Aristotle’S Poetics Influence On The Ancient World

AristotleвЂ™s Poetics Influence on the Ancient World
Aristotle presents the argument that tragedies are superior to epics. While tragedies and epics are characterized in similar ways they also have their
differences. "A tragedy, then, is the imitation of an action that is serious and also, as having magnitude, complete in itself; in language with pleasurable
accessories, each kind brought in separately in the parts of the work; in a dramatic, not in a narrative form; with incidents arousing pity and fear,
wherewith to accomplish its catharsis of such emotions." (Aristotle, 6) A Tragedy is better at arousing emotion in an audience than en epic through the
plot, characters, thought, diction, melody, and spectacle. The first point the plot is the arrangement of the incidents. The plot... Show more content on
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Thought literally deals with what is being said throughout the tragedy. It is assumed this category also includes the themes of a tragedy. Themes can
be viewed as the overall lesson from the story. When the theme is thought about, emotions surface and are related to everyday life. Thought is shown
whenever a point is proven or a truth is revealed. The power of saying whatever needs to be said at that point in time. The arts of politics and rhetoric
fall under this category in tragedies as speeches. At times thought can be confused with character, but character exposes the moral purpose. Thought
validates or invalidates a particular circumstance. The fourth point diction is the choice along with the use of words and phrases. In cases of
tragedy this could be speaking or singing. It is the composition of lines recited that deal with how the lines are said. Verses that are fully understood
and do not need explaining. Diction is easier to overcome when used in a tragedy even if it does not present a tragic effect. The fifth point melody
is the utmost pleasurable piece of a tragedy. By definition a melody is a sequence of single notes that is musically satisfying. During a tragedy the
melody is used as a musical accompaniment to blend with the play appropriately. Therefore according to Aristotle the chorus should be regarded as
one of the actors (14). While the melody is a main component of tragedies, it is not even used within epics, therefore making
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Australian Poetic Devices
The main poetic device that I used in my poem was imagery, mainly to create an image in the audience's mind that Australia is the most perfect place
in the world and that it can't be compared to any other place in the world. Instances where this happened were ... 'bright and radiant colours', 'deep
sapphire sky' and 'dark and stormy clouds.' Another poetic devise that I used quite a bit was symbolism – 'the beauty makes me wonder why this place
is not completely white and pink' because white symbolises purity and peace, and pink symbolises beauty. The third poetic device I used was
alliteration which was used in 'The water shimmers in the stream, silent, shimmering and stunning' where the alliteration is on the letter s. The fourth
type of poetic

The Tyger Poetic Devices
William Blake's 1793 poem "The Tyger" has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate
a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the
same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic
devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of
the Tyger and a less than thorough interpretation of its maker.
The first stanza directly addresses the Tyger, which is, according to the Oxford English Dictionary, "a large, carnivorous feline quadruped." It sets up
the theme of night, along with which comes darkness and evil. The third and fourth lines ask the first of many repetitive and, in a sense,
unanswerable questions: what kind of creator has the ability to make something with such "fearful symmetry" (4)? The second stanza moves on to
ask the same question in a different format, inquiring where the Tyger came from: heaven or hell. Starting in line 9, the speaker uses powerful
imagery to ask again what God could create the Tyger. The diction portrays the Tyger as evil, with a "twist[ed]" heart (10). Lines 13
–16 make up the
fourth stanza and compare the creator to a blacksmith. Lines 19 and 20 ask two questions that are different

Poetic Justice
Poetic Justice
Many of us would not let go of who we are. We do not like the fact that we are getting older, this scares a lot of us to death. Suddenly we have to be
grownups and act like one. Another thing we experienced when we were younger was our first love. It would, for many people, be awkward t meet
their old boy– or girlfriend again. Time really changes us and we do not always want to do the same thing as others.
The short story, Poetic Justice, written by Diana Appleyard, is about a woman who gets a flashback to when she was younger. She is sitting at the
computer and sees a familiar name, Jed Cunningham, which is her old boyfriend. Jed is described as an 'Irish poet' and a man who is living his
dreams to the fullest. He had ... Show more content on Helpwriting.net ...
and "her", because sometimes we are in the narrators head, and know exactly how she feel and

Nettles Poetic Analysis
'Nettles' Poetic Analysis By Ashraf Mohamed The poem 'Nettles' was written by Vernon Scannell who has written this poem to portray a father
–son
relationship. Vernon Scannell has targeted this poem at parents, as they would be able to relate to the perspective and feelings of the speaker, since a
parent is can understand what the poet is talking about. The poem talks about Scannell's war experiences, which gives it a darker meaning. The poem
is written in iambic pentameter, which creates a da–dum pattern throughout the poem. The 'da' sound could almost represent the father trying to fight
these "regiments of spite" to protect his son from the menacing world, whilst the 'dum' sound is more plosive and therefore symbolises the father...
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This is a good example of hyperbole. He dramatizes the pain that the boy is feeling. Scannell uses military imagery, with nettles being referred to as a
'regiment' on 'parade' that return as 'tall recruits'. The pain created by 'raw', 'sharp wounds' and 'burn' deepens the juxtaposition of the child's physical
injury, as well as the parent's emotional pain, which is somewhat contrasted by the language which presents the child as vulnerable and innocent.
Overall, I think that that this poem explores the relationship of the father and the son in a way which Vernon Scannell can talk about his past
experience in being in the war which gives the reader an opportunity to look at the poem from a different perspective. Scannell has written this poem in
retrospect in the past and the poem itself, in its narrative tone, shows the reader two different stories that are symbolised into one poem. By Ashraf

An Analysis Of The Adaptation Of Stephen King's
You'll Float Too....
(An analysis of the 2017 adaptation of Stephen King's It using Aristotle's Poetics) When the word "poetics" is used, poetry and roses are often what
come to mind. However, poetics can be any form of entertainment. Aristotle is talking about drama and plays specifically, and in today's world, he
would be talking about movies. Several movies are released in theaters every week. There is a variety of genres, including drama, thriller, horror,
comedy, and romance. Aristotle creates the basis for all critiques and judgments of drama in his essayPoetics. Aristotle creates this idea of a good
drama that still can be applied to modern film today. "After Aristotle 's death, his philosophy continued to be taught at the... Show more content on
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These kids are indeed the protagonists of the storyline. They are extremely relatable characters in both their fears and tribulations. In the beginning of
the film, Georgie is afraid of the dark, and must conquer his fear to retrieve some wax from the cellar. Nothing was there when Georgie went into the
cellar, but he thought there was something there because his fear made his brain imagine that something was hiding in the dark. The movie does not
start off with jump scares and creepiness like a majority of horror movies. Rebecca Lewis praises the movie when she writes, "Director Muschietti
uses horror tropes such as the young boy afraid of the dark empty cellar and the pouring autumnal rain to put you on the edge of your seat before
you've even met Pennywise the Dancing Clown,"(Lewis). By starting the film off this way, Muschietti creates an environment that almost every person
to watch the film could relate to. Most people used to be afraid of the dark when they were young. Georgie's fear of the dark enticed the audience,
bringing them into the experience and reminding them of their own fear of the dark. This is an extremely clever device used by King and Muschietti to
captivate the audience. Aristotle comments in Poetics that the audience can relate to the protagonist through fear. Joe Sachs comments that, "Fear can
obviously be an insidious thing that undermines life and poisons it with anxiety," (Sachs).

