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FINAL PRESENTATION
EXHIBITION OF AFRICAN AMERICAN
ART
By: Maria Catalina Olivares
UCF - SUMMER 2015
ARH - 3170C
Art is the lie that enables us to realize the truth.
-Pablo Picasso
(Mary) Edmonia Lewis
When questioned how she
became an artist, she replied:
"well, it was a strange selection
for a poor girl to make, wasn’t
it? I suppose it was in me ... I
became almost crazy to make
something like the thing which
fascinated me."
-Edmonia Lewis
Citation - Edmonia
Herman (“Kofi”) Bailey
"Kofi Bailey's art revealed
the historical antecedents of
black freedom struggles and
emphasized the people-
centered force of the black
political and cultural
movements of that period." -
James Early, 1998
-Herman Bailey
Citation - Bailey
Exhibition Statement
Art can be used to empower people and bring them together. In the works of art of
(Mary) Edmonia Lewis and Herman (“Kofi”) Bailey we see how they use their art to
show the strength and determination of African Americans and attempt to promote
people to stand up for their rights. We can see many similarities in their artwork even
though they come from different eras. Both of these artists use their artworks to
express their opinions and get people to think about their situations and the times that
they live in. Edmonia Lewis lived in the Post Civil War era, which influenced her work
as seen in the sculpture Forever Free, which shows a slave breaking free form chains
of slavery. Similarly, Herman Bailey drawings of a hand raised toward a star called
Unity represents the demands of African American for equal rights following World
War II. Overall, Edmonia Lewis’ artwork displays the strength of her people who are
trying to move on from slavery to freedom. Whereas, Herman Bailey uses his art to
try to prove that African Americans can be constructive citizens of this country and
have a lot to offer in the political, economical and social world. Also, we can see both
of their art works elicit a response to stand up and fight for their rights. I like how art
can be a medium of communication that can be used to send a message to a vast
amount of people. These artist are able to express and share their views of the world
with others and by that shine a light on many of the injustices of their times.
Citation - Lewis, Samella
(Mary) Edmonia Lewis, Forever Free, 1867. Marble. Howard
University. Gallery ofArt.
This sculpture was inspired by
emancipation of African-
American slaves after the Civil
War. Edmonia shows the
struggles of her race and her
roots. It shows humans with
hope and strength breaking free
from the chains of slavery.
However, the figures still have
chains around their wrist and
ankles, which represent that
even when free, they are still
bound to their past and
challenges in the coming future.
(Mary) Edmonia Lewis, Hagar in the Wilderness, 1868. Marble.
Another statue that reflected
Edmonia background, this is a
statue of an Egyptian woman
called Hagar. Hagar is from the
biblical book of Genesis and
would have been considered
black from the nineteenth
century perspective. Hagar
was an Egyptian slave who
would bore a son for Abraham
and in the sculpture we can
see Hagar in a submissive
position awaiting her fate.
Citation - Lewis
(Mary) Edmonia Lewis, Indians in Battle, 1868. Marble.
Edmonia Lewis was of Native
American descent through her
mother and was raised in a
Native American tribe. Her
work often depicts oppressed
groups like African Americans
and Native Americans. The
following statue depicts three
American Indian fighting. The
sculpture is incredibly dynamic
and dramatic showing two
Indians standing up while one
holds a knife and the other one
fights for his life with a third
man on the ground struggling
to pull himself up.
(Mary) Edmonia Lewis, Bust ofAbraham Lincoln, 1870. Marble.
This is a bust of Abraham
Lincoln, which is among one of
the best-known sculptures of
Edmonia. She clearly captured
the likeness of the president
with a stern and conflicted
expression. Lincoln was the
sixteenth president of the
United States who ended
slavery with the Emancipation
Proclamation. It is interesting to
ponder what Edmonia thought
of Abraham Lincoln who free
slaves in the United States but
was not seen as a hero among
Native Americans.
(Mary) Edmonia Lewis, John Brown, 1876. Marble.
This is a bust of abolitionist hero
John Brown, a white-American
who believed armed insurrection
was the only way to end slavery.
It is believed that Brown’s
rebellion escalated tension that
would lead to secession and the
American Civil War. In this bust
Edmonia, of African American
decent through her father,
immortalizes a man who played
a part of the end of the slavery.
