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DRAMA IS THE SPECIFIC MODE OF FICTION
REPRESENTED IN PERFORMANCE. THE TERM
COMES FROM A GREEK WORD MEANING "ACTION"
WHICH IS DERIVED FROM THE VERB MEANING "TO
DO" OR "TO ACT" THE ENACTMENT OF DRAMA IN
THEATRE, PERFORMED BY ACTORS ON A STAGE
BEFORE AN AUDIENCE, PRESUPPOSES
COLLABORATIVE MODES OF PRODUCTION AND A
COLLECTIVE FORM OF RECEPTION. THE STRUCTURE
OF DRAMATIC TEXTS, UNLIKE OTHER FORMS OF
LITERATURE, IS DIRECTLY INFLUENCED BY THIS
COLLABORATIVE PRODUCTION AND COLLECTIVE
RECEPTION.[2] THE EARLY MODERN TRAGEDY
HAMLET (1601) BY SHAKESPEARE AND THE
CLASSICAL ATHENIAN TRAGEDY OEDIPUS THE
KING (C. 429 BC) BY SOPHOCLES ARE AMONG THE
MASTERPIECES OF THE ART OF DRAMA.[3] A
MODERN EXAMPLE IS LONG DAY'S JOURNEY INTO
• The two masks associated with drama
represent the traditional generic division
between comedy and tragedy. They are
symbols of the ancient Greek Muses, Thalia
and Melpomene. Thalia was the Muse of
comedy (the laughing face), while
Melpomene was the Muse of tragedy (the
weeping face). Considered as a genre of
poetry in general, the dramatic mode has
been contrasted with the epic and the
lyrical modes ever since Aristotle's Poetics
(c. 335 BC)—the earliest work of dramatic
theory.
• Drama is often combined with music and dance: the drama in
opera is generally sung throughout; musicals generally include
both spoken dialogue and songs; and some forms of drama
have incidental music or musical accompaniment underscoring
the dialogue (melodrama and Japanese Nō, for example).[8] In
certain periods of history (the ancient Roman and modern
Romantic) some dramas have been written to be read rather
than performed.[9] In improvisation, the drama does not pre-
exist the moment of performance; performers devise a
dramatic script spontaneously before an audience.
DRAMA EXAMPLES
WILLIAM SHAKESPEARE’S DRAMA BOOKS
As You Like It HamletRomeo& Juliet
MADE BY:
SAI SHAUMIK
AADITYA
KARISHMA
SIDDHARTH
RIYA

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Drama(Genre)

  • 1. DRAMA IS THE SPECIFIC MODE OF FICTION REPRESENTED IN PERFORMANCE. THE TERM COMES FROM A GREEK WORD MEANING "ACTION" WHICH IS DERIVED FROM THE VERB MEANING "TO DO" OR "TO ACT" THE ENACTMENT OF DRAMA IN THEATRE, PERFORMED BY ACTORS ON A STAGE BEFORE AN AUDIENCE, PRESUPPOSES COLLABORATIVE MODES OF PRODUCTION AND A COLLECTIVE FORM OF RECEPTION. THE STRUCTURE OF DRAMATIC TEXTS, UNLIKE OTHER FORMS OF LITERATURE, IS DIRECTLY INFLUENCED BY THIS COLLABORATIVE PRODUCTION AND COLLECTIVE RECEPTION.[2] THE EARLY MODERN TRAGEDY HAMLET (1601) BY SHAKESPEARE AND THE CLASSICAL ATHENIAN TRAGEDY OEDIPUS THE KING (C. 429 BC) BY SOPHOCLES ARE AMONG THE MASTERPIECES OF THE ART OF DRAMA.[3] A MODERN EXAMPLE IS LONG DAY'S JOURNEY INTO
  • 2. • The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene. Thalia was the Muse of comedy (the laughing face), while Melpomene was the Muse of tragedy (the weeping face). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
  • 3. • Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example).[8] In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed.[9] In improvisation, the drama does not pre- exist the moment of performance; performers devise a dramatic script spontaneously before an audience.
  • 5. WILLIAM SHAKESPEARE’S DRAMA BOOKS As You Like It HamletRomeo& Juliet