This document provides an agenda and materials for a class discussion on passing and racial identity. It includes an exam on vocabulary terms, a discussion of stories and cases of people passing as white, and an introduction to an upcoming essay assignment arguing for or against the statement that it is rational for people to pass as white to gain advantages in society. Students are asked to read a piece by Langston Hughes on passing and post a discussion of it, and to consider whether they agree with the statement about passing for advantages in preparation for the essay.
This document provides an agenda and materials for a class on racial passing. The class will include an exam on vocabulary and terms, discussions of texts that involve racial passing like "The Human Stain" and "The Passing of Grandison", and an introduction to an argument essay assignment. Students will argue either for or against the statement that "only idiots would fail to seize the advantages of passing, at least occasionally if not permanently" given the risks and discrimination faced by black Americans at the time. They will support their argument using the assigned texts and their own insights. Homework includes reading a new text on passing and posting a response, and considering their stance on the statement in preparation for the essay.
This document provides an agenda and materials for a class discussion on passing and racial identity. It includes an exam on vocabulary terms, a discussion of stories about why people pass as a different race, and questions for discussion on the texts The Human Stain and "The Passing of Grandison". It also introduces an assignment to write an argumentative essay agreeing or disagreeing with the statement that "only idiots would fail to seize the advantages of passing" to gain better treatment. Students are given homework to read a work by Langston Hughes on passing and consider evidence from texts read so far that could support arguing for or against the provided prompt.
This document provides an agenda and materials for a class on racial passing. It includes an exam on vocabulary and terms related to racial passing, a discussion of stories about racial passing including "The Passing of Grandison" by Charles Chesnutt, and an introduction to the second essay assignment. The essay prompt asks students to argue for or against the statement that only idiots would fail to seize the advantages of passing as white, at least occasionally, if it provided benefits like better train and theater accommodations and protection from racial insults and violence. Students are instructed to support their argument using texts read in class including The Human Stain and to write their essay in MLA format with citations and a works cited page.
This document provides an overview of African American humor through history. It discusses various comedians and comedy styles from minstrel shows to modern hip hop humor. It notes the evolution from humor that laughed at African Americans to humor that brings together multiethnic audiences. The document also explores linguistic and cultural elements of African American humor rooted in traditions from West Africa that have influenced language use and humor styles in the United States and globally.
Passing can be argued to both reinforce and disrupt the social construct of race. On one hand, passing reinforced the social construct by allowing individuals to escape discrimination by denying their race and living as members of the dominant racial group. However, passing also disrupted the social construct by challenging racial boundaries and exposing them as socially constructed rather than based on biology. The ability to pass highlighted the subjective and performative nature of race. Overall, there are good arguments on both sides.
Both concerned parents and activists who have no children have been flooding school board meetings across the country yelling and threatening each other over critical race theory.
The question is, should we be teaching our children American History starting with our Founding Fathers and the American Revolution when we won our liberty from the British in 1776, or should we teach our children that our country was originally built on the unpaid labor and bones of slaves since the first slaves were shipped over in 1619 with the first colonists?
Many historians view the 1830’s when the abolitionist movement was born in America, not 1619, and not 1776, as the key period in American history that truly started the long drive towards civil rights for blacks, starting with the abolition of slavery, then the emancipation of slaves at the end of the Civil War, and the granting and restoration of civil rights in America.
We will also discuss:
• The slave autobiography of Frederick Douglass.
• The stories about the murder and lynching of blacks in the book, The 1619 Project.
• The first lynching documented by the brave black journalist, Ida B Wells.
The YouTube video, after 12/17/2021: https://youtu.be/JRdnB0lqN5o
Please support our channel, if you wish to purchase these Amazon books we receive a small affiliate commission:
The 1619 Project: A New Origin Story, by Nikole Hannah-Jones, The New York Times Magazine
https://amzn.to/3H1XqmY
Beloved, by Toni Morrison
https://amzn.to/31tFe5d
We will explore many ways teachers can try to discuss both sides of civil rights, and the academic and common definitions of Critical Race Theory, including the definition by Fox News.
Both concerned parents and activists who have no children have been flooding school board meetings across the country yelling and threatening each other over critical race theory and how our teachers teach our children American History. What should we teach our students about slavery, abolition, the Civil War and Reconstruction, the Jim Crow Redemptionist era and the Civil Rights movement? Do we teach our white children that Black Lives Really Do Matter?
We will also discuss:
• Brief history of the anti-lynching bill that failed to pass during World War II.
• The Lost Cause Southern Mythology of the Civil War and Reconstruction.
• The competing views of civil rights history by the Dunning School and WEB Dubois in his book, Black Reconstruction.
• Racial tropes documented by the movie, Birth of a Nation.
• Types of slaves in the ancient and modern world, and in the movie, Gone With the Wind.
• The tension between the conciliatory and accommodating approach of Booker T Washington and the more aggressive activist approach of WEB Dubois.
• Thomas Sowell’s observations of Booker T Washington and WEB Dubois.
• History of American Evangelicals and Civil Rights.
• Practically speaking, Critical Race Theory is about the eternally competing approaches of Booker T Washington and WEB Dubois.
See our YouTube video after 12/15/2021: https://youtu.be/lAa_jqL3S7I
Please support our channel, if you wish to purchase these Amazon books we receive a small affiliate commission:
Reconstruction: America's Unfinished Revolution, 1863-1877, by Eric Foner
https://amzn.to/3EO6WIH
No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II, by Doris Kearns Goodwin
https://amzn.to/3opqQnY
Black Reconstruction in America, 1860-1880, by WEB Dubois
https://amzn.to/3rZHpH0
The 1619 Project: A New Origin Story, by Nikole Hannah-Jones, The New York Times Magazine
https://amzn.to/3H1XqmY
This document provides background on two inmates, Jack Foley and a Cuban man named Cundo, who have become acquainted while incarcerated at Glades Correctional Institution. It describes their initial meeting and bonding over their shared disdain for racist inmates. It then summarizes stories Cundo tells Foley about his criminal past, including doing time in Cuba, participating in the Mariel boatlift, and his time in Hollywood involved in the cocaine business. Cundo questions Foley about his bank robbing career and 30-year sentence, which Foley explains resulted from losing his temper during a bank getaway.
This document provides an agenda and materials for a class on racial passing. The class will include an exam on vocabulary and terms, discussions of texts that involve racial passing like "The Human Stain" and "The Passing of Grandison", and an introduction to an argument essay assignment. Students will argue either for or against the statement that "only idiots would fail to seize the advantages of passing, at least occasionally if not permanently" given the risks and discrimination faced by black Americans at the time. They will support their argument using the assigned texts and their own insights. Homework includes reading a new text on passing and posting a response, and considering their stance on the statement in preparation for the essay.
This document provides an agenda and materials for a class discussion on passing and racial identity. It includes an exam on vocabulary terms, a discussion of stories about why people pass as a different race, and questions for discussion on the texts The Human Stain and "The Passing of Grandison". It also introduces an assignment to write an argumentative essay agreeing or disagreeing with the statement that "only idiots would fail to seize the advantages of passing" to gain better treatment. Students are given homework to read a work by Langston Hughes on passing and consider evidence from texts read so far that could support arguing for or against the provided prompt.
