Evaluation on three experiments

1. Experimental Photography
Shania Carter
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2. Experiment 1

3. Use of
flip tool.
Also creating shadows. The repetition of the people makes
One reversed
side kept in
color.
Capturing
surrounding
movement.
Opacity
levels
allowing the
color
balance.
them look intertwined.
Different tones of the image
emulate different perceptions.
Different
patterns of
movement –
blurred or
‘ghost’ like.
People are at
different positions
in the
photograph.
Tone of the image
creates a misty
effect.
The
background of
the college is
also under
movement.

4. Evaluate: ideas eg analysis, results;
How well do you feel you have realised your ideas and intentions and what results have
you got? Ensure you talk critically (compare, contrast, assess) about your work. You
should reference your influences and assess how your work compares.
These images incorporate different fear intentions as to what I wanted to achieve. As the movement has been reversed it carries the
theme of reflection throughout the set of images. In certain parts of the photograph I think that the flip tool has made it easier to
show post production reflection rather than presenting reflection through a door or a mirror. However I think it slightly hinders the
photographs as it can be made to look unprofessional compared to the nature in other reflective photography. From this set of
images, the results I have got are not great but as a start, something that will develop into a final piece which best represents my
intentions fully. The first photograph that I produced got off to a good start, as I didn’t follow one particular artist I think that the
most commonly used influence for this set of ideas was Daniel Kula, his images were real and raw which I wanted to sow into my
work, although looking back I do not think I achieved this to a full standard over the course of the full first experiment.
http://www.dailymail.co.uk/news/article-2213809/Daniel-Kukla-Photographer-captures-stunning-mirrored-reflections-American-valley-
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look-like-paintings.html
With my ideas and intentions only at a small stage I hope that they will grow and develop into big intentions and ideas to realize the
full capacity of experimental photography. This is one of the images that I tried to translate into my work but this is is by a different
artist. I could have opted to use the mirrors at college or a door reflection but it wasn’t giving the best result for my particular
intentions. At this stage of the experiments, I see these set of images as a learning curve, I can practice more with the camera and
also find some new and exciting ideas to bring forth the theme of fear. Comparing my work to the artist Daniel Kukla, is hugely
different, my photographs seem to look fake and have a lack of character whereas Kukla’s emulate something real, fear is real and I
should be showing that in my photographs. In hindsight the photos I was taking look different to the photographs I have produced,
at this stage I am still experimenting with the use of post production and coming away from the formalities of photography.

5. How could you improve your work? Could you develop your work further with additional work? What would you
try to achieve with this? Could you undertake further experiments? If so, what would they be?
To improve my work I would take the time to understand my intentions and ideas and to take the use of referencing existing
reflection photographers. Before I started this set of images, I knew that my theme was going to be fear but didn’t know whether to
take up on movement on reflection this torn decision I think hindered my final images as I didn’t have a clear intention. If I could
develop my work further it would be to find a different way of experimenting post production techniques and not rushing them to
make them look more professional, if I did that I would be able to achieve a better set of images that would be easier to progress
from and build on. I would want to undertake a different experiment at this time and it would be the Harris Shutter, as my theme of
fear and love is unusual I think that the two would work together to create a depth of images that are very experimental.
When talking about your work, consider formal elements such as lines, shapes and patterns as well as the colour
and contrast and also tone of your image. Think about the composition of your work and where this could be
developed.
Informally, I think that the only formalities that these set of images take up are the patterns, the patterns that appear in the
photographs are the reverse tool. I also think that the photographs can generally produce a leading line as there is only one focal
point to look at. There is clearly colour in the first set of photographs, at the time I thought that colour would be a good thing to
bring to the theme as I didn’t want the images to be too dark at first and play with my personal idea. I think that the tone of my
image is pretty soft to begin with but I think that the more I come to terms with experimental photography and the way I portraymy
fear it will change over due course.
Finally you should consider if the images you have produced fulfil the brief you were set. Do they match the
theme? Are they experimental? Explain your answers using specific examples.
I partly believe that my first set of photographs fulfil the brief. I experimented with reflection before taking and choosing my final
photographs for experiment one. The theme of fear can be experienced in different ways and for my first set of images I wanted it
to be a learning curve into finding my realisations and ideas before producing good images. My photographs are experimental as I
have stripped the boundaries from formal photography to open my creative window. I have used the flip tool in my first set of
photographs as I think that it shows reflection a lot more in the way patterns are formed – at this stage I think that I would like to
use the reverse tool in the future to develop my images in post production. Although patterns are considered to be a formal
element of photography I don’t think it clashes with the work in experimental photography. The theme of fear had always been my
first intention when looking at the different themes as it allows me to experiment with the different takes on what fear is for
different people. The third photograph for me, shows the most reflection and development of the four, I have discovered more post
production techniques and experimented with creating the image to look mysterious/
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6. Experiment 2

