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Concept, Location andConcept, Location and
DesignDesign
CMANOP
The Restaurant: from Concept to Creation 7th
Ed
M. Aldana, Faculty SHTM
Restaurant ConceptRestaurant Concept
The objective in planning a restaurant is to
assemble, on paper, the ideas for a restaurant
that will be profitable and satisfying to the guest
and owner/operator.
The formulation of these ideas is called the
restaurant concept, the matrix of ideas that
constitutes what will be perceived as the
restaurant’s image.
The concept is devised to interest a certain group
of people (or groups of people), called a target
market.
Restaurant ConceptRestaurant Concept
The challenge is to create a restaurant
concept that fits a definite target market,
a concept better suited to its market than
that presented by competing restaurants,
and to bring it into being.
Restaurant ConceptRestaurant Concept
Every restaurant represents a concept
and projects a total impression or image.
The image appeals to a certain market:
children, romantics, people celebrating
special occasions, fun types, people
seeking a formal or a casual venue. The
concept should fit the location and reach
out to appeal to its target market(s).
Restaurant ConceptRestaurant Concept
Concept comprises everything that affects
how the patron views the restaurant:
public relations, advertising, promotion,
and the operation itself. Concept frames
the public’s perception of the total
restaurant. It includes the building, its
curbside appeal, its exterior decor.
10 Tips to developing a restaurant10 Tips to developing a restaurant
conceptconcept
1. Make your concept different enough
from the competition.
2. Don’t let your concept be too far ahead
of the current times.
3. Don’t price your menu out of the market.
4. Pay attention to food costs during menu
development.
5. Make your concept profitable.
10 Tips to developing a restaurant10 Tips to developing a restaurant
conceptconcept
6. Good concepts are on-trend.
7. Make your concept easily identifiable.
8. Take inspiration from others.
9. Make sure the concept and location fit.
10. Love your concept.
Good Restaurant ConceptsGood Restaurant Concepts
Many restaurants lack clear-cut concepts.
The symbols, furnishings, service, and
all of those things that make up the
atmosphere of a restaurant are not
integrated into an image that is projected for
everyone to see. Logos (identifying symbols),
signs, uniforms, menus, and decor should fit
together into a whole that comes
across to the public as a well-defined image.
Restaurant’s NameRestaurant’s Name
The proprietary right to a restaurant
name not already in use begins with
usage and signs, promotional campaigns,
and advertising material.
If another party uses your restaurant
name, you should take action against
that person by proving that you, the
challenging party, used the name first.
Defining the Concept and theDefining the Concept and the
MarketMarket
In selecting a concept for a restaurant,
define it precisely in the context of which
markets will find it appealing.
Defining the Concept and theDefining the Concept and the
MarketMarket
Whatever the concept, there must be a
market to support it, a clientele who walk
or drive to the restaurant and who want
the kind of service, food, price, and
atmosphere offered.
A restaurant cannot exist without a
market. One must fit the other. The
market may constitute only a small
percentage of the total population in an
area.
Defining the Concept and theDefining the Concept and the
MarketMarket
Whatever the concept, there must be a
market to support it, a clientele who walk
or drive to the restaurant and who want
the kind of service, food, price, and
atmosphere offered.
A restaurant cannot exist without a
market. One must fit the other. The
market may constitute only a small
percentage of the total population in an
area.
Defining the Concept and theDefining the Concept and the
MarketMarket
All aspects of the concept help determine
whether a location is right for a particular
market.
All factors—the food, the seating, the type
of service, the entire format—select out a
particular market, perhaps an age group
and an income level.
Concept AdaptationConcept Adaptation
Most concepts that have not been tested
need some adaptation to the particular
market.
As soon as a restaurant format goes stale
for a market, a new concept must be
developed. Nearly every major chain is
undergoing renovation, adding color,
changing its seating arrangements,
perhaps trying garden windows, hanging
plants, private booths, menu variety,
different uniforms, or new menu items.
Changing or Modifying a ConceptChanging or Modifying a Concept
Many highly successful concepts that have
worked well for years gradually turn sour.