This document provides an agenda and materials for a class on racial passing. It includes an exam on vocabulary and terms related to racial passing, a discussion of stories about racial passing including "The Passing of Grandison" by Charles Chesnutt, and an introduction to the second essay assignment. The essay prompt asks students to argue for or against the statement that only idiots would fail to seize the advantages of passing as white, at least occasionally, if it provided benefits like better train and theater accommodations and protection from racial insults and violence. Students are instructed to support their argument using texts read in class including The Human Stain and to write their essay in MLA format with citations and a works cited page.
This document provides an overview of African American humor through history. It discusses various comedians and comedy styles from minstrel shows to modern hip hop humor. It notes the evolution from humor that laughed at African Americans to humor that brings together multiethnic audiences. The document also explores linguistic and cultural elements of African American humor rooted in traditions from West Africa that have influenced language use and humor styles in the United States and globally.
Passing can be argued to both reinforce and disrupt the social construct of race. On one hand, passing reinforced the social construct by allowing individuals to escape discrimination by denying their race and living as members of the dominant racial group. However, passing also disrupted the social construct by challenging racial boundaries and exposing them as socially constructed rather than based on biology. The ability to pass highlighted the subjective and performative nature of race. Overall, there are good arguments on both sides.
Both concerned parents and activists who have no children have been flooding school board meetings across the country yelling and threatening each other over critical race theory.
The question is, should we be teaching our children American History starting with our Founding Fathers and the American Revolution when we won our liberty from the British in 1776, or should we teach our children that our country was originally built on the unpaid labor and bones of slaves since the first slaves were shipped over in 1619 with the first colonists?
Many historians view the 1830’s when the abolitionist movement was born in America, not 1619, and not 1776, as the key period in American history that truly started the long drive towards civil rights for blacks, starting with the abolition of slavery, then the emancipation of slaves at the end of the Civil War, and the granting and restoration of civil rights in America.
We will also discuss:
• The slave autobiography of Frederick Douglass.
• The stories about the murder and lynching of blacks in the book, The 1619 Project.
• The first lynching documented by the brave black journalist, Ida B Wells.
The YouTube video, after 12/17/2021: https://youtu.be/JRdnB0lqN5o
Please support our channel, if you wish to purchase these Amazon books we receive a small affiliate commission:
The 1619 Project: A New Origin Story, by Nikole Hannah-Jones, The New York Times Magazine
https://amzn.to/3H1XqmY
Beloved, by Toni Morrison
https://amzn.to/31tFe5d
We will explore many ways teachers can try to discuss both sides of civil rights, and the academic and common definitions of Critical Race Theory, including the definition by Fox News.
Both concerned parents and activists who have no children have been flooding school board meetings across the country yelling and threatening each other over critical race theory and how our teachers teach our children American History. What should we teach our students about slavery, abolition, the Civil War and Reconstruction, the Jim Crow Redemptionist era and the Civil Rights movement? Do we teach our white children that Black Lives Really Do Matter?
We will also discuss:
• Brief history of the anti-lynching bill that failed to pass during World War II.
• The Lost Cause Southern Mythology of the Civil War and Reconstruction.
• The competing views of civil rights history by the Dunning School and WEB Dubois in his book, Black Reconstruction.
• Racial tropes documented by the movie, Birth of a Nation.
• Types of slaves in the ancient and modern world, and in the movie, Gone With the Wind.
• The tension between the conciliatory and accommodating approach of Booker T Washington and the more aggressive activist approach of WEB Dubois.
• Thomas Sowell’s observations of Booker T Washington and WEB Dubois.
• History of American Evangelicals and Civil Rights.
• Practically speaking, Critical Race Theory is about the eternally competing approaches of Booker T Washington and WEB Dubois.
See our YouTube video after 12/15/2021: https://youtu.be/lAa_jqL3S7I
Please support our channel, if you wish to purchase these Amazon books we receive a small affiliate commission:
Reconstruction: America's Unfinished Revolution, 1863-1877, by Eric Foner
https://amzn.to/3EO6WIH
No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II, by Doris Kearns Goodwin
https://amzn.to/3opqQnY
Black Reconstruction in America, 1860-1880, by WEB Dubois
https://amzn.to/3rZHpH0
The 1619 Project: A New Origin Story, by Nikole Hannah-Jones, The New York Times Magazine
https://amzn.to/3H1XqmY
This document provides background on two inmates, Jack Foley and a Cuban man named Cundo, who have become acquainted while incarcerated at Glades Correctional Institution. It describes their initial meeting and bonding over their shared disdain for racist inmates. It then summarizes stories Cundo tells Foley about his criminal past, including doing time in Cuba, participating in the Mariel boatlift, and his time in Hollywood involved in the cocaine business. Cundo questions Foley about his bank robbing career and 30-year sentence, which Foley explains resulted from losing his temper during a bank getaway.
A Place of Dying - Manuscript by Patrick EdenMichael Baker
An 13-year-old boy named Timmy Havelock is found murdered, having been drowned in a lake near his hometown of Lakeville. Sheriff Roy Cobbs, who has served in Lakeville for 8 years but still feels like an outsider, is called to investigate. The medical examiner, Doc Teely, informs Roy that Timmy showed signs of sexual assault. Teely warns Roy that with a crime of this nature in a small town, fear and hostility will likely rise among residents as they look for someone to blame. Roy faces the difficult tasks of solving Timmy's murder before the town erupts in violence, while also dealing with his own feelings of failure to protect the boy.
Film Question re:The Revenant, Bridge of Spies, Gran Torino and The MartianSigmond Cromwell
As a religious instruction teacher, if a parent asked you to explain why any of the four films (The Revenant, Bridge of Spies, Gran Torino and The Martian) might or might not be a good film for their youngsters to see, what would you advise and why?
This document provides a summary of a 124-page western screenplay titled "Riders in the Sky" by Patrick Duncan. It describes the premise, characters, and plot. The story involves a group of five dangerous criminals led by Roy Lassiter who plan to rob a train carrying money from the U.S. Mint that passes through a small Texas town in the 1950s. It provides descriptions of the primary characters and their backgrounds. The synopsis then outlines the key events in the screenplay, including Lassiter's group arriving in town, casing it for their heist, and taking the daughter of one of the town residents as a hostage before carrying out their train robbery.
David Oyelowo plays Martin Luther King Jr. in the film Selma, which tells the story of the 1965 Selma to Montgomery voting rights marches led by King. Oprah Winfrey is a producer of the film and plays Annie Lee Cooper, whose arrest helped spark the marches. The film took over seven years to make due to script and director changes. Oyelowo believes his role as King was divinely guided, while Winfrey was committed to honoring real people like Cooper who fought for voting rights. The film aims to shed light on lesser known leaders and bring attention to the continued struggle for equal rights.
The document discusses the genre of urban or street literature, also known as hip-hop fiction or gangsta lit. It is characterized by African American characters in gritty, violent urban settings often involving drugs, sex and crime. While some critics say it promotes negative stereotypes, defenders argue it reflects the real-life experiences of readers. The genre is popular among reluctant readers and libraries are encouraged to include some titles to attract new audiences, while evaluating each work individually. Popular authors and publishers in the genre are listed.
This document discusses regional dialects in the United States. It begins by explaining how different places in the US were originally settled, such as New England by the English and New Amsterdam by the Dutch. It then covers various regional dialects including those of Pennsylvania, the South, West, California, Canada and more. It also discusses humor styles associated with different regions like the Borsht Belt, Lake Wobegon and country humor. In conclusion, it notes the decline of rural dialects as fewer Americans live on farms.
