El Greco Fallacy Reaction Paper

El Greco Fallacy Reaction Paper
Reaction Paper 2 Firestone and School's (2014) research aims to use the logic of the El Greco Fallacy in order to rule out top–down effects on
perception. The theory of the El Greco Fallacy is that this Spanish artist who painted distorted figures could not have had a perceptual problem, like
astigmatism, because the distorted perceptions would cancel out when he looked at the canvas, leaving no distortion. This theory was applied to two
case studies involving perceptual effects. Firestone and Scholl wanted to determine if the evidence was lacking a hypothesis that the perceptual effects
should not occur. The hypothesis tested by Firestone and Scholl (2014) is that if the logic of the El Greco Fallacy is applied to the existing case
studies, then ... Show more content on Helpwriting.net ...
Each replicated case study also showed the presumed perceptual effects, as well as the El Greco Fallacy effect. Case study 1, which examined spatial
perception, included experiments 1–3. In experiment 1 the subjects were randomly assigned to hold a rod or not and then to view one of two apertures.
The subjects were also told that during the experiment they would have to walk through the aperture (although this was purposeful misinformation);
these were the independent variables. The dependent variable of experiment 1 was that the subject had to determine the width of the aperture after
imagining walking through it. The experimenter held a measuring tape and directed the subject to give an exact measurement. Experiment 2 replicated
experiment 1, except instead of using a measuring tape, the experimenter had a second aperture. The subject had the experimenter maneuver the
aperture to be the same width as the original aperture, again after imagining walking through the aperture. Experiment 2 introduces the El Greco
Fallacy – if there was in fact a visual perception effect, then the subjects
... Get more on HelpWriting.net ...

Metropolitan Museum Essay
Metropolitan Museum
As I look at the painting of The Adoration of The Shepherds, two artists, Andrea Mantegna and El Greco, showed it different ways with same subjects.
First, the title of the paintings is about Jesus's birth. Andrea mantegna artist had lived from ca 1430 to 1506. He established his reputation when he
was 20 years old. This painting is the evident of his highly individual style. He worked it during ca 1451 to 1453. He painted it in horizontal format
with 153/4x217/8(40x55.6). He used tempera on a canvas that transferred from a wood. In difference, El Greco(Spain 141–1641) worked it with oil
color on canvas by vertical format. The size is 125 5/8x707/8(319x180cm). In Greco's painting, the objects are full on the canvas ... Show more content
on Helpwriting.net ...
The angel figures in El Greco's are as humans that they are looking something like a name list. Holy Maria is in the each of the paintings, but the
Maria in El Greco's painting is just looking at the baby. But Maria is praying to God in Mantegna's painting.
I see differences between the two pictures about painting styles. In Mantegna, it is painted sensitively in every figures that all of clothes wrinkles
are showed. This painting is a detailed realistic work. Also, the mountain and the land have many lines to show realism. However, Greco's
painting is worked as tone by colors. It feels smooth, but is heavy surrounding. It is used by oil colors, so it is painted smoothly. It is worked very
well. However, the Mantegna's painting is showed very brightly with tempera colors. The brushes are stroked strongly, but it is also worked well.
The settle of the Greco's painting is in inside; however, Mantegna's painting has the landscape in outside. This painting seems that the time is
arternoon. Greoc's painting is focused to angels who are placed on top. However, Mantegna's painting is focused to Holy Maria who is placed in
middle side.
Each artist showed their own styles, so I can see the different styles of the paintings. Although it feels differently, the both of the paintings are
successful work that used nice colors at that time. However, I like Greco's work because the

Remembering Hurricane Mitch
In 1998 we had seen the deadliest hurricane of the 20th century hit the Caribbean, Central America and parts of South America. This natural disaster
had massive effects on the region from environmental to economic effects. It sent numerous countries in to a state of emergency and was fighting to
keep their countries in order. This paper will focus on the aftermath and effects Hurricane Mitch had on the region.
Hurricane Mitch had brought widespread destruction and turmoil to many countries in the Caribbean and Latin America. This hurricane was very
interesting because it had lasted from October 22, 1998 until November 9, 1998. Over this period of time it had turned in to a Category 5
hurricane which is the strongest one can get to. A Category 5 hurricane is when winds reach in excess of 157 mph. Catastrophic damage will
occur and a high percentage of framed homes will be destroyed, with total roof failure and wall collapse. Fallen trees and power poles will also happen
in isolated areas. This being a Category 5 Hurricane was able to last for a long time and was felt as far south as Panama and eventually hit as far north
as Florida.
Honduras
The first country Hurricane Mitch made landfall with was Honduras and subsequently it was also the one that took the greatest amount of damage. It
was so large and devastating that it had reached just about the whole population while it hovered over the country for days. While it slowly hovered
over Honduras it had dumped torrential

Art Analysis: The Above Image By El Greco
The above image is a painting created by Spanish–Greek artist El Greco around 1570. It depicts a story from the Bible (variants of which exists in
several of the Gospels, including John 9, Mark 8:22–25, and Luke 18:35) in which Jesus heals "a man blind from birth" (John 9:1). According to the
Metropolitan Museum website, the man and woman in the central foreground of the painting are likely the blind man's parents. This means this painting
probably depicts the John 9 story, as that is the only one of Jesus' blind–healing miracles that refers to the blind man's parents. It is also the only
instance of the blind miracle story that involves the Pharisees. In any case, it is a powerful and meaningful depiction of one of the many miracles of
Jesus, ... Show more content on Helpwriting.net ...
In Borg's words compassion is necessary because "growth in compassion is the sign of growth in the life of the Spirit" (61). El Greco's piece is
clearly illustrative of Jesus' system of compassion, and portrays Jesus as a compassionate and empathetic friend, an understanding I have had of him
my entire life. And, as implied in this painting, Jesus occupies a purer and justified position with his subversive wisdom, contrary to what the
Pharisees and legislators at the time believed. Jesus is one who believes that compassionate works should occur all the time, and at any time, regardless
of the Sabbath, and regardless of who needs the help. At the same time, compassion in good works is just as necessary as the work itself; Jesus
demonstrates his compassion by holding the man's hand. This lends him and his system a far more accessible and inviting aura than the harsh
repressions that Pharisees of the purity system upheld. Ultimately, though, those repressions and regulations are meaningless and insubstantial systems
of

Painting : The View Of Toledo By El Greco
View of Toledo is an artwork by El Greco dated to 1599–1600. The painting's present location is the Metropolitan Museum of Art. It is a large oil
painting 47 3/4 x 42 3/4 in. El Greco depicts landscape of the city Toledo, where he lived for a long period of his life. The artist faithfully depicted
real architecture of Toledo, however he rearranged some buildings, e. g. moving cathedral next to the royal palace. The View of Toledo wasn't meant
to be an accurate geographical description, but emblematic view of the city. Though the artwork can be classified as genre painting, the artist could
transform steady terrain view into organic landscape. By using carefully organized composition and lively brushstrokes, El Greco masterly conveyed the
... Show more content on Helpwriting.net ...
The figures are very tiny and barely noticeable. The landscape and the city predominate the composition.
The artist uses a dark palette: deep blue for the sky, darker green for the trees, grey for the buildings. Buildings and clouds are touched with highlights.
The elements of the landscape are separated by intense shadows. Riverbanks, curves between the hills, contours of the architecture have black outline.
Overall somber tone adds depth to the scene and the intensity of the color makes the composition more expressive.
Viewer can easily spot the artist's hand. Defined texture of some areas of the painting gives an idea about how El Greco was "molding" the View of
Toledo. The trees at the bottom and the sky are painted with long flowing brushstrokes, hills on the left side have fluid–like surface, hills on the horizon
are done with short and sharp brushstrokes. We can follow the artist's brush and create painting together with him. This visible movement of artist's
hand introduces dynamism to the entire composition. Together intensity of the color and readable artist's hand turn ordinary view into energetic
landscape.
The painting can be divided into two parts: land at the bottom and sky on top. Noticeably, sky takes almost a half of the painting. It suggests
importance of this element for the entire composition. Indeed El Greco's depiction of a heaven is very