7. Use this slide to annotate your final image
Lots of shadows
and highlights
Use of
multiple
exposure
Movement also on
the layered
photograph
Heavy use of black
and white, also
curves to darken
the image.
The different
locations
enhance the
different
perceptions
of the
photograph.
The image is all black and
white instead of keeping one
half in color.
Opacity levels turned down to a minimum to allow the
two images to combine to get a ‘see through’ look of the
photographs.
The eye is attracted to different parts
of the photograph with the opacity
levels creating a new effect.
The use of a filter on the second
photograph blends the image which
becomes part of the fear.
Different
facial
expressions

8. Evaluate: ideas eg analysis, results;
How well do you feel you have realised your ideas and intentions and what results have
you got? Ensure you talk critically (compare, contrast, assess) about your work. You
should reference your influences and assess how your work compares.
During this second experiment, I can see some improvement in the photographs, there is a new idea of theme present. The results
that I have got are better but could be improved again because of the way I have used post production, compared to the first
experiment I haven’t thought through how my images can be edited properly and this has had a negative effect on what could be
good photographs. Apart from the last set of photographs, I didn’t look more into Daniel Kukla’s work as I felt that it wouldn’t help
me this time around, instead I asked peers and tutors for help on how to emulate the contrast of fear and love. If I was to use
Kukla’s work as an influence again I would say that my work doesn’t compare to his, my own reflection work isn’t influenced by
anyone at the minute. I think that because I had to ask for further help for this experiment I do not think that I have fully matched
up my intentions this time around and instead have been lenient into making rash decisions and trying to go completely
independent when the help is there. Following on from my intentions first time around I can see some improvement in my work and
how they have moved on, in some way I might be contradicting myself but I feel there a more negatives to take from the work
rather than positives, I want to create photographs that connect on a personal level and fully understand my motives for the theme.
Qualities:
Consider the aesthetic qualities of your work. How does it look? What do you like about
it? What are the strongest and weakest elements from an aesthetic point of view?
The black and white of the photographs is the strongest aesthetic quality of the photographs, it allows more effect of the shadowing
and highlighting. I also think that the other aesthetic qualities of the images are the colour and black and white contrast, it also
leads on to creating an abstract image. I think that I have made these images my own as the theme behind the photographs
purposely create effects of their own with the multiple exposure telling a story and I think that this is another pleasing aspect of my
set of photographs. I think that another aesthetic weakness to my work is the colour contrasting, I feel that it would be better to
keep the photographs all one tone - black and white or keep the original image in the same colour. I also do not think that the use
of levels in the photographs have helped the overall aesthetics and have ruined some of the images by making them look dark and
unnatural. I like that the images are all in different scenarios and all experiment with different perceptions by using individual
people, groups or a pairing. I also think that multiple exposure and the transparency of some of the photographs creates an
atmosphere and therefore the visual language becomes one of the focal points of the image (s). From an aesthetic point of view I
didn’t want to make the images too dark as that is not what my idea of fear represents.
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Consider the technical qualities of your work?
How well done is it? What elements are
strongest and which could need further work
and development? Be sure to use technical
terms in your work such as exposure, shutter
speed, aperture and talk specifically about any
post-production techniques you have used.
For my photographs I used a slow shutter speed as it helped capturing the movement. I also changed the aperture and
worked with multiple exposure. These were the two focal technical aspects of my images before post production. In
hindsight of my photographs I think that my work regarding aperture should be the development, I find working with
aperture quite difficult and prefer working with shutter speed as the movement in my photography works well. For my
post production of my images I used a series of tools to help me create the final image. I changed the image to black
and white first of all, the layered image was also black and white to emulate the fear. I then played around with the
curves on one image to make an equal contrast to the second image. For the second image I used a filter gallery to
make them look like a comic book. I did not use the comic book heavily as it would destroy the image. I used basic
techniques to fulfill the image but I feel that it worked in capturing what I wanted to. The elements that are strongest
within my second set of images are multiple exposure and shutter speed the two combined have worked well in
separate times and I think that having practice with shutter speed then enabled me to capture movement at the right
time. The technical aspects in my work are well done and they are at a standard I am happy with. As mentioning earlier,
multiple exposure and reflection have been easy to work with and have widened my ideas when going into the final
experiment.