The customer base and the demographics
change. Morale and personal service may
decline.
Copy and ImproveCopy and Improve
In coming up with a concept for a new
restaurant, be a copycat. Look around for
winners. Examine their strong points; look
for their weak points; find a proven
format.
Learn the system to avoid mistakes—then
improve on it. Initiate and adapt.
Copy and ImproveCopy and Improve
There is no such thing as a completely
new restaurant concept—every concept is
built on ideas from other concepts,
through modifications and changes, new
combinations, and changes in design,
layout, menu, and service.
Copy and ImproveCopy and Improve
Besides copying the format, learn the
system by actually working with it before
trying to establish your own restaurant.
Merely observing an operation is not
enough. Dozens of details must be
learned, any one of which, if not known,
may spell unnecessary trouble.
Restaurant SymbologyRestaurant Symbology
Restaurant symbology—the logo, the line
drawings, even the linen napkins and the
service uniforms—helps to create
atmosphere.
Large companies spend tens of thousands on
the graphics that represent them. Restaurant
chain logos, often replications of their
outdoor signs, are carefully crafted to fit the
image the company wishes to project. The
independent operator can take cues from the
larger companies to come up with symbols
and signs that reflect the restaurant’s
concept.
When a Concept FailsWhen a Concept Fails
Provided the operator is competent, a failing
restaurant need not be sold. The concept can be
changed to fit the market. Conversion from one
concept to another can take place while the
restaurant is doing business. The name, decor,
and menu can be changed, and customers who
have left may return if the new concept appeals
to them. The old concept may have gotten tired.
Customers simply may be bored. Customers who
enjoyed the old concept may have moved away
and been replaced by a new market. Or a new
concept, complete with decor, price, and service,
may better appeal to the same market and
siphon customers away from the competition.
Utility versus PleasureUtility versus Pleasure
As a general rule, however, pleasure
dining increases as service, atmosphere,
and quality of food increase. Presumably,
pleasure also increases as menu price
increases.
Time of Eating and Seat TurnoverTime of Eating and Seat Turnover
Utilitarian eating is often accomplished in
double-quick time, while the customer of
a luxury restaurant who spends $75 to
$100 per person for an evening out may
savor every minute of the total
experience, plus the pleasure of
anticipating the dining experience and the
pleasure of remembering it.
Square Foot RequirementsSquare Foot Requirements
The square-foot requirements and the
turnover in patrons per seat per hour are
listed:
ProfitabilityProfitability
Without a doubt, the most profitable
restaurants are in the quick-service category.
The larger quick-service purveyors have
produced dozens of millionaires and more
than a few multimillionaires. A number of
franchisees have acquired chains within the
chain, multiple units clustered within an area.
With predominantly minimum-wage
personnel, high sales volume, the use of
systems, and excellent marketing, the quick-
service business is the all-out winner.
Mission StatementMission Statement
A mission statement drawn up by the
restaurant owner can encapsulate his or
her objectives for the business.
A mission statement can be explicit about
the market(s) served, the kinds of food
offered, and the atmosphere in which the
food will be served. The ethical standards
to be followed can be stated as part of the
mission statement or written as a
separate code of conduct.
Starbuck’s Mission StatementStarbuck’s Mission Statement
"Our mission: to inspire and nurture
the human spirit – one person, one
cup and one neighborhood at a time."
Mission StatementMission Statement
Mission statements can include input from
employees. Discussions with employees
can mobilize their thinking about the
restaurant’s purpose and reason for
existence.
Sequence of Restaurant Development
Two or more years can pass from the time
a concept is put together until a location is
obtained, architectural drawings are
made, financing is arranged, the land is
leased or purchased, approvals for
building are secured, construction bids are
let, a contractor is selected, and—finally—
the building is put in place.
1. Choosing a location
2. Business marketing initiated
3. Layout and equipment planned
4. Menu determined
5. First architectural sketches made
6. Licensing and approvals sought
7. Financing arranged
8. Working blueprints developed
9. Contracts let for bidding
10. Contractor selected
11. Construction or remodeling begun
12. Furnishings and equipment ordered
13. Key personnel hired
14. Hourly employees selected and
trained
15. Restaurant opens
In some cases, the time may be reduced,
especially when taking over an existing
restaurant or altering an existing building.