What Are The Similarities Between Mannerism And Realism
Mannerism and Realism are two periods in the history of art that did not born by themselves but were part of a greater movement or originate because
they do not accept the convention of the previous movement. In these essay the main artists from these two movement will be compared in order to
show how art has changed over three centuries of world changes. The first artist that will be analyzed is El Greco from Mannerism and the second one is
Gustave Courbet, a representative of Realism. An interesting fact about these two artist is that even though they lived in different epochs they have
chosen the same theme for one of their paintings and this allows to a more detailed comparison in order to see how the historical context and the
movements ... Show more content on Helpwriting.net ...
El Greco was fascinated by the Italian Reinassance and by Mannerism, he uses art to express his religious fervor and devotion in paintings like
"Burial of Count Orgaz" instead Courbet is living in a period of political instabily and fights for the civil rights so he found himself closer to
Realism, an art movement that express these values and produce his masterpiece "Burial at Ornans" to show that common people have the same
dignity and were not inferior to other social classes such as aristocracy and that art should focus more on the depiction of the common. The transition
from what is pleasant and idealized to what is its opposite is abrupt and not gradual and it is caused by political events like the French reovolution
where the painters, spokesman of the society along with writers, refused to represent what is good to be seen but the reality that still should be valued
and this is why the Burial at Ornans had become more popular and appreciated over time even though at the beginning it was highly criticized instead
The Burial of Count Orgaz can be clearly put in the category of religious art in this case intepreted according to the Mannerist convections. However
nothing is removed to the creativity of these two artist that have interpreted the same theme to reach two completely different results that will remain
unique in art

Our Moving Fate: A Study of El GrecoвЂ™s Assumption of the...
Our Moving Fate: A Study of El Greco's Assumption of the Virgin
El Greco painted his "Assumption of the Virgin" in 1577 for the convent of Santo Domingo el Antiguo in Toledo, Spain. Born in Greece as Domenikos
Theotocopoulos, (his nickname translates from Spanish into "The Greek"), El Greco was the top artist of the Spanish School, and was commissioned to
paint "Assumption" to adorn the convent's altar. The painting is a daunting size–over six feet wide and twice as tall–surrounded by a wooden frame
tinted with a non–uniform metallic gold paint. The oil on canvas creates some, although not obvious texture, and brush strokes are visible only slightly
in the garments of the human subjects. The Virgin Mary is the main figure in... Show more content on Helpwriting.net ...
An in–depth study reveals mankind's literal presentation of Mary to God for appraisal and judgment, rather than a simple depiction of her journey
upward. The painting illustrates man's–not God's–physical act of lifting Mary up, creating a truly dynamic canvas. To do all of this, El Greco uses
strong geometric divisions and hidden lines to take control of the viewer's eyes, and sly manipulations of gravity and forces to create an image truly in
motion. In the end, El Greco uses the painting's overwhelming size and orientation to alter perspective and succeeds in tying the viewer's fate into the
scene itself.
The initial focus of the painting is Mary as a whole, or perhaps specifically her face and outstretched arms. El Greco, however, uses a Cartesian grid to
relocate the focus to the geometric center of the canvas, a clearly intentional move necessary to create the basis of Mary's upward motion.
"Assumption" is strongly divided into four quadrants. The heavens, occupying the upper–half of the canvas, are divided in half vertically by Mary's
body, while the Earth is split by a clear part in the crowd that extends directly downward from that same line. The divine and mortal realms are
separated fittingly by a line of clouds vertically centered on the canvas. The result is a crosshairs locked in on the area just below the Virgin's feet–the
area that will become the most important part of the canvas. The

The Pieta Essay
El Greco ("The Greek"), also known as Domenicos Theotocopulos, was a painter, sculptor, and architect of the Spanish Renaissance. El Greco was
born in Crete in 1541, which was then a part of the Republic of Venice, and the center of Post–Byzantine art. He had trained and become a master
within that tradition and an icon painter. Among his great artworks, I would like to draw attention to "PietГ (The Lamentation of Christ)", an oil
painting. El Greco had painted this masterpiece about c.1565–70 in Italy, during the Cretan period.
El Greco, at the age of 26, like other Greek artists had travelled to Venice and came under the influence of Titian and Tintoretto. During his stay in
Italy, he widened his style with aspects of Mannerism and ... Show more content on Helpwriting.net ...
It is a scene which is shown after Jesus was crucified, where his body has been removed from the cross and his friends and family mourn over his
body. Many artists have focused this scene by just painting four people: the body of Christ, His mother, SaintMary Magdalene and Joseph of Arimathea.
El Greco's Lamentation of Christ is "a translation in paint of Michelangelo's late sculptured group of the PietГ in Florence Cathedral, at the time in
Rome. The pattern and the feeling are the same. The figures of the Dead Christ, His Mother, Saint Mary Magdalene and Joseph of Arimathea make
one compact group. Michelangelo achieved this by his new treatment of form; El Greco by paint, by employing broader, more continuous passages
of color. The more vivid colors of Rome combine with the richer palette of Venice to convey the intensity of expression demanded by the subject. The
horizontal composition of Venice, more suited to a narrative type of subject than to the single image, is given up and is only very rarely found
appropriate in Spain. Michelangelo's PietГ group was not the only source on which El Greco drew: the arrangement of Christ's legs and his outspread
arms, no less than the idea of viewing one of the two bearers of his body from the side and the other from behind, derive from Michelangelo's
drawing for Vittoria Colonna, in which, as in El Greco's painting, the Virgin is placed behind and above Christ." (Web Gallery of

