MYANMAR MANIPUR
CONFERENCE ON THE
CONSERVATION OF CULTURAL
HERITAGE
November 23-25, 2015
Chorus Repertory Theatre
Imphal, Manipur (India)
IMASI
THE MAHARAJ KUMARI
BINODINI DEVI FOUNDATION
ABOUT THE CONFERENCE
Artists and scholars from
Myanmar, US, Australia, and
France discussed issues of the
cultural heritage of Myanmar and
Manipur and its preservation with
their counterparts from Manipur
and the rest of India.
It was open to the public but
seating was limited and prior
registration was required. An
average of 40 people attended each
session over 3 days.
It was a part of the Manipur
Sangai Festival.
Guests from Myanmar arrive on a special Golden
Myanmar chartered flight from Mandalay
The Conference was presented as part of the
Manipur Sangai Festival of 2015
The festival is the annual tourism festival of Manipur,
presented by Manipur Tourism
Asian Cultural Council, New York, was the
International Sponsor
Chorus Repertory Theatre of director Ratan
Thiyam was the Venue Sponsor
The Conference was presented in association
with Laihui Ensemble
The Department of Myanmar Studies of
Manipur University
Ministry of Tourism, New Delhi
STAFF
Project Director
L. SOMI ROY
Program Manager
M.MANGANGSANA
Guest Relations
DHANESHWARI DEVI
Events Coordinator
DEVAJANI SORAISAM
Assistants
SURESH KHUNDRAKPAM
SURAJ ROY
PREMANANDA
Technical Assistant
BIJU DAS
DOCUMENTATION
The Conference was documented by
Jessie English and Eric Feigenbaum
of ReMedial Media, New York
CONFERENCE FLYER
(Front)
CONFERENCE FLYER
With Speakers and Topic (Back)
MYANMAR
Francois Tainturier
Grace Swe Zin Htaik
Kyaw Minn Htin
Pyiet Phyo Kyaw
Tin Maung Kyi
MANIPUR
Augustine Shimray
Chanam Hemchandra
Doren Oinam
Mutua Bahadur
Nahakpam Aruna
Ratan Thiyam
RK Achoubisana
RK Jhalajit
Somi Roy
Wangkheiphee Mantri
Yashawanta Chungkham
OTHER
Eric Feigenbaum
Jessie English
Kamesh Salam
Kathryn Deyell
Uma Dasgupta
Thaiu Mag
PRESENTERS
PRESENTATIONS The Conference was on art and culture. It was open to the public
but attendance was limited to 60 (actual attendance averaged 40). It
strove to make attendance mandatory but with mixed results.
Presentations and discussions were in English, in the outdoor
courtyard theater and in the rehearsal studio when projection was
required.
The Conference included field trips for visitors to help establish a
common frame as well as complement discussions. Sites included
Kangla Fort, the Manipur State Museum and a private manuscript
archive.
The Conference focused on art and artists. There were 5
performances: a demonstration of singing styles from the Lai
Haraoba rituals, a Manipuri Bacchae, Tangkhul Naga tribal folk and
ethnic rock, an environment and wildlife Manipuri dance-drama,
and classical Maha Ras at the Palace temple.
FEATURES
FIELD TRIPS
PERFORMANCES
FIELD TRIP 1
Kangla Fort
The field trip to Kangla Fort in the
center of Imphal brought the visitors
to the heat of Meitei civilization.
With comparative insights into
coronation ceremonies, dragon boats,
moat culture, serpent worship, and
shaman rituals.
Dr. Tin Maung Kyi: “Why does the
chindit have horns?”
FIELD TRIP 2
Manipur State Museum
The visit to the museum
complemented the presentation
on the Lai Haraba festival and its
performance rituals, the artifacts
of Kangla Fort from the early
British period, discussions on
archeology in Bagan and
Manipur, and textile design.
FIELD TRIP 3
Manuscripts Archive
The visit to the manuscripts archive of
traditional scholar Chanam Hemchandra
offered a first hand and hands-on look
at the puya tradition of Manipur.
The visit complemented the
presentation and discussion on the
endangered status of Old Manipur.