Restaurant chains with preplanned
restaurant concepts generally reduce the
timeline by 6 to 12 months.
PlanningPlanning
The person building a restaurant should
employ an architect experienced in
restaurant design. The architect, in turn,
may hire a restaurant consultant to lay
out the kitchen and recommend
equipment purchases.
Concept and LocationConcept and Location
What makes a good location for a
restaurant? The answer depends on the
kind of restaurant it is and the clientele to
which it appeals. Is the location
convenient and accessible for the potential
clientele, the target market of the
restaurant?
Location CriteriaLocation Criteria
Demographics of the area: age, occupation,
religion, nationality, race, family size,
educational level, average income of
individuals and families.
Visibility from a major highway
Accessibility from a major highway
Number of potential customers passing by
the restaurant (potential customers might be
only travelers going through a community,
drivers, local workers)
Distance from the potential market
Desirability of surroundings
Selecting the LocationSelecting the Location
These factors are then weighed against
costs: leasehold cost, cost of remodeling
an existing building, cost of buying an
existing restaurant.
Some location factors are critical, and if a
site does not meet them, it must be ruled
out as the restaurant location. stablishing
the critical factors in determining location
is your first job.
The atmosphere of a restaurant must fit
the location.
Sources of Location InformationSources of Location Information
Location decisions are based on asking
the right questions and securing the right
information. Real estate agents are prime
sources. A few specialize in restaurant
brokerage.
Other sources of information are the
chamber of commerce, the banks, the
town or city planner, and, believe it or
not, other restaurant operators. Town and
city planning officials can provide traffic
and zoning information.
Traffic GeneratorsTraffic Generators
Look for built-in traffic generators, such
as hotels, business parks, ball parks,
indoor arenas, theaters, retail centers,
and residential neighborhoods.
Knockout CriteriaKnockout Criteria
Failure to meet any one of the following
criteria should knock out a site as a
restaurant location:
◦ Proper Zoning
◦ Drainage, sewage, utilities
◦ Minimal size
◦ Short lease
◦ Excessive traffic speed
◦ Access from a highway or street
◦ Visibility from both sides of the street
Other Location CriteriaOther Location Criteria
Market population
Family income
Growth or decline of the area
Competition from comparable restaurants
The restaurant row or cluster concept
Other LocationsOther Locations
Depending on menu and style of
operation, restaurants do well in a variety
of locations: suburbs, cities, near schools,
in shopping centers, industrial parks,
stadiums, and in high-rise buildings.
Average Travel TimeAverage Travel Time
Most diners-out select restaurants that are close
by, near home, work, or shopping.
Generally, restaurant patrons will travel an
average of 15 to 18 minutes to reach a hotel,
steak, full-menu, or fish restaurant. People often
spend about 10 minutes when going to cafeteria
and department-store restaurants.
In other words, consumers are willing to spend
more time traveling to eat in a full-service
specialty restaurant and for meals that are family
occasions. People will travel an hour or more to
reach a restaurant with a high reputation,
especially if the meal celebrates an occasion. The
same people want fast food or take-out food to
be only a few minutes away.
Matching Location with ConceptMatching Location with Concept
A particular site may be right for a coffee
shop but wrong for a dinner house or a
fast-food place. It may be right for an in-
and-out burger restaurant but wrong for a
sit-down hamburger restaurant. The size
of the lot, visibility, availability of parking,
access from roads, and so on, all have an
impact on the style of restaurant that will
fit a location.
Visibility, Accessibility and DesignVisibility, Accessibility and Design
Visibility and accessibility are important
criteria for any restaurant.
Visibility is the extent to which the
restaurant can be seen for a reasonable
amount of time, whether the potential
guest is walking or driving.
Accessibility relates to the ease with
which potential guests may arrive at the
restaurant. Parking, for example, may be
a problem, as may access from the
freeway or other traffic artery.