The Assumption of the Virgin
The painting "The Assumption of the Virgin" has a mannerism influence. Mannerism was a XVI century art style influenced by, and at the same time a
reaction to, the harmonious ideals of the Italian High Renaissance. Mannerism is notable for its artificial ( as opposed to naturalistic ) qualities which
favor compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. El Greco's artistic formation in Rome and
Venice, reflects the influence of roman mannerist designs (e.g Michaelangelo's masterfully polished drawings) and that of the Venetian school of
painting with its emphasis in the richness and variety of colors, the use of pigments to achieve the impression of depth and brightness, ... Show more
content on Helpwriting.net ...
Sacred religious imagery was justified in the context of this invocation of the Virgin and the saints. Veneration was not idolatrous because it was
referred to the prototype represented in the image. Among the saints, the Virgin has a primordial place because she is the Mother of God and the the
prime intercessor between Man and Christ. Since the Virgin's role had been denied by the Protestants, the Catholic Church responded by emphasizing
her special status. In the Assumption of the Virgin", the Virgin is assumed to ascend to Heaven with her body preserved from corruption as a reward
for her faith and good works. Another determining factor in evaluating a painting's context is patronage and, in XVI century
Spain, this was largely either religious or monarquic. The monarquic alliance with the Catholic faith was a salient feature of the Spanish court and, in
particular, in the kingdom of Philip II.
To understand why El Greco ( which means "the Greek" since he came from Crete ) found his way to Toledo, Spain in 1577, after studying painting in
Venice and Rome, it is essential to realize that Spain, at the time, offered great opportunities for artists, largely because of the patronage of king Philip
II. The King, in particular, favored painters which followed the Mannerist style. Religious commissions were the

Oscar Magallanes Research Paper
Oscar Magallanes
Oscar Magallanes
American, 1976, Los Angeles, California
Magallanes was raised in the Azusa Barrio of Los Angeles. His artwork is influenced by the cultural and social elements of his upbringing. At the age
of fifteen, he was expelled from high school, but was accepted into the Ryman Arts program at the Otis–Parsons College campus which encouraged him
to become a professional artist. The experience of participating in two distinct worlds continues to inform the work.
By introducing work with pre–Columbian imagery that often mirror Western iconography– Magallanes presents imagery in which the viewer is
visually confronted with facing the dominance of western culture over indigenous cultures. Magallanes' art allows

The Impact Of Arena On The Beginnings Of The Civil War
First, thank you very much for following the advice set out in my last memo. Through a coordinated media campaign focussed on clarifying the role
of ARENA in the beginnings of the civil war, we've been able to secure a small but consistent advantage over our FMLN opponents. However,
according to the research that my team and I have conducted, this advantage is very fragile. While El Salvadoran voters have communicated to us that
they do not blame ARENA for the start of the conflict, there is more confusion about the role of the party during the height of the war in the 1980s.
Therefore, this memo will be divided into three parts: first, a surface–level history of the conflict through the 1980s; second, potential academic
explanations for... Show more content on Helpwriting.net ...
MagaГ±a's Presidency took an active and purposeful role in opposing the FMLN guerrillas through attacks on the group's primarily peasant base
and support network. From 1981 to 1983, it is estimated that at least 18,000 civilians were killed by government forces. Many of these deaths were
the result of air force bombings of peasants trying to flee across the Honduras border or massacres committed by government infantry groups against
FMLN friendly villages such as El Mozote in December 1981. Paramilitary death squads were also incredibly active during this time period, at one
point killing six members of the opposition Christian Democratic Party (PDC), resulting in a condemnation of the MagaГ±a government by PDC
leader JosГ© NapoleГіn Duarte. The second phase of the conflict, following the election of Duarte and the PDC in the 1984–5 elections, resulted in a
reduction in government violence against civilians and attempts, although ultimately unsuccessful, to reach a peace between the FMLN and
government. The US–backed Duarte, who defeated ARENA leader Roberto d'Aubuisson amid allegations of electoral fraud, became the first civilian
President in forty years. Political murders declined significantly during his administration, although there were still civilian deaths in combat zones and
mass displacement concerns amounting to around 1500 deaths per year. Peace

Tintoretto
Tintoretto (Jacopo Robusti) (1518–94). Venetian painter.
His nickname derives from his father's profession of dyer (tintore). Although after Titian's death, little is known of his life. He is said to have trained
very briefly with Titian, but the style of his immature works suggests that he may also have studied with Schiavone, Paris Bordone, or Bonifazio.
Almost all his life was spent in Veniceand most of his work is still in the churches or other buildings for which it was painted. He appears to have been
unpopular because he was unscrupulous in procuring commissions and ready to undercut his competitors. By 1539 he was sufficiently mature to be
established independently, painting pictures composed in a traditional Venetian manner... Show more content on Helpwriting.net ...
Tintoretto had great influence on Venetian painting, but the artist who most fruitfully absorbed the visionary energy and intensity of his work was El

Domenikos Theotokopoulos Research Paper
Domenikos Theotokopoulos, otherwise known as El Greco to us was a painter born in the year 1591 in Heraklion, Crete which is one the largest
islands owned by Greece as of today. El Greco did go on to merry but there was little to know information of his first wife and who she was. He would
go on to have one child a son Jorge Manuel Theotocopuli, whom he is believed to have had with a Spanish woman while living in Toledo in Spain.
His son who also grow up and followed in his dad's footsteps and became a painter. Greco which many people know him by today in fact wasn't even
his real name it was a nickname given to him because of his Greek heritage. Besides growing up in Crete El Greco would go on to in many places as his

Free Candide Essays : Man 's Purpose
Man's Purpose in Candide One of the main purposes of the Enlightenment was to promote reason and rationalism as a way to improve society and
politics. However, Voltaire, an influential and famous philosopher and writer during the period of the enlightenment, repeatedly criticized certain
aspects of Enlightenment philosophy. In his short story,Candide, Voltairesomewhat harshly attacks the optimism that was so popular between
philosophers during this time and instead he decides not to disregard the inescapable presence of the evil that is in nature and humans. In this piece of
literature, the protagonist of the story, Candide, experiences extreme changes in his reason and maturity. By the end of Candide's topographical and
philosophical journey, it is evident that Voltaire wanted to emphasize that man's purpose in the world is not just to simply think about what
philosophy is. Instead, Voltaire stresses that man should be an active member of a society that is more realistic and that is better suited for him in his
variation of beliefs inside a physical and psychological state. It is very clear in the beginning of the story that Voltaire desires to demonstrate both
material and mental independence within the individual, which is a job that can typically be accomplished through travel. The story is completely built
on a lively and difficult journey that is undertaken by Candide, as well as other characters in the story that are very close to him. As the story continues,

El Greco Essay
El Greco The Agony In the Garden, a mannerist style of art by EL Greco, proclaims a sense of spiritual power of religious faith which accomplishes El
Greco's aim to move his audience. El Greco was born on the island of Crete and lived from 1541 to 1614. He represented the most characteristic figure
of Spanish Mannerism. El Greco was influenced by and became acquainted with the art of Titian and Jacopo Bassano in Venice where he studied in
1566. In addition to visiting Italy, El Greco made his way to Rome,
Parma and probably Florence. On his travels he became more familiar with the work of
Parmigianino and the work of Correggio. In El Greco's use of form can be seen
Florentine Mannerism. Venetian Mannerism can be seen in... Show more content on Helpwriting.net ...
The Biblical occurrence illustrated is standardized on two levels, one above the other. The group of the three sleeping apostles fill the lower plane. We
find comparable groups of apostles in pictures by Giovanni Bellini. El Greco returns to Quattrocento etiquette, especially in the manner in which the
sleeping gray–haired apostle bends his arm around his head.
Of the abundant versions of this painting in the artist's own hand there is a smaller copy in the Museum at Lille, and other variants are to be found in
the Episcopal palace in the Museum of Fine Arts in Buenos Aires. The variant most similarly related to the painting in Budapest is the larger–scale
version in the Church of Santa Maria at Andujar which displays other works of mannerist art.
The mannerist style thrived at the same time as High Renaissance and Baroque art. Mannerism, like many other names attached to so many other
periods of art, was a name conceived in disdain and impudence. Maniera, meaning maner, was correlated with the artist who worked in the manner of
someone else. Like an imitator who adapted and sometimes perfected the forms of another. However, there are characteristics of the
Mannerist style which disconnected it from the period of the High Renaissance as well as the distinguishing it from the emerging Baroque. A number
of crucial artist of
Mannerism have displayed meaningful works. Only in the last ninety years has
Mannerism come to be

