Catcher In The Rye Critical Lens Essay

Catcher In The Rye Critical Lens Essay
IN order to understand our world today, it is essential for us to recognise the contextual factors that influence the individual's who occupy it, as well as
the concerns of composers from the past. Through the comparison of the film 'Amelie' by Jean–Pierre Jeunet and the novel 'The Catcher in the Rye'
(TCR) by JD Salinger it is proposed that contextual factors such as childhood experiences and the nature of relationships have the ability to shape
who we are THROUGH what we value. Both texts explore the necessity of taking risks in order to lead a rich and fulfilling life as well as the
importance of an appreciation for the beauty in life, which is too often neglected or clouded by self–pity and preconceptions. The two protagonists,
Holden in TCR and Amelie in Amelie, both struggle with creating and maintaining intimate relationships due to circumstantial influences.... Show more
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His childhood is characterized by feelings of betrayal and alienation as his parents discarded him to boarding school and his older brother abandoned
him to Hollywood. He has perceived adulthood as a condition characterized by deceit and falsity– constantly aware of all the 'phonies' around him and
was persistently rejecting the transition into adulthood. Similarly, Amelie's self–perception of ostracisation stems from the isolation she experienced in
her youth as she was homeschooled due to an alleged heart condition which separated her from what was considered 'normal'. The effects these
neglected childhoods' have on the protagonists prevails through the characters' inabilities to cope as they embody childish characteristics in search for
justified closure of their pasts. Amelie's childish tendencies are represented through her active imagination, exemplified
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New Wave Cinema
In David Cook's, "A History of Narrative Film," it is said that "the prevailing mode of postwar French cinema was literary adaption, which caused
French films to become increasingly verbal and theatrical. It was against this tendency– identified as 'the tradition of quality' by Francois Truffaut and
the other critics writing in Cashiers du Cinema, that the New Wave reacted in the late 1950's and 1960's."
Camera–stylo, which would permit the cinema "to become a means of expression as supple and sbutle as that of written language and would
therefore accord filmmakers the status of authors. Astruc's notion was to break away from the tyranny of narrative in order to evolve a new form of
audiovisual language" (Cook, 350). Astruc went on to describe how the problem of the cinema is how to express thought. "The creation of this
language has preoccupied all the theoreticians and writers in the history of cinema, from Einstein down to the script–writers and adaptors of the sound
cinema" (Cook, 350). ... Show more content on Helpwriting.net ...
It is described as a "lyrical but wholly unsentimental account of an adolescent delinquent, shot on location in Paris" (Cook, 352).
The French New Wavewas all about freedom and how it should seem personal. The 400 Blows does just that by telling us a story about a boy
"coming of age." As part of the New Wave, for The 400 Blows, the movie was not only shot on location, but natural lighting was used to give the
movie a realistic film. In addition to this, many producers/directors during this time used mobile cameras (handheld). These were many characteristics
that these artists used in their films. It was real and it was raw and it was just the beginning for

Amelie Movie Analysis
The movie Amelie, directed by Jean–Pierre Jeunet, is a french romantic comedy that circles around the main character, Amelie. She is the only child
of a distant father and deceased mother. At the age of six, her father, who is a doctor, diagnosed Amelie with a heart condition, but it was really
just her heart race increasing when he touched her. She was not used to physical contact with their detached relationship. This made him think she
was too fragile for school, so she became comfortable living in solitude, developing a wonderful imagination. When she grew of age, she moved
out and got a job at cafГ© Montmartre. One day in her apartment, she discovers a little box in the wall in her bathroom. She then spends time
attempting to find the owner of the box, deciding to dedicate her life to kindness. She finds him and is inspired by inspiring him. She then promotes
the idea of traveling the world to her fading father through anonymous pictures of his cherished garden gnome around the world. She also finds a
photo album, eventually falling in love with the owner of it. She also achieves other small acts of kindness, like getting rid of her coworkers creepy
ex–boyfriend for some time, helping her neighbors sadness, and spending time with the "glass man." The movie Temple Grandin, directed by Mick
Jackson, is a biographical movie about a strong, curious, and independent autistic woman. Similar to Amelie, Temple had a lack of parental support.
She experienced a lack of bonding

