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ANDREA RESMINI



    GROUNDHOGS
    in THE SOURCE CODE
    navigation as cross-channel sense-making
       IASUMMIT 2012

                        
WE SAY NAVIGATE
    WE REALLY MEAN
       UNDERSTAND
      
     
     
    KEVIN LYNCH, SKETCHES
           
                      MNSU.EDU
    KEVIN LYNCH, SKETCHES
           
                      MNSU.EDU
    KEVIN LYNCH, SKETCHES
           
                      MNSU.EDU
     
     
DISTINCTIONS WERE MADE
         AMONG THE DIFFERENT
     PHYSICAL PARTS OF THE CITY
             THESE PARTS WERE
    ORGANIZED IN A PERSONALLY
             MEANINGFUL MESH
                 
PEOPLE WERE RECONNECTING
       PERCEIVED FRAGMENTS IN
         MEANINGFUL PATTERNS
                 
THE ODYSSEY, 700 BC




         
     
     
     
MONKEY ISLAND, 1990




          
     
     
     
SUCKER PUNCH, 2011




         
     
     
     
THE ODYSSEY, 700 BC




         
MONKEY ISLAND, 1990




          
QUESTS CONNECT MAPS
     WITH PERSONAL SPACE

            
MP & THE HOLY GRAIL, 1975




              
QUESTS ARE A MIDDLE GROUND
    BETWEEN NARRATIVE AND
              ACTIONABILITY
              
DRACULA, 1897




     
KHOONI DRACULA, 1992




           
BRAM STOKER, 1906




        
                 BRITANNICA.COM
MONOLOGIC



                          POLYLOGIC


           DIALOGIC
                       
DICTATION
        CYLINDERS


     
        SHORTHAND
        SHIPS' LOGS
DIARY
     
        ENTRIES
    NEWSPAPERS CLIPPINGS
      
                  GRUNGERABBIT.COM
    TYPEWRITTEN TEXT
      
        PHASE #1
           DRACULASCASTLE.EU
        PHASE #2
         ASSOMMOIR.WORDPRESS.COM
                DRACULASCASTLE.EU
        PHASE #3
             DRACULA3d
        PHASE #4
 
    1   2    
                3   4
NOW.
    WAIT A SEC THERE.

       
     
     
     
     
THE HOBBIT, 2012




      
“PLACE IS A WAY TO
    UNDERSTAND THE WORLD”

               
                   YI FU TUAN
GROUNDHOG DAY, 1993




          
     
     
     
“HE'S TRAPPED IN SOME
          KIND OF TIME WARP.”
    “A SUPERNATURAL FORCE IS
              SHOWING HIM HIS
                 WEAKNESSES.”
                
                    ROGER EBERT
SOURCE CODE, 2011




       
     
     
     
“IT'S A F***ING
     VIDEOGAME!”
         
            EVERYONE
     
DATABASE




     
3D NAVIGATION




     
WE ARE LEARNING HOW TO
     NAVIGATE THE DATABASE

              
     
     
PLACE IS WHERE WE PAUSE
    SPACE IS WHERE WE MOVE

              
     
NAVIGATION COREOGRAPHS
THE BALLET OF CROSS-CHANNEL
            USER EXPERIENCE
              
                           
    DAN WILLIS, INTENT PATHS (http://www.flickr.com/photos/uxcrank/5730905682/in/photostream/)
THROUGH NAVIGATION WE
     BUILD SENSE AND WEAVE
     PLACES INTO A COHESIVE
      NARRATIVE ONCE AGAIN
              
THE LANGUAGE WE USE
        FOR THIS SENSE-MAKING
            PROCESS IS THAT OF
    INFORMATION ARCHITECTURE
                 
THANK YOU.

          @resmini
     

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