This was a presentation for Bachelor students in the Design Department, ARTS, Aalto University, 2014

1. Designing
with
Immigrants
Cases:
Urban
planning
Interac6on
Design
Mariana
Salgado
Postdoctoral
Researcher
Arki
Research
group
Department
of
Media
Aalto
University
2
11.11.2014
Service
for
Immigrants

2. Twi?er:
@salgado
Blog:
h?p://pinatasdigitales.wordpress.com/
Arki
blog:
h?p://arki.mlog.taik.fi/
Slideshare:
h?p://www.slideshare.net/marianasalgado

3. “…
so
what?”
Limita6ons
of
Par6cipatory
Design
on
Decision-­‐making
in
Urban
Planning
Michail
Galanakis
Postdoctoral
Researcher
Academy
of
Finland,
Department
of
Geography
University
of
Helsinki

6. Picture
from
Flickr
CC
by
Mosman
Council.

7. Picture
from
Flickr
CC
by
CatalysLc
CommuniLes

19. “Lanterns
and
Lego
for
the
forest.
Meri-­‐RasLla
people
walk
in
the
woods
and
do
craP
on
behalf
of
the
forest.”
Helsingin
Sanomat,
02.08.2012.

20. ”Residents-­‐made
proposal
would
protect
the
forestland.
The
plan
is
viable
and
effecLve
work”.
Olavi
Veltheim.
VarY
(local
newpaper).

23. QUESTIONS?

24. Augmen6ng
audiovisual
archives
by
including
immigrants
Mariana
Salgado
Postdoctoral
Researcher
Arki
Research
group
Department
of
Media
Aalto
University

25. IMMIGRANTS
&
INCLUSION
Underused
creaLve
capacity
of
immigrants-­‐>
design
research
posibility
to
stage
parLcipaLon,
create
disensus
and
intervene
in
the
poliLcal
order
(Kashavarz
&
Mazé,
2013)
Design
as
an
agent
of
social
change
Inclusion
through
media
(in
this
case
video)

26. AUDIOVISUAL
ARCHIVES
CC
by
Verbruggen
&
Pekel
Television heritage

27. AUDIOVISUAL
ARCHIVES
EUscreenXL
is
an
EU
funded
project
that
aims
to
create
public
access
to
AV
content
from
broadcasters
and
archives
around
Europe.
EUscreenXL
is
AV
domain
aggregator
for
the
Europeana
project:
• 36 meses (2013-16)
• Consortium
• AddiLonal
20,000
items
of
AV
content
on
portal
by
2016
Content
in
14
European
languages
Access to 1.000.000 elements of audiovisual material
About
EUscreenXL

28. AUDIOVISUAL
ARCHIVES
About
Europeana
Europeana.eu is an internet portal that acts as an interface to millions of books,
paintings, films, museum objects and archival records that have been digitised
throughout Europe.
Screenshot
from:
h?p://www.europeana.eu/portal/

29. REMIX
Remix
definiLon:
separaLng
and
recombining
many
types
of
media
including
images,
video,
literary
text,
and
video
game
assets.
It
is
a
form
of
creaLvity.
Is
is
a
culture
of
“rip
and
create”
Fagerjord
(2010)
RIP! A Remix Manifesto

30. “Our
culture
no
longer
bothers
to
use
words
like
appropria1on
or
borrowing
to
describe
those
very
acLviLes.
Today's
audience
isn't
listening
at
all
-­‐
it's
parLcipaLng.
Indeed,
audience
is
as
anLque
a
term
as
record,
the
one
archaically
passive,
the
other
archaically
physical.
The
record,
not
the
remix,
is
the
anomaly
today.
The
remix
is
the
very
nature
of
the
digital”
(Gibson,
2005).

31. How
cultural
diasporas
could
enrich
and
interpret
audiovisual
cultural
heritage?

32. How
could
new
media
strategies
support
social
inclusion?

36. The best that could happen
Director:
Lazar
Mitev
Art
Director:
Borislav
Borisov

37. Roma cuisine
Director:
Kollyo
Petrov
15
años
Director
de
arte:
Borislav
Borisov

38. Director:
Kollyo
Petrov
15
años.
Director
de
arte:
Borislav
Borisov

39. Interface
Prototype
workshop
Tools
for
remix

40. DISCUSSION
On
the
evoluLon
of
media
environment
to
support
mulLculturality
Societal
impact-­‐
how
to
use
video
remix
to
empower
people?
On
Methods:
a)
collaboraLon
with
other
professionals
b)
long
term
commitment
c)
third
sector
d)
ethical
issues
e)
emoLonal
aspects

41. References
Keshavarz, M. and Mazé, R. (2013) 'Design and Dissensus: Framing and
Staging Participation in Design Research', Design Philosophy Papers, 1:
unpaginated.
Lammers, E. (2005). Refugees, asylum seekers and anthropologists: the
taboo on giving. Global Migration Perspectives. Global Commission on
International Migration. Switzerland.

42.
Thanks!
mariana.salgado@aalto.fi
http://www.slideshare.net/mariana.salgado