The 2001 Film AmГ©lie Directed By Jean-Pierre Jeunet
The 2001 movie AmГ©lie, directed by Jean–Pierre Jeunet, is a significant movie that demonstrates the unique characteristics of French movies. Two
important ways that AmГ©lie differs from the conventional movies, like Hollywood movies, is by the use of the camera and the mise–en–scГЁne.
The scene of the movie AmГ©lie that is important to have in the movie is when AmГ©lie is helping the blind man. This is important because it is
where the actual movie starts. In the beginning, the director gave the audience background information about AmГ©lie and it introduces the main plot.
AmГ©lie starts by making a change and taking control of her life. It starts with this scene, where she helps the blind man by describing the surrounding
and making him feel like ... Show more content on Helpwriting.net ...
The camera follows AmГ©lie as she navigates through the city. The angles are slightly slanted, which what makes this scene very unique and also
distinctive from other important scenes in this movie. In this scene, the camera follows AmГ©lie and the blind man down the sidewalk. This happens
quick and the camera movement moves along with them. Also during this scene, there is a lot of different camera angles and camera positions. It
doesn't focus on the the surrounding, but the main thing that the audience gets out of this is the way AmГ©lie is helping the blind man and most
importantly, is the blind man's reaction. His faces is amazed and also pleased by the way that AmГ©lie is helping him.
Mise–en–scГЁne is the setting of the scene and how it is set. The mise–en–scГЁne is set in a particular way to make this scene work. During this scene,
AmГ©lie and the blind man are outside on the streets. As AmГ©lie tells him what is going on around, they make there way down the sidewalk. The
sidewalk is clear for them to walk to and the director made this happen so they transition easily to one point to another. Also the setting is set by
having vendors on the street. AmГ©lie describe what they are selling and also other things that one would see as he/she would be passing down the

The Film ' Delicatessen ' : A Parody Of Apocalyptic Genre
The Film "Delicatessen": A parody of apocalyptic genre The Film "Delicatessen" is where comedy, psycho
–horror, cannibalism and romance all
intertwine within one another. Set in a fictional small–town post–apocalyptic France, although this film never addresses whatever political conflict or
natural catastrophe might have led to this apocalypse in the first place as one critic points out (Tobias). A population is devastated by the effects of
famine and must resort to rationing and, cannibalism. Circus clown Mr. Louison, who has fled from another town where people killed and ate his
chimpanzee partner Livingstone, comes across a Delicatessen at the foot of a building where many boarders reside. The butcher Mr.Clapet offers him a
room in return for handiwork, but his true motives are uncovered at night whenever a boarder is enticed to the dark, isolated confines of the
stairwell. Apparently food has become so scarce that food has actually become a currency. Basically people pay for things with bags of corn or split
peas...or human flesh. The butcher's daughter Julie Clapet discovers feelings for Louison, and madness ensues as the two plot to escape. This paper
will focus on the film as being a comedic parody of the typical apocalyptic genre. While also examining the climate change, cannibalism, collapse of
political authority, and the decadence of French culture that are shown throughout the film.
"Co–directors Jean–Pierre Jeunet and Marc Caro hail from an animation background,

Analysis Of Le Fabubeux Destin DAmпїЅlie Poulain
The film Le Fabuleux Destin d'AmГ©lie Poulain, more commonly known as AmГ©lie, was released in 2001 and became an instant success
internationally. It portrays a unique style of film and is visually different but exceptional. Directed by Jean–Pierre Jeunet, AmГ©lie contains many
amazing characteristics that made it into a hit. The plot, color scheme/special effects, particular camera movements and jump–cut editing make the film
enjoyable and interesting. AmГ©lie seems to relate more to the French public but many people from other nations found it quite good. It was shown
all throughout commercial theaters and became a box office success. One could say due to the film's romance aspect and female lead; the target
audience ideally would be women in the age range of 18–25. These young audiences are a result of the French trend, cinГ©ma du look, in which
youth–oriented films were produced with high production values and flashy visual style. This trend was only one of many during the 1980s and
forward that changed the French film industry. With such innovations, AmГ©lie was able to capture the attention of viewers and bring them into an
idiosyncratic and fantastical world.
The story of AmГ©lie Poulain is indeed out of the ordinary for she creates an alternative universe of her own. Her parents are very odd and think she
has a heart defect, therefore, she is home schooled and raised with multiple restrictions. Due to this, she grows up having a huge imagination. After her
mother's