El Greco : The Greatest Spanish Painter Of The Era
Painting in Spain during the 1500's was being magnificently produced for patrons, churches, royalty, and private commissioners, which created an
intrigue for artists in neighbouring countries. A Greek artists by the name of El Greco (Greek name: Domenikos Theotokopoulos) has been known to
be titled as "the greatest Spanish painter of the era", although he was not from Spanish heritage. He was born in Crete, Greece in 1567 and spent
approximately half of his life traveling and apprenticing in Italy. El Greco had traveled to Rome, where he was influenced by the Florentine and Roman
Mannerism techniques. As El Greco traveled through Italy he worked alongside the famous artist Titian in his studio in Venice. Other artists El Greco
worked under include Tintoretto, Jacopo Bassano, and Veronese. El Greco's exploration of art through Europe finally brought him to the most
influential location of his career, Toledo in 1577. In this city, El Greco painted many of his most infamous art pieces of his career. El Greco was not
originally from Spain, yet he was and is categorized as a Spanish painter. As El Greco gained knowledge of the arts during his travels, his subject
matter evolved. El Greco was a man who was not afraid to push boundaries in his works or create additional components, which reflect him as the
artist in his paintings. The discussion of how El Greco's immigration from Crete to finally settling in Toledo was a crucial contributing factor in his
artworks and will be

Domenikos Theotokopoulos In Greek Art
Domenikos Theotokopoulos or better known as El Greco, was born in Crete, Greece in 1514. El Greco was formally trained as an icon painter by
Titian (Christiansen, El Greco (Domenikos Theotokopoulos) (1541–1614)." In Heilbrunn Timeline of Art History. 2004), who was a renowned painter
during the 16th century. He lived most of his life in Spain but often visited Crete (Editors 2014). The combination of the two environments is captured
in his paintings. Being surrounded Catholicism, he based many of his paintings around Christology and the many religious beliefs that were prominent
at the time.
El Greco's distinct style "was well suited to the aims of the counter reformation" (Kres 2017). The counter reformation was a roman Catholicism's
response ... Show more content on Helpwriting.net ...
The fruitful and lively colours of Greece are a reoccurring element in his works. There is a very animated use of colour. "the aquamarine of Aegean
waters, the incandescent yellow of the wild daisies that carpet Cretan fields in early summer" to the intense red hibiscus flowers that blossom on the
shorelines of Crete are clear influences in El Greco's painting" (Rowland 2014). It was the norm at the time to paint the scene of the birth of Christ in
warm and neutral colours, which makes El Greco's rendition of the scene refreshingly

A Brief Look at Oscar Romero
Oscar Romero was an amazing man. Even though his life was cut short, he was able to make an impact on the society that he lived in. Oscar
Romero died a hero and an advocate for the people of El Salvador, specifically the city of Agulaires. Leading up to his death, Romero's spiritual journey
evolved. Romero was elected Archbishop because few saw Romero as a threat. He was very intelligent, and would hardly take his head out of a book.
When Romero was elected he became good friends with Rutilio Grande. Grande was a priest of Agularies. His mission was to help the poor. After
aggravating the government, Grande was killed, along with a young boy and an older man. This event greatly affected Romero's spiritual journey.
Romero stated,
I took off [Rutilio Grande's] socks, all soaked in blood. I helped prepare his body for burial. When I heard the news, I felt as if I was being lifted
into the air and suddenly dropped to the ground. I was so bewildered I don't even know how I got to the church. And now I wonder how I was able to
get through everything that everything that happened that day. I loved him. That's why I kept a small piece of cloth with his blood on it. (Page 26).
This passage is a critical moment in Romero's spiritual journey. He has seen the people of his city die, but it was not personal. Losing someone so
close to him, he changed his attitude for the remainder of his life. Another important moment in Romero's spiritual journey was when he was kidnapped
and was

The Controversy Of The Painting 'The Zuloaga Affair'
and they rejected the painting created by Zuloaga. He resented this so much that he went against Madrid's cultural establishment and even went as far
as telling everyone he came into contact with that he was adopting another nationality. During the next three decades he rejected every offer to show
his work in the Spanish Pavilion and declined all honors and academy memberships that were offered to him. Some time after that incident, an
eruption of another issue arose concerning a cross breed between a artistic, journalistic and political controversy known as "The Zuloaga Affair". The
main reason behind the controversy was the Basque's powerful presentation in ancient Spain that was slowly deteriorating as a result of the people of
the rural... Show more content on Helpwriting.net ...
In the Equestrian Portrait of Maria del Rosario Cayetanna Fitz–James Stuary y de Silva, Eighteenth Duchess of Alba, Zuloaga was trying to convey and
capture her innocence. The little figures in the foreground that is often a staple in Zuloaga's latest portraits. The dogs are important and may be real
figures in her life. Shearer West says dogs are "fidelity" Fidelity is commonly described as being among a martial status and being faithful and depicts
the strong bond of the couple's relationship. The dachshund is in a 1918 painting Ingancio did of her father, Jacobo Fitz–James Stuart, the seventeenth
Duke of Alba as well as in the portrait of the equestrian portrait of Cayetanna, the Eighteenth Duchess of Alba. While I have not found any research
on this subject, I believe this particular dog passed by the time the portrait of the Duchess was made but as a way to show fidelity, showing a family
bond between the father and daughter. Also, there is a another dog which looks like a puppy with a bow around its neck. This could be the new
family dog and a symbol of ever–growing bond between the Alba family. Zuloaga's most important message about the sitter was to convey and capture
Cayetanna's innocence. One of the figures to the left of her and the horse is Mickey Mouse who was "a creature of mythic stature– should be shrouded
in legend." While I believe Cayetanna asked for Mickey Mouse to be in her