This document discusses various regional dialects in the United States and their origins based on early settlement patterns. It provides examples of place names, phonological differences, and vocabulary variations across regions settled by the Dutch, Irish, English, Scots-Irish, and others. The document also examines regional humor styles including Yankee, Southern, Western frontier, and rural/country humor characterized by exaggeration and references to farming/ranching.
The document provides an overview and analysis of key elements in Mohsin Hamid's novel "The Reluctant Fundamentalist". It summarizes the 12 chapters of the novel, highlighting the main themes and narrative techniques used in each chapter such as the introduction of characters, settings, and Changez's shifting perspectives on America and Pakistan. The document also profiles the main characters and analyzes important quotes and concepts from the novel such as "fundamentalism", the purpose of the narrative style using a dramatic monologue, and Changez's growing disillusionment with America.
This document provides an overview of humor and politics in Arizona through history. It discusses how politics originated from Latin and Greek terms related to governance. It then explores how humor varies between individuals but often involves surprise, incongruity, exaggeration, and nostalgia. The document uses examples from Arizona's history like frontier exaggerations, witty politicians like Barry Goldwater and Morris Udall, and cartoonists like Reg Manning to illustrate how humor has been an important part of Arizona's political discourse and culture.
This document provides background information on Shyam Selvadurai and his novel Funny Boy. It discusses that Selvadurai was born in Sri Lanka and immigrated to Canada as a young man. His debut novel Funny Boy was a national bestseller that explores the coming of age story of a Tamil boy against the backdrop of the Sri Lankan civil war in the 1970s-1980s. The document also provides context on themes in the novel like queer identity, political conflict, and the immigrant experience.
This document is a Jeopardy-style game about the characters, quotes, literary terms, and plot points from John Steinbeck's novella Of Mice and Men. It contains questions worth various point values about the characters like George, Lennie, Candy, Crooks, and Curley's Wife. It also includes questions about important quotes, literary devices, the setting of California, and the central plot point of Lennie accidentally killing Curley's wife. The final question asks about the two writing styles Steinbeck used in the novella.
Examples of deviant behavior for class discussionAndrew Rollings
The document provides examples of behaviors that have been labeled as deviant or conforming based on changing social and cultural norms over time. It discusses how the labeling of certain acts as deviant or illegal depends on factors like prevailing laws and legislation, cultural values, and power dynamics. Some key examples analyzed are chaining fire doors being seen as raising productivity versus a safety violation, Rosa Parks' protest breaking the law but challenging social injustice, and behaviors like cohabitation or interracial relationships being socially accepted now but illegal in the past due to racist laws and prejudices. The document argues that the definition of deviance is a cultural product that changes based on cultural struggles and social movements over time.
This document provides an overview and unit contents for studying Arthur Miller's play "The Crucible" divided into four acts. It includes background information on Miller, McCarthyism which influenced the play, and the historical Salem Witch Trials. It outlines the characters and themes to be explored for each act, including plot summaries, discussion questions, and extension work analyzing staging, themes and tensions.
This document summarizes John Wheeler's "Cadillac Dave" memoirs about his time in Chattanooga in the 1960s-1970s. It describes how Wheeler was a radical student activist who dealt drugs and was expelled from UTC. He later became a major drug dealer throughout the Southeast. The memoirs describe his drug-fueled lifestyle and eventual religious conversion in 1981. Wheeler has now published collections of his memoirs to share his story of redemption after leaving his criminal past behind.
The pitch presentation for my animated web/TV series currently in development, "MRE & a Movie". This animated situation comedy will focus on the difficulty encountered by three retired war veterans in acclimating to civilian society. Everyday tasks (such as grocery shopping, exercise and dentist's visits) turn into missions that find the trio using their now-obsolete skills to navigate the "normal" word around them.
The document provides descriptions and discussion prompts for over 50 songs related to significant historical events and people in American history. The songs cover a wide range of topics including serial killers, civil rights leaders and events, political scandals and protests, natural disasters, and wars. For each song, background information and discussion points are given to help students explore the historical context and issues addressed in the songs.
Overview of the book and background on the author. What prompted James Baldwin to write this book were the current events of the time and his personal life.
This document is a presentation by Rachel Kammen for an African American studies course on African American women in film and music. It discusses stereotypes of black women, the history of roles for black actresses which were often stereotypical, and challenges still facing black women today in both industries. In music, it examines stereotypes and the categories of black female rappers, as well as discussing artists like Beyonce and Nicki Minaj. It argues that while progress has been made, both industries still have work to do in providing diverse, non-stereotypical roles and representations of black women.
This document provides an agenda for an English writing class. It includes a discussion of the Hughes story "Who's Passing for Who?", a reading of an essay by Juda Bennett about queerness in the story, brainstorming for Essay 2 with the FREECASH method, in-class writing, and an author lecture on Toni Morrison. It also includes discussion questions for "Who's Passing for Who?" and prompts for arguing for or against William Pickens's statement on passing using evidence from class texts. Homework assigned is reading Morrison's "Recitatif" and posting discussion of passing and QHQ for the story.
The document provides the agenda and materials for an EWRT 30 class. The agenda includes a project and test being due, discussing the short story "The Most Dangerous Game", and a lecture and guided writing on suspense. "The Most Dangerous Game" pits two hunters against each other in a life-or-death competition and is used to illustrate suspense. The lecture covers how to create suspense through uncertainty, escalating conflicts, developing characters the reader roots for, an intimidating villain, sensory details, and consequences of failure.
The agenda includes turning in work, taking an exam on comprehensive terms, and writing an in-class essay. Students should turn in previously assigned work including graded essays and rubrics. The homework is to enjoy the summer, stay in touch, and continue reading.
A Place of Dying - Manuscript by Patrick EdenMichael Baker
An 13-year-old boy named Timmy Havelock is found murdered, having been drowned in a lake near his hometown of Lakeville. Sheriff Roy Cobbs, who has served in Lakeville for 8 years but still feels like an outsider, is called to investigate. The medical examiner, Doc Teely, informs Roy that Timmy showed signs of sexual assault. Teely warns Roy that with a crime of this nature in a small town, fear and hostility will likely rise among residents as they look for someone to blame. Roy faces the difficult tasks of solving Timmy's murder before the town erupts in violence, while also dealing with his own feelings of failure to protect the boy.
Film Question re:The Revenant, Bridge of Spies, Gran Torino and The MartianSigmond Cromwell
As a religious instruction teacher, if a parent asked you to explain why any of the four films (The Revenant, Bridge of Spies, Gran Torino and The Martian) might or might not be a good film for their youngsters to see, what would you advise and why?
This document provides a summary of a 124-page western screenplay titled "Riders in the Sky" by Patrick Duncan. It describes the premise, characters, and plot. The story involves a group of five dangerous criminals led by Roy Lassiter who plan to rob a train carrying money from the U.S. Mint that passes through a small Texas town in the 1950s. It provides descriptions of the primary characters and their backgrounds. The synopsis then outlines the key events in the screenplay, including Lassiter's group arriving in town, casing it for their heist, and taking the daughter of one of the town residents as a hostage before carrying out their train robbery.
David Oyelowo plays Martin Luther King Jr. in the film Selma, which tells the story of the 1965 Selma to Montgomery voting rights marches led by King. Oprah Winfrey is a producer of the film and plays Annie Lee Cooper, whose arrest helped spark the marches. The film took over seven years to make due to script and director changes. Oyelowo believes his role as King was divinely guided, while Winfrey was committed to honoring real people like Cooper who fought for voting rights. The film aims to shed light on lesser known leaders and bring attention to the continued struggle for equal rights.