Analysis Of AmГ©lie
AmГ©lie is a 2001, French romantic–comedy set in Montmartre, Paris, France during the late 1990s. The film follows AmГ©lie as she wanders
through the city, and portrays a variety of perspectives on daily life in the city. The film is set in and around iconic areas of Paris, France, where
viewers are given glimpses of classical French architecture and landmarks. This essay will argue that the film AmГ©lie portrays daily Parisian life
through a romanticized lens. This essay will offer discussion on how the film provides a commentary on urban life in Paris. The following paragraphs
will offer a discussion on the portrayal of the city, the reasoning for these portrayals, how they might affect the audience and how such portrayals
impact one's ... Show more content on Helpwriting.net ...
What is important to consider is what is missing from this representation of the city. Jean–Pierre Jeunet is the director of the film, he is quoted as
saying, "I wanted to make a fake Paris, a very nice Paris, like in my head when I was twenty and I arrived in Paris for the first time. I wanted to
avoid the bad things: traffic jams, dog shit on the street, the rain" (Portegies, 2010, p. 55). What AmГ©lie projects is simply a cinematic version of
Paris (Durham, 2008, p. 178). Jeunet was criticized for this depiction of Paris, "which appeared to erase, as if by magic, all traces of graffiti, crime,
pollution, and social unrest" (Ezra, 2004, p. 301). The film's setting used more than eighty separate locations, and is, "so vetted and filtered that the
manufactured Paris–scape resembles little more than a sustained advertisement for a traditional French product" (Portegies, 2010, p. 56). This
romanticized version of Paris is then exacerbated by the traditionally associated French clichГ©s which are present throughout the film. Thus,
AmГ©lie seeks to contrast the dark and gritty imaginings of the city and instead make it an attractive place to be. Jeunet's contemporary Paris, creates
astonishing adventures out of the everyday life. For some, this reimagining of the city erases the experiences and lives of actual people within the city.
The focus of the film does not give the viewer an honest

Junet's Use Of Mise En Scene In Amelie
Amelie is like most movies in that it revolves around finding true love. However, its ways of introducing characters and the colors used accompanied
by its brilliant soundtrack swoon the audience into accepting a fairytale world that is arguably different from other movies. Jean–Pierre Jeunet's Amelie
uses elements of mise–en–scene and narrative to create a colorful and extravagant story. Mise–en–scene is French for "putting on a scene" (Barsam
173). Every director has to make the decision of what to put in to a frame and how to arrange then. Jeunet creates his scene by contrasting a drab
green landscape of France by letting the audience see the colorful perspective of the main character Amelie. One of Amelie's desires in the movie is to
silently... Show more content on Helpwriting.net ...
Character's in Amelie aren't just introduced by entering the left side of the frame and exiting the right, they often get their own aside accompanied with
intense description. The consequence of this way of character development is the movie holds many round characters that are very relatable. Richard
Barsam and Dave Monahan describe round characters as those with many traits and they talk about the importance of the resulting connection the
audience makes with them (127). The movie introduces a character named Bretodeau by mentioning how he goes to the market to buy a chicken that
he cooks with potatoes. Suddenly someone that loves this combination of food identifies with Bretodeau. This is unlike most movies that unravel
character traits through how they react in different situations or just showing them on screen. These elements put together only show a small bit of the
intricacies that surround Jeunet's Amelie, however they tend to have the same purpose. Amelie focuses on aesthetics and evoking feelings and through,
color, music, and character descriptions one may grow fond of this movie less on the movie as itself, but the feelings it can bring to the