10. How could you improve your work? Could you develop your work further with additional work? What would you
try to achieve with this? Could you undertake further experiments? If so, what would they be?
As multiple exposure has worked so well in my photographs, I think to develop my work further I could use 3D photography as it
also captures movement and allows to create an abstract image. For this set of images – to improve my work I think it would be
suitable to not use the reverse tool and to experiment with different patterns in layering images in the stance of fear. I would wish
to do my second set of photographs again as I realise my ideas could be turned into something more but that can be done in the
third set of photographs. To develop my work further I would use different locations as I was restricted to the college and the
lighting wasn’t how I wanted it to be. For another further experiment I think that using Harris Shutter may be an option, it seems
interesting experimenting with the colours and different lights. For the second image I took I would try to achieve better positioning,
although the technical aspects are correct I think that the filter on the photograph has made it dislodged and not look like
experimental photography.
When talking about your work, consider formal elements such as lines, shapes and patterns as well as the colour
and contrast and also tone of your image. Think about the composition of your work and where this could be
developed.
I wanted to create an informal series of images so there is no leading lines or shapes. However in my images there is a pattern as
the reverse tool is used in my photographs and follows the same structure in placing the layered image. I think that the patterns
could be developed more in my photographs. My photographs are structured and take up a formal contrast rather than snapping
candid images as it doesn’t capture the fear or emotion too well.
Finally you should consider if the images you have produced fulfil the brief you were set. Do they match the
theme? Are they experimental? Explain your answers using specific examples.
From this set of images I do not feel like these images have fulfilled the brief to a good expectation, the photographs are
experimental but look like they have been rushed and not thought through properly in post production. I feel that the final image I
chose has the most experimental factor to it, and the multiple exposure has worked unexpectedly. In hindsight I feel that I could
have done a lot better in the way I had an outlook on my ideas – love overshadowed the theme of fear which wasn’t mean to
happen as there needed to be a balance between the two. To avoid this in the near future I would spend more time creating a full
idea and intention to progress in stages and make sure that they fit the brief and exceed my expectations.
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11. Experiment 3

12. Use this slide to annotate your final image
Use of flip tool
Blurred and
sharpened parts
of the image
Changed the
levels and the
curves to
introduce a grey
tone.
Opacity levels
still high
The image has
been cropped to
push the image
together
The photography
and the editing is
simple
Powerful black and white
image
Parts of the image have been sharpened to
create a darker effect The second image is slightly moving off screen
and changes the tone of the full image
Repetitive
faces and
arms
The structure
of the image is
clean
The image
looks glassy
and is unique.
The
surrounding
area is dark
and
compressed
Some parts of
the image are in
line with each
other and some
overlap (where
the opacity has
been turned
down)

