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Visual Influences
 Hannah Rocha-Leite
   A distant and dark island on
    a choppy sea
   Speaks of isolation
   Distance from society
   Journey across water can
    represent sleep, or death.
   Layers of
    meaning
    placed one
    on top of the
    other
   Sewn
    together
    haphazardly
    to create a
    patchwork of
    ideas and
    images – like
    a dream.
   Richly coloured,
    patterned
    fabrics
   Associated with
    wealth and
    opulence
   Worn to
    breaking point,
    it can show how
    hard times have
    become.
   Books are
    associated with
    wisdom and
    knowledge
   For old books
    this is
    especially the
    case
   Spellbooks,
    sources of
    arcane and
    secret
    knowledge are
    a trope found in
    stories across
    the world.
   A landscape that
    seems nonsensical
    to others, but with
    it’s own internal
    logic.
   Following
    the same
    theme as
    the Escher
    drawing
   Dali’s works
    are
    associated
    with dreams
   With surreal
    landscapes
   And with
    nonsensical
    inhabitants.
   An image of
    Miranda seeing
    the shipwreck
    from shore
   The hazy,
    iridescent
    colours speak of
    the dream-like
    quality of the
    island.
   Again the colours of a
    dreamscape show in
    this image.
   The figure speaks of
    isolation
   The dress recalls other
    eras in it’s shape, in
    it’s long train.
References
   Emma Tempest, (2009), Untitled [ONLINE]. Available at:
    http://farm3.static.flickr.com/2480/3632506815_56ed4ed5c9_o.jpg [Accessed 23
    May 12].
   Joaquim Alves Gaspar, (2011), The Island of Pessegueiro as seen from Porto Covo,
    Portugal, in a winter day[ONLINE]. Available
    at:http://upload.wikimedia.org/wikipedia/commons/thumb/d/db/Porto_Covo_Januar
    y_2011-2b.jpg/800px-Porto_Covo_January_2011-2b.jpg [Accessed 23 May 12].
   John Waterhouse, (1915), Miranda - The Tempest [ONLINE]. Available at:
    http://www.johnwaterhouse.com/paintings/images/waterhouse_miranda_the_tempe
    st.jpg [Accessed 23 May 12].
   Lisa Baltimore, (2009), Twigs and fibre [ONLINE]. Available
    at:http://2.bp.blogspot.com/_ocQCHy2SVqQ/SxKGxEddCuI/AAAAAAAAAdU/advbivaN
    tRg/s1600/012blog.jpg[Accessed 23 May 12].
   M. C. Escher, (1961), Waterfall [ONLINE]. Available at:
    http://www.mcescher.com/Shopmain/ShopEU/facsprints-
    uk/data/1000/11%20Waterfall.jpg [Accessed 23 May 12].
   Minouc Henderson, (2011), Untitled [ONLINE]. Available
    at:http://img1.etsystatic.com/il_570xN.301656277.jpg [Accessed 23 May 12]
   Salvador Dali, (1931), The Persistence of Memory [ONLINE]. Available at: http://re-
    title.com/public/mailimages/Dec10-artnet/Salvador-Dali.jpg [Accessed 23 May 12].
   William Hoiles, (2008), Picture of old books. Basking Ridge Historical Society
    [ONLINE]. Available at:
    http://upload.wikimedia.org/wikipedia/commons/f/f2/Old_books.jpg [Accessed 23
    May 12].

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Visual Influences

  • 2. A distant and dark island on a choppy sea  Speaks of isolation  Distance from society  Journey across water can represent sleep, or death.
  • 3. Layers of meaning placed one on top of the other  Sewn together haphazardly to create a patchwork of ideas and images – like a dream.
  • 4. Richly coloured, patterned fabrics  Associated with wealth and opulence  Worn to breaking point, it can show how hard times have become.
  • 5. Books are associated with wisdom and knowledge  For old books this is especially the case  Spellbooks, sources of arcane and secret knowledge are a trope found in stories across the world.
  • 6. A landscape that seems nonsensical to others, but with it’s own internal logic.
  • 7. Following the same theme as the Escher drawing  Dali’s works are associated with dreams  With surreal landscapes  And with nonsensical inhabitants.
  • 8. An image of Miranda seeing the shipwreck from shore  The hazy, iridescent colours speak of the dream-like quality of the island.
  • 9. Again the colours of a dreamscape show in this image.  The figure speaks of isolation  The dress recalls other eras in it’s shape, in it’s long train.
  • 10. References  Emma Tempest, (2009), Untitled [ONLINE]. Available at: http://farm3.static.flickr.com/2480/3632506815_56ed4ed5c9_o.jpg [Accessed 23 May 12].  Joaquim Alves Gaspar, (2011), The Island of Pessegueiro as seen from Porto Covo, Portugal, in a winter day[ONLINE]. Available at:http://upload.wikimedia.org/wikipedia/commons/thumb/d/db/Porto_Covo_Januar y_2011-2b.jpg/800px-Porto_Covo_January_2011-2b.jpg [Accessed 23 May 12].  John Waterhouse, (1915), Miranda - The Tempest [ONLINE]. Available at: http://www.johnwaterhouse.com/paintings/images/waterhouse_miranda_the_tempe st.jpg [Accessed 23 May 12].  Lisa Baltimore, (2009), Twigs and fibre [ONLINE]. Available at:http://2.bp.blogspot.com/_ocQCHy2SVqQ/SxKGxEddCuI/AAAAAAAAAdU/advbivaN tRg/s1600/012blog.jpg[Accessed 23 May 12].  M. C. Escher, (1961), Waterfall [ONLINE]. Available at: http://www.mcescher.com/Shopmain/ShopEU/facsprints- uk/data/1000/11%20Waterfall.jpg [Accessed 23 May 12].  Minouc Henderson, (2011), Untitled [ONLINE]. Available at:http://img1.etsystatic.com/il_570xN.301656277.jpg [Accessed 23 May 12]  Salvador Dali, (1931), The Persistence of Memory [ONLINE]. Available at: http://re- title.com/public/mailimages/Dec10-artnet/Salvador-Dali.jpg [Accessed 23 May 12].  William Hoiles, (2008), Picture of old books. Basking Ridge Historical Society [ONLINE]. Available at: http://upload.wikimedia.org/wikipedia/commons/f/f2/Old_books.jpg [Accessed 23 May 12].