Mise En Scene Analysis
The movies Sunset Boulevard, Amelie, and Metropolis all have numerous amount of excellent scenes that can outline mise en scene. Mise en scene is
the setting organizations and the view of an image, movie, and so on. Although you can pinpoint every picture display and point out many of the
obvious mise en scenes, there is one picture in each of these movies that are more meaningful than the rest of the movie after watching it. They intend
to be more worthy because it is where the movie begins to fabricate the film. The scenery times that I am mentioning are 1:38:38 for Sunset Boulevard,
15:01 for Amelie, and 1:04:50 for Metropolis (the scenes are located on Netflix).
Billy Wilder, the director, and creator of Sunset Boulevard have... Show more content on Helpwriting.net ...
The reason this piece is so important is that she focuses on the box that she later returns to the owner. Although the light is mostly outside the small
hole it is lighted to the box and so the dominant attraction is the box. Even though the camera is centered on the action of the hand; what the hand is
going to grab is what is important. The camera is low on the floor eyed level, like if you were laying down with your head up looking at the hand
reaching through the whole. This scene is a close up of the brown dirt and box, and the yellow light seeping through the small hole that Amelie puts her
hand through.
Lastly, Fritz Lang is the individual who introduced Metropolis to the world and made it one of the longest films. The theme of this film was to
have equality between the lower class and high class, it is also to show what the future holds for the audience. In the picture, it shows Rotwang shine
a light, with a disastrous darkness within him and shown in the background. This image is so close up that it is at eye level. In the dark backdrop, it
reveals two skulls which symbolize death and evil which is upon Rotwang later in the movie. Notice this image is significant because this is where life
shifts for Maira and has an impact on the remainder of the characters because of what Rotwang creates. This character face is brightly lighted to expose
the powerful malevolent that the actor portrays to be. If you look closely you can see three dots in

Jeunet Film Techniques Essay
Jeunet's techniques are influential to his film's visual style. For example, Jeunet utilized wide angle lenses and placed the actors particularly close to
the camera. This produced animated–like facial features which worked well with the actors casted, due to their unique facial features. I did a little bit
of research on the cameras and lenses used to film and I came up on a blog. The stated that for Tautou, Delbonnel and Jeunet found that a wide angle
14mm or 27mm lens was just right. Anything longer or shorter did not look quite right. The camera in AmГ©lie barely filmed scenes at eye level.
Bruno Delbonnel set the camera usually a bit above or below eye level. Mixed in with the wide angle lenses, a small tilt up or down eventually
contributes to the dynamic look. Another element I cherished about the camera work was the way Delbonnel moved the camera towards an object or
focal point. He did not simply zoom in, he gradually moved the camera as he moved it with a turn of about 180 degrees. The use of the track/crane
device is common in most films but Jeunet's controlled ... Show more content on Helpwriting.net ...
The non–diegetic sounds (that which couldn't be heard by the characters in the film) and diegetic sounds often blur because of the use of sound effects
(non–diegetic) that occur in real life (or particularly in Amelie's) such as trains, cars and air brakes. For example, when Amelie moves from one
Bredoteau to the next, we hear traffic noises, or when she comes to a halt at the photo booth, we hear a train stopping. This effective blend of audio
engineering reflects the subtleties of realistic and fantastic elements in the film. We hear added sound, but it is as if it is part of the world of of the
film. Often non–diegetic and diegetic work together. See Lucien's insults of Collignon, accompanied by increasing musical volume, to the point where
Dufayel cries out for him to stop and so the music does