Poetic Device Paper
Karah Joye
Corbin Lockmiller
1302 English
18 July, 2013
Poetic Device Paper In the poem "After Making Love We Hear Footsteps", Galway Kinnell creates the speaker in a way to really portray what he
believes true love to be once "long–married". The author gives great sensory details, engulfing you into the night that he produced from these fickle
meters. The speaker in the poem puts family high on this list of priorities as the author shows a significant amount of importance to them from using a
few clever poetic devices. Although Kinnell could have put a little more thought into scansion to create even more of a deeper meaning, this poem is
very emotional and touching to the senses as well as giving great morality to what a man ... Show more content on Helpwriting.net ...
Originality of the poem is derived from the fact that this poem is from a man's perspective, finding love to be so blessing. It is usually the woman who
becomes sentimental towards these types of things, for women are typically more emotional of the two sexes. As I try not to stereotype men, in
today's society being an emotional man makes you less of one but, in the eyes of love, the man in this poem does not seem to care. With morality
taking control, the poem "After Making Love We Hear Footsteps" tells a man what should be seen of love, the making of it and how children should
be made rather than a mistake or unwanted. Many men do not appreciate the genuine love of a woman and children, nor do we see respect given to
them or the idea of settling down and being "long–married". Few men seem to see the blessing of making love and what it is for rather than just the
physical pleasure. Although the author doesn't give too much thought into letting the reader know that the characters are in an outside world, he does
include the universal baseball player to place a reminder that in fact they are in a world, even if it's in a world of their own. The author Galway
Kinnell does not give enough attention to the scansion of the poem as the feet run from one to nine meters. Yet this may make the reader notice the
wide variety of feet in each meter, comparing to them footsteps. Figuratively speaking, the husband doesn't mind drinking

The Poetics And The Theory Of The Literary History Process...
3. Concurrently with my anthropological interests and in spite of them, for a number of years, I practised the poetics and the theory of the literary
history process in the area of teaching (seminars and lectures) using the traditional structuralist approach. This allowed me to maintain a rigorous
methodological basis, even when I was inclined towards anthropological questions.
On this basis, I began to work in a subsequent – after gnosis and literary anthropology – research area. It comprises visual poetry and, more extensively,
verse theory. I devoted to these questions a number of articles and presentations. In a narrower approach, I was concerned with the concrete poetry
theory, including translation of figures of speech into visual language, as well as with an evolution from the former visual poetry to its modern
variants such as concrete poetry and so called cybernetic poetry. I was interested in the cooperation between language and visual signs, and therefore
in the overall semantics of the message composed of text and graphic signs. I also reflected on the latest tendencies in Polish poem – in a versological
approach. I proposed, inter alia, a new presentation emphasizing the versological unit of post–free verse (my proposal for a term). The post–free verse
would be, in my understanding, a type of avant–garde free verse "relieved" from the assumptions of its most radical form (completely non–metrical,
breaking from all traditional forms of versification, without

Poetic Voices : The Poetic Voice
The poetic voice can be scrutinized in all poems. This is because all poetic voices are given a certain personality by the poet; they often incorporate
all devices such as rhyme and figurative language into the poem. Poems have different meanings but can have similarities between poetic voices;
most communicate through this voice as the voice links the reader to the poem. In Dylan Thomas's villanelle Do Not Go Gentle... the poetic voice
is repetitive, an important feature of the villanelle, and wants everyone facing death to "rage against the dying of the light," meaning the poetic
voice doesn't want itself or anyone else to die without a fight. Similarly to Elizabeth Bishop's villanelle, One Art, which visits the idea that "losing
is an art not hard to master" using the same techniques as Do Not Go Gentle. In Christian Rossetti's Remember although a sonnet, the techniques are
comparable, as the poetic voice is also very repetitive. Poets choose to be repetitive as what they repeat will stress the point onto the reader, and if
the reader doesn't take anything away from the poem, the repetition would still stay in their mind after reading it because they will realise that it is
important. Not only are these poetic voices very repetitive but also focus on the idea of loss, in Do Not Go Gentle... the poetic voice cannot face the
loss of the four men in the poem, with each man relating to Thomas' father and, with each going to die, the poetic voice reiterates to the men

Lynch Song By Langston Hughes Poetic Devices
In the poem, "Lynching Song", a black man is being hanged by a group of white men. And although he might have died, he states that the whit men are
the ones who are really dead. The reader captures the true meaning of the poem through the formal features that are being presented. In the five–stanza
poem, there are four lines in the first two stanzas; three in the next two, and the last stanza only has one line. Not all the lines are the same beat either,
in the first stanza the first two lines have four beats and the next two lines have five beats. In the second stanza, the first line has three beats and the
following three lines have five beats. The third stanza has three consecutive four beat meters, and the fourth stanza starts with three ... Show more
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In the third stanza, the beat and rhythm change; in what it looks like a pause in the poem. The font changes to italics and makes it sound like
maybe a white person interrupted the poem, expressing their confusion in the fact that "the white folks die." When the audience gets to the fourth
stanza, they notice how the beats decrease as each line is read, from three beats, to two, to one. Hughes is purposely counting down to the last
stanza, with the final words being "NOT I" in all caps. What finale isn't big? But the reason why he stated "that black boy's still body says: NOT I"
was because even though the black man might have died, it is the white men who are really dead. They were the ones who chose to do an immoral
act, and in God's eyes the black man, who did no wrong, will go to Heaven, while the white, cruel men will go to Hell. This poem shows how lynching
is morally wrong and anyone that takes part in it will be punished. It is challenging the conventional beliefs about lynching because it is showing the
white men that everyone has to answer to their wrongdoings. Although the black man died, the true death is punishment from God for committing
horrific acts (in this case, lynching) during their