Visibility, Accessibility and DesignVisibility, Accessibility and Design
The restaurant has been likened to a
theater. Restaurant design has two main
components.
◦ The first is the stage setting and various props
that the audience or guests experience; this is
called the front of the house.
◦ The second is backstage (back of the house),
or the kitchen, storage, and service areas.
The space allocation for the back of
the house is usually 30 percent of the
total square footage, depending on the
type of restaurant.
Visibility, Accessibility and DesignVisibility, Accessibility and Design
The design of both the back and the front
of the house needs to correlate with the
theme of the restaurant.
Design and the volume of business are
reflected in each area: the exterior, the
entrance and holding area, the bar or
beverage area, the dining area (including
the table arrangements), the kitchen, and
receiving (including access for deliveries),
and storage and trash areas.
Visibility, Accessibility and DesignVisibility, Accessibility and Design
Space is a major issue in restaurant
design because it costs money yet is vital
to maintaining a balance between the
overcrowded restaurant and the more
spacious restaurant with too high an
average check.
One of the most important elements in a
restaurant is its lighting. With the wrong
lighting, the restaurant’s entire design will
suffer; with the right lighting, the entire
restaurant design could flourish.
Visibility, Accessibility and DesignVisibility, Accessibility and Design
Color needs to be selected in tandem with
lighting because the two need to be in
harmony. Color and light interact with one
another to create a mood.
◦ Darker colors tend to “come out” and make a room look
smaller, although they may also give a feeling of greater
intimacy. Lighter colors tend to recede and make a room
appear larger. Pastel colors help guests relax more than
do primary colors. Quick-service restaurants use bold
colors (and hard seats) combined with bright lights to
ensure that guests move on after about 20 minutes.
Other Design FactorsOther Design Factors
Will the tables have cloths? If so, what
color? Or will there be a wooden, tile, or
other hard surface? Will there be cloth or
paper napkins? Will the seats be wooden,
upholstered in fabric, or vinylized? Will
there be a hardwood floor, tile, or carpet?
These and many other questions need
answers that will conform to the overall
theme of the restaurant.
End.End.

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Lesson 3 concept, location and design

  • 1. Concept, Location andConcept, Location and DesignDesign CMANOP The Restaurant: from Concept to Creation 7th Ed M. Aldana, Faculty SHTM
  • 2. Restaurant ConceptRestaurant Concept The objective in planning a restaurant is to assemble, on paper, the ideas for a restaurant that will be profitable and satisfying to the guest and owner/operator. The formulation of these ideas is called the restaurant concept, the matrix of ideas that constitutes what will be perceived as the restaurant’s image. The concept is devised to interest a certain group of people (or groups of people), called a target market.
  • 3. Restaurant ConceptRestaurant Concept The challenge is to create a restaurant concept that fits a definite target market, a concept better suited to its market than that presented by competing restaurants, and to bring it into being.
  • 4. Restaurant ConceptRestaurant Concept Every restaurant represents a concept and projects a total impression or image. The image appeals to a certain market: children, romantics, people celebrating special occasions, fun types, people seeking a formal or a casual venue. The concept should fit the location and reach out to appeal to its target market(s).
  • 5. Restaurant ConceptRestaurant Concept Concept comprises everything that affects how the patron views the restaurant: public relations, advertising, promotion, and the operation itself. Concept frames the public’s perception of the total restaurant. It includes the building, its curbside appeal, its exterior decor.
  • 6. 10 Tips to developing a restaurant10 Tips to developing a restaurant conceptconcept 1. Make your concept different enough from the competition. 2. Don’t let your concept be too far ahead of the current times. 3. Don’t price your menu out of the market. 4. Pay attention to food costs during menu development. 5. Make your concept profitable.
  • 7. 10 Tips to developing a restaurant10 Tips to developing a restaurant conceptconcept 6. Good concepts are on-trend. 7. Make your concept easily identifiable. 8. Take inspiration from others. 9. Make sure the concept and location fit. 10. Love your concept.