Amlie Movie Essay
A narrative reading of AmГ©lie (2001) directed by Jean–Pierre Jeunet, is a quirky portrayal of modern–day Parisian life, set in Montmartre. It tells the
story of a shy waitress, played by Audrey Tautou, who decides to change the lives of those around her for the better, while struggling with her own
isolation. We see the progression of Amelie's character from childhood to adulthood. The opening sequence of the film gives an insight of Amelie's
childhood and establishes the main characters and their traits. Young Amelie's traits are established in different scenes of the opening sequence, for
example a mid shot is used as the opening credits start and young Amlie is framed alone. We see a stream of games young Amelie used to play, like
making silly faces, dominoes and finger games. These games belong to the knowledge of everyone, everyone can recognise them. If a scene focuses
on the childhood, we know that this moment of life will be a determinative item in the film. This shows the active audience theory, which media
audiences do not just receive information passively but are actively involved, often unconsciously making sense of the message within their personal
and social context. The decoding of a media message may therefore... Show more content on Helpwriting.net ...
Some of her games were kind, such as when she forged a love letter to a heartbroken lady, and some not so kind, such as sabotaging the mean grocer's
apartment. One of her pranks were by pure mischief by sending her father's garden gnome round the world and some were downright interfering, trying
to match–make two lonely people (Georgette And Joseph). These games showed that Amelie had no real moral compass because she had no doubts
about misleading or deceiving others. This reflected her childlike nature, whereby she did not understand the consequences of her

The Road Less Traveled In The Film 'Forrest Gump'
The Road Less Traveled:
Happiness is Different for Everybody, so Make Your Own Road.
Jerry Seinfeld once said, "Sometimes the road less traveled is less traveled for a reason", meaning if so many people in the world are unhappy, why
would you follow the road they took if they never found what you are looking for. I am going to look at some of the characters that took the road less
traveled in order to achieve happiness, specifically AmГ©lie, Royal Tenenbaum, and Forrest Gump.
AmГ©lie found her own way to happiness by bring it to others and not only making their day, but improving their lives. Royal Tenenbaum wanted his
family to love him, and in order to do that he had to mend broken ties and relationships with family members. Forrest Gump ... Show more content on
Helpwriting.net ...
In the movie "The Royal Tenenbaums", directed by Wes Anderson, the character Royal Tenenbaum's end goal for happiness was to have his family
love him, which is more difficult than it seems mainly because he was a jerk to them their entire lives. When Royal finally made the tough
decision that he had to divorce his wife, he exclaimed, "I've always been considered an asshole for about as long as I can remember. That's just my
style. But I'd really feel blue if I didn't think you were going to forgive me.". This illustrates Royal acknowledging his faults throughout his life and
asking for forgiveness from his family. At the end of the movie when Chas's kids get their dog run over, Royal uses his gift of persuasion to get the
firemen to give them the station dog. Unlike Royal's old self, where he would have gone to the boys and made them love him, he let Chas give the
dog to his own children so they could be proud of him, and make Chas look like a real father figure. His wife Etheline Tenenbaum was feeling
miserable and bringing down the joy of others around her because she did not want to be there. Royal was holding her back from doing what she
actually wanted to do, which was marry Henry Sherman. For Royal the road to happiness was paved with many roadblocks, which were the relations
with his family that he had ruined. Throughout Royal's long life he had

Happiness In Catcher In The Rye
True happiness can be exposed through the journey one takes during the darkest of times. Humans rely on other people to feel a sense of worth and
belonging in a society that is confined to isolation. The Cather in the Rye, written in 1946 by JD Salinger and Amelie, a 2001 French film directed by
Jean–Pierre Jeunet both assess the position of two characters struggling to accept and understand the society they are placed in. It is through the
relationships with other people, a dysfunctional and isolated youth and an altruistic nature that the characters in these texts gain a full understanding
into emotional identity. Dynamic relationships provide an individual with a sense of fulfilment and joy in their lives. Happiness is contagious, gained
through the interaction with other individuals. A Harvard... Show more content on Helpwriting.net ...
Even now........and you in the only nice, dry, cosy place in the world. I loved that damn museum." Pathetic fallacy is used to describe Holden's
positive thoughts on the museum. This association of friends in a joyful environment reinforces one of the few joy's Holden has in life. The Catcher
in the Rye was written in a period where technology was being developed and there was a drastic variance in economic status between the poor and the
wealthy. Children were enthusiastic and privileged to participate in excursions and relied on face to face friendships to develop resilience and vivacity.
Holden's strong bond with his sister Phoebe is evident of his happiness. Through discussing what makes Holden happy, he admits to Phoebe, "And I like
what I'm doing right now. Sitting here with you, and talking, and thinking about stuff and." The repetition of "and" represents how the majority of
Holden's happiness relies on his relationship with Phoebe. Without Phoebe, he would not be able to conduct mature and eloquent conversations. The
altruistic nature in Amelie, forms the interactions Amelie has with other people and instigates happiness. Amelie, set