PRESENTATION
Keynote
Theatre director Ratan
Thiyam of Chorus
Repertory Theatre delivers
the keynote address of the
Myanmar Manipur
Conference on the
Conservation of Cultural
Heritage
Dr. U Tin Maung Kyi from
Mandalay responds.
PRESENTATION
Manipuri Textiles, and Costumes in
India, Bangladesh and Myanmar
Mutua Bahadur
Manipuri independent scholar and
curator Mutua Bahadur on the
Manipuri kathe community in
Mandalay and beyond.
PRESENTATION
The Ramayana in Myanmar
U Tin Maung Kyi
Mandalay’s physician scholar and
authority on puppets presents the
Burmese Ramayana.
“In the Manipuri Ramayana, the celibate
bachelor monkey-god Hanuman, takes a
wife called Chandni.”
“In the Burmese Ramayana too, but his
wife is half fish and half monkey.”
PRESENTATION
Bamboo Culture in NER and Myanmar
Kamesh Salam
“The Army is the biggest consumer of
Bamboo in NER.”
PRESENTATION
Endangered Old Manipuri
Prof. Yashawanta Chungkham
On the need to save archaic forms of
Manipuri language (Aribalon).
Discussants: RK Jhalajit Singh,
Chanam Hemchandra
“Manuscript digitization essential to save
Old Manipuri language”
“The Manipuri script has 63 alphabets for
every sound in existence.”
PRESENTATION
Kazeiram
Kathryn Deyell (Australia)
A short film on loss and
reclamation of Tangkhul
Naga identity. Featuring
performance artist
Augustine Shimray
“Tangkhul Nagas believe you
can visit a true love in the Land
of the Dead. But just once.”
PRESENTATION
Discovering "Arakan" in Northeast India
Kyaw Minn Htin (Singapore)
Myths, history and culture of the
Mog community of Tripura
Discussants: Prof Aruna
Nahakpam, Thaiu Mag
PRESENTATION
The Lai Haraoba
RK Achoubisana
On the rituals, dance and
music of the Lai Haraoba
of Manipur
PRESENTATION
Cultural Identity and Myanmar Cinema
Grace Swe Zin Htaik
The five periods of Cinema from
Myanmar
Discussant: Doren Oinam
“Sudden pregnancies are a common plot
device in Myanmar cinema”
PRESENTATION
Bagan Visual Art Works
Pyiet Phyo Kyaw
Conservation of the mural and
sculptural remains in Bagan.
PRESENTATION
Classical Manipuri Textile Design
Wangkheiphee Mantri
Display and discussion of
traditional weaving and classical
embroidery designs of Manipuri
handloom textiles.
PRESENTATION
Conservation of Shwe Nandaw
Monastery in Mandalay
Francois Tainturier (France)
World Monuments Fund
conservation work on Myanmar’s
oldest teak structure, including
VR model created by University
of Florida
PERFORMANCE 1
12 styles of Lai Haraoba singing
Lourembam Bedabati
PERFORMANCE 2
Euripides’ Bacchae
Chorus Repertory Theatre
Special performance dress
rehearsal of Chorus Repertory
Theatre’s Manipuri style
interpretation of the Greek
classic. Directed by Thawai
Thiyam.
PERFORMANCE 3
Keibul Lamjao:
Dancing Deer of Manipur
Keibul Lamjao, a dance drama
ballet on wildlife
conservation and
environment by Jawaharlal
Nehru Manipur Dance
Academy used folklore,
classical dance and folk
music.
KEIBUL LAMJAO: DANCING DEER OF MANIPUR
Invitation (Front)
KEIBUL LAMJAO: DANCING DEER OF MANIPUR
Invitation (Back)
PERFORMANCE 3
Hao-la
Augustine Shimray
Musician and performance artist
Augustine Shimray from the
Tangkhul Naga tribe in northern
Manipur sings traditional hao-la
folk songs, and his own Naga
rock compositions.
PERFORMANCE 3
Maha Ras
Palace Temple
Traditional full moon
performance of the greatest
of the four ras offerings of
Manipuri classical dance
www.imasi.org
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2015

Myanmar Manipur Conference

  • 1.
