australians by bringing attention to histories that have been concealed or whitewashed. Foley believes her work is driven by her custodial duties to Fraser Island and her existence as an Indigenous person in Australia.
11VA Theory - Leondardo Da Vinci
Leonardo Da Vinci was an Italian Renaissance artist born in 1452 in Vinci, Italy and died in 1519 in Amboise, France. He was a polymath known for his expertise and innovation in various fields including painting, drawing, sculpture, architecture, science, music, mathematics, engineering, literature, anatomy, and history. His most famous artwork is the Mona Lisa painted between 1503-1506. Da Vinci's artistic practice focused on achieving realism through techniques like preliminary drawings, studying anatomy and light/shadow, and developing the sfumato style of blending tones without lines. Some of his other major works include The Virgin of the Rocks painted between 1483-1486.
12VA Theory - Sam Leach
Same Leach is an Australian contemporary artist born in 1973 in Adelaide. He currently lives and works in Melbourne. Leach draws inspiration from 17th century Dutch art in works that explore themes of science, technology, and their relationship to commerce and life. His 2009 exhibition "The Next Billion Years" featured oil and resin paintings on wood depicting scientific and technological subjects with visual metaphors. Leach's work considers how corporations and governments use science to manipulate while endangering non-human life, but also humanity's stake in technological advancement for possibilities like extending life beyond Earth.
12VA - Brett Whiteley
Brett Whiteley was an internationally renowned Australian artist born in 1939 who died of a heroin overdose in 1992. He was married to Wendy Whiteley with whom he had one son. Whiteley was educated at the National Art School and The Scots College. His art was influenced by pop art, surrealism, landscapes, and the 1960s-1970s drug culture. Two of his notable works are Remembering Lao Tse from 1967 which references drug use, and To Yirrawalla from 1992 which takes artistic liberties with landscape perspectives.
12VA Theory - Guan Wei
Guan Wei is a Chinese painter and installation artist born in Beijing. He graduated from Beijing Capitol University and has been an artist-in-residence at several prestigious Australian art schools and universities between 1989-1992 and 1993-1998. In his work, Guan Wei aims to emphasize wisdom, knowledge, and humor through paintings and installations that tell stories and raise questions about life using common objects to convey its fragility and importance of protection.
12VA Theory - Art and the Landscape
The document discusses how the depiction of landscapes in art has changed over time. It begins by showing examples from ancient times to the 16th century where landscapes were mainly depicted as background settings for religious or figural scenes. During the Renaissance, artists began viewing landscapes as subjects in their own right, corresponding to a growing interest in the natural world. Later, landscape artists helped depict foreign lands during periods of exploration. Realism remained popular but Impressionism introduced new styles of landscape depiction. The document examines different art movements like Expressionism, Post-Impressionism, and Surrealism and how they influenced interpretations of landscapes. Students are assigned homework to analyze a landscape artwork in terms of the movement that influenced its depiction.
11VA Theory - Robert Klippel
Robert Klippel was an Australian sculptor born in 1920 who worked in sculpture, assemblage, drawing, watercolor, and other mediums. He was interested in the relationship between mechanical and organic forms, combining found industrial objects in a way that gave an organic impression by removing their original purpose. Klippel employed techniques like drilling, gluing, and welding to join large pieces while striving for a delicate appearance. He sought to relate the forms of nature to machinery and viewed his works as exploring "the inter-relationship between the cogwheel and the bud."
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- 1. SAROLTA BAN Photo Manipulation / Photomedia Artist
- 2. ARTIST STATEMENT “I was born in 1982 in Budapest, Hungary. Originally I’m a jewellery designer, later I discovered digital photo manipulation and it became my passion and main activity. I like using ordinary elements and by combining them, I can give them various stories, personalities. I hope that the meanings of my pictures are never too limited, are open in some way, each viewer can transform them into a personal aspect. I’m not so good at talking about myself, I prefer to let the pictures talk.”
- 3. PRACTICE Dream-like, ethereal, highly polished and skilfully combined. She works on a picture from a few hours to a couple of days long, and uses up to 50- 100 different layers for one picture. Uses symbolism, angles, perspective, colour, texture to express themes of childhood, solitude and consumerism among others. Define each of the underlined terms above. Find a Ban work that is an example for each of the three themes listed above.