13. Evaluate: ideas eg analysis, results;
How well do you feel you have realised your ideas and intentions and what results have you got? Ensure you
talk critically (compare, contrast, assess) about your work. You should reference your influences and assess
how your work compares.
My plan of the images was to portray fear and love in as many ways possible, I used secondary research looking at different
photographers to combine the two. As my work is totally different to the photographers I researched, I have taken the ideas of
theirs and tailored them to my benefit. As part of the images, I touched on the fear of same sex love, personally I have nothing
against this relationship status but looking at society today wanted me to use the green light on bringing to attention fear and love
without it being too dark. The work done by myself has used simple techniques but still looks professional. At the beginning of the
project I did not have any influences because I wanted to have independent ideas and work on something that wasn’t of a particular
“stand out interest” to people. As the project has progressed I have realised that my photographs have been taken to a higher
standard, this could also be because I have learnt better techniques along the way. The results I have got from the photographs are
pleasing but in hindsight I am glad that the final set of images are the best. The final set of images are all in black and white because
black is most commonly known to fear and I wanted the fear to overshadow the love representation, as that was the main theme.
The results of my photographs at the end of the project please me, but have made me realise that I should’ve looked farther into
the line of work with post production techniques and the ideas of bringing forth a combined effect. I didn’t have one particular
photograph that stood out for me until now, I feel like my final image (experiment 3) has finally shown my development and build of
ideas that creates a clear tone and structure throughout the set. The way my work compares to existing photography is different
and unique, although I have tailored the ideas, I have made them my own and given them an aesthetically pleasing look which runs
through the three experiments – ensuring that the photographs are a better quality and standard each time.
Qualities:
Consider the aesthetic qualities of your work. How does it look? What do you like about it? What are the
strongest and weakest elements from an aesthetic point of view?
I love the tone of the four photographs, I also like the fact that they are not fully black but have a grey tone contrasting instead which almost
contains a glassy effect. The four photographs look professional and of a high quality standard, I think that the most professional image is the
one I selected for my final image – it is classy yet shows emotion and portraying fear of opening up, I also think that the patterns in the set of
photographs set another tone with the overlapping as it is edgy. The other photographs are plain but not too plain which gives it another
aesthetic quality in giving out a message. The strongest elements of the set of photographs are the horizontal flip and the black and white, I
have sharpened some parts of the image to give it a strong point and I think that these things have made my image look professional and
personally, matched my intentions. Although I enjoyed learning about another post production tool, I feel like it has hindered my photographs
and made them look tacky. I used the elipticalmarquee tool in a couple of photographs and made patterns of the faces and objects on the
surrounding surfaces – using hindsight again it doesn’t appeal to me and appears as a weak element in my eyes – unless I was certain I wanted
to use the tool, I wouldn’t use it on a similar project in the near future.
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Consider the technical qualities of your work? How well done is it?
What elements are strongest and which could need further work
and development? Be sure to use technical terms in your work
such as exposure, shutter speed, aperture and talk specifically
about any post-production techniques you have used.
For the final set of images I used a number of post production techniques that were simple but
effective in showing off my photography; black and white, keeping the opacity between 30 and 50%,
curves and levels, flip horizontal, sharpen and blur, iris blur, crop, eliptical marquee, pinch, copy and
paste, screen, multiply, shadow and highlights. Before post production techniques I also used
different settings on the DSLR camera to create a faster shutter speed and a bigger depth of field. I
used a 1/5 shutter speed on the camera to capture the movement faster and also has the camera on
a 55mm zoom to get the right focus and adaptabillty. The strongest elements on the photographs -
technically are the shutter speed and the post production use of black and white. In the photograph
with the most movement I feel it gives out the fear the most using a blur. In the further techniques
that need to be developed, my aperture is still a weakness and I don’t think I have been able to
practise and perfect it in the time on this project. Although the majority of the techniques on this
set of images are fairly simple, it seems like the little enhancements have made them look
professional and shows a classy side combining love and fear.

15. How could you improve your work? Could you develop your work further with additional work? What would you
try to achieve with this? Could you undertake further experiments? If so, what would they be?
Looking in hindsight I would improve my work by looking at existing lines of work and matching them up with my intentions as this
would give me a clearer understanding of what I wanted to achieve and how I could create an image worthy of a good standard, if I
had known about some of the extra tools on Photoshop, I think I could have developed my work further and not used the same
pattern in all sets of photographs. By using this and taking the time to study more of existing lines I would have achieved the skills to
know how to make my image look better and less tacky – more professional. If I were to undertake a further experiment I think it
would be to make a 3D image, just so the message of the image expands more and adds an unusual tone to the image, I could then
experiment with whether the image would look better in black and white or colour, it also gives me more options to be versatile in
the photographs I would be taking. I also think that if I had the same realisations of my photographs now than at the beginning, they
would have progressively got better rather than jumping to the final good images. There were lots of categories to choose from and
fear was the ultimate jump out for me, so if I was to undergo a further experiment, I would choose family life as I think the
emotional aspect connects with photography and would also take the experimental aspects above average.
When talking about your work, consider formal elements such as lines, shapes and patterns as well as the colour
and contrast and also tone of your image. Think about the composition of your work and where this could be
developed.
I wanted my photographs to have an abstract sort of tone to it so there was no formal lines in the images. The shapes that I can see
in the photographs are of the surrounding settings. The tone of my photographs vary throughout the project, some of them were in
colour whilst the rest are in a grey tone, the only pattern that I know of in the images is the flip horizontal tool which is used in
almost every photograph, as I feel it manipulates the image and creates a weird communication. I think in the earlier photographs
the composition needs to be developed as the two images that have been flipped do not match and do not create a clear
communication of the theme. The colours in some of the images are tailored to being luminous which then brings the wrong
impression of the photographs, so my choice in post production and the composition then after needs to be developed for future
reference.
Finally you should consider if the images you have produced fulfil the brief you were set. Do they match the
theme? Are they experimental? Explain your answers using specific examples.
I feel like the images I have produced in this set fully fit the brief, as I have shown development in my work and experimented with different
scenarios. I also feel that because I have progressed with my images, they match the theme of fear as the set of photographs appear, the
images get darker and more curious and open up different experimental ways of showing my intentions. Also I feel that the intention of fear is
apparent in the final set of images without knowing my personal ideas beforehand. I do feel that my photographs are experimental because
they show different techniques and let down the barrier on formal structures like the aperture. The images in my final set
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