This image elicits a will to stand
up and fight.
Citation - Brown
Herman (“Kofi”) Bailey, Unity, 1961. Mixed media, 40” x 30”.
Collection of Samella Lewis.
This artwork by Bailey shows the
political and social concepts of
self-determination through self-
expression. In the artwork we see
an arm, representing African
Americans, reaching for the “all-
seeing eye,” the eye of African
American unity, which overlooks
all. This is a symbol of unity and
having the arm reaching for it
creates an incredible moving and
strong visual image. It makes you
wants to stand up and unity
against the world.
Herman (“Kofi”) Bailey, Birth. Mixed media, 40” x 30”.
Herman Bailey is best known
for his work reflecting the
African American experience
and Pan-Africanism
philosophy. We can see in this
drawing how Bailey empowers
African Americans by showing
an African American Doctor
delivering a baby. This
drawing comes in a period of
time when African Americans
are fighting for equal rights in
all aspect of the American life
and show that they can
contribute to society.
Herman (“Kofi”) Bailey, Untitled, 1962. Mixed media. Drawing.
The drawing shows a subtle
image of an African American
who seems to be conflicted.
Bailey shows his great
understating of human
sensibilities and emotions in the
portrait of this figure that needs
little background to define his
situation. The image shows him
alone struggling, which reflects
the struggles that African
American encounter during this
time. However, the image still
has a sense of hope, as the
figure is upright with the will to
continue.
Herman (“Kofi”) Bailey, Martin Luther King, Jr.’s, 1968. Poster
campaign, 339 x 471.
The following poster shows Bailey
involvement in the political world of his
time. Besides Pan-Africanism, Bailey
covered other areas of the African-
American experience such as Black
Power, anti-colonialism, and African-
American civil rights. In this work of
art, Bailey portraits Martin Luther King,
Jr., a leader in the African-American
Civil Rights Movement. This is a
Poster for the Poor People's
Campaign, 1968, which was an effort
to gain economic justice for poor
people in the USA.
Herman (“Kofi”) Bailey, Untitled [Boy Reading by Gaslight], 1970.
Pastel and Charcoal, 40” x 30”.
Bailey was best known for his
conte and charcoal drawings as
shown here, which depicts and
African American reading at night.
This is another image that seems
to show bailey’s desire to
empower African American in his
drawings. There is a great use of
color and employs geometric and
figurative elements and including
aspects of character common to
all mankind, almost encouraging
all those around him to fight for a
respectable life.
Citations
Bailey, Herman. Wikipedia. Wikimedia Foundation, Inc., 2015. Web. 16 July 2015
(https://en.wikipedia.org/wiki/Herman_Bailey)
Brown, John. Wikipedia. Wikimedia Foundation, Inc., 2015. Web. 16 July 2015
(https://en.wikipedia.org/wiki/John_Brown_(abolitionist)
Edmonia Lewis. The Indomitable Sprit of Edmonia Lewis, 2014. Web. 16 July 2015
(http://www.edmonialewis.com/favorite_quotations.htm0
Lewis, Edmonia. Encyclopedia of Worlds Biography. 2008. Web. 16 July 2015
(http://www.encyclopedia.com/topic/Edmonia_Lewis.aspx)
Lewis, Samella S,. African American Art and Artists. California: University of
California Press, 2003. Book. 16 July 2015

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Olivares maria artproj

  • 1. FINAL PRESENTATION EXHIBITION OF AFRICAN AMERICAN ART By: Maria Catalina Olivares UCF - SUMMER 2015 ARH - 3170C Art is the lie that enables us to realize the truth. -Pablo Picasso
  • 2. (Mary) Edmonia Lewis When questioned how she became an artist, she replied: "well, it was a strange selection for a poor girl to make, wasn’t it? I suppose it was in me ... I became almost crazy to make something like the thing which fascinated me." -Edmonia Lewis Citation - Edmonia
  • 3. Herman (“Kofi”) Bailey "Kofi Bailey's art revealed the historical antecedents of black freedom struggles and emphasized the people- centered force of the black political and cultural movements of that period." - James Early, 1998 -Herman Bailey Citation - Bailey