Poetic Devices In The Raven
"The Raven", a ballad of eighteen six–line stanzas contains emphatic meter and rhymes. The ballad is an anguishing narrative of a young man who,
bereaved by the death of the woman he deeply loved. He constructs a self–destructive meaning around a raven's repetition of the word "Nevermore," as
he despairs being reunited with his beloved Lenore, in the after life.
The first seven stanzas establish the setting and the narrator's state of mind. Weak and overwhelmed with grief, the speaker tries to overshadow his
sorrow by reading curiously obscure books. Narrated in first person, the poem conveys the speaker's shift from weary, sorrowful composure to a state
of nervous demise as he recounts his strange experience with the mysterious black ... Show more content on Helpwriting.net ...
The raven's predictable answer provokes the grieving lover, now almost in a state of maddened frenzy, to ask bluntly whether his soul would ever be
reunited with Lenore in heaven. Receiving the horrific "Nevermore" in reply to his ultimate question, the distraught narrator demands that the raven,
whether actual bird or fiend, leave his chambers and quit torturing his heart; the raven's unendurable answer drives the bereaved lover into a state of
maddened despair. The raven becomes a permanent fixture in the room, a symbolic presence presiding over the narrator's self–inflicted mental and
spiritual collapse. "The Raven" is Edgar Allan Poe's most famous poem, not only because of its immediate and continued popularity but also because
Poe wrote "The Philosophy of Composition," an essay reconstructing the step–by–step process of how he composed the poem as if it were a precise
mathematical problem. Discounting the role of serendipity, romantic inspiration, or intuition, Poe accounted for every detail as the result of calculated
effect. Although the essay may be a tour de force, informed readers of the poem–from the nineteenth century French poets Charles Baudelaire,
StГ©phane MallarmГ©, and Paul ValГ©ry to such twentieth

Poetic Justice In Hamlet
In William Shakespeare's Hamlet death can be found around every corner, but is each death valuable to the story? The deaths of Polonius, Claudius,
and Laertes each play a role in the play as a whole and their deaths are all examples of poetic justice, because each one tried to take down Hamlet one
way or another. Each victim of poetic justice deserved their fate.
Polonius is a nosy, busybody, who likes to insert himself into other people problems and business. Polonius was killed whenHamlet stabbed him
through the arras because he thought it was Claudius, "How now, a rat? Dead for a ducat, dead." (3.4.28) this shows poetic justice because Polonius
was killed due to the fact that he was being nosy. Polonius's death furthered the meaning of the play because it was the turning point for Hamlet, it was
when he stopped thinking and started doing in other words he started acting. This is also the point from which all other deaths spiraled from. Polonius
deserved his fate because he was setting Hamlet up in order to gain praise from the king. ... Show more content on Helpwriting.net ...
Claudius was killed by being stabbed by a rapier and drinking poisoned wine, "Here, thou incestuous, (murd'rous,) damnГЁd Dane,/ Drink off this
potion. Is (thy union) here? (5.2.356–357) this is an example of poetic justice because he died by poison, the same way Hamlet Sr and Gertrude died.
Claudius's death furthered the meaning of the play because it gave Hamlet closure and revenged his father's death. Claudius's death also furthered the
meaning of the play because it brings the whole story of Hamlet to an end. Claudius deserved his fate because he killed Hamlet Sr, and attempted to
get rid of Hamlet. He also used Rosencrantz and Guildenstern as pawns in his endless chess game, and was ultimately the reason they

Poetic Devices In Thou Blind Man's Mark
Sidney uses many common poetic devices in Thou Blind Man's Mark, which help convey the his complex attitude toward desire, yet some are found
to be a little more unusual. The beginning of each line begins with a single–syllable word, except for three. The words are simple and brief until line
five in which he begins with "Desire, desire!" repeating it and utilizing an exclamation mark. Repetition is a form of grabbing the reader's attention
so they can understand what they need to pay attention to, so as to understand the full meaning of the work. The last two lines both start with longer
words, "Within" and "Desiring". Commencing a line using words with more syllables would allow readers to infer that they are of an increased
importance. The choice of words is also fascinating: desire, within, and desiring again. Desire is often an emotion that leads to jealousy and envy, but
perhaps the word "within" could mean that desire is really something one feels because they lack something within themselves. Desire is felt when one
is not satisfied with who they are, but because no one is every truly satisfied with themselves, they will continue to desire again and again.... Show more
"In vain thou..." is repeated on three concurrent lines, thereby reinforcing the belief that desire will never lead us to happiness. Envy will not be
the driving force to people trying to reach the greener grass. The desire to be like others and have what they have does not encourage people to
improve themselves because they will never view themselves as perfect. In addition, Sidney described the desire and wants to be a web without an
end. A spider web creates an image in the readers minds of circles spinning around and around with no conceivable end. Desire will only ever just be
one of the parts that keeps you in the abyss that lacks self satisfaction in its

The Poetics of Oedipus and Dana Marschz
Creon, in Sophocles' Oedipus the King, declares to Oedipus that his "power ends; none of [his] power follows [him] through life." (Fagles,
652:1677–8) This edict communicates the transience of mortal abilities, and the hubris of those mortals. In the 2008 film Hamlet 2, Dana Marschz
perceives himself as an excellent writer producing the work that will "save Drama" (Hamlet 2, 00:27:58–28:00), which the community loathes for its
mediocrity rather than celebrates for its merits. Comparison of the two works demonstrates an erosion of the tragic genre in modern works. Through
Aristotle's three elements of plot in the Poetics; anagnorisis, hamartia, and the scene of suffering; the similarities and differences of the works becomes
clear. ... Show more content on Helpwriting.net ...
The attempts to quarantine the quests only emboldened them. The Shepherd is "no more [Oedipus' father] than Polybus" (Fagles, 638:1114) and he
told Oedipus so, hoping to calm his fears in such enlightenment. Furthermore, Polybus' paternity is what kept Oedipus' fear of the prophecy at bay.
The truth, rather than calm him, provokes the dreaded ending wrought with fear and loathing. As Brie left Dana, she reveals that he is sterile. This
revelation should have been one of relief; he would not be an estranged father limited in visits to his child. Instead, he learns of Brie's affair with Gary,
a devastating blow to his ego and the elimination of a constant in his life. Concerning the reversals relating to Oedipus and Dana's ultimate fate,
Oedipus commands Creon to "speak to us all" (Fagles, 615:105) with his news from the oracle. Because he made the exile of the murderer such a
public affair in efforts to unite the citizenry, this act led to the exile of Oedipus their king, an event sure to leave the political structure of Thebes in
turmoil. Dana, dissatisfied with the loss of his wife, begins drinking after ten years of sobriety in hopes of relaxing his anxiety. This broken vow leads
to a breakdown the morning of the production, wrecking the morale of the actors and forcing the mute Yolanda to make a rousing speech. Oedipus'
damning reversal came by fulfilling a promise to the citizenry, while that of

