Camparision between renaissance and mannerismFirshaSaleem
The document compares and contrasts the Renaissance and Mannerism periods of art and architecture. The Renaissance saw a rebirth of classical Greco-Roman styles and ideals like realism, order, and harmony. Famous Renaissance artists included Leonardo da Vinci. Mannerism emerged later as a more stylized and complex reaction against Renaissance ideals, featuring elongated proportions, complex compositions, and dramatic lighting. Key differences included Renaissance art's stability versus Mannerism's instability, and Renaissance's adherence to classical standards versus Mannerism's experimentation. Examples are given comparing works by Renaissance masters like Raphael to Mannerist artists like Pontormo and Parmigianino.
Camparision between renaissance and mannerismFirshaSaleem
The document compares and contrasts the Renaissance and Mannerism periods of art and architecture. The Renaissance saw a rebirth of classical Greco-Roman styles and ideals like realism, order, and harmony. Famous Renaissance artists included Leonardo da Vinci. Mannerism emerged later as a more stylized and complex reaction against Renaissance ideals, featuring elongated proportions, complex compositions, and dramatic lighting. Key differences included Renaissance art's stability versus Mannerism's instability, and Renaissance's adherence to classical standards versus Mannerism's experimentation. Examples are given comparing works by Renaissance masters like Raphael to Mannerist artists like Pontormo and Parmigianino.
After the fall of the Roman Empire, migrating tribes brought their artistic traditions to Europe. The migration period arts consisted mainly of small, portable objects like belt buckles and fibulae decorated with animals and intricate knots. An important Anglo-Saxon ship burial at Sutton Hoo contained a warrior buried with a helmet, belt, and other items displaying sophisticated craftsmanship and symbolic animal designs. These styles incorporating zoomorphic imagery and interlace patterns influenced later Viking and medieval Christian art in northern Europe.
The document provides information about life, society, and culture in Ancient Greece from approximately 850 BC to 300 BC. It describes the social hierarchy and roles of different groups including male citizens, women, slaves. It discusses housing, clothing, food, the economy including agriculture, trade and jobs. It also covers education, religion, famous buildings, and notable figures from philosophy, writing and science during this period.
The Romans were inspired by Greek art and architecture as they expanded their Republic and later Empire throughout the Mediterranean. They adopted styles like realistic portraiture and propaganda sculptures of emperors to convey imperial ideals. Major construction projects such as the Colosseum and Pantheon combined Greek orders with innovative Roman techniques and featured painted interior decor.
Roman art served as a demonstration of power from 753 BCE to 410 CE. Roman architecture was revolutionary due to their understanding of the arch, vault and concrete, which allowed them to build monumental structures like aqueducts, temples, arenas and basilicas. While greatly admiring Greek art, Roman art had no unique style but was diverse and incorporated influences from territories across the Roman Empire. Wealthy patrons and the government sponsored art that proclaimed their glory.
After the fall of the Roman Empire, migrating tribes brought their artistic traditions to Europe. The migration period arts consisted mainly of small, portable objects like belt buckles and fibulae decorated with animals and intricate knots. An important Anglo-Saxon ship burial at Sutton Hoo contained a warrior buried with a helmet, belt, and other items displaying sophisticated craftsmanship and symbolic animal designs. These styles incorporating zoomorphic imagery and interlace patterns influenced later Viking and medieval Christian art in northern Europe.
The document provides information about life, society, and culture in Ancient Greece from approximately 850 BC to 300 BC. It describes the social hierarchy and roles of different groups including male citizens, women, slaves. It discusses housing, clothing, food, the economy including agriculture, trade and jobs. It also covers education, religion, famous buildings, and notable figures from philosophy, writing and science during this period.
The Romans were inspired by Greek art and architecture as they expanded their Republic and later Empire throughout the Mediterranean. They adopted styles like realistic portraiture and propaganda sculptures of emperors to convey imperial ideals. Major construction projects such as the Colosseum and Pantheon combined Greek orders with innovative Roman techniques and featured painted interior decor.
Roman art served as a demonstration of power from 753 BCE to 410 CE. Roman architecture was revolutionary due to their understanding of the arch, vault and concrete, which allowed them to build monumental structures like aqueducts, temples, arenas and basilicas. While greatly admiring Greek art, Roman art had no unique style but was diverse and incorporated influences from territories across the Roman Empire. Wealthy patrons and the government sponsored art that proclaimed their glory.
41. 「希臘底」(Helladic)一詞乃藝術史與考古學
用來替希臘大陸上的青銅器文化分期之系統
分期大約年代(BCE) 關聯
Early Helladic I 2800-2500 可能乃非印歐語系族群
Early Helladic II 2500-2300 可能乃非印歐語系族群
Early Helladic III 2300-2100 可能乃非印歐語系族群
Middle Helladic 2100-1550 曾一度被認為是摧毀EH的東方入侵族群所帶來的新風格
Late Helladic I 1550-1500 邁錫尼文明開始昌盛
Late Helladic II 1500-1400
Late Helladic III 1400-1060 邁錫尼文明滅亡
51. 「賽克里底」(Cycladic)一詞乃藝術
史與考古學用來畫分賽克里底群島
由新石器時代晚期至早期青銅器文
化之系統, 它亦分為早中晚三大期
分期大約年代(BCE) 關聯
Early Cycladic I (ECI) ca. 3,000
Early Cycladic II (ECII)
Early Cycladic III (ECIII)
Middle Cycladic I (MCI) ca. 2,500
Middle Cycladic II (MCII)
Middle Cycladic III (MCIII)
Late Cycladic I
Late Cycladic II ca. 2,000 與米諾斯文明聚攏
52. 米諾斯與邁錫尼文明綜合分期
c. 3,000 BCE 愛琴海地區進入早期青銅器時代
c. 1,900 BCE 克里特島上「第一宮殿時期」開始
c. 1,750 BCE 首期宮殿的摧毀，「第二宮殿時期」開始
c. 1,628 BCE 愛琴海的Thera島火山大爆發，克里特島東部受波及
c. 1,500 BCE 邁錫尼人征服克里特
c. 1,400 BCE 希臘半島大陸上出現宮殿
c. 1,190 BCE 邁錫尼文明宮殿之毀棄