Essay about Jean-Pierre Jeunet's Film Amelie
Jean–Pierre Jeunet's Film Amelie Imagination is an intrinsic part of the human experience. It has the power to mold reality by defining the limits of
possibility and affecting perception. Both Alan White and Irving Singer examine aspects of this power in their respective works The Language of
Imagination and Feeling and Imagination. White delineates how imagination is a necessary precursor to possibility (White 179) while Singer primarily
illustrates imagination's effect on human relationships, such as love (Singer 29–48). Despite their different focuses, White and Singer demonstrate the
impact that imagination has on human perceptions of reality. Jean–Pierre Jeunet's film Amelie explores this facet of imagination: the film... Show more
content on Helpwriting.net ...
Between pursuits of her love interest, Amelie takes it upon herself to help the other characters in the film. Through her interactions with the other
characters, A great contrast can be seen between the title character and the supporting cast. Whereas Amelie seems to bend the rules of reality with
her imagination, many of the other character are locked down by their inability to imagine other possibilities. In helping these characters, Amelie's
imagination also expands their imaginations and beliefs. Shortly after the opening sequences, the film introduces the landlady of Amelie's apartment,
Madeleine Wallace. The maudlin woman mourns the loss of her lover Adrien but cannot resolve her feelings for him since he died while in the
midst of an affair with his secretary. For Madeleine, the realm of possibility is confined by these facts; likewise, she is confined to the depths of
despair. To allow Madeleine to move on, Amelie injects a new possibility into her mind by forging a letter from Madeleine's lover that apologizes for
his indiscretions. Without such physical evidence, Madeleine would have remained tied down by her knowledge of her lover's affair and unable to
imagine the possibility that Adrien had hoped to return to her. Amelie returns this notion from the realm of the inconceivable to the imaginable; in turn,
Madeleine

Amelie
The culture and history of France have been highly influential among filmmakers and have affected the construction of a variety of films. One such
film is, Jean Pierre Jeunet's highly successful film Amelie (2001). The French believe that the success of a film isn't measured by the money it makes,
but by the number of people who watch it. They believe that everything cultural must be protected from the domination of the markets, a concept
known as L'exception Culturelle (The French Cultural Exception) (Wikipedia, 2011). Amelie, is the picture perfect example of this concept, as it
perfectly exhibits the epitome of French culture; portraying France as 'The City of Love', full of wonder, where dreams come true. Amelie is a
beautiful film... Show more content on Helpwriting.net ...
This has been the basis for many French filmmakers, as this is the type of France audience finds most pleasurable to watch. Jeunet has presented
to his viewers a stereotypical view of France. Jeunet chose to set Amelie in Montmarte because it deisplays stereotypical qualities of a French
wonderland, as well as being aesthetically pleasing. Included in the shots are many stone buildings, clean streets, and beautiful colours, all of which
have been cautiously selected, adding to the director's aspiration of creating a French wonderland. "We worked on everything: moving cars,
removing signals, graffiti's..." (Jeunet, JP, 2001). It can be seen that the narrative, characters and underlying message of Amelie are all incredibly
positive, and Jeunet has clearly found inspiration from Paris being the city of love, as well as memories from his own life. "I had in mind a box full
of tiny happy events and stories. I wanted to use them to make audience feel happy." (Jeunet, JP, 2001) The textual features used in the film make it
evident that the construction of the film has been influenced by French culture. A variety of different techniques have been used by Jeunet to give the
film a feeling of fairytale and fantasy, emphasising innocence. Jeunet has used extremely saturated colours to give the film a fantasy and dreamlike
feeling, the colours used to emphasise this are red and