'A Mother to her Waking Infant' by Joanna Baillie, Analyse...
A Mother to her Waking Infant was first published in 1790; the poem is narrated by a mother who is focusing her thoughts and words towards her
newborn baby. The poem is directed solely at the child of the title, with the mothers words starting as the child awakes, Now in thy dazzling half–oped
eye. Joanna Baillie uses a number of techniques to mirror and represent a new mothers emotions and affections for her child. The meter and form of
the poem help to emphasise these emotions and the various other uses of language contribute to the effect of the piece on a reader. The poem is
formed of eight stanzas, each one is six lines long except for the fifth stanza which is an octet. The stanzas are formed of sets of three rhyming couplets
in the... Show more content on Helpwriting.net ...
The effect of this is threefold, firstly it helps to mirror the mothers feelings towards the infant. This stanza is concerned mainly with the childs
physical appearance thy rosy cheeks thy pinky hand thy silken locks, it seems as if the mother when gazing deeply upon her child is so lost in the
beauty of his image that she becomes caught up in the moment and almost forgets herself and the rhythm of her song. This stanza also reads with a
much faster pace than the previous ones, the lines are mainly monosyllabic and the repetition of the word thy at the beginning of the first three lines
forces the reader to trip more lightly across the words, increasing the speed at which they comfortably follow each other. The next three lines are joined
with enjambment, again increasing the tempo of the poem. .....where circles deepAround thy neck in harmless graceSo soft and sleekly hold their
place.The increase in speed creates an effect within the poem but also needs to be married with the longer stanza so that it fits into the rhythm of the
rest of the poem. The last effect of this unusual stanza is to create a turning point within the poem. The turning point starts in the final rhyming couplet
of the fifth stanza where the pace is reduced by the use of alliteration and the trimetric line. Might harder hearts with kindness fill,And gain our right
good will.After this line the mother seems to

Poetic Devices In The Raven
The poem I decided to explicate was "The Raven" by Edgar Allen Poe. The reason I chose this poem is because I love Edgar Allen Poe's writings. I
have always loved reading his dark and twisted poems, even when I was younger in middle school his poems always got my attention the most. I had
never read "The Raven" until now, but I am familiar with some of his others like "The Tell–Tale Heart." I did really enjoy reading "The Raven", the
actual raven was a little creepy, but I also like to read poems with elements like that. In the first stanza there are two types of poetic devices used,
one of them is the use of alliteration which is found very prominent throughout the entire poem. Some uses of alliteration that are found in the first
stanza are "while I pondered, weak and weary" or "while I nodded, nearly napping, suddenly there came a tapping,/ as of some one gently rapping,
rapping at my chamber door." The whole first stanza is pretty much an example alliteration because of how every word starts with the same letter or
sounds closely alike. Then the second type of poetic device used was the use of foreshadowing. Poe uses foreshadowing when says there is a visitor
tapping on his door as if something bad is going to happen. In the second stanza Poe still uses alliteration, though not as strongly as in the first stanza.
Some examples of alliteration used in the second stanza were found in the lines, "Eagerly I wished the morrow;–vainly I had sought to borrow from my
books

Poetic Devices
Poetic Devices in I'll Be Home For Christmas "I'll be home for Christmas" was written by Walter Kent and Buck Ram and is often referred to as the
saddest and maybe the best Christmas song of all time. The song was first written in 1943 and was revised 1948. This definitely is one of the best and
saddest christmas song. Other than its great music it uses many poetic devices like repetition, imagery and being a narrative. This essay will
describe why the use of these poetic devices makes it such a great song. Kent and Ram used repetition to describe how much the person in the song
craved being at home for Christmas. They first used it by saying "I'll be home for Christmas" (2:1) this helped us start thinking what it is this person
wants. Kent and Ram then go on to say "Christmas Eve will find me" (3:1) making it easier to visualize or think that he is having trouble getting
home but still keeps a positive mindset. Finally the song says " If only in my dreams' (3:4) which makes us realize that he won't be able to make it
home for Christmas this year. And that he has been saying how much he wishes he could get home before... Show more content on Helpwriting.net ...
The imagery used in"I'll be home for Christmas" plays a big part in the being such a great song. Kent and Ram did an amazing job of using the
imagery, they first used it when the song says "I'm dreaming of a place I love even more than i usually do" (1:1) this makes us imagine that he is far
from a place he misses dearly. Another cause of it being used is " although it's a long road back I promise you I'll be home for Christmas" (1:3) this
makes the reader/listener realize that the place he misses so dearly is his house and that he is promising to a loved one that he will make it in time
for christmas. The last case of the use of imagery is seen in "find me where the love light beams" ( 3:2) and he is obviously telling his loved one that
he won't be able to make it in time but that she may find him in her heart

Discuss The Six Elements Of Tragedy
'Tragedy is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament,
the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to
accomplish its catharsis of such emotions'.
This definition of tragedy was created by Aristotle, one of the great philosophers of Ancient Greece and one of the greatest thinkers of our time.
Tragedy was not invented by Aristotle. Instead he used examples from the works of famous Greek playwrights such as Sophocles, Euripedes and their
epigones to illustrate his ideas. He studied hundreds of texts in great detail and wrote extensively on the ... Show more content on Helpwriting.net ...
Aristotle claimed that the central aim of tragedy is not to depict human personalities, but to represent human action. He highlights the importance of
action because action initiates events; which in turn makes it the single most important driver of plot. He argues that even though 'character and thought'
drive action, they aren't as important as the action itself. Plot is the arrangement of incidents, and only in plot can we find contentment, regardless of
motivation or underlying cause.
When talking about plot, Aristotle describes the elements of plot, which include completeness, magnitude, unity, determinate structure, and
universality. Completeness refers to the necessity for a tragedy to have a beginning, a middle, and an end. Magnitude' refers to its length; a tragedy
should be a 'length which can be easily embraced by the memory.' However Aristotle maintains that the longer a tragedy, the better it can be so long as
it portrays a change 'from bad fortune to good, or from good fortune to

Aristotle's Poetic In Things Fall Apart By Chinua Achebe
Aristotle was a famous disciple of Plato who first defines fine arts and he differs with his teacher Plato in his book of Poetic. His Poetic deals with the
principles of Poetic art in general and tragedy in particular on the basis of his analysis and the principles of his Poetic are Probability, Catharsis,
Mimesis, Tragic Hero and Hamartia. This essay will explain tragedy looking through Aristotle's tragic principles in the book Things fall Apart by
Chinua Achebe. In Aristotle's Poetic, he has mentioned the concept of Probability which simply explains the probability that a given character will
react to a given situation is very high because of human nature. For instance in the book, Things fall Apart deals with the tragic human consequences ...
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In his poetic, a tragic hero cannot be an eminently good man. The suffering of such a man will be shocking. The tragic hero neither can be a bad
man nor a villain. According to Aristotle, "The tragic hero is a man who is not eminently good and just, yet whose misfortune is bought about not
by voice, but by the some error of judgement" (Aristotle, 1978). The misfortune of such a man will lead to downfall. In Things fall Apart, the main
protagonist Okonkwo is considered as tragic hero and he has the all the noble characters. Oknokwo was very successful and renowned in his
community. He was the leader of Ibo society and he was also a famous wrestler and successful farmer. With these characters of successful in many
ways, he was very wealthy man, hold a high position in the community, he had three wives, and is also best wrestler and worrier. He also rules his
family with

