Addressing a Public AudienceFriends, Romans, Countrymen, lend me.docx

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Addressing a Public Audience “Friends, Romans, Countrymen, lend me your ears!” So speaks Shakespeare’s Marc Anthony upon the murder of Julius Caesar. The role of public debate has changed very little over time. We have more avenues now, and a wider public to address, but the essential goal of persuading the audience to take a stand or action remains the same. This week you will discuss a public issue that is pertinent your own experience. It may be an issue with schools in your community, a health issue affecting you or someone you know, or an assessment of your political leadership. Watch the video Michael Sandal: The Lost Art of Democratic Debate. Identify a public issue in your community. Explain to the class your own position on the issue keeping in mind that public debate is a place for people who disagree try and find common ground. Your initial post should be at least 250 words in length. Support your claims with examples from required material(s) and/or other scholarly resources, and properly cite any references. Respond to at least two of your classmates’ posts by Day 7. Each response should be at least 125 words long. Consider ways citizens can reclaim public deliberations. .

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College English WRT 105 Dr. Smyth Date Due: Keep track of Developmental Due Dates in Syllabus Documented Argument Assignment Cultural Resistance and Dissent Both the culture we enjoy and the culture in which we live provide us with ideas of how things are and how they should be, frameworks through which to interpret reality and possibility. They help us account for the past, make sense of the present and dream of the future. Culture can be, and is, used as a means of social control. More effective than any army is a shared conception that the way things are is the way things should be. The powers-that-be don’t remain in power by convincing us that they are the answer, but rather that there is no other solution. But culture can be, and is, used as a means of resistance, a place to formulate other solutions. In order to strive for change, you have to first imagine it, and culture is the repository of imagination. ~Stephen Duncombe It is the common failing of totalitarian regimes that they cannot really understand the nature of our democracy. They mistake dissent for disloyalty. They mistake restlessness for a rejection of policy. They mistake a few committees for a country. They misjudge individual speeches for public policy. ~Lyndon Baines Johnson In his introduction to the Cultural Resistance Reader, Stephen Duncombe reluctantly defines “cultural resistance” as “culture that is used, consciously or unconsciously, effectively or not, to resist and /or change the dominant political, economic, and/or social structure” (5). He goes on to raise questions about how cultural resistance works, whether or not it can also be thought of as political resistance, and eventually whether or not cultural resistance is even possible. We’ll spend the next segment of WRT 105 entertaining these ideas; exploring, analyzing, questioning, critiquing and arguing about how and why (and if) culture is being used to resist or challenge the dominant ideologies, policies, and practices of the contemporary American landscape. During that time we’ll grapple with difficult questions: How is culture being used to demonstrate dissatisfaction with the status quo, with the dominant American culture? What are the cultural artifacts associated with resistance and dissent? What are various countercultures, subcultures, or cultures of resistance identifying as the social, economic and political problems of the day? What are their goals (to raise awareness, to change the way we think, to affect “real” social or political change, etc.)? Are they effective? How do the critiques offered by these groups connect with larger issues being debated by the greater public? And where do you stand on the issues, on the means of resistance or dissent? Your first task will be to identify a form of cultural resistance (or attempted cultural resistance) and its connected controversies and then to spend some time listening in on and analyzing the arg ...

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