The document discusses the genre of urban or street literature, also known as hip-hop fiction or gangsta lit. It is characterized by African American characters in gritty, violent urban settings often involving drugs, sex and crime. While some critics say it promotes negative stereotypes, defenders argue it reflects the real-life experiences of readers. The genre is popular among reluctant readers and libraries are encouraged to include some titles to attract new audiences, while evaluating each work individually. Popular authors and publishers in the genre are listed.
This document discusses regional dialects in the United States. It begins by explaining how different places in the US were originally settled, such as New England by the English and New Amsterdam by the Dutch. It then covers various regional dialects including those of Pennsylvania, the South, West, California, Canada and more. It also discusses humor styles associated with different regions like the Borsht Belt, Lake Wobegon and country humor. In conclusion, it notes the decline of rural dialects as fewer Americans live on farms.
This document discusses various regional dialects in the United States and their origins based on early settlement patterns. It provides examples of place names, phonological differences, and vocabulary variations across regions settled by the Dutch, Irish, English, Scots-Irish, and others. The document also examines regional humor styles including Yankee, Southern, Western frontier, and rural/country humor characterized by exaggeration and references to farming/ranching.
The document provides an overview and analysis of key elements in Mohsin Hamid's novel "The Reluctant Fundamentalist". It summarizes the 12 chapters of the novel, highlighting the main themes and narrative techniques used in each chapter such as the introduction of characters, settings, and Changez's shifting perspectives on America and Pakistan. The document also profiles the main characters and analyzes important quotes and concepts from the novel such as "fundamentalism", the purpose of the narrative style using a dramatic monologue, and Changez's growing disillusionment with America.
This document provides an overview of humor and politics in Arizona through history. It discusses how politics originated from Latin and Greek terms related to governance. It then explores how humor varies between individuals but often involves surprise, incongruity, exaggeration, and nostalgia. The document uses examples from Arizona's history like frontier exaggerations, witty politicians like Barry Goldwater and Morris Udall, and cartoonists like Reg Manning to illustrate how humor has been an important part of Arizona's political discourse and culture.
This document provides background information on Shyam Selvadurai and his novel Funny Boy. It discusses that Selvadurai was born in Sri Lanka and immigrated to Canada as a young man. His debut novel Funny Boy was a national bestseller that explores the coming of age story of a Tamil boy against the backdrop of the Sri Lankan civil war in the 1970s-1980s. The document also provides context on themes in the novel like queer identity, political conflict, and the immigrant experience.
This document is a Jeopardy-style game about the characters, quotes, literary terms, and plot points from John Steinbeck's novella Of Mice and Men. It contains questions worth various point values about the characters like George, Lennie, Candy, Crooks, and Curley's Wife. It also includes questions about important quotes, literary devices, the setting of California, and the central plot point of Lennie accidentally killing Curley's wife. The final question asks about the two writing styles Steinbeck used in the novella.
Examples of deviant behavior for class discussionAndrew Rollings
The document provides examples of behaviors that have been labeled as deviant or conforming based on changing social and cultural norms over time. It discusses how the labeling of certain acts as deviant or illegal depends on factors like prevailing laws and legislation, cultural values, and power dynamics. Some key examples analyzed are chaining fire doors being seen as raising productivity versus a safety violation, Rosa Parks' protest breaking the law but challenging social injustice, and behaviors like cohabitation or interracial relationships being socially accepted now but illegal in the past due to racist laws and prejudices. The document argues that the definition of deviance is a cultural product that changes based on cultural struggles and social movements over time.
This document provides an overview and unit contents for studying Arthur Miller's play "The Crucible" divided into four acts. It includes background information on Miller, McCarthyism which influenced the play, and the historical Salem Witch Trials. It outlines the characters and themes to be explored for each act, including plot summaries, discussion questions, and extension work analyzing staging, themes and tensions.
This document summarizes John Wheeler's "Cadillac Dave" memoirs about his time in Chattanooga in the 1960s-1970s. It describes how Wheeler was a radical student activist who dealt drugs and was expelled from UTC. He later became a major drug dealer throughout the Southeast. The memoirs describe his drug-fueled lifestyle and eventual religious conversion in 1981. Wheeler has now published collections of his memoirs to share his story of redemption after leaving his criminal past behind.
The pitch presentation for my animated web/TV series currently in development, "MRE & a Movie". This animated situation comedy will focus on the difficulty encountered by three retired war veterans in acclimating to civilian society. Everyday tasks (such as grocery shopping, exercise and dentist's visits) turn into missions that find the trio using their now-obsolete skills to navigate the "normal" word around them.
The document provides descriptions and discussion prompts for over 50 songs related to significant historical events and people in American history. The songs cover a wide range of topics including serial killers, civil rights leaders and events, political scandals and protests, natural disasters, and wars. For each song, background information and discussion points are given to help students explore the historical context and issues addressed in the songs.
Overview of the book and background on the author. What prompted James Baldwin to write this book were the current events of the time and his personal life.
This document is a presentation by Rachel Kammen for an African American studies course on African American women in film and music. It discusses stereotypes of black women, the history of roles for black actresses which were often stereotypical, and challenges still facing black women today in both industries. In music, it examines stereotypes and the categories of black female rappers, as well as discussing artists like Beyonce and Nicki Minaj. It argues that while progress has been made, both industries still have work to do in providing diverse, non-stereotypical roles and representations of black women.
This document provides an agenda for an English writing class. It includes a discussion of the Hughes story "Who's Passing for Who?", a reading of an essay by Juda Bennett about queerness in the story, brainstorming for Essay 2 with the FREECASH method, in-class writing, and an author lecture on Toni Morrison. It also includes discussion questions for "Who's Passing for Who?" and prompts for arguing for or against William Pickens's statement on passing using evidence from class texts. Homework assigned is reading Morrison's "Recitatif" and posting discussion of passing and QHQ for the story.
The document provides the agenda and materials for an EWRT 30 class. The agenda includes a project and test being due, discussing the short story "The Most Dangerous Game", and a lecture and guided writing on suspense. "The Most Dangerous Game" pits two hunters against each other in a life-or-death competition and is used to illustrate suspense. The lecture covers how to create suspense through uncertainty, escalating conflicts, developing characters the reader roots for, an intimidating villain, sensory details, and consequences of failure.
The agenda includes turning in work, taking an exam on comprehensive terms, and writing an in-class essay. Students should turn in previously assigned work including graded essays and rubrics. The homework is to enjoy the summer, stay in touch, and continue reading.
The document outlines an agenda for a class that includes discussing works about passing and identity, giving definitions for key terms, and having students write an in-class essay arguing either for or against the statement that passing for white provides advantages and only idiots would fail to do so. Students will analyze stories and poems about passing to understand issues of race, identity, and oppression.
This document provides guidance on frequently confused and misused words in English. It discusses the correct uses of to, too, and two, as well as there, their, and they're. Other topics covered include correctly spelling words, distinguishing between related words, the impact of adding or changing a single letter, possessive pronouns and contractions, homonyms that sound alike but have different meanings, and choosing the right word when only one letter differs. The document concludes with a quick test to assess comprehension of the guidelines.
Individual student meetings will be held in class to discuss drafts and questions. Students will work on their concept essay in class or talk to the instructor. Homework includes reading the rest of HG, writing and posting the concept essay, studying all vocabulary words, and bringing three copies of the finished draft to the next class.