    MYANMAR MANIPUR CONFERENCE ONTHE CONSERVATION OF CULTURAL HERITAGE November 23-25, 2015 Chorus Repertory Theatre Imphal, Manipur (India) IMASI THE MAHARAJ KUMARI BINODINI DEVI FOUNDATION
  • 2.
    ABOUT THE CONFERENCE Artistsand scholars from Myanmar, US, Australia, and France discussed issues of the cultural heritage of Myanmar and Manipur and its preservation with their counterparts from Manipur and the rest of India. It was open to the public but seating was limited and prior registration was required. An average of 40 people attended each session over 3 days. It was a part of the Manipur Sangai Festival. Guests from Myanmar arrive on a special Golden Myanmar chartered flight from Mandalay
  • 3.
    The Conference waspresented as part of the Manipur Sangai Festival of 2015 The festival is the annual tourism festival of Manipur, presented by Manipur Tourism Asian Cultural Council, New York, was the International Sponsor Chorus Repertory Theatre of director Ratan Thiyam was the Venue Sponsor The Conference was presented in association with Laihui Ensemble The Department of Myanmar Studies of Manipur University Ministry of Tourism, New Delhi
  • 4.
    STAFF Project Director L. SOMIROY Program Manager M.MANGANGSANA Guest Relations DHANESHWARI DEVI Events Coordinator DEVAJANI SORAISAM Assistants SURESH KHUNDRAKPAM SURAJ ROY PREMANANDA Technical Assistant BIJU DAS
  • 5.
    DOCUMENTATION The Conference wasdocumented by Jessie English and Eric Feigenbaum of ReMedial Media, New York
  • 6.
  • 7.
  • 8.
    MYANMAR Francois Tainturier Grace SweZin Htaik Kyaw Minn Htin Pyiet Phyo Kyaw Tin Maung Kyi MANIPUR Augustine Shimray Chanam Hemchandra Doren Oinam Mutua Bahadur Nahakpam Aruna Ratan Thiyam RK Achoubisana RK Jhalajit Somi Roy Wangkheiphee Mantri Yashawanta Chungkham OTHER Eric Feigenbaum Jessie English Kamesh Salam Kathryn Deyell Uma Dasgupta Thaiu Mag PRESENTERS
  • 9.
    PRESENTATIONS The Conferencewas on art and culture. It was open to the public but attendance was limited to 60 (actual attendance averaged 40). It strove to make attendance mandatory but with mixed results. Presentations and discussions were in English, in the outdoor courtyard theater and in the rehearsal studio when projection was required. The Conference included field trips for visitors to help establish a common frame as well as complement discussions. Sites included Kangla Fort, the Manipur State Museum and a private manuscript archive. The Conference focused on art and artists. There were 5 performances: a demonstration of singing styles from the Lai Haraoba rituals, a Manipuri Bacchae, Tangkhul Naga tribal folk and ethnic rock, an environment and wildlife Manipuri dance-drama, and classical Maha Ras at the Palace temple. FEATURES FIELD TRIPS PERFORMANCES
  • 10.
    FIELD TRIP 1 KanglaFort The field trip to Kangla Fort in the center of Imphal brought the visitors to the heat of Meitei civilization. With comparative insights into coronation ceremonies, dragon boats, moat culture, serpent worship, and shaman rituals. Dr. Tin Maung Kyi: “Why does the chindit have horns?”
  • 11.
    FIELD TRIP 2 ManipurState Museum The visit to the museum complemented the presentation on the Lai Haraba festival and its performance rituals, the artifacts of Kangla Fort from the early British period, discussions on archeology in Bagan and Manipur, and textile design.
  • 12.
    FIELD TRIP 3 ManuscriptsArchive The visit to the manuscripts archive of traditional scholar Chanam Hemchandra offered a first hand and hands-on look at the puya tradition of Manipur. The visit complemented the presentation and discussion on the endangered status of Old Manipur.
  • 13.
