This document provides an overview of Indian art until the 13th century, covering both Buddhist and Hindu art traditions. It discusses the major religions in India such as Hinduism, Buddhism, Islam, and others. For Buddhist art, it describes the life of Buddha and key iconographic elements in Buddhist statues and architecture like stupas. For Hindu art, it outlines the main Hindu gods and concepts of dharma, karma, and samsara. It also examines architectural features of Hindu temples and provides examples from sites in India like Deogarh and Orissa as well as Angkor Wat in Cambodia. Sculptural styles are discussed through works like the Shiva Nataraja.
3. Many Religions
• Place of birth of Buddhism (but only 2% of the
population today)
• Hindus (80%)
• Muslims
• Christians
• Jains
• Sikhs …
4. Many of these religions have in
common:
• The material world (yoga) is an illusion
• The spiritual world (Brahman) is real and
everlasting
• Achievement through meditation – Reach the
Nirvana
• Images = aids for meditation
• Images = products of meditation
25. Characteristics of Buddha statues
• Uniformity for centuries
• Compact pose
• Little negative space
• Usually seated in the lotus position
(sometimes standing or lying down)
• Frontal and symmetrical
• Usually detached, in meditation
59. Hinduism
• Only major religion without a founder
• Universe is cyclical
• Cosmic struggles between Gods, Humans and
Demons
• Vast pantheon (millions of God)
• Personal bond with the deities
• Reincarnation
• Nirvana
60. Hinduism
• Infinite variety of the divine
• Reincarnation
• Nirvana (ultimate release from the cycle of
rebirth)
• Importance of Karma (quality of behavior in a
previous life)
• World ruled by Dharma (the law)
• Each caste has its own code of conduct
61. 3 main gods
Brahma – the
creator
Vishnu- the
preserver
(10 avatars – most
famous Krishna)
Shiva- the
destructor
(3 eyes and one
trident)
64. Hindu Temple: Rich symbolism
• Long preparation to prepare the construction
of a temple
• Axis: East/west (like sun)
• Symbol of the Mount Meru
• Abode of the god
• “Womb of the World”
• Only accessible to priests / not congregational
• Cult image in inner sanctuary (garbha griha)
65. Temple of Vishnu, Deogarh, Uttar
Pradesh, India, early 6th century CE
Shikhara = tower
68. Vishnu sleeping on Ananta,early 6th
century
1) Vishnu
( 4 arms)
2) Brahma
(4 heads)
3) Shiva and
Parvati on a
bull
4) Lakshmi
69.
70.
71.
72.
73. Temple of Vishnu, Deogarh, Uttar
Pradesh, India, early 6th century
• Complete integration of architecture and
sculpture
• Pairs of divine couple (mithuna) appear upon
the exterior and the doorways
• Sinuous curves and lines of the body
• Dance posed
74. Orissan Temples (8th-13th century)
• Orissa – region in the
North East of India
• Center of architectural
development
• By the 8th century,
Temples became
extremely complex
• Temple cities
88. Hindu Temple Characteristics
• Thick walls
• Small interior rooms for the statue
• Post and Lintel
• Corbelled vaulting
• Riche outside decoration : to teach People
90. Shiva Nataraja, ca. 11th century
Demon of Ignorance
Flaming nimbus = world
Cobras
Drum
Flame
91. Characteristic of Indian Art
• Interconnectiveness of all arts: architecture,
painting and sculpture
• Monuments = combination of arts
• Uniformity of style
• Respect of proportions and iconography
Editor's Notes
Main River Indus and Ganges
Lot of Invasion and assimilations
18 languages
Hindi spoken by only 20% of the population
Before 1st century CE – 1st Human (Kushan Period)
representation of Buddha (before symbols) Aniconic
Siddharta Gautama
Spiritual force that teaches individual how to cope with a life full of misery
Buddha (not a god) – renounce to the royal court
Fulfillment through meditation / ascetism
Endless cycle of Birth and rebirth – until you reach the supreme spirit
Accumulation of spiritual merits: good work, charity, love of beings and religious fervor
Enlightment under a tress
1st sermon in the Deer Park in Sarnath
Set in motion the wheel (Chakra) of the Law (Dharma)
Helper of buddha
Person with a high level of enlightment
wheel
Dharma
Mud slides off its surface
Buddha was aniconic until 1st century BCE – Contact with western world
Kushan empire (Afghanistan / Pakistan and Nothern India)
1st representation anthropomorphic of Buddha
Large halo
Robe deeply carved rhytmically curving folds
Spiritual Ruler
Earlobes / ushnisha (topknot)
Urna -
Silk Road
Lot of trade with West and influence
Treatment of the hair different than traditional Buddhist representation
No frontality nor symetry
Gupta Empire - encouraged art and architecture
Creation of the stereotyped image of Buddha
Incredible uniformity of its representation – for Thousand year and across continent
Frontal / symmetry
Compact pose with little negative space
Usually seated (but standing or lying as well)
Lotus position
Draperies are different from one part to another
Tight fitting / one shoulder (diagonal)
Mudra – hand gesture codified
Ushinisha – top knot
Urna – spiral or dot on the frehead – 3rd eye
Asana - position
Chakra on feet
Halo or nimbus
Mandala – complex support for meditation
Predella: 2 groups of monks facing a wheel (symbol of preaching)
Important narrative moment: Sakyamuni’s followers returned to Buddha at the sermon in Deer Park