This document provides an agenda and summary for a class on analyzing writing strategies. The class will analyze narrative essays by Jean Brandt, Annie Dillard, Tobias Wolff, and Rick Bragg by splitting into groups to discuss each author. Students can earn participation points by engaging in the group discussions. They are also assigned to read chapters 1-5 of HG and study vocabulary chapters 1-4 to bring to the next class along with HG and SMG.
This document provides an agenda and strategies for an English writing class. It discusses using sensory details to describe places and people from an event. It recommends listing key places and people involved, and providing vivid details about their physical descriptions, surroundings, and dialogue. The document also discusses framing a conclusion by connecting it back to an opening quotation or reflecting on the experience's meaning. Students are assigned to read more of The Hunger Games and post their in-class writing applying these strategies.
This document provides instructions and information for students on multiple topics:
1. It instructs students to submit their essay on Stone Butch Blues in MLA format and include drafts for grading.
2. It lists terms that will be covered on the upcoming Exam 2, including exposition, idiom, interior monologue, and plagiarism.
3. It outlines the format and rules for an in-class activity where students will answer questions about Stone Butch Blues in teams, using textual evidence and quotations.
4. It provides reading and discussion prompts for students on resistance and conformity in Stone Butch Blues and reminds them about the upcoming terms exam.
This document provides an agenda and materials for an English writing class. It includes an exam, a presentation on how to write a response to literature, and a discussion of the novel Stone Butch Blues. Students are given prompts to choose from for an essay responding to the novel. The document then provides guidance on how to write a response to literature, including developing an interpretation, selecting a topic, formulating a thesis statement, choosing evidence, and organizing the paper. It models an outline for a possible paper responding to one of the prompts about Stone Butch Blues. The homework assigned is to continue reading a different novel and to post a draft outline and thesis for their essay response.
Here are a few key points about how Sui Sin Far challenges racial hatred and deals with ridicule in "Leaves from the Mental Portfolio of an Eurasian":
- She faces ridicule from other children who call her names like "Chinky" and mock her mixed Chinese and white heritage. This causes her confusion and shame about her identity.
- However, after seeing Chinese men in a store, she realizes she does not want to disown her Chinese identity. When other children taunt her, she proudly declares "I'd rather be Chinese than anything else in the world." This shows how she is learning to resist racial prejudice.
- The constant racial slurs like "Chinese" cause her deep pain and temptation
This document contains the agenda for an EWRT 1B class. The agenda includes a quiz, a discussion of essay tips and terms, a lecture on author Sui Sin Far, an in-class writing prompt, and a discussion of essay #4. It also lists some common writing errors to avoid and provides definitions for the terms "transsexuals," "transphobia," "persona," "plot," and "point of view." There is background information provided on author Sui Sin Far and an excerpt from one of her works. The class will discuss this excerpt and address how and why Far resists passing as a different ethnicity. For homework, students are assigned to outline essay #4 and respond to a discussion
This document provides an agenda for an EWRT 2 class. It includes a vocabulary test, reviewing rhetorical strategies like aphorisms and chiasmus, learning how to write introductions through directed summaries, and an in-class writing assignment applying these concepts. Students will also work on their essays and receive a review of character descriptions, prompts, theses, outlines, and using quotations in their writing.
This document contains an agenda and discussion materials for an English class. The agenda includes an exam, a presentation on how to write a response to literature, and a discussion of the novel Stone Butch Blues. Students will then do an in-class writing assignment to outline and draft the body paragraphs of their response to literature essay on the novel. The document provides essay prompts and topics for students to choose from that analyze themes and experiences in the novel related to gender identity, social pressures, medical treatment, and resistance. It also includes guidance on how to write a response to literature, including developing a thesis, selecting evidence, organizing ideas, and interpreting evidence. The homework assigned is to continue reading a new novel and finish posting the in-
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This document provides an agenda and background information for a class discussion on Martin Luther King Jr.'s "I Have a Dream" speech. It includes an introduction to rhetorical strategies of ethos, pathos, and logos. It then analyzes how King uses ethos to establish his credibility, pathos to appeal to emotions through his powerful language, and logos to a lesser degree by drawing on his own experiences. Students are assigned homework to find examples of pathos in the speech and consider how to apply rhetorical strategies to their own speeches.
The document outlines the steps for drafting an essay that proposes a solution to a problem:
1. Create an outline including stating the problem, thesis, proposed solution and reasons, counterarguments, and alternative solutions.
2. Draft sections of the essay including presenting the problem, consequences of failing to act, proposed solution and steps, reasons and support, counterarguments, alternative solutions and their disadvantages.
3. Consider opening and closing the essay effectively to engage readers and summarize the argument.
The document discusses a series of parent workshops about understanding the internet and its tools, with upcoming workshops focusing on using tools like Google Drive, feed readers, and social media dashboards, as well as internet safety and monitoring kids' digital footprints. Details are provided on commonly used browsers, basics of using browsers, and timesaving shortcuts. Parents are encouraged to ask questions on Twitter using #K12Social.
Ty'Eisha enjoys spending time with her family, listening to various genres of music, going to the movies, and shopping. She recently graduated from Saginaw High School and is now majoring in business in college with the goal of opening her own hotel or youth center. In her free time she enjoys working and providing for herself.
The document shows 10 diagrams of building layouts with measurements and proposed color schemes. For each building layout there are 3-5 color swatches labeled with color names. The diagrams range from approximately 42.3 meters to 99.3 meters in length. In total, 10 different color schemes are proposed using colors such as beige, yellow, red, green, and white.
The document outlines the agenda for a class, including discussing texts on passing such as "The Human Stain" and "The Passing of Grandison", presenting the prompt for the next essay arguing for or against a statement on passing, and assigning homework of reading a new text and posting a response as well as considering arguments for the upcoming essay.
This document provides an agenda and discussion materials for an EWRT 1B class. The agenda includes a lecture on author Randall Kennedy, a discussion of Kennedy's work "Racial Passing," a small group discussion on William Pickens' "Racial Segregation," an introduction to the class's second essay assignment, brainstorming in small groups, and an in-class writing. The document then provides discussion questions and passages from Kennedy's work about different reasons people have passed as a different race, such as to escape bondage, get information, or for safety. It concludes with brainstorming prompts to help students organize an essay on the issue of racial passing.
This document provides an agenda and discussion notes for an EWRT 1B class. The agenda includes a lecture on author Randall Kennedy, a discussion of Kennedy's work "Racial Passing," a small group discussion on William Pickens' "Racial Segregation," an introduction to the class's second essay assignment, brainstorming in small groups, and an in-class writing. The document then provides discussion questions and passages from Kennedy's work about different reasons people have passed as a different race, such as to escape bondage, get information, safety, occupational advancement, education, access services, credibility, curiosity, resistance to racism, and more. It concludes with brainstorming prompts to help students organize
This document provides an agenda and materials for an EWRT 1B class. The agenda includes a lecture and discussion on the article "Racial Passing" by Randall Kennedy, a small group discussion on "Racial Segregation" by William Pickens, an introduction to the argument essay assignment, brainstorming in groups, and an in-class writing. The document also includes excerpts from Kennedy's article on reasons why people pass as another race, including for safety, to get information, and to pursue opportunities. It provides discussion questions and prompts for organizing an argument essay on whether students agree with Pickens that people should take advantage of passing for benefits like better accommodations and safety.
The document outlines an agenda covering various topics related to LGBTQ history from 1935-1950. It includes a presentation on key events from that period, including the first reported electric shock therapy treatment for homosexuality in 1935 and the Lavender Scare of 1950. It also discusses Freud's letter, the short story "Momma" by John Horne Burns, and introduces the author James Baldwin. Discussion questions are provided about the topics on the agenda.