Poetics By John Carter
Possibly my favorite aspect of all stories is the usage of reversal pertaining specifically to the main character. Whether good or bad reversals make a
story more complex and add an aspect of uncertain future. Reversals lead to what Aristotle calls recognition in his book Poetics in which he states,
"recognition, as the name indicates, is a change from ignorance to knowledge," (20). Recognition then leads to the so–called "scene of suffering" (
Aristotle, 21). This part is the one which contains a particularly destructive action against the main character.
A film that uses all three of these aspects is John Carter. John Carter initially takes place in Post–Civil War America, were an ex–confederate soldier by
the name of John Carter is looking for a cave of gold to gain wealth after losing everything. He eventually discovers the cave and discovers a bald
man in blue robes within, they begin to fight and Carter ends up killing the man. As the man is dying he reaches out with an amulet of sorts and
whispers the word "Barsoom." (Andrew Stanton, John Carter). John Carter then grabs ahold of the amulet and repeats the words. This action teleports
him to planet Mars, which the locals call "Barsoom." (Andrew Stanton, John Carter).
This is followed by a series of events that constantly drag him what seems toward oblivion. Eventually he ends up meeting a princess who wishes to
stop a civil war that is raging on Mars between two kingdoms. As the plot continues the Princess and John

Recognition Signs In A Tragedy
Aristotle, in chapter 16, argues that there are several varieties of how recognition can be played in a Tragedy. Differentiated by artistic and inartistic
forms, the author speaks about recognition signs such as bracelets, external tokens, and scars that helps the reader identify a character, as well as
recognitions invented by will such as hearing or seeing something which helps the reader comprehend the characters inner change. When it comes to a
play, this seventeenth chapter highlights the importance of the construction and how the essence ( the general outline) should be imagined first before
details and episodes comes along. This will help the author keep its main point consistent without any additional ideas that might overlong or

Eminem Poetic Devices
At one time or another, every one of us has been the underdog, facing a challenge that does not seem achievable , given a task we're not expecting to
complete, or even racked with self–doubt when we just might succeed. Eminem's "Lose Yourself" is a dramatic, catchy, and inspirational song that
involves plenty of poetic devices. In Eminem's song the poetic devices allusion, rhyme, hyperbole and metaphor are used to advance the theme "you
will succeed if you never give up on your dream". This song was written to motivate anyone to pursue their dream and to never give up no matter what
happens.
First, Eminem uses allusion to help us picture the process of his career in the making. He used this poetic device to help compare himself ... Show more
During the song Lose yourself in the last stanza Eminem wrote "I'm like a snail" comparing himself to being slow like a snail. At that moment
Eminem's career was not flowing how he would have liked it too, everything was going downhill. But Eminem did not stop no matter how hard the
situation was, he did not stop there, he would not stop pushing until his dream became true. The following line says "I've got to formulate a plot/or I
end up in jail or shot". This shows that he definitely does not want to give up, he does not want to end up in a bad situation. He wants to create
himself a plan so that he could have success with his dream and that is what he did. Even though he was stuck and was moving slowly, Eminem stook
to his plan and did not give up and that is what brought him too where he is

The Poetic Elements Of Poetry
What is Poetry?
Poetry is a literary art in which language is used for its aesthetic qualities; that suggests alternative meanings in words and stimulates emotional and
sensuous responses. The use of assonance, alliteration, onomatopoeia, rhythm, ambiguity, symbolism, irony and other poetic elements is common in
poetry. Thus, a poem can be interpreted in a variety of ways using these poetic elements.
According to Mario Klarer (1999), Poetry is one of the oldest genres in literary history. Its earliest examples go back to ancient Greek literature. In
spite of this long tradition, it is harder to define than any other genre. Poetry is closely related to the term "lyric," which derives etymologically from
the Greek musical instrument "Lyra" ... Show more content on Helpwriting.net ...
While one cannot correctly adjudge one definition as superior, better or more comprehensive than another, it is true that each of them has its point of
emphasis which in turn places it in one or the other of the great literary creative debate over content, style, and effect. It is thus clear that Edgar Allan
Poe's conception of poetry as expressed above emphasizes style or form over content and effect while, on the other hand, both William Wordsworth
and Edwin Arlington Robinson focus more attention on content and effect in their definitions to reflect their English and American Romantic
pedigrees respectively. In this regard, you should take particular note of Emily Dickinson's own idea of poetry whose essential criterion is the effect it
has on her and is capable of having on a reader. In a final analysis, one cannot fault any one of these definitions given the special interests and period
fascinations that shape

Dead Pool
In the movie Dead Pool, one unimportant character says, "Opinions are like assholes. Everybody's got one and everyone thinks everyone else's
stinks." This is how I feel about Aristotle's view on what makes a drama dramatic. In Poetics, he states every good drama must have a protagonist, a
plot, and a fatal flaw. But why? To no extent should my opinion of a gooddrama be any less than Aristotle's. I find myself identifying with an
inanimate object that blows up stuff in the movie, Rubber. Although I believe there are many other ways of giving value to a film or play, Aristotle's
Poetics can be used to review Rubber. Rubber meets three of Poetics requirements for a successful drama; characters act believably, spectacle is used
thoroughly, and ... Show more content on Helpwriting.net ...
One of the supporting characters, an unnamed cop, is the main example of this. Copper, the unnamed cop, breaks the fourth wall of the play in the
movie. He thinks Rubber has died. He think the problem has been solves, and that he can stop acting now. The other cops refuse to breakcharacter.
Robber had recognized the ironic situation of being an actor in a play, that turned out not to be a play. Rubber himself expresses the act of
knowing the irony after he spoils the cops plot to kill him. Robber in the end, dies. It's super awkward for an actor to actually die on stage, also
very ironic because he was going to act like a dying man anyway. Before dying, Robber says, "Who taught this tire how to kill?" And the answer to
that question is nobody. Perhaps Rubber's lack of morals comes from his uneducated past. Suzi Parker, a doctor or something, reported President
Obama saying, "The single most important factor in determining student achievement is not the color of their skin or where they come from. It's not
who their parents are or how much money they have. It's who their teacher is." Rubber was black, from a rural community, an orphan, and poor. He
also had no teacher. Whether it's an isolated incident, or a case of alternate casualty, Rubber was screwed from the start. He acted out intentionally and
the irony remains the same from beginning to end. Aristotle knew the importance of keeping recognition of irony for a certain point and Rubber
definitely fills this