Curls (snail shell)
Shoulder like elephant trunk
Archeological Museum Sarnath (north of India)
Place where Buddha preached for the 1st time – one of the 4th holiest place of India
Column erected along a pilgrimage route to see the holy sites connected with the life of Buddha
Inverted lotus blossom – Bell
4 wheels and 4 symbolic animals (lion, horse, elephant and bull)
Lions are stylized faces, noses and whiskers
Repetitive pattern of the manes
Influence from Persepolis, PersiaPower of the emperor
// Trajan
Legislative document on stone
Emperor // God
National emblem of India
Thruth alone triumph
Shunga period
What is a stupa:
mound.-shaped shrine without interior
For relics (monks)
Originaly – tumulus for the ashes of Buddha
Pray walking around clockwise or Eastern direction- Sun’s course
Cosmic symbolism
Center of the world
Axis connecting Heaven and Earth
Stairs to the base of the drum
Walkway for circumambulation
4 Toranas / 4 points of the compass
Dome - heaven
On the top : 3 umbrellas – Buddha, Buddha’s law and Monastic Orders (3 Jewels of Buddhism)
Originally painted in white
Vedica // Wooden fence
From wooden prototype
Horror Vacui / High relief
No representation of Buddha (aniconic)
Emèty throne
Tree under which he taught
North Torana
4 Elephants
2 rectangular posts with 3 architraves
Vertical elements
Wheel and element tripartite (3 jewels of Buddhism)
Manguo tree
Sensuous – Fertility
Pre boudhist representation
Cut in the mountain / imitation of the free standing buildingUsually along the main road
Chaitya hall – Huge space for congregation
Chaitya – typology of buildingTo host many devoteescut in rock or notCarved in the mountain (typical Indian)
Sexual connotation – penetrating the womb of a mountain
Stupa at the end with an ambulatory for ritual circumambulation
Basilica form with long nave defined by colonnade
Capital bell-shaped
Base of the column vase – originally in wood and the bases were placed in vases to prevent insects from destroying them
Curved rafter – remind of wooden architecture
Constructed to offer a shelter for large number of devotees
2 kinds if Chaita: cut rock living
Buddhist monastery
30 caves carved in the mountain
Chaitya hall and vihara
More elaborated than Karli’s
Relief and painting
No light
3 layers of plaster
Last painted
Pigment
Little blue (lapi lazuli expensive)
Importance of the pictural cycle // Ravenna
Political significance
Padmapani (one who holds the lotus) // Avalokiteshvara (Bodhisattva of Compassion)Blue lotus
Noble countenance
Naturalism (shadow of the beck)
Downcast eyes- humility
Graceful curves – Dance rhythms
Pointed crown – high caste
Royal attribute / great spiritual attainment
Sensuous // typical of pre-Bouddhist figure
Different way to spirituality
Shiva – creator / desctructo
Many avatar Buddha is an Avatar of Vishnu
Kali is Devi’s avatar
Kali – fertility and war and destruction
Ganesh is Shiva and Parvati’s son
Many procedures to prepare a templeFertile ground
Ritual
Cows have to pasture…
Recitation o Sutra
Platform
One chambered structure
4 altars
4 stairs
Statue in the Garbha Griha
Vishnu sleeping (4 arms = power)
Sleeping on the Endless snake with 1000 heads (Ananta)
His wife, Lakshmi is massaging him the leg (his female side)
From his navel : lotus – beginning of the new world / beginning of the time
Brahma is going to build the world
The demons tried to kill Brahma – they will be killed by Vishnu
Shiva and Parvati his wife on a bull
Underneath – 2 brothers and their wife are fighting against 2 demons
Double rhythm: Vishnu still and movement all around
Vishnu on enthroned on Ananta’s coil
His wife stroke his foot
Richness of the jam of the door
Danse
Vurve
Sensuality
More elaborated
Elevation of typical Orissan temples
Corbelled roof
Only Temple city surviving (500 temples / originally 7000)
Only Temple city surviving (500 temples / originally 7000)
Behind Sacred water
Tower . Series of shapes that build to become a large tower
Capital of Medieval Cambodia
Spread of the Hindu art in Cambodia –
Patronage of the Khmers
Khmer ruler deified during his ownlife time
Royal palaces disappeared (perishable material)
Bricks and stone
Oriented so viewers passing throught the western gate at sunrise on June 21sr would see the sun rise directly over the central tower
Capital of Medieval Cambodia
Spread of the Hindu art in Cambodia –
Patronage of the Khmers
Khmer ruler deified during his ownlife time
Royal palaces disappeared (perishable material)
Bricks and stone
Oriented so viewers passing throught the western gate at sunrise onJune 21sr would see the sun rise directly over the central tower
Main pyramid surrouned by 4 corner towers : temple mountain
(( Mountain Meru)
Main pyramid surrouned by 4 corner towers : temple mountain
(( Mountain Meru)
Complex plan
Central sanctuary surrouned by 3 enclosures
Lika a mandal //
Corbelled gallery roof
Elegance
Sprituality and erotism
Jewel
Horror Vacui
Repetition of shape
MET
Vigourously dancing with one foot on a dwarf, the demon of Ignorance
MET
Periodicly destroy universe so it can be reborn again
He unfolds the universe out of the drum primordial vibrating sound of creation
Flame he consuming fire of dynamic destruction
3rd eye