The document discusses racial passing through several examples from literature and history. It describes instances of individuals passing as white to escape slavery or danger from racial violence. One example is of Ellen Craft who escaped slavery by pretending to be a white man traveling with her husband disguised as his servant. The document also discusses the complex issues of racial passing, including how some saw it as a way to resist racism while others viewed it as reinforcing social hierarchies. Students are instructed to write an essay arguing either for or against racial passing using support from at least four of the texts discussed.
The document provides an overview of key people and events in African American history from the Civil War era through the 20th century. It discusses the experiences of freed slaves after the Civil War, the development of the Civil Rights movement in the 1950s-60s, and biographies of influential African American figures including W.E.B. Du Bois, Booker T. Washington, Frederick Douglass, Martin Luther King Jr., Malcolm X, Colin Powell, Oprah Winfrey, and Barack Obama. Major events highlighted include the Brown v. Board of Education Supreme Court ruling, the Montgomery bus boycott led by Rosa Parks, and the March on Washington where MLK delivered his "I Have a Dream" speech.
1) In colonial Virginia, Africans were initially viewed negatively and seen as primitive, but were still used as indentured servants. They were assumed to be captured and sold.
2) Over time, Africans became slaves as laws were passed declaring slave status would be inherited and preventing interracial relationships. Thomas Jefferson owned slaves and profited from their labor and reproduction.
3) Abolition of slavery in the North did not eliminate racism and discrimination against African Americans, who faced barriers to employment, housing, and equal treatment before the law. Racism persisted subtly in practices and social norms.
This document provides an agenda for an ELIT 10 class discussing 1950s history and the novel Giovanni's Room by James Baldwin. The agenda includes a presentation on social and legal issues facing LGBTQ people in the 1950s, a discussion of Baldwin's novel, which realistically portrayed gay male relationships at a time when this was rare, and questions for an upcoming exam. Students are instructed to bring blue books for the exam and discuss Giovanni's Room in small groups. The document provides context and details about the novel, its characters, themes of repression and isolation, and potential exam questions.
The document provides context about Harper Lee's novel To Kill a Mockingbird and parallels between Lee's childhood and elements in the novel. It notes that Lee grew up in rural Alabama in the 1930s, as did the main character Scout Finch. Both Lee's and Scout's fathers were attorneys who served in the Alabama state legislature. Lee had a neighbor and friend named Truman Capote, just as Scout's friend Dill is based on Capote. The document examines similarities between key events in Lee's childhood and events in the novel, such as the Scottsboro trials that Lee would have read about as a child.
This document outlines a proposed PhD thesis on analyzing James Baldwin's novels in relation to human rights. It will examine 4 of Baldwin's novels - "Go Tell it on the Mountain", "Another Country", "Tell Me How Long the Train’s Been Gone", and "If Beale Street could Talk" - to investigate how the white Americans violated the human rights of African Americans through racial discrimination and injustice depicted in Baldwin's works. The thesis will be divided into 6 chapters, with each chapter providing an in-depth analysis of one of the selected novels and discussing the human rights issues addressed within.
This document provides instruction on the four main types of sentences in English: simple, compound, complex, and compound-complex. It defines each type and provides examples. Simple sentences contain one independent clause. Compound sentences join two independent clauses with coordinating conjunctions or semicolons. Complex sentences contain an independent clause and one or more dependent clauses. Compound-complex sentences contain at least two independent clauses and one or more dependent clauses. The document reviews identifying and writing each sentence type and provides guidance for a homework assignment to write examples of each.
This document provides information for the first class of EWRT 1A taught by Dr. Kim Palmore. The class will include reviewing the introduction, brainstorming activities, and introducing essay #1 on choosing survival supplies. Students will engage in a group activity to choose supplies from lists to argue for in a 750 word essay. The essay should have an introduction with a clear thesis, body paragraphs with topic sentences and examples supporting each supply choice, and a conclusion. Homework includes posting an outline with thesis and being prepared for an in-class essay exam in the next class.
This document provides an overview and instructions for a hybrid English composition course. It introduces the instructor and outlines the course format, which includes both in-person and online components. Students are instructed on how to access course materials and assignments through the Canvas online platform. Key policies like attendance, late work, and academic honesty are also summarized. The document concludes by directing students to familiarize themselves with the course website and syllabus in preparation for the next class.
This document provides an overview and instructions for a hybrid English composition course. It introduces the instructor and their contact information. It explains that the class will meet in-person once a week for 2 hours and 15 minutes, and students will complete the remaining coursework online through presentations on the course website. It outlines how the online platform Canvas will be used and provides instructions for navigating it. It lists the course requirements including essays, homework posts, and reading quizzes. It discusses policies around attendance, late work, academic integrity and conduct. Finally, it provides the course syllabus calendar.
This document provides an overview and instructions for Dr. Kim Palmore's hybrid EWRT 1A course. The key points are:
- The class meets once a week in person and requires additional online work to be completed independently through presentations on the course website.
- The website, Canvas, will be used for communication, submitting assignments, accessing course materials and viewing grades.
- Students are expected to actively participate in class discussions and regularly complete assignments by their deadlines. Formal writing assignments include essays that must be submitted electronically through Kaizena.
- The syllabus outlines course policies on attendance, late work, academic integrity and expected conduct. It also provides a tentative course calendar and information
This document provides information for the first class of EWRT 1A taught by Dr. Kim Palmore. It includes an agenda with topics like an introduction, brainstorming activity, and outlining an essay. Students will choose survival supplies for a hypothetical weeks-long trip into the woods and write an argument essay defending their choices. The document gives categories of supplies to pick from and instructs students to discuss their options in groups. It provides guidance on writing an outline, thesis, body paragraphs, and conclusion for the essay. The homework is to post an outline, bring a hard copy to class, and prepare to do an in-class writing exam.
This document provides an overview of the EWRT 1A course. It introduces the instructor, Dr. Kim Palmore, and outlines the course details and expectations. The class is a hybrid course that meets weekly for 2 hours and 15 minutes, with an additional 2 hours and 15 minutes of online work each week. Students will use the Canvas platform to access course materials, assignments, and submit homework. Students are expected to actively participate in class discussions and regularly complete reading and writing assignments on time, including essays, homework posts, and quizzes. Academic honesty is strictly enforced.
To highlight and comment on an essay using Kaizena:
1. Find the essay assignment and submission requirements
2. Highlight required sections of the essay using the specified colors
3. To add a comment, highlight text and type the comment in the box that appears, then click "Post to Highlight"
4. Use one consistent color for your own highlights so the instructor can use a different color for feedback
1) All essays and projects must be submitted electronically through Kaizena before the class period they are due.
2) Students will enter a group code to submit essays and can add files from Google Drive or their desktop in PDF format.
3) The professor will review highlighting and commenting on essays and students can leave written or voice comments on their submissions.
To establish a WordPress username for completing homework, students can visit https://signup.wordpress.com/signup/?user=1 and follow the steps to create a free username, or sign in through Facebook instead of using their own name; they should then email their instructor their username and use that account for all class work online, as having a username is mandatory for much of the coursework being done online.
Here is a 4 line quotation integrated into a sentence in my essay:
According to leading health expert Dr. Susan Smith, making healthy choices is about more than just weight loss or appearance. As she states:
"Health is about feeling your best both physically and mentally. It's finding energy and joy in everyday activities rather than feeling drained. Making small changes like adding more vegetables or taking a walk after dinner can lead to big improvements in overall well-being."