  • 8. Good Restaurant ConceptsGood Restaurant Concepts Many restaurants lack clear-cut concepts. The symbols, furnishings, service, and all of those things that make up the atmosphere of a restaurant are not integrated into an image that is projected for everyone to see. Logos (identifying symbols), signs, uniforms, menus, and decor should fit together into a whole that comes across to the public as a well-defined image.
  • 9. Restaurant’s NameRestaurant’s Name The proprietary right to a restaurant name not already in use begins with usage and signs, promotional campaigns, and advertising material. If another party uses your restaurant name, you should take action against that person by proving that you, the challenging party, used the name first.
  • 10. Defining the Concept and theDefining the Concept and the MarketMarket In selecting a concept for a restaurant, define it precisely in the context of which markets will find it appealing.
  • 11. Defining the Concept and theDefining the Concept and the MarketMarket Whatever the concept, there must be a market to support it, a clientele who walk or drive to the restaurant and who want the kind of service, food, price, and atmosphere offered. A restaurant cannot exist without a market. One must fit the other. The market may constitute only a small percentage of the total population in an area.
  • 12. Defining the Concept and theDefining the Concept and the MarketMarket Whatever the concept, there must be a market to support it, a clientele who walk or drive to the restaurant and who want the kind of service, food, price, and atmosphere offered. A restaurant cannot exist without a market. One must fit the other. The market may constitute only a small percentage of the total population in an area.
  • 13. Defining the Concept and theDefining the Concept and the MarketMarket All aspects of the concept help determine whether a location is right for a particular market. All factors—the food, the seating, the type of service, the entire format—select out a particular market, perhaps an age group and an income level.
  • 14. Concept AdaptationConcept Adaptation Most concepts that have not been tested need some adaptation to the particular market. As soon as a restaurant format goes stale for a market, a new concept must be developed. Nearly every major chain is undergoing renovation, adding color, changing its seating arrangements, perhaps trying garden windows, hanging plants, private booths, menu variety, different uniforms, or new menu items.
  • 15. Changing or Modifying a ConceptChanging or Modifying a Concept Many highly successful concepts that have worked well for years gradually turn sour. The customer base and the demographics change. Morale and personal service may decline.
  • 16. Copy and ImproveCopy and Improve In coming up with a concept for a new restaurant, be a copycat. Look around for winners. Examine their strong points; look for their weak points; find a proven format. Learn the system to avoid mistakes—then improve on it. Initiate and adapt.
  • 17. Copy and ImproveCopy and Improve There is no such thing as a completely new restaurant concept—every concept is built on ideas from other concepts, through modifications and changes, new combinations, and changes in design, layout, menu, and service.
  • 18. Copy and ImproveCopy and Improve Besides copying the format, learn the system by actually working with it before trying to establish your own restaurant. Merely observing an operation is not enough. Dozens of details must be learned, any one of which, if not known, may spell unnecessary trouble.
  • 19. Restaurant SymbologyRestaurant Symbology Restaurant symbology—the logo, the line drawings, even the linen napkins and the service uniforms—helps to create atmosphere. Large companies spend tens of thousands on the graphics that represent them. Restaurant chain logos, often replications of their outdoor signs, are carefully crafted to fit the image the company wishes to project. The independent operator can take cues from the larger companies to come up with symbols and signs that reflect the restaurant’s concept.
  • 20. When a Concept FailsWhen a Concept Fails Provided the operator is competent, a failing restaurant need not be sold. The concept can be changed to fit the market. Conversion from one concept to another can take place while the restaurant is doing business. The name, decor, and menu can be changed, and customers who have left may return if the new concept appeals to them. The old concept may have gotten tired. Customers simply may be bored. Customers who enjoyed the old concept may have moved away and been replaced by a new market. Or a new concept, complete with decor, price, and service, may better appeal to the same market and siphon customers away from the competition.
  • 21. Utility versus PleasureUtility versus Pleasure As a general rule, however, pleasure dining increases as service, atmosphere, and quality of food increase. Presumably, pleasure also increases as menu price increases.