An Analysis of Aristotle's Poetics
An Analysis of Aristotle's Poetics
A square may be a rectangle, but a rectangle may never be a square. This idea is not complex, however when it is applies in Aristotle's Poetics to the
Greek Epics and Tragedies, it is suddenly not only applicable in an arithmetic context, but it gives a relevant and true breakdown of the commonalities
and different components within these genres of literature. Within these poetics, Aristotle explicates the difference between an Epic and a Tragedy and
defines the structure in which these must be composed. Not only does he articulate the manner in which this must be done, but he holds the poet
accountable for each artistic choice and their adherence or diversion from this structure he has so clearly ... Show more content on Helpwriting.net ...
This also helps to draw emotion from the audience, while the aspect of spectacle merely distracts the audience and "is the least artistic, and connected
least to the art of poetry," according to Aristotle (IV). Aristotle also illuminates the fact that in order for a tragic poem to be complex and be
recognized as a Tragedy, four elements contributing to the work as a whole must be present. These elements consist of reversal, recognition, suffering,
and finally catharsis. The preceding elements are included in order to guide the character through his or her journey to self–realization. When specific
events in the structure of the incidents occur opposite to what the character intended or expected, it is recognized as reversal. This fuels the excitement,
as well as the conflict, and contributes significantly to the emotional reaction of the audience. In Sophocle's Oedipus, this was made extremely evident
to the audience when the main character tried to escape his murderous fate; it resulted in him slaying his father unbeknownst to him. Shortly after
reversal, recognition is implemented to bestow knowledge upon the character that was previously unrevealed to the character. Typically, this reveals a
tragic flaw possessed by the character, leading them to seek redemption which is usually thought to be achieved by a form of suffering. Painful and
often times fatal, this suffering is the third necessary

Poetic Justice : The Characteristics Of Poetic Justice
The aspects that characterize it as an urban legend can be found within our readings as well. The biggest and most distinct example being poetic
justice. Poetic Justice is repeatedly seen as a characteristic in Urban Legends such as The Hook. The Hook showing its poetic justice on the
boyfriend that repeatedly tries to pressures the female into unwanted acts and is then, in some variants, murdered by a lunatic with a hook for a
hand. In the narrative that I selected, the poetic justice is found when cousin Pat tries to sneakily get the tree juice from the tree and is burned by
what comes out, shown in the following quotes. "he gone be smart and he was here one day so pat went down to the tree and said " aaahh, Imma
get me some of grandaddy's uh uh uh tree punch", and Pat went down there and said when he turned the spicket he said it came out boiling hot and
he jumped back and a little bit splashed on his hand and it was a big blister on there just like if you was burned with a match or something." This
same section of my narrative can also be an example of another trend within urban legends which is Ostension. Pat attempted to act out my grandpa's
actions and was punished for it. A factor that played a small role in my narrative, which is usually a huge underlying theme in legends is fear. Urban
legends are told to put fear into the audience such as Batman in the closet, fear of homosexuality and female dominance, and The Roommate's Death,
fear of women being independent

A Poem For Get Poetic
Good morning fellow panel members today I have been asked to research and analyse a poem for Get Poetic, which will inspire our target audience
and gain an interest in poetry. Poetry is powerful tool which changes the way people look at the world. I believe the song "We Are Going to Be
Friends." By The White Stripes, is a great song to spark, an interest for poetry in our target audience. This song is about a school child's day and this
song is definitely thought provoking and I am sure it is a suitable choice for Get Poetic.
The White Stripes was an American rock duo formed in 1997, the band consisted of married couple Jack and Megan White. Born on July 9th 1975 in
Detroit Michigan, Jack White was the youngest of ten children. Jack would

Poetic Form Of The Shakespearan Sonnet
A sonnet refers to a poetic form which originated in Italy. There are two kinds: the Petrarchan (Italian) and the Shakespearean (English). Both kinds still
consist of fourteen lines written in iambic pentameters – unstressed, then stressed syllables. The Italian form began with Francesco Petrarca. The
Shakespearean form began with Thomas Wyatt and Earl of Surrey (Shelley, 2015).
The sestet and octave have special functions in the Petrarchan sonnet. The sonnet is separated into an eight–line stanza as well as a six–line stanza. The
first paragraph (with eight lines) is referred as an octave and follows the rhyme sequence: a b b a a b b a. Moving on, the second stanza (consisting of
six lines) is called a sestet and follows one of these rhyme patterns: c d c d c d, c d e c d e, c d e c e d, c d c e d c, c d d c d c. This shape makes the
sonnet a self–sufficient form, open to shades of mood and tone. The final two lines cannot end in a couplet because the couplet was never used in Italy
or by Petrarch. The Shakespearean Sonnet, or English Sonnet, is very different from the Petrarchan Sonnet. While the Shakespearean Sonnet consists
of fourteen lines, just like the Petrarchan Sonnet, the lines are divided into different stanzas (Shelley, 2015). This sonnet is composed using three
quatrains (three stanzas consisting of four lines each) and a concluding couplet (a two–line stanza). The rhyme scheme of this sonnet is alternating,
throughout the quatrains, and ends in a rhyming

Surrealism In Poetic Realism
1930's France saw the growth of a small film movement known as Poetic Realism.
The tenants of this movement were loose at best and mostly consisted as a tendency that a handful of independent filmmakers used in their films. Their
influences came primarily from literature of the time and the fantastic styles of Impressionism and Surrealism. From great literature came the scripts
and stories for this movements. Great writers like Emil Zola and Leo Tolstoy had their tales appear on the screens of French theaters.
From Impressionism, the Poetic Realist infused their films with "stylized cinema, optical effects, and editing to render reality as it is subjectively
perceived" ( (–– removed HTML ––) https://whitecitycinema.com/2012/05/18/lets–talk–about–poetic–realism/ (–– removed HTML ––) ).
Impressionism dealt in over emphasized movements and scenery that were indicative of the mood or perspective of a character. These techniques were
translated into the fantasy–like worlds of Poetic Realism.
Surrealism also had a part to play in the creation of these poetic and fantastic worlds. The dream–like quality present in the Surreal movement found its
way into Poetic Realism through bizarre and incongruitous scenes and sequences. A move towards subverting narrative continuity facilitated the use of
Surrealism and Impressionism as many filmmakers wanted to distance themselves from the American Hollywood style of straight forward narrative(
(–– removed HTML ––)

Augustan Poetic Tradition Essay
Augustan Poetic Tradition
"I do not in fact see how poetry can survive as a category of human consciousness if it does not put poetic considerations first–expressive
considerations, that is, based upon its own genetic laws which spring into operation at the moment of lyric conception."
–Seamus Heaney, "The Indefatigable Hoof–taps" (1988)
Seamus Heaney, the 1995 Nobel laureate, is one of the most widely read and celebrated poets now writing in English. He is also one of the most
traditional. Over a decade ago, Ronald Tamplin summed up Heaney's achievement and his relation to theliterary tradition in a judgment that remains
sound today: "In many ways he is not an innovative poet. He has not recast radically the habitual ... Show more content on Helpwriting.net ...
Heaney, in fact, is one of the most skilled practitioners of traditional verse forms writing at present. And since the poetic revolution is long over, and
unrhymed, unmetered verse–free verse–has for the better part of the last century been the norm, one is justified in asking why a serious contemporary
poet would be attracted to formal strains that lost their dominance some time around December 1910.
To answer this question I propose to focus on one of my favorite Heaney poems, "The Outlaw," from Door into the Dark (1969). The poem is written in
that most untwentieth–century of verse forms, the heroic couplet (that is, rhymed iambic pentameter couplets: aa, bb, cc, etc.). What would attract
Heaney to such an uncontemporary–even antiquated–verse form, one that seems so inappropriate for the subject matter of his early poetry? After all,
would Harold Pinter be likely to compose a neoclassical tragedy in the style of Addison's Cato? As I hope to show, the success of Heaney's poem–as
brilliant, I think, as the widely anthologized "Digging"– lies in his mastery of the couplet form and particularly in his exploiting its formal resources for
his own poetic purposes. To appreciate this achievement fully, the reader needs to set the poem not just in relation to the rural Irish themes of Heaney's
early poetry, but also–and more importantly–in the