This quotation effectively captures Dr. Smith's perspective that health is about overall wellness, not just physical appearance or numbers on a scale. Focusing on small, sustainable lifestyle changes and how they can enhance quality of life is a motivating message.
This document provides an overview of the key information for a hybrid English composition course. It includes the instructor's contact information and a description of how the hybrid format will work with some weekly in-person meetings and additional online content. It outlines how the course website and learning management system Canvas will be used and provides details on course requirements, assignments, materials, and policies around attendance, late work, academic honesty, and conduct. The syllabus calendar gives a tentative weekly schedule and overview of topics. Students are instructed to review the information and policies, take a quiz on the first presentation, and complete tasks like exploring the website and setting up accounts before the next class.
This document provides an overview and analysis of themes, tensions, and theoretical approaches in Night by Elie Wiesel. It discusses major themes like death, God/religion, sanity/insanity, and family. It analyzes the internal and external tensions present in the work. It also explores how trauma theory and other theoretical lenses can provide insight into the text. Key events and passages are analyzed in depth, with questions provided about character perspectives and shifts in worldview over the course of the horrific events depicted in the Holocaust memoir.
This document outlines the schedule and assignments for a hybrid literature and composition class over 9 weeks. It includes in-class and online activities as well as assigned readings and homework for each week. The main topics covered are New Criticism, feminist criticism, psychoanalytic criticism, short stories, and trauma theory. Students are assigned two essays analyzing poems and short stories using different literary lenses. They also have online discussion posts and take an exam on the materials covered in the first few weeks.
1. This document provides the guidelines and requirements for Essay #3, which asks students to write a 3-5 page concept essay explaining and analyzing a concept of their choosing. Students must highlight and comment on specific sections of their essay, include at least 3 sources in a Works Cited page, and meet formatting and length requirements.
2. The essay should objectively explain the chosen concept for readers who may or may not be familiar with it already. Students are encouraged to reveal uncommon details about the concept and use examples and imagery to illustrate it clearly.
3. The document outlines learning outcomes, previously learned skills, best practices, and traps to avoid like choosing an inappropriate topic or failing to support arguments with evidence
Here are some potential connections between the prisoners in Night and Shawshank Redemption:
- Both groups are stripped of their freedom and individuality. In the camps, prisoners are reduced to numbers and forced into uniformity/submission. In Shawshank, the prisoners lose control over their lives and must obey the prison system.
- Survival requires adapting to a harsh, inhumane system not of one's own making. In the camps, prisoners must find ways to endure unthinkable cruelty and deprivation. In Shawshank, inmates navigate the prison's oppressive rules and power structures.
- Hope and humanity can persist even in the darkest of places. In Night, some prisoners retain aspects of dignity and compassion
The document provides an agenda and discussion points for analyzing the novella "Rita Hayworth and Shawshank Redemption" by Stephen King and the short story "The Metamorphosis" by Franz Kafka.
For "Rita Hayworth", there is a discussion of themes like hope, struggle, and imprisonment. Potential discussion questions are also listed. For "The Metamorphosis", summaries of each chapter are provided along with characters, potential theoretical approaches, and discussion questions. The agenda then outlines a group discussion for analyzing both works.
The agenda covers discussions of two novellas: Rita Hayworth and Shawshank Redemption and The Metamorphosis. For Shawshank, key themes of hope, struggle, and imprisonment will be analyzed. For The Metamorphosis, three chapter summaries are provided: Chapter 1 details Gregor waking up as a cockroach and his family's initial reaction. Chapter 2 explores Gregor's loneliness and his sister's compassion. Chapter 3 finds Gregor weakening as the family acclimates to his condition. Potential discussion questions are posed about characters and applying psychoanalytic theory.
This document provides an agenda and information for an online EWRT 1C class on Franz Kafka's novella "The Metamorphosis". The class will include reading the novella, an introduction to Kafka as the author, and discussing the historical and literary contexts. Kafka is introduced as an Austrian-Jewish writer from Prague in the late 19th/early 20th century. The novella is then analyzed including its use of third-person narration from the perspective of Gregor Samsa after he transforms into an insect. Students are assigned to read the novella and answer one of several discussion questions in 200-300 words for homework.
6. To Escape Bondage
One extraordinary instance occurred in 1848 when Ellen
Craft—the daughter of a master and his slave mistress—
escaped from bondage by train, boat, and carriage on a
four-day journey from Macon, Georgia, to Philadelphia,
Pennsylvania.[12] Ellen Craft pretended to be white. Her
slave husband was part of her disguise; he pretended to
be her servant. And there was one more twist: Ellen
Craft traveled not as a white woman but as a white man.
To obtain freedom for herself and her husband, she
temporarily traversed gender as well as racial lines.[13]
7. To Get Information
Walter White, working on behalf of the NAACP, gathered
facts about lynchings and other atrocities and carefully
publicized them in an effort to arouse American public
opinion. However, the daring way in which he pursued this
task brought him close to danger. In 1919, he traveled to
Phillips County, Arkansas, to investigate the deaths of some
250 blacks killed in an effort to discourage collective
organization by African American cotton farmers. When
whites in Phillips County became aware of White's purpose, he
was forced to escape hurriedly. ―You‘re leaving mister, just
when the fun is going to start,‖ White recalls being told by the
conductor of the train on which he made his getaway. ―A
damned yellow nigger is down here passing for white and the
boys are going to get him.‖
8. For Safety
Goaded by false stories of Negro men raping white
women, a white mob terrorized blacks in Georgia‘s capital.
Caught in town amidst marauding whites, two African
Americans escaped serious injury only because of their light
skin. They witnessed, however, terrible crimes: ―We saw a
lame Negro bootblack . . . pathetically try to outrun a mob
of whites. Less than a hundred yards from us the chase
ended. We saw clubs and fists descending to the
accompaniment of savage shouting and cursing. Suddenly a
voice cried, ―There goes another nigger!‖ Its work done, the
mob went after new prey. The body with the withered foot
lay dead in a pool of blood in the street.
9. To Advance Occupational Ambition
Some passed as white during the workday, while presenting
themselves as African American outside of the workplace.
Chronicling this phenomenon in White By Day . . . Negro by
Night, a 1952 article in Ebony magazine relates the following
story: One girl who passed to get work as a clerk in a Chicago
loop department store thought she had lost her job when an
old-time, well-meaning friend of her mother came in and said
in happy surprise, ―Well, Baby, it sure is good to see this store
is finally hiring colored girls.‖ Fortunately she was overheard
only by one other clerk who was a liberal and a good friend of
the girl who was passing and the secret did not get out.
10. To Pursue Education
Prevented by state law from freeing his slaves, Michael
Healy sent his children to the North where they could be
educated and also be free of bondage in the event of
their father‘s demise. James Augustine Healy (1830–
1900) was a member of the first graduating class of the
College of the Holy Cross in Worcester, Massachusetts.
He pursued clerical studies in Canada and
France, became a priest in Boston, and served for
twenty-five years as the Catholic bishop of
Portland, Maine.
11. To Get Access to Services
To shop, sleep, or eat meals at racially exclusive
establishments
Hospitals were divided into two sections. The white section
was clean and renovated; the black section, dirty and
dilapidated. The physician took a light-skinned man to the
white section of the hospital. Before long, though, a visit by
a son-in-law apprized the hospital staff of their ―error.‖ His
son wrote that his father ―was snatched from the
examination table lest he contaminate the ‗white‘ air, and
taken hurriedly across the street in a driving downpour . . .
to the ‗Negro‘ ward‖ where he died sixteen days later.