A Visit to the Boston Museum of Fine Arts Essay
A group of us Arts and Music students used the day on Wednesday to go into the city to visit the Boston Museum of Fine Arts. It was a cold, breezy
day so we were all bundled up in jackets and hats. As we got off the E train and walked toward the museum, its appearance was not what I expected it
to be. The museum was an elegant, beautiful building made of what looked to be marble; not the big, brick monstrosity I had expected. Once we
walked into the museum, it was even more elegant on the inside. The marble staircase had sculptures on each side leading up to the rotunda where
white Christmas lights were strung around the banister in decoration for the Christmas season. Saint Catherine by El Greco was found in the European
Old Master ... Show more content on Helpwriting.net ...
Picasso's painting entitled "Standing Figure" depicts a nude woman with her arms crossed behind her head. It was painted in 1908 during a key
period of invention and experimentation, as Picasso began to construct his paintings in a new way. The figure is translated into simplified, geometric
forms, reflecting Picasso's interest in the art of Africa and Oceania. Using only a few colors, he focuses the viewer's attention on the intersection of
these geometric forms. It seems as though Picasso uses the blue lines in this painting like some sort of directional device, drawing attention to the
outline of the woman's figure. As we discussed in class, the style of cubism uses multiple or contrasting vantage points. Another element of cubism is
simplifying more complicated scenes into geometric forms. Cubism rejected the inherited concept that art should copy nature, or that they should adopt
the traditional techniques of perspective, modeling, and foreshortening. They wanted instead to emphasize the two–dimensionality of the canvas.
Turner's "Fall of the Rhine at Schaffhausen", painted between 1805 and 1806, creates a sense of panic for the viewer. The water has an
overwhelming presence in this piece. Compared to the force of nature in the waterfall, the people and animals are dwarfed. One woman is depicted
rushing to try and save her child. Turner captured the force of the waterfall

Essay on Poverty and Inequality in El Salvador
The poverty and inequality that has plagued El Salvador since the early twentieth century stems from their rule by the Oligarchy, which dates back to
colonial times. The Oligarchy's lack of consistency in implementing and following through with reforms has prevented progress from occurring in the
country. Furthermore, the many wars and political revolts in El Salvador impeded its economic and social growth. The main focus of the Oligarchy was
to turn a profit. And because they essentially ran the economy, they assumed that their actions were best for both their profits and the country's
economy as a whole. Their selfish single–minded focus led to a growing economic inequalities, which was subsequently accommodated by ethnic and
class ... Show more content on Helpwriting.net ...
However, the Indians were susceptible to the diseases brought over by the Spaniards, which led to a decline in the Indian population. Because the
Oligarchy viewed the Indians as disposable labor, they did not feel the need to treat them to prevent their numbers from dwindling. Instead, the
Spanish replaced them with slaves imported from Africa (Montgomery 71). This was one of the first signs of inequality brought to El Salvador by
the Oligarchy. In the seventeenth century, the demand for cacao dropped. As a result of this, El Salvador plunged into an economic depression, and
the Oligarchy had to find a new source of revenue, which they found in indigo (Montgomery 71). Indigo was profitable because of the increase in
demand for textiles in Europe at this time (Krauss 59–60). This led the Oligarchy to increase its acquisition of land in El Salvador, which was mainly
inhabited by the native Indians. On top of being extremely lucrative, indigo was far less labor–intensive than cacao was, so it became the main focus
of El Salvador's agriculture by 1600 (Montgomery 71). Unfortunately, these developments had high costs for the Indian populations. When the indigo
rotted, diseases would be brought to the Indian villages that cultivated it, killing off entire villages in several instances. When this happened, they were
merely replaced by another tribe (Krauss 60). Eventually the mistreatment of the Indians by the

Southern California Vs. El Salvador
I wake up to the warmth of the sun touching my skin; I can hear the birds chirping outside calling my name to get ready and start the day. I get out
of bed just to be attacked by two furry blurs trying to lick my face and showing me how much they love me. I know that I have a long day ahead of me
but I have no idea what I should do. I could go to the beach and feel the soft sand in between my toes or go to a store and prepare a nice dinner for
myself. So much time in a day, but I don't have a clue on how to spend it. These are the types of decisions I need to make on a daily basis. I go
outside and take in the beauty of my surroundings. Everything seems so perfect, so beautiful, as if it was supposed to look that way. El Salvador is a
wonderful place, full of wonderful people, and amazing scenery and there is no place I would rather be at the moment. Living in California is
wonderful, but it doesn't give me the culture that I am looking for. El Salvador is like my home, somewhere where I can visit once in a while, but my
real home is California where I will always want to live. Although El Salvador and California share some similarities like the settings, there are some
traits like foods, culture, and the people that make them special in their own way.
One of the common differences between El Salvador and Southern California is the food. Carl's Jr and In–N–Out are two of the most beloved fast food
restaurants that have won people's hearts and taste buds. For people who live

Race as a Factor to Be Hired for Certain Jobs
The overall goal of my interview processes and data collecting were to find answers to one question, "How do you believe race plays a factor in the
ability to be hired for certain jobs?". Also, I wanted to ask if any of the interviewees felt as if the inability to get the job was due to any stereotypes.
Over the course of different people I interview I received a wide range of answers, many of those siding with the fact that race plays an enormous part,
and most even having stories of how their race may have hindered or helped them in the past due to different racial stereotypes.
During the process of planning my interviews, I decided that I needed to choose the interviewees from a location of diversity and I felt that my own
college peers would be perfect for the task. The first interviewer I chose was a professor of the college, Jose Hernandez age 42, born and raised in El
Salvador. Professor Hernandez had lived in El Salvador until the age of 13 when his parents made the decision to move to the United States to ensure
that their children would receive better education and opportunities. Once making it the U.S., he had to learn to read, write, and speak English and has
now made it as a successful Spanish Professor at Kennesaw State University. Professor Hernandez and I decided to reserve a time during his office
hours to meet. We met around noon and the interview lasted for about forty minutes. From the interviews I had done, I received the most information
and personal

Essay A Day at the Metropolitan Museum of Art
A Day at the Metropolitan Museum of Art I.Jan van Eyck's "Last Judgment" Jan van Eyck was active since 1422 and died in 1441. He was the most
celebrated painter of the fifteen–century in Europe. One of his famous works is "The Last Judgment". At first sight this work immediately attracted
my attention. The painting's stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The
material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm). As I closely approached the
painting I began to realize the differences between Jan van Eyck and Michelangelo's "Last Judgment". Contrary to Michelangelo's "Last... Show more
content on Helpwriting.net ...
The first sight of this painting extremely moved me. In this work, no other figures are represented and the setting is not recognizable. In the depth
of his eyes one can see the suffering and pain for our human sacrifice. As well as this one can also see the holy look on the facial expression as he
gently carries the cross. On the cross, above the left hand in Greek letters, "domenikos theotokopoulos epoiei" is written. "Christ Carrying the
Cross" is one of the most intriguing work of art. It belongs to Robert Lehman collection since 1953. Its size is 41 3/8 * 31 in. (105 * 79 cm) and
the material used to make it is oil on canvas. III.Pendant mask; Iyoba 16th century The artist's name is Benin and he is from Nigeria. He lived in
the 16th century. To produce this mask he used ivory, iron and copper. The mask's height is 9 3/9 in (23.8 cm). This mask is an image of a woman.
An image of a woman is very rare in Benin's tradition. However, this work of art represents the legacy of a continuous dynasty. This mask is
believed to be designed for Benin's King's mother. It is also believed that this mask was used to commemorate king's mother. The color of the mask is
white, a symbol of purity. On the mask, one can se the details of the face showing the impression of it. One can distinguish the angry eyes, the big
nose and the puffing lips. There are carved scarification marks on the forehead, and below the