Aristotle 's Poetics And The Order Of The Phoenix
Poetic Thinking
(An Essay Applying Aristotle's Poetics to Harry Potter and the Order of the Phoenix)
Aristotle was a philosopher who revolutionized the world of theater with his essay entitled Poetics. Poetics is focused on what Aristotle viewed to be
the ultimate form of theater, Tragedy. Aristotle thought that Theater should be a representation of real life. Shakespeare also followed this line of
thinking as described in As you Like it, "All the world 's a stage, And all the men and women merely players; They have their exits and their
entrances," In the essay, Poetics, the six basic elements of a great tragedy are outlined; the most important parts being plot, character, and thought.
Aristotle's essay can be used to critique classical theater as well as more modern theater such as films. The film Harry Potter and the Order of the
Phoenix can be classified as a great tragedy, according to Aristotle, because it utilizes complex plot, invokes pity and fear on the main character's
behalf, and is connected by plot instead of by character. Harry Potter and the Order of the Phoenix follows a climactic plotline over the span of a
year. As said by Aristotle, climactic plotlines are far superior to episodic plots. Aristotle states, "Plots of this kind are constructed by bad poets...they
stretch the plot beyond what it can bear and are often compelled, therefore, to dislocate the natural order." Luckily, the plot of Harry Potter and Order
of the Phoenix follows an upward

Poetic Justice Essay
Poetic justice is a prominent theme throughout many genres of literature. The definition of poetic justice is: "an outcome in which vice is punished and
virtue rewarded usually in a manner peculiarly or ironically appropriate" (Poetic Justice). This implies that the ending of the plot and the characters is
deserved – the ending has an ironic twist for the villain, and that justice has been "served." Poetic justice explores the concepts of justice, literary
device, and the philosophy of human satisfaction and interpretations of natural law. A reason why poetic justice is so prominent in literature is
because it satisfies the reader by the belief of karma and consequences of people's actions in society. Justice is a form of human... Show more content on
Helpwriting.net ...
Antigone disobeys Creon and buries Polynices' body, as she believes the punishment in the human realm is miniscule to the reward she will get in
death (Sophocles 181). Creon orders that Antigone be arrested (Sophocles 191). Haemon, Creon's son and Antigone's fiancГ©e, urges his father
to reconsider the law, as the other citizens of Thebes are starting to think poorly of Creon. Creon, however, strongly stands with his decision and
refuses to listen to his son (Sophocles 197). Tiresias, the wise and blind prophet, also urges him to change his mind, as the city of Thebes is
suffering from a plague that Polynices' rotting flesh has caused a bad omen among the city of Thebes, "There was no answering flame; only rank
juice smouldering and sputtering" (Sophocles 209). Creon realizes his mistake but it is too late: Haemon has killed himself (Sophocles 216) .
Creon's wife, Eurydice, kills herself as well after learning about the death of her son (Sophocles 223), leaving Creon alone without a family. Antigone
explores the theme of "poetic justice" by the fate of the characters, as most of them are dead because of suicide. Throughout the course of the play,
Creon battles with Antigone over whether or not Polynices' should have the right to be buried. The moral values of this tragedy suggests that holy law
triumphs over mortal law, excessive pride is a fatal flaw,

Longfellow And Poetic Labor
One can track the American ideal of a self–made man all the way back to the Puritans. However, the current idea of hard–work is slightly different; the
Puritan belief in a rigid work ethic lacked a goal, and was supposed to be where all effort was dedicated. Longfellow's view on labor, which Jill
Anderson presents in "'Be Up and Doing': Henry Wadsworth Longfellow and Poetic Labor," coincides with the Puritan beliefs in several cases. As
Anderson analyzes Longfellow's perspective on hard–work in her essay, the similarity between Longfellow's and the Puritans' view is easily noted.
Longfellow believed that labor did not necessitate an end goal and was separate from social mobility, and this belief was heavily based on the Puritan
outlook on

Bruce Dawe Poetic Techniques
W.H. Auden and Bruce Dawe, in their respective poems 'Stop All The Clocks' and 'Suburban Lovers', depict two different reactions to love. Auden's
use of an A, A, B, B, rhyme scheme creates rhythm through each of his 4 stanaz. Contrastingly, Dawe uses syllabic rhythm such as "on the fleet diesel
that interprets them, like music on a roller–piano as they move, over the rhythmic rails". Dawe also uses alliteration to create this similar pattern such
as "breeze blowing", "cliff of kissing" and "sandstone sustaining". Both of these techniques create tone within each poem allowing the reader to reflect
the mood of each poem. Auden's rhyme scheme portrays a tone of sadness and grief in its simple structure and Dawe reflecting a tone of joy and longing

Examples Of Poetic Language
Poetic language is the techniques that the poets use it to convey their message. It makes the text creativity by using the feature of it. There are three
approaches that make the texts creativity. (Carter, 1999) identify those three approach; they are cognitive approach, sociocultural approach and
inherency approach. The cognitive approach focuses on what is going on the reader's mind, sociocultural approach deeps on the social issues and how
the language effects on the social, the inherency approach focuses on the language itself. So, the poetic language linked to the inherency model because
it talks about the language, and the poem becomes more literary and creativity. To be the language and the text literary it should breaks the... Show more
Elliot. In the first line he describes "April month" as the "cruellest" month and this adjective uses for human not for months. He presents "April" in
unorthodox manner. He uses "and" at the beginning, it is not correct in English to start with "and". Elliot uses the verb (foresuffer) which is in English
wrote "for suffers". The poet creates new words like "Shaggybeared", "Hopkins" has the "Widownmaking", uncliding and unfatehering. Also, there is a
mixing of conjunction between "summer" and "rain", "warm" and "snow", feeling with dried and tubers. There is graphological deviation and rhyme
pattern in 'wind' and 'kind' and 'z' and 'du'. The poem has a full of allusion. It makes the readers think that the poet has past experience of wholeness.
It has lacking the traditional kind of coherent as on observes fragments and allusion. The language of the poem has a lot of images, it is
disorganisation and disorderly. So, "The Burial of the Dead" breaks Paul Grice's maxims. There is ambiguity meaning and new words in it, which are
not clear. There are many of images and allusions. The poet does not achieve quality maxims. Also, it makes the reader confusion."The Burial of the
Dead" has a complex meaning and wrong comparative. All of this deviations and breaking the role of Paul Grice's maxims makes the poem more
literary and creativity, "more complex, more