12. To Establish Credibility
Rachel Kennedy passed as white not visually but aurally.
When pressed to talk on the telephone with some authority
on an important matter—a consumer complaint, dealing
with police, seeking employment or educational
opportunities—she would adopt an accent that most
listeners would associate with the speech of a white person.
She put on countless stellar performances before an
appreciative household audience that viewed these affairs as
comical episodes in the American racial tragedy.
13. Curiosity and Fun
St. Clair Drake and Horace R. Cayton report that some
light-skinned Negroes in Chicago they interviewed in the
forties spoke of going to white establishments ―just to
see what they are like and to get a thrill.‖
14. More Reasons to Pass
The non-fiction literature by and about passers is full of references to
passing as a mode of resistance or subversion.
Ray Stannard Baker noted that passing awakened glee among many
Negroes because they viewed it as a way of ―getting even with the
dominant white man.‖
Langston Hughes repeatedly defended passing as a joke on racism.
Gregory Howard Williams relates that his father derived great psychic
satisfaction by defying the rules of segregation when he lived in Virginia
as the husband of a white woman and the President of a (supposedly) lily-
white chapter of the American Legion.
Williams also relates that his brother got a thrill from romancing white
girls who would surely have spurned him had they perceived him to be a
Negro.
15. The Human Stain
Coleman and the Charges of Racism
• Do you think that Coleman Silk had the intention to insult the students by
saying ―Do they exist or are they spooks?‖
• Why wouldn‘t Coleman‘s [African American] friend at the meeting stand up for
him, knowing his friends true feelings?
• When Coleman got in trouble for using the word ―spook‖ why didn‘t he or
his friend stand up and mention Coleman was African American?
• Why did Zuckerman say, ―telling the truth is the one thing Coleman could
not do?‖
• Why does Coleman still feel afraid of standing out when he is no longer at risk
of losing his job for being [black]?
• Do you think that Coleman Silk overreacted to the judgment by the school?
16. Coleman and Steena
• Why did Coleman want to bring his first girlfriend home to meet
his mother, when he knew how it would most likely turn
out, given the circumstances?
• Why did Coleman not tell his girlfriend about his mother
being black before they met in person?
• Why does Coleman‘s mom not like his first girlfriend?
• What was the main reason his [girlfriend] decided to leave
Coleman? Was it for lying or for the color of his background?‖
• Coleman speaks of Stena Paulson as his first love despite what
happened, but does or did she ever see him as her true first love, in
regard to her actions and choices in the film?
• How would Coleman‘s first love [Stena Paulson] be considered
one who is passing, but in a different way than Coleman?
17. Coleman and Faunia
• What made Coleman so attracted to Faunia Farley and why would he
continue to stay with her even after discovering all the trouble she brings?
• Why did Coleman decide to tell Iris that his parents were dead, and
completely reject his racial background but reveal his racial identity to
Faunia?
• Why was Coleman so willing to accept and confide in a person that wouldn‘t
be someone to inspire confidence in many people?
• Why is Faunia so quick to dismiss everyone else, but somehow she always
ends going back or opening up to Coleman?
• Would Faunia have stayed with Coleman even she had found out he was
black since the beginning rather than the end? Why?
• Did Coleman‘s last love end up being his greatest love?
• Was there an underlying reason other than Les that could have caused
Coleman and Faunia‘s death?
• Les claimed in the movie that Coleman and Faunia had killed themselves; [. .
.] do you think that they decided death would be their closing statement?
18. Anger, Fear, and Regret
• If Coleman‘s brother and father were content and proud with their lives
[as] African Americans, then why couldn‘t Coleman embrace his race too?
• After Coleman‘s girlfriend told him that she could not be with
him, Coleman hits his opponent like he hates black people: is he just mad
that he can‘t be with his girlfriend because he is black?
• Can society lead you to hate your own race?
• Did Coleman forgive himself at the end of the movie?
• If Coleman had a chance to go back and redo parts of his life would he
choose the same path of being caged into his own lies, or go the path his
father would have wanted him to?
• Is Coleman still afraid of speaking the truth, or why would he want a book
to be written about the things he went through?
19. Larger Issues
• How does The Human Stain relate to what we‘ve discussed
in class?
• What does the phrase ―human stain‖ mean?
• Are the ideas of race, passing, and prejudice the only
factors from the movie, that we‘ve discussed in class?
• Can you really love someone if you don‘t know
everything about them?
• How would you know it would be the right time to tell
your life story to someone?
20. "The Passing of Grandison”
• What is the significance behind Grandison‘s passing?
• Was Grandison‘s fidelity all an act or was he really loyal to his master at the
beginning?
• If Dick wanted to help Grandison out why didn‘t he approach him with the
truth?
• Grandison feigns the ignorance of a ―satisfied slave‖ in order to increase his
chances of ever escaping the slavery; at what point did he decide to trust
Dick to become his cohort in helping him escape?
• Was it Grandison‘s plan all along to eventually escape with his family, or did
he choose to do it only when he knew that he had been abandoned in
Canada?
• If Grandison had never been brought along the trip up to the North with
Dick Owens, would he have still ran away?
• Why didn‘t Grandison tell the truth about being abandoned in Canada?
• Why did Grandison lie about Canada?
• How do you think Grandison felt, looking back at the colonel as he stood on
that boat leading toward freedom?
21. • In the story, Dick Owens is not considered the most hard-working individual.
How did it effect his relationships with others? Why does Dick Owens behave
this way?
• Why did Dick try so hard to impress Charity? What was so special about her
• Since Dick has a wealthy dad and will inherit his fortunes, why does he go so
far to impress his girlfriend when he could get any other girl?
• What might of happened with Dick and Charity’s relationship, had she not
given him an ultimatum to “do something”?
• Does the extreme severity of pushing to illegally freeing a slave at the time,
put Dick in the right light but for the wrong reasons?
• Dick’s intentions of setting Grandison free was good, but was it right?
• How did dick feel after knowing that the whole family was gone and knowing
he was a part of why it happened?
• Was Dick happy with the final outcome, of that many slaves leaving?
• In what ways were Dick Owens and Grandison alike?
23. Introduction to Essay 2:
―If passing for white will get a fellow better accommodations
on the train, better seats in the theatre, immunity from insults
in public places, and may even save his life from a mob,‖
wrote William Pickens, ―only idiots would fail to seize the
advantages of passing, at least occasionally if not
permanently‖ (―Racial Segregation,‖ Opportunity, December
1927 (3).
Write an essay of four to six pages arguing for or against
William Pickens‘s statement. Use support from the texts you
have read so far, The Human Stain, our discussions, and your
own insights. Remember to format your essay in MLA style.
This essay will require citations and a works cited page.
24. The Prompt:
If passing for white will get a fellow better accommodations on the train, better
seats in the theatre, immunity from insults in public places, and may even save
his life from a mob,‖ only idiots would fail to seize the advantages of
passing, at least occasionally if not permanently.‖
Do you agree with Pickens's statement?
If yes, why?
If no, why not?
25. HOMEWORK
Reading: Hughes: "Who's
Passing for Who?‖
Post #9 : QHQ: ―Who‘s
Passing for Who?‖
Think about Pickens‘s
statement and whether you
agree with it or not.
Consider which texts you
might use to support your
beliefs. How would you use
them?