Film Analysis Of FranпїЅois Truffaut's 'The 400 Blows'
This film analysis will delineate the diverse directorial decisions of The French New Wave cinema movement, and how they have been utilised and
developed to challenge and subvert the typical Hollywood filmmaking conventions and techniques of the 1950s and 60s Hollywood cinema, in
FranГ§ois Truffaut's The 400 Blows (1959). Hollywood produced films of the time used a very limited variation in film techniques such as camera,
acting, mise–en–scene, editing and sound. This can be mainly attributed to the low innovative thought of creative and expressive camera movements,
angles, etc... due to technological hindrances. In particular, this film analysis will de–construct the filmmaking elements of the revelatory French New
Wave movement in Truffaut's The 400 Blows ending scene (01:34:42 – 01:39:32) portraying the main character Antoine Doinel's escape from juvie and
trek to the bespoken beach.
At the beginning of the scene, Antoine and his fellow juvie inmates are joined in a rather melancholy game of football/soccer. Antoine is then portrayed
as making a spur of the moment and impulsive decision to escape when the referee/teacher is distracted by the game. The audience is then engaged
with an extremely long tracking shot of Antoine running to a seemingly unbeknownst location to the audience. Following this scene his destination is
revealed as the beach, leaving the audience to suppose and question why Antoine went there rather than being given a perfect fairytale ending typical to

Jean-Pierre Jeunet's A Trip To The Moon
A.) A Trip to the Moon surprised me with all the graphics because I know that it was made in the early 1900s. I was also trying to see if the props
and effects were real physical objects in the scene or did they manually cut and paste them onto the film. I would be very surprised if they had to cut
and paste things in every tiny film frame to achieve this effect, because it is very time consuming. For example, when they were pushing the cannon
that the guys went in, it looks like a cardboard cutout, but one of the women just went in. It is interesting how some colorings were very obvious that
they colored roughly onto the film, but many were so neat and well blended in. A Trip to theMoon also gave a very fascinating perspective on how
people ... Show more content on Helpwriting.net ...
This can be created by using setting, lighting, costume, makeup, staging and performance. An example of this would be when a character in a scene
such as Landa from Inglourious being more lit–up and visible than the other character. Thus, the audience only focus on Landa. The action can also
suggest that one character is more superior or important than the others in the scene, thus, also attracting more attention from the audience. The book
suggests the mies–en–scene is important because it creates the magic in the film, for example Melies creating a match–cut with a bus and a hearse.
Therefore, the audiences see it as a bus being transformed into a hearse. I believe that the location of things in a frame can be important because it
emphasizes the actions and make the story more clear since the audience will not miss out on any important events if their eyes and attentions are
properly directed. Most importantly, the way things are in a frame can suggest different feelings, meanings and interpretations. One example of how
the setting of a shot can affect the viewers is in Big Hero 6 or in Wendy and Lucy where the first scenes were the locations which gave the audiences
background information about the story and the characters. The setting can also tell where the events will take place,