Captain America, Civil War
There have been many philosophers in our world's history, perhaps the most famous of them would be Aristotle. Aristotle was a Greek philosopher who
contributed to many different sciences including, logic, metaphysics, mathematics, biology, and countless others. Although Aristotle is famous now, he
wasn't very famous in his own time. Aristotle's beliefs contradicted many of the modern beliefs in his time. Ben Waggoner, a professor at the
University of California Museum of Paleontology, states, "Where Aristotle differed most sharply from medieval and modern thinkers was in his belief
that the universe had never had a beginning and would never end; it was eternal." Aristotle received much criticism for his divergent beliefs but is
well–known... Show more content on Helpwriting.net ...
In this text, Captain America can clearly be identified as the tragic hero, or protagonist. Aristotle points out that a protagonist must have a tragic
downfall in order to evoke a sense of pity from the audience. Aristotle states, "The change of fortune presented must not be the spectacle of a virtuous
man brought from prosperity to adversity....The change of fortune should be not from bad to good, but, reversely, from good to bad." Herald Woods
points out, "Aristotle establishes the concept that the emotion of pity stems not from a person becoming better but when a person receives undeserved
misfortune – and fear comes when the misfortune befalls the audience." In Captain America, Civil War, a tragedy occurs when the general public
decides that the Avengers should no longer provide assistance in disastrous affairs. This greatly affected Captain America whose main goal was to
help the people. This creates a sense of pity in the audience. Captain America then engages in a civil war with Iron Man in an attempt to regain his
ability to help people. Undoubtedly, Captain America is a tragic hero according to Aristotelian thought in Captain America, Civil

Poetic Expression Paper
Kennesaw State African–American Student Alliance hosted a phenomenal event on the 10th of November. The event was called Poetic Expression,
which is an annual event that happens. Of course this year being my first year, I did not know how the event would go. Poetic Expressions took
place at 6:00pm and of course like every event on campus it did not start on time. Poetic Expression is an open mic–night which showcases black
talent in the art forms of spoken word, dance, and song. I am actually a member of AASA (African American Student Alliance) and I am a part of the
public relations committee. Our job is to promote every single event that AASA put on and took make sure the entire school body knows. I was very
excited to see the turnout of how many people who truly ... Show more content on Helpwriting.net ...
Then we all proceed back to our seats as the show began. A young man named Jaire first came to the stage and performed a song that he had written
and recorded himself. It was a love song and his voice was like the voice of Usher. His vocals were outstanding, if I heard his sing before this event;
I would think that the song was one if Ushers. Next there was a spoken word poem by a junior name Arissa. She spoke about the injustice going on in
our community, police brutality, and the election that had not yet been deter=mined. Personally my favorite part of her speech is when she compared
the flaws of h=Hilary Clinton to Donald Trump. She spoke about the dispute with Clintons email and that was the only inappropriate comment that can
be used against Clinton. However, when she mentioned Donald Trump, she went on a rant. Technically, her rant was not even a rant because she was
saying true statements about Trump. After she finished her spoken word poem, the entire room was just silent. I could tell the entire audience was just
taking it in, that a man of his character could even be a candidate to be

3 Am Poetic Devices
You did a great job of employing various poetic techniques throughout each of your poems. There are some things I would recommend you take a
second look at, but overall I thought each of your pieces was pretty effective. I'm so happy you decided to include "Sugar" in this set of poems. I
really liked it when you read it aloud in class, and was pleased to have another chance to experience it. I think the strongest aspect of this piece is your
use of onomatopoeia and word choice to create a rhythm and rhyme that truly embodies the monotony you describe. Also, the combination of
repetition and variation in the first two stanzas captures how you describe two very different ways of experiencing one thing, sugar. One aspect of your
poem which might ... Show more content on Helpwriting.net ...
I was unsure of its purpose at some points. However, when you wrote "Potent Night Dream Ghost" I thought the capitalization truly enhanced the
line. It gave importance to what you were talking about, making it seem like more than an abstract concept, like a concrete, terrifying problem you
come face to face with. Still, I think the message of fear for these abstract concepts in general could be presented more clearly if you included more
concrete images in the poem. In discussing "October", it is impossible not to bring up the phrase "bare and bleak,/ Broken..." I found these three
strong, meaningful words to be packed with a lot of emotion. They are essential to the desolate tone and thus very important for such a short piece.
Finally, "Chicago" was packed with sound imagery, which was a refreshing change of pace from many other poems I've read. Not only did you
provide concrete details that made the poem memorable and relatable, but you did it in a less conventional way than simple visual imagery. A
criticism I must offer is that the conflicting images of "Your fingers resting in mine" and "Hands inches from mine" were a bit confusing when I first
read the poem. Upon further examination I realized that the poem must be taking place over time and not just in a single moment. Nevertheless, if
other people also had a problem with the clarity of these lines, it might be worth it to change them so that they do not

Tragic Poetic In Things Fall Apart By Chinua Achebe
Aristotle was a famous disciple of Plato who first defines fine arts and he differs with his teacher Plato in his book of Poetic. His Poetic deals with the
principles of Poetic art in general and tragedy in particular on the basis of his analysis and the principles of his Poetic are Probability, Catharsis,
Mimesis, Tragic Hero and Hamartia. This essay will explain tragedy looking through Aristotle's tragic principles in the book Things fall Apart by
Chinua Achebe. In Aristotle's Poetic, he has mentioned the concept of Probability which simply explains the probability that a given character will
react to a given situation is very high because of human nature. For instance in the book, Things fall Apart deals with the tragic human consequences
of the collusion of the Africa and Europe culture in Nigeria. Protagonist of the novel, Oknokwo has tragic characters and he was considered as a
strongest man in the community in the initial of the play and when it comes to end of the play, Oknokwo suicide and his immediate reaction is to kill
himself. Suicide is a ... Show more content on Helpwriting.net ...
In his poetic, a tragic hero cannot be an eminently good man. The suffering of such a man will be shocking. The tragic hero neither can be a bad
man nor a villain. The tragic hero is a man who is not eminently good and just, yet whose misfortune is bought about not by voice, but by the some
error of judgement. The misfortune of such a man will lead to downfall. In Things fall Apart, the main protagonist Okonkwo is considered as tragic
hero and he has the all the noble characters. Oknokwo was very successful and renowned in his community. He was the leader of Ibo society and he
was also a famous wrestler and successful farmer. With these characters of successful in many ways, he was very wealthy man, hold a high position in
the community, he had three wives, and is also best wrestler and worrier. He also rules his family with

Aristotle’S Poetics Influence On The Ancient World

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