    PRESENTATION Keynote Theatre director Ratan Thiyamof Chorus Repertory Theatre delivers the keynote address of the Myanmar Manipur Conference on the Conservation of Cultural Heritage Dr. U Tin Maung Kyi from Mandalay responds.
  • 14.
    PRESENTATION Manipuri Textiles, andCostumes in India, Bangladesh and Myanmar Mutua Bahadur Manipuri independent scholar and curator Mutua Bahadur on the Manipuri kathe community in Mandalay and beyond.
  • 15.
    PRESENTATION The Ramayana inMyanmar U Tin Maung Kyi Mandalay’s physician scholar and authority on puppets presents the Burmese Ramayana. “In the Manipuri Ramayana, the celibate bachelor monkey-god Hanuman, takes a wife called Chandni.” “In the Burmese Ramayana too, but his wife is half fish and half monkey.”
  • 16.
    PRESENTATION Bamboo Culture inNER and Myanmar Kamesh Salam “The Army is the biggest consumer of Bamboo in NER.”
  • 17.
    PRESENTATION Endangered Old Manipuri Prof.Yashawanta Chungkham On the need to save archaic forms of Manipuri language (Aribalon). Discussants: RK Jhalajit Singh, Chanam Hemchandra “Manuscript digitization essential to save Old Manipuri language” “The Manipuri script has 63 alphabets for every sound in existence.”
  • 18.
    PRESENTATION Kazeiram Kathryn Deyell (Australia) Ashort film on loss and reclamation of Tangkhul Naga identity. Featuring performance artist Augustine Shimray “Tangkhul Nagas believe you can visit a true love in the Land of the Dead. But just once.”
  • 19.
    PRESENTATION Discovering "Arakan" inNortheast India Kyaw Minn Htin (Singapore) Myths, history and culture of the Mog community of Tripura Discussants: Prof Aruna Nahakpam, Thaiu Mag
  • 20.
    PRESENTATION The Lai Haraoba RKAchoubisana On the rituals, dance and music of the Lai Haraoba of Manipur
  • 21.
    PRESENTATION Cultural Identity andMyanmar Cinema Grace Swe Zin Htaik The five periods of Cinema from Myanmar Discussant: Doren Oinam “Sudden pregnancies are a common plot device in Myanmar cinema”
  • 22.
    PRESENTATION Bagan Visual ArtWorks Pyiet Phyo Kyaw Conservation of the mural and sculptural remains in Bagan.
  • 23.
    PRESENTATION Classical Manipuri TextileDesign Wangkheiphee Mantri Display and discussion of traditional weaving and classical embroidery designs of Manipuri handloom textiles.
  • 24.
    PRESENTATION Conservation of ShweNandaw Monastery in Mandalay Francois Tainturier (France) World Monuments Fund conservation work on Myanmar’s oldest teak structure, including VR model created by University of Florida
  • 25.
    PERFORMANCE 1 12 stylesof Lai Haraoba singing Lourembam Bedabati
  • 26.
    PERFORMANCE 2 Euripides’ Bacchae ChorusRepertory Theatre Special performance dress rehearsal of Chorus Repertory Theatre’s Manipuri style interpretation of the Greek classic. Directed by Thawai Thiyam.
  • 27.
    PERFORMANCE 3 Keibul Lamjao: DancingDeer of Manipur Keibul Lamjao, a dance drama ballet on wildlife conservation and environment by Jawaharlal Nehru Manipur Dance Academy used folklore, classical dance and folk music.
  • 28.
    KEIBUL LAMJAO: DANCINGDEER OF MANIPUR Invitation (Front)
  • 29.
    KEIBUL LAMJAO: DANCINGDEER OF MANIPUR Invitation (Back)
  • 30.
    PERFORMANCE 3 Hao-la Augustine Shimray Musicianand performance artist Augustine Shimray from the Tangkhul Naga tribe in northern Manipur sings traditional hao-la folk songs, and his own Naga rock compositions.
  • 31.
    PERFORMANCE 3 Maha Ras PalaceTemple Traditional full moon performance of the greatest of the four ras offerings of Manipuri classical dance
  • 32.