AmГ©lie: The New Wave
During the French New Wave, many critics became the moviemakers. One of the main qualities of the New Wave were the casual looks of the films.
In addition, the New Wave also used a large amount of camera movements. The film AmГ©lie is inspired by the French New Wave and uses its distinct
characteristics throughout the movie. In the film AmГ©lie, director Jean–Pierre Jeunet uses skillful directing, lighting, editing, and form to achieve
themes such as innocence and happiness. Jean–Pierre Jeunet is able to maintain the themes, simplicity and happiness, with strong directing. Having
strong directing allows the components of the mise en scene to be coherent throughout the film. As a foundation, Jeunet develops a setting to help
emphasize AmГ©lie's ... Show more content on Helpwriting.net ...
Editing allows the director to make the themes of the film appear clearly and correctly during a film. This is achieved through elements such as,
montage, time manipulation, and shot design. In AmГ©lie, the director uses montage to further advance the narrative of the story. In addition,
montage can be used to help build character traits. For example, in the scene where AmГ©lie asks the question, "How many couples are having an
orgasm now?" the director uses montage sequences to evoke humor. Using this montage helps to develop AmГ©lie's character traits while also building
upon the themes of the movie. In addition to montage, time manipulation also helps the director further advance the story. An example of time
manipulation shown in the film is the scene where AmГ©lie is cutting the letters in to pieces incredibly fast. There are two main purposes for the
director doing this: first, to shorten the amount of time this task takes to complete and, second, to help the audience gain insight into AmГ©lie's
character. In order to make the montage and time manipulations more effective in the film, shot design is important. Throughout the film, Jeunet
consistently uses close–up shots and zoom shots. These shots are effective because it enhances the audience's experience and draws their focus towards
the characters emotion. In AmГ©lie, understanding the emotions of the characters is important to the story. This is because AmГ©lie expresses
herself more with her nonverbal language than her verbal language. In particular, AmГ©lie speaks mostly through her eyes and other facial
expressions. Another important aspect of editing in AmГ©lie is the widespread use of Computer–Generated Images (CGI), which can be seen in every
scene of the film. A unique usage of CGI in the film is the scene where AmГ©lie turns to liquid in the middle of the cafГ©. These special effects help
to further the film's sense of fantasy and

What Is The Mood Of Amelie
A film's visual design is very important in executing a story. Thus, every small detail of its mise–en–scene: lighting, color, framing, props, costume,
etc., are carefully picked and arranged to successfully set the mood of the film or deliver a theme. Amelie by French director Jean–Pierre Jeunet does
both and shows the different aspects and techniques of staging. Doing so, the film creates a very whimsical world that Amelie, the protagonist, lives in.
It is through the visual design of the film where the audience can get a glimpse of Amelie's very unique and colorful perception of the world.
Throughout the film, one element becomes very apparent. There is a common color scheme that the film follows. Every scene seem to contain the colors
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In Amelie, there seem to be no specific period in which the story is set. The wardrobe of the characters are either modern or vintage and some of the
props are not just objects anymore. In one particular scene, the man on the photo booth pictures suddenly speaks to Nino. Another scene comes up in
which Amelie is watching news in her television and a women that looks exactly like her, somehow describing Amelie's current life, is on television.
Of course, only the audience know that the women is a striking resemblance of Amelie. Doing this, the film falls in between reality and theatrically
and the characters, especially Amelie, and everything around them is taking the audience in a time in which they think fits best. By having no specific
time, a whimsical world is created, and that in which is perceived by Amelie

Analysis Of The Film Delicatessen
1 . Introduction
This is the author account of the film Delicatessen. This is a post–apocalyptic film set in France. Meat and food is very scarce in this dark period for
the world. This film has everything from murder, sex, cannibalism to people living under the ground.
1.1 Methodology
The author was giving the film Delicatessen and told to deconstruct the film and give the author's opinion on this strange film. The author watched the
film a few times and read reviews online to learn about the director and main actors and actress that starred in Delicatessen.
2.1 Food is Currency
There is no money in this post–apocalyptic film so meat, corn, lentils and even sex is used to pay for food. The people are using the barter system to
trade by exchange of commodities rather than money. Food was more important than money, you need to eat to survive, and meat is the top
commodity.The Kube brothers exchanged 2 bags of corn for nine hundred grams of shoulder meat. And when they argue this Clapet told the brothers
you get what you always get. Lentils were seen as nothing as the taximan would not take lentils from Louison for his fair, instead he took his shoes,
even though taxi broke down before and Louison had pushed the car for miles.
2.2 Troglodytes
If you live underground you are regarded as being deliberately ignorant or old fashioned or even a hermit why would anyone want to live underground.
However in this film it is safer to live underground than above it.The

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