Analysis Of ' El Greco Made Me '
At first while looking at the artworks it is actually not possible to figure out that the artist himself might be representing him in his piece. But after
reading the notes and knowing that the artist is also a part in the image does enhances the two works of art. For the first image of The Burial of
Count Orgaz by El Greco, he did not include his portrait in the artwork, Instead, he included an image of his son. On his son's handkerchief, he wrote,
"El Greco made me". That indicates how El Greco will live on through this painting and through his son. But he is not done here yet, placed against
the saint is one of the El Greco's landscape paintings. Such portraits do enhance the artwork a lot. In the second image of Las Menians by
Velazquez is different from the previous one as the artist is prominently found in this artwork. Left side of the image is dominated by the back of
the artists and right side by the figures. The figures including young princess, the king, and the Queen. The princess is all dressed up for her portrait
session with Velazquez. However, in the close up picture, I can see the artist seems very bored by being there. As if he just wants to finish the portrait
and leave. He has this unpleasant face that according to me does enhance the artwork and makes in more interesting. He is like the focal point of the
piece to set the artwork unique beside others.
One way is in El Greco's artwork, how he includes the image of his son instead of him to refer himself

The View Of Toledo By El Greco
The View of Toledo by El Greco reflects Nick's perspective on the contrasting qualities of the East and West Egg. When describing the East, he seems in
awe, using adjectives with strongly positive connotations– "the East excited me the most... I was most keenly aware of its superiority to the ...towns
beyond the Ohio" (Fitzgerald 167). After the First World War, Nick and his Lost Generation returned feeling restless and seeking for change. With the
excitement and energy the Roaring 20's brought to New York, Nick and many other young members were attracted to the vivacious city. The grandiose
expeditions of these young Americans and their determination for materialistic success creates a gap in the socio–economic society, between those
who lived

Domenikos Theotokopoulos Research Paper
Domenikos Theotokopoulos also known as El Greco was born in Candia, Crete, in 1541. He moved to Venice in 1567 because Crete was Venetian
territory. In Venice, he learned the elements of Renaissance painting. He learned how to use perspective, figural construction, and the ability to stage
elaborate narratives.
Domenikos Theotokopoulos received the name El Greco which means "The Greek" when he lived in italy because of his greek descent. One of his
trademarks is signing his paintings in greek letters.
El Greco was rumored to have left Rome because he criticized Michelangelo's Last Judgement in the Sistine Chapel. He had moved to Spain where
he opened up a shop in the hopes of working for King Philip II. In 1577, he arrived in Toledo where

Narrating The Nation Picasso And The Myth Of El Greco
Robert Lubar's essay "Narrating the Nation: Picasso and the Myth of El Greco" discusses the aftermath of the bloody Spanish–American war resulting
in "El Desastre del '98" in Spain which rocked the national psyche into a period of cultural dissonance. Following the Disaster, the nation quickly
found itself in an agitated period of conflicting ideas and divisive discourses, specifically between Madrid and Catalonia. Essentially, class divisions,
regional differences, and this lack of national identity was what gave way to the "Myth of El Greco" in fin–de–sГЇecle Spain. Lubar proposes that the
'myth' connected tradition and modernity whilst illustrating the middle class' pursuit to construct hegemony for Catalan cultural nationalism.
The "Myth of El Greco" was deployed in context with ... Show more content on Helpwriting.net ...
What the history of Spanish art tells us is that the writers of history construct these cultural discourses and emanate artistic rhetoric in order to
challenge institutions and ideologies existent in their times; where tradition serves to extol and preserve the comfortable customs in our lineage,
modernity serves to revolutionize and counter those very social constructs. If there is anything that has become clear to me, it is that temporality and
tradition, progressivism and modernity, all exist in an intertextual phenomena within, in relation, and in conversation with each other. As Unanomo and
Ganivet pointed out in their writings, 'tradition simultaneously informs, and is formed by, the present'. During the era of regeneration, Castille rushed
to codify culture within their targeted political positions which could be considered as a push against the State due to political corruption, whereas
Catalonia urged a reform of economy and political culture, their position was precisely a call to the government to amend that which they had

Candidereadingquestions Essay
1. What is "metaphysico–theologo–cosmolo–nigology"?
Pangloss teaches metaphysico–theologo–cosmolonigology. Pangloss states that the world is the best of all possible worlds in which all is well and
all is for the best. Voltaire writes "He could prove that there is no effect without a cause; and, that in this best of all possible worlds, the Baron's castle
was the most magnificent of all castles, and My Lady the best of all possible baronesses."
Voltaireis using satire of his made up profession. By making Pangloss teach
Candide this made up profession of "metaphysico–theologo–cosmolonigology"
Pangloss is not teaching Candide anything useful. The word metaphysico–theologo–cosmolonigology sounds super complex but in reality it is
meaningless ... Show more content on Helpwriting.net ...
Military Leaders: When they punish Candide even when he is being called a
"prodigy", military leaders, in hopes of bring out the best in the soldiers, actually damage them.
Catholics: The most disturbing to Catholics would probably be the two women in a relationship with the monkeys, on page 38. This is a direct
violation of
Leviticus 22, and they probably wouldn't get the satire, instead take the text literally and interpret the natives in Latin America to be sinful.
Protestants: The auto–da–fГ© on pages 13, because it is essentially radical Catholics burning people at the stake.
Aristocrats: The dinner with the six kings, on pages 73–76, as it shows them that all power can be taken away
7. What is Voltaire attitude's towards religion? Consider passages that illustrate the behavior of religious figures and religious institutions.
Voltaire sees religion as mostly corrupting, witht eh perfect example being that ofEl Dorado, where the 'perfect society' doesn't believe in any religion.
All the characters that have religious affiliations except James the Anabaptist persecute people who are indifferent towards their religion. For example,
the orator refused to serve food to Candide because he was indifferent towards
Christianity. The orator's wife also saw Candide and poured a bucket of..... on him. The ellipses means something really nasty like human feces
8. What is the role of sex in the story?
Sex

Implications Of The El Greco Fallacy : Perceptions And...
The research conducted in the "top–down" effects in perception research was guided by the El Greco fallacy. Here, it is brought to the attention of
findings that distortions must have any alternative explanation besides a literal perceptual distortion. Researchers applied this theory because of the
fact that distortions must cancel each other out, since the means of reproduction should be distorted as was the stimulus being reproduced. In their
research, authors asked if higher–level states such as moods, action capabilities, and knowledge are truly effects on perception, or if subjects reflect
influences on memory or bias. The key question attempting to be answered here is, what determines how things look? After experiment 1 results
confirm that holding a rod decreases subjects' perception of aperture width estimates, in experiment 2 researchers ask if this confirmation reflect literal
perceptual compression of the apertures. Experiment 3 asks what explains aperture–compression effects. Researchers hypothesize that the
aperture–width effects should disappear once the subjects think the rod is being held for a purpose other than for "balance". For experiment 4,
researchers ask if reflecting on unethical deeds from subject's past will estimate a low brightness of room. The question that guided the research in
experiment 5, which applied the El Greco fallacy, is, is the effect of ethical reports on lightness judgments actually perceptual? The hypotheses were
justified on

