M. Salgado, J. Saad-Sulonen, and L. Diaz, Using Online Maps for User-Generated Content in Museums

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A presentation from Museums and the Web 2009.

In this paper, we address what mechanisms are at play when using on-line maps in a museum context to trigger and expand visitors’ involvement with an exhibition and its content. Our analysis is based on a comparison of two case studies carried out at Media Lab Helsinki in close cooperation with two museums in Finland: one with Kiasma, the museum of contemporary art in Helsinki, and the other with Design Museum Helsinki. Both made use of Open Source software (Urban Mediator and ImaNote) allowing users to leave comments in text or audio-visual format. These comments are visualized through the map components of the systems.

To get maximum value from user participation, museums need to design a coherent network of participatory activies that include on-line tools.

Session: Evaluation 2.0 [evaluation]

Published in: Technology, Education
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M. Salgado, J. Saad-Sulonen, and L. Diaz, Using Online Maps for User-Generated Content in Museums

  1. 1. Using On-line Maps for Community- Generated Content in Museums Mariana Salgado- Media Lab TAIK- April 2009
  2. 2. Mariana Salgado- Media Lab TAIK- April 2008
  3. 3. Mariana Salgado- Media Lab TAIK- April 2008
  4. 4. Mariana Salgado- Media Lab TAIK- April 2008
  5. 5. Here some examples Mariana Salgado- Media Lab TAIK- April 2008
  6. 6. Ode to a chair Your look into me with a friendly face your legs are steady and I have no fear. No one without hands can do harm neither strike nor write no one without mouth will shout or sing off key. Aada-Marja !quot;#$%#&'#($)*+#$,+$-./#&(01$23$43(#'2&56#$728$,+$9*33*0quot;$:#0*;3$ Mariana Salgado- Juhani Tenhunen Media Lab TAIK-December 2008
  7. 7. Ode to a bear bracelet O thou exquisite being gold-coated bear slender-muzzled, massive-necked so sweet, so sweet! Do I dare to hope may I, have I the courage that one day you would let me slip my fingers through you lower your head onto my wrist your shoulder onto my pulse? O thou most noble of beasts hammered to enthral strong-featured proud-gazed a king, a queen !Roosa Tiensuu !quot;#$%#&'#($)*+#$,+$-./#&(01$23$43(#'2&56#$728$,+$9*33*0quot;$:#0*;3$
  8. 8. !quot;#$%#&'#($)*+#$,+$-./#&(01$23$43(#'2&56#$728$,+$9*33*0quot;$:#0*;3$
  9. 9. !quot;#$%#&'#($)*+#$,+$-./#&(01$23$43(#'2&56#$728$,+$9*33*0quot;$:#0*;3$
  10. 10. !quot;#$%#&'#($)*+#$,+$-./#&(01$23$43(#'2&56#$728$,+$9*33*0quot;$:#0*;3$
  11. 11. !quot;#$%#&'#($)*+#$,+$-./#&(01$23$43(#'2&56#$728$,+$9*33*0quot;$:#0*;3$
  12. 12. Mariana Salgado- Media Lab TAIK- April 2008
  13. 13. non linear multiplicity of voices democratic forum
  14. 14. Why such a difference in the comments gathered? = Integration strategies with Exhibition design Web site Museum practices
  15. 15. In the Museum of Modern Art: Kiasma
  16. 16. In the Design Museum Helsinki
  17. 17. we learned that.... Integration of resources and practices: pooling digital and analog methods Prepared materials for triggering creative digital comments Time and dedication for including museum staff members and external contributors Special invitations for groups of key contributors Long term collaboration Mariana Salgado- Media Lab TAIK- April 2008
  18. 18. Thanks Kiitos Mariana Salgado- Media Lab TAIK- April 2009
  19. 19. blog + map http://thesecretslifeofobjects.blogspot.com +

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