  • 22. Time of Eating and Seat TurnoverTime of Eating and Seat Turnover Utilitarian eating is often accomplished in double-quick time, while the customer of a luxury restaurant who spends $75 to $100 per person for an evening out may savor every minute of the total experience, plus the pleasure of anticipating the dining experience and the pleasure of remembering it.
  • 23. Square Foot RequirementsSquare Foot Requirements The square-foot requirements and the turnover in patrons per seat per hour are listed:
  • 24. ProfitabilityProfitability Without a doubt, the most profitable restaurants are in the quick-service category. The larger quick-service purveyors have produced dozens of millionaires and more than a few multimillionaires. A number of franchisees have acquired chains within the chain, multiple units clustered within an area. With predominantly minimum-wage personnel, high sales volume, the use of systems, and excellent marketing, the quick- service business is the all-out winner.
  • 25. Mission StatementMission Statement A mission statement drawn up by the restaurant owner can encapsulate his or her objectives for the business. A mission statement can be explicit about the market(s) served, the kinds of food offered, and the atmosphere in which the food will be served. The ethical standards to be followed can be stated as part of the mission statement or written as a separate code of conduct.
  • 26. Starbuck’s Mission StatementStarbuck’s Mission Statement "Our mission: to inspire and nurture the human spirit – one person, one cup and one neighborhood at a time."
  • 27. Mission StatementMission Statement Mission statements can include input from employees. Discussions with employees can mobilize their thinking about the restaurant’s purpose and reason for existence.
  • 28. Sequence of Restaurant Development
  • 29. Two or more years can pass from the time a concept is put together until a location is obtained, architectural drawings are made, financing is arranged, the land is leased or purchased, approvals for building are secured, construction bids are let, a contractor is selected, and—finally— the building is put in place.
  • 30. 1. Choosing a location 2. Business marketing initiated 3. Layout and equipment planned 4. Menu determined 5. First architectural sketches made 6. Licensing and approvals sought 7. Financing arranged
  • 31. 8. Working blueprints developed 9. Contracts let for bidding 10. Contractor selected 11. Construction or remodeling begun 12. Furnishings and equipment ordered 13. Key personnel hired 14. Hourly employees selected and trained 15. Restaurant opens
  • 32. In some cases, the time may be reduced, especially when taking over an existing restaurant or altering an existing building. Restaurant chains with preplanned restaurant concepts generally reduce the timeline by 6 to 12 months.
  • 33. PlanningPlanning The person building a restaurant should employ an architect experienced in restaurant design. The architect, in turn, may hire a restaurant consultant to lay out the kitchen and recommend equipment purchases.
  • 34. Concept and LocationConcept and Location What makes a good location for a restaurant? The answer depends on the kind of restaurant it is and the clientele to which it appeals. Is the location convenient and accessible for the potential clientele, the target market of the restaurant?
  • 35. Location CriteriaLocation Criteria Demographics of the area: age, occupation, religion, nationality, race, family size, educational level, average income of individuals and families. Visibility from a major highway Accessibility from a major highway Number of potential customers passing by the restaurant (potential customers might be only travelers going through a community, drivers, local workers) Distance from the potential market Desirability of surroundings
  • 36. Selecting the LocationSelecting the Location These factors are then weighed against costs: leasehold cost, cost of remodeling an existing building, cost of buying an existing restaurant. Some location factors are critical, and if a site does not meet them, it must be ruled out as the restaurant location. stablishing the critical factors in determining location is your first job. The atmosphere of a restaurant must fit the location.
  • 37. Sources of Location InformationSources of Location Information Location decisions are based on asking the right questions and securing the right information. Real estate agents are prime sources. A few specialize in restaurant brokerage. Other sources of information are the chamber of commerce, the banks, the town or city planner, and, believe it or not, other restaurant operators. Town and city planning officials can provide traffic and zoning information.
  • 38. Traffic GeneratorsTraffic Generators Look for built-in traffic generators, such as hotels, business parks, ball parks, indoor arenas, theaters, retail centers, and residential neighborhoods.