Picasso And Pablo Picasso's The Old Guitarist
Art is the expression or application of human creative skill and imagination, it is our thoughts, emotions, and a personal journal that occasionally
comes easier way to communicate what's inside of the mind. One of Pablo Picasso's most famous artworks and still known worldwide is The Old
Guitarist. Picasso painted this piece of art in the Blue Period that ran from 1901–04. This specific year is important because the Blue Period of Picasso
is when he started painting in the gloomy shades of blue and blueish–green inspired by Picasso's own emotional turmoil and financial struggle. I would
say it was the year where his emotions took over instead of his own hands, which drove him to the highest limit of creating something impressive.
Nonetheless,... Show more content on Helpwriting.net ...
The year when he was financially struggling, having no money for his food or a warm place to abide. On top of that, Picasso had the downside of
losing a faithful friend, Carlos Casagemas. The use of the gloomy shade of blue and blueish–green was the only way of verbalizing his emotions. We
see these colors throughout the entire portraits except when he stirred and added a brown color to the guitar. The brown guitar was an evasion from
the harsh reality he was going through. Human deal with situations in many ways and I believe music was the way Pablo dealt with his state of

The United States And The Civil War
Topic: To what extend did the US have an impact on El Salvador and the way it was shifting //To what extent did the US have the rights to interfere in
the Civil war in El Salvador (and the outcomes) //force modernization to the indigenous group.//To what extent was it ethically correct for the United
States to help in the Salvadorian War.
Introduction:
El Salvador was first settled by the Native American people known as the Pipils. El Salvador like any other great countries had an ancient civilization
that settled within it. In Salvador, the Mayan Civilization occupied it and the land shared with other groups of civilizations. But these peaceful days
could not go on forever. In the mid 1520 's, the Spaniards wanted to increase the ... Show more content on Helpwriting.net ...
The United States seen this as a rebellion against their own Government and didn 't support ideas of the FMLN, so they interfered with the revolution.
The United States backed up the military leader that was in charge of El Salvador, Carlos Humberto Romero Mena to stand up against the FMLN
revolutionary group. After 12 years of the war between the El Salvador army and the FMLN, the peace agreements were signed, and the FMLN group
won. They later formed into a political party. So the United States interfered with a war that was bound to happen, which was going to have the same
outcome no matter what. With the interference of the United States, they prolonged a quick, short war and made it last 12 years. Many lives that
shouldn 't have been taken were taken due to the action of the interference of the United States. Others might argue to say that, No the United States
intervention was the right thing to do, since if they didn 't interfere, the FMLN group would continue to spread the ideas of Communism throughout the
whole world without any limit on them. And with the United States intervention, this created a limiter and brought truth to the FMLN group that trying
to make every human have the same ideas is not that simple to do, and not everyone will listen to those ideas.
El Salvador was founded like any other countries, by the ancient civilizations. Those ancient civilizations were known as the Pipils and the Mayans.
They were natives who lived their lives by

Essay on U.S. Foreign Policy Regarding El Salvador
Located on the Pacific Coastline, El Salvador is the smallest country in Central America, and the most populated. The United States of America
foreign policy on El Salvador is best explained by President Obama's approach on Latin America where the United States is focused on economic
growth and equality, energy and climate control, and regional and citizen security (Foreign Policy, 2012). This is best explained using the international
level of analysis and neo–liberalism where the global structure and economic interdependence provides the foundation of America's foreign policy. To
ensure that one can see the transparency in United States methodology I will provide the history of El Salvador, the creation of United States interest in
El ... Show more content on Helpwriting.net ...
The domestic level of analysis will exemplify the inner workings of the nation by focusing on how the history, political institutions and society affect
the nation in the international setting.
In the 1500s the first settlers settled in an area near the Gulf of Fonseca this territory would later be known as El Salvador. Soon after the territory was
conquered by Spanish rule in 1524 and ruled by King Charles I of Spain until their independence in 1838 (Background, 2012). Struggling with the new
found independence this new nation was curse with constant revolutions and over–turning of governments (Background, 2012). Situated in the middle
of the fresh region called Central America this sovereign state had neither major resources nor growing economy, whereas other nations had an industry
to depend on once the colonial power leaves this nation was forced to start from scratch.
Start of the twentieth century it seemed like El Salvador finally establishes a viable government and began building an economy (Background, 2012).
Then, the economic crisis of the 1930s occurs and the international markets plummeted and so did El Salvador. Externally, El Salvador was not a huge
contender in global markets, but internally the social, political and economic environment in El Salvador was becoming tense and in 1932 the peasant
workers in the rural countryside raised up against the land elites (Benavides, 2008). The

El-Al Marketing Analysis
El–Al Marketing Analysis
El–Al Marketing Analysis
Table Of Content
Chapter 1: Introduction
Executive summary..........................................................................................4
Bibliography...................................................................................................5
Chapter 2: An overview of the company
Overview of the company...................................................................................6
History...........................................................................................................7
Definition of the business.....................................................................................8
Chapter 3: An analysis of the company's business environment
Firms industry and macro environment..................................................................9
The PEST Model..........................................................................................10–12
The industries competitive situation using Porter's 5 Forces...................................13–15
Market segmentation....................................................................................16–17
ELAL's Attractiveness ... Show more content on Helpwriting.net ...
It was one of the most famous trademarks of the small state. The company 's story intertwined with Israel 's origins.
The company is operating in a "national" state of mind, aiming towards patriotic emotions based on the Israeli narrative of pride, safety and security.
The company markets and considers itself as a national service provider, submitting itself to the whims and needs of the country. Not once the
company has been involved in security or social operations (the joint confidential operation of bringing Ethiopian Jews to Israel), even in the price of
losing money (i.e. not flying on the Shabbat), all in order of keeping the image of the national company.
The company traditionally operated international flights alone, but lately it operates domestic ones as well. The company 's headquarters and mother–
airport are located in Israel 's international airport "Ben–Gurion".
The company has evolved and changed throughout the years, and has varied its basic definition from a government organization to a private company.
The privatization has been complete mid–2000 's (that is less than 50% of company shares are kept in by the government).
The 2nd decade of the 21st century will colored by security issues, ever growing competition and the continuation of the privatization process. It will

be the first decade in the company 's history that it will have to deal with

Oscar Romero and the Role of the Catholic Church in El...
The Role of Romero vs. the Catholic Church: The Salvadoran Civil War The tragedies of the civil war in El Salvador brought focus to the many issues
of oppression, under–representation, and inequality apparent amongst the Salvadoran working class during the later twentieth century. The outbreak of
the war began much like civil wars in neighboring countries, consisting of the lower class demanding land and policy reformations, as elites feared the
uprisings would result in socialist–geared politics that jeopardized their status. Amidst the fighting between the two social classes, the Catholic Church,
as a whole, maintained a somewhat neutrality status and refused to publically support one group over the other. Thus, much opposition to the... Show
more content on Helpwriting.net ...
Author Edward T. Brett argues that Romero had a very "prophetic approach [that] was a highly effective method of leadership during his three–year
tenure of office" (Brett 717). He uses the term "prophetic" to refer to the similar ways in which Romero preached his sermons to the
underprivileged campesinos in order to also publically represent them, much like Jesus preached to the poor to represent the persecuted Christians.
However, the term itself can be problematic because also like Jesus, Romero was tormented by his fellow bishops for catering to the needs of the
poor. Not all bishops and clergymen at the time had captured the essence of liberation theology teachings and feared they were too radical to preach
to the campesinos. However, Romero believed that the equality of Salvadorans was more important than their integration into the elite society. He
focused many of his preachings on the need to put an end to violence and determine a right from wrong. In Romero's last sermon, just before "he
called for soldiers to refuse to obey orders," (Wood 27) he gave special attention to the need to reinstall distinct human rights within a country in "its
own exodus" (Romero 3) and that both groups alike should call for, "respect for the dignity of the person, hope for humanity's common good, and the
transcendence that look before all to God and only

Essay about Archbishop Romero: A Hero or Not?
Oscar Romero was born on August 15, 1917 in El Salvador. He was appointed Archbishop of El Salvador on February 23, 1977. When Romero was
appointed as an Archbishop many priests were disappointed, especially those openly aligning with Marxism. On 12 March 1977, Rutilio Grande, a
progressive Jesuit priest and personal friend of Romero who had been creating self–reliance groups among the poor campesinos, was assassinated do to
what he was doing to help out the poor people in the community. His death had a profound impact on Romero, who later stated, "When I looked at
Rutilio lying there dead I thought, 'If they have killed him for doing what he did, then I too have to walk the same path'". Romero urged the
government to investigate, but they... Show more content on Helpwriting.net ...
Carter ignored Romero request because he thought that Romero was exaggerating and continue its military aid to El Salvador.
The ones that had the power in El Salvador where the wealthy, powerful and military people. These were the ones that had everything control and did
not wanted the campesinos to have no take in the community. For example, they did not wanted the campesinos to vote or have a voice in the
community. Also, they did not wanted the campesinos to travel outside of the community or to other parts in their surroundings. They wanted to do
everything as they please and like without no one interfering in their ways. These people were to blame for the condition of the poor communities in
El Salvador. The ones that were shown in this documentary to have the power was the National Guard of El Salvador which the general is in control
also, the captain Linares that was under the general of the military.
The social condition in El Salvador concerning the people was divided from wealthy people to poor campesinos. Discriminated against the campesinos
because the people with the power in the community want to control what they do and don't want them to do nothing for them. Poor housing because
there houses are not build in the proper way for a person to live

Richard Armendariz Research Paper
Richard Armendariz, born in 1970 in El Paso, is a prolific American painter and printmaker. Renowned for his self–developed techniques, such as
carving and burning, the artist produces multi–layered images referring to cultural memory of a specific place. Raised and educated in Texas, where
he lives until now, Armendariz received a BFA degree from the University of Texas in San Antonio (1994
–6), continuing at the Univeristy of Colorado
in Boulder (1997–9). Beginning only in 1994, the artist has been featured in a number of collective and individual exhibitions, with his critical and
curatorial acclaim rising throughout the North and South Americas. Some of his most important exhibitions were staged in venues such as the
Museum of Contemporary Art in Fort Collins, Museum of Art in Santiago de Chile (1998), Denver Art Museum (2004), Mexic–Arte Museum in Austin
(2008), or more recently, the Kunstlerhaus... Show more content on Helpwriting.net ...
Characterized by the post–conceptual attitude and reduced artistic vocabulary, Zogmayer examines the conceptions of image, object, and language.
Following his studies at the School of Applied Arts in Vienna (1975–81), Zogmayer started to exhibit his work in renowned art institutions all over the
world, just to name the Museum of the 20th Century in Vienna (1987), Museum of Contemporary Art in Seoul (1988), and the Moderna Galerija in
Ljubljana (1989). Since the early–90s, Zogmayer has executed a number of several site–specific installations and projections, working from Vienna to
New York. Not only is he renowned for his work in monumental scale. Later, combining his fine and applied art practices, led by the motto "Now is
the time", Zogmayer designed a brand of watches "Jetzt–Uhr" (2003). Today, extensively exhibited and collected, the body of work of Leo Zogmayer
is on view at collections of the Ludwig Museum in Vienna, Museum of Modern Art in Salzburg, Folkwang Museum in Essen, and many

El Greco: The Burial Of Count Of Orgaz
El Greco is a well–known Greek artist whose work during the Spanish Renaissance made him famous. Born 1541 in Crete, El Greco eventually made
his way to Venice where he found himself under the instruction of Titian (El Greco). After moving to Toledo, Spain at age thirty
–five, he continued his
career as an artist until his death. Some of his works include The Holy Trinity, The Assumption of the Virgin, and The Burial of Count of Orgaz (
El
Greco – The Complete Works). All of these paintings show his unique expressionistic style that led him to fame so many decades after his death. Artist
El Greco was commissioned to paint The Assumption of the Virgin for the central panel of the high altar of the church for Santo Domingo el Antiguo
in Toledo (The Assumption of the Virgin). After El Greco arrived in Spain, this piece became his first significant commission. Some of the characters
seen on the canvas ... Show more content on Helpwriting.net ...
This painting was created in honor of the local hero Count Orgaz who donated a large sum of money to the Santo Tome Church. After his death,
Count Orgaz was buried by the Cardinal and clerics in 1312. "The story goes that during this ceremony, the heavens erupted spontaneously and
friends and mourners witnessed a sky filled with images of Jesus, the Virgin, St. John, and several other saints and angels..." (The Burial of the Count
of Orgaz). According to legend, this extraordinary phenomenon occurred because the saints were rewarding the Count for his generosity to the
church. Once again, his use of Mannerist style is evident in the extended and slightly distorted figures of the funeral attendees. El Greco's The Burial
of the Count of Orgaz still remains at the Santo Tome Church where visitors from around the world still flock to view it. Even to this day it is
universally considered to be his greatest masterpiece (The Burial of the Count of

Descriptive Essay About Pablo Picasso
Shocking my oversized three–dollar boots with the recently damp medieval floor, I could hear the high–pitched clapper from the closest cathedral
warning us:we were late. Following my grandmother, I used my aged leather handbag as a barrier to the falling water drops, while rapidly climbing
the stairs to the Museo de SofГa.We were at a heritage travelling experience in the city my grandmother lived years ago, and she wanted to show me
how different life would be. She wanted to show me how the antique architecture was filled with modern decorations; she wished for me to experience
Pablo Picasso's homeland. Yet, on that rainy day, in my first visit to a Picasso exposition, I couldn't see the well honored geniality people talked about.
I recognized some colours tendency as an expression of his life period, the shattered spaces filled with matte cubicles that decipher his creative
expression, yet I couldn't feel the passion all the other tourists felt. I couldn't notice the inspiration of the paintings, I couldn't picture the vision he was
trying to show, I couldn't recognize his point of view. I couldn't understand Picasso. Although I couldn't understand... Show more content on
Helpwriting.net ...
At the end of last year, I witnessed an episode of domestic abuse in my house and discovered about its frequency. Nobody could answer my
questions and the instability formulated new questions for the other ones, I was feeling lost and hopeless.Although one of my most loving relative
was almost extinct from my life, I lost my innocence in the world. I could now evaluate decisions on good and bad sides, having realist points on
each one.Therefore I changed my social and political view, started to write again, to make poems about the reflection of machism on society, and then I
was able to help other women get help getting out of abusive

El Greco Fallacy Reaction Paper

Recommended

Recommended

More Related Content

More from Marie Stars

More from Marie Stars (18)

Recently uploaded

Recently uploaded (20)

El Greco Fallacy Reaction Paper