  • 39. Knockout CriteriaKnockout Criteria Failure to meet any one of the following criteria should knock out a site as a restaurant location: ◦ Proper Zoning ◦ Drainage, sewage, utilities ◦ Minimal size ◦ Short lease ◦ Excessive traffic speed ◦ Access from a highway or street ◦ Visibility from both sides of the street
  • 40. Other Location CriteriaOther Location Criteria Market population Family income Growth or decline of the area Competition from comparable restaurants The restaurant row or cluster concept
  • 41. Other LocationsOther Locations Depending on menu and style of operation, restaurants do well in a variety of locations: suburbs, cities, near schools, in shopping centers, industrial parks, stadiums, and in high-rise buildings.
  • 42. Average Travel TimeAverage Travel Time Most diners-out select restaurants that are close by, near home, work, or shopping. Generally, restaurant patrons will travel an average of 15 to 18 minutes to reach a hotel, steak, full-menu, or fish restaurant. People often spend about 10 minutes when going to cafeteria and department-store restaurants. In other words, consumers are willing to spend more time traveling to eat in a full-service specialty restaurant and for meals that are family occasions. People will travel an hour or more to reach a restaurant with a high reputation, especially if the meal celebrates an occasion. The same people want fast food or take-out food to be only a few minutes away.
  • 43. Matching Location with ConceptMatching Location with Concept A particular site may be right for a coffee shop but wrong for a dinner house or a fast-food place. It may be right for an in- and-out burger restaurant but wrong for a sit-down hamburger restaurant. The size of the lot, visibility, availability of parking, access from roads, and so on, all have an impact on the style of restaurant that will fit a location.
  • 44. Visibility, Accessibility and DesignVisibility, Accessibility and Design Visibility and accessibility are important criteria for any restaurant. Visibility is the extent to which the restaurant can be seen for a reasonable amount of time, whether the potential guest is walking or driving. Accessibility relates to the ease with which potential guests may arrive at the restaurant. Parking, for example, may be a problem, as may access from the freeway or other traffic artery.
  • 45. Visibility, Accessibility and DesignVisibility, Accessibility and Design The restaurant has been likened to a theater. Restaurant design has two main components. ◦ The first is the stage setting and various props that the audience or guests experience; this is called the front of the house. ◦ The second is backstage (back of the house), or the kitchen, storage, and service areas. The space allocation for the back of the house is usually 30 percent of the total square footage, depending on the type of restaurant.
  • 46. Visibility, Accessibility and DesignVisibility, Accessibility and Design The design of both the back and the front of the house needs to correlate with the theme of the restaurant. Design and the volume of business are reflected in each area: the exterior, the entrance and holding area, the bar or beverage area, the dining area (including the table arrangements), the kitchen, and receiving (including access for deliveries), and storage and trash areas.
  • 47. Visibility, Accessibility and DesignVisibility, Accessibility and Design Space is a major issue in restaurant design because it costs money yet is vital to maintaining a balance between the overcrowded restaurant and the more spacious restaurant with too high an average check. One of the most important elements in a restaurant is its lighting. With the wrong lighting, the restaurant’s entire design will suffer; with the right lighting, the entire restaurant design could flourish.
  • 48. Visibility, Accessibility and DesignVisibility, Accessibility and Design Color needs to be selected in tandem with lighting because the two need to be in harmony. Color and light interact with one another to create a mood. ◦ Darker colors tend to “come out” and make a room look smaller, although they may also give a feeling of greater intimacy. Lighter colors tend to recede and make a room appear larger. Pastel colors help guests relax more than do primary colors. Quick-service restaurants use bold colors (and hard seats) combined with bright lights to ensure that guests move on after about 20 minutes.
  • 49. Other Design FactorsOther Design Factors Will the tables have cloths? If so, what color? Or will there be a wooden, tile, or other hard surface? Will there be cloth or paper napkins? Will the seats be wooden, upholstered in fabric, or vinylized? Will there be a hardwood floor, tile, or carpet? These and many other questions need answers that will conform to the overall theme of the restaurant.