  • 4. Exhibition Statement Art can be used to empower people and bring them together. In the works of art of (Mary) Edmonia Lewis and Herman (“Kofi”) Bailey we see how they use their art to show the strength and determination of African Americans and attempt to promote people to stand up for their rights. We can see many similarities in their artwork even though they come from different eras. Both of these artists use their artworks to express their opinions and get people to think about their situations and the times that they live in. Edmonia Lewis lived in the Post Civil War era, which influenced her work as seen in the sculpture Forever Free, which shows a slave breaking free form chains of slavery. Similarly, Herman Bailey drawings of a hand raised toward a star called Unity represents the demands of African American for equal rights following World War II. Overall, Edmonia Lewis’ artwork displays the strength of her people who are trying to move on from slavery to freedom. Whereas, Herman Bailey uses his art to try to prove that African Americans can be constructive citizens of this country and have a lot to offer in the political, economical and social world. Also, we can see both of their art works elicit a response to stand up and fight for their rights. I like how art can be a medium of communication that can be used to send a message to a vast amount of people. These artist are able to express and share their views of the world with others and by that shine a light on many of the injustices of their times. Citation - Lewis, Samella
  • 5. (Mary) Edmonia Lewis, Forever Free, 1867. Marble. Howard University. Gallery ofArt. This sculpture was inspired by emancipation of African- American slaves after the Civil War. Edmonia shows the struggles of her race and her roots. It shows humans with hope and strength breaking free from the chains of slavery. However, the figures still have chains around their wrist and ankles, which represent that even when free, they are still bound to their past and challenges in the coming future.
  • 6. (Mary) Edmonia Lewis, Hagar in the Wilderness, 1868. Marble. Another statue that reflected Edmonia background, this is a statue of an Egyptian woman called Hagar. Hagar is from the biblical book of Genesis and would have been considered black from the nineteenth century perspective. Hagar was an Egyptian slave who would bore a son for Abraham and in the sculpture we can see Hagar in a submissive position awaiting her fate. Citation - Lewis
  • 7. (Mary) Edmonia Lewis, Indians in Battle, 1868. Marble. Edmonia Lewis was of Native American descent through her mother and was raised in a Native American tribe. Her work often depicts oppressed groups like African Americans and Native Americans. The following statue depicts three American Indian fighting. The sculpture is incredibly dynamic and dramatic showing two Indians standing up while one holds a knife and the other one fights for his life with a third man on the ground struggling to pull himself up.
  • 8. (Mary) Edmonia Lewis, Bust ofAbraham Lincoln, 1870. Marble. This is a bust of Abraham Lincoln, which is among one of the best-known sculptures of Edmonia. She clearly captured the likeness of the president with a stern and conflicted expression. Lincoln was the sixteenth president of the United States who ended slavery with the Emancipation Proclamation. It is interesting to ponder what Edmonia thought of Abraham Lincoln who free slaves in the United States but was not seen as a hero among Native Americans.
  • 9. (Mary) Edmonia Lewis, John Brown, 1876. Marble. This is a bust of abolitionist hero John Brown, a white-American who believed armed insurrection was the only way to end slavery. It is believed that Brown’s rebellion escalated tension that would lead to secession and the American Civil War. In this bust Edmonia, of African American decent through her father, immortalizes a man who played a part of the end of the slavery. This image elicits a will to stand up and fight. Citation - Brown
  • 10. Herman (“Kofi”) Bailey, Unity, 1961. Mixed media, 40” x 30”. Collection of Samella Lewis. This artwork by Bailey shows the political and social concepts of self-determination through self- expression. In the artwork we see an arm, representing African Americans, reaching for the “all- seeing eye,” the eye of African American unity, which overlooks all. This is a symbol of unity and having the arm reaching for it creates an incredible moving and strong visual image. It makes you wants to stand up and unity against the world.
  • 11. Herman (“Kofi”) Bailey, Birth. Mixed media, 40” x 30”. Herman Bailey is best known for his work reflecting the African American experience and Pan-Africanism philosophy. We can see in this drawing how Bailey empowers African Americans by showing an African American Doctor delivering a baby. This drawing comes in a period of time when African Americans are fighting for equal rights in all aspect of the American life and show that they can contribute to society.
  • 12. Herman (“Kofi”) Bailey, Untitled, 1962. Mixed media. Drawing. The drawing shows a subtle image of an African American who seems to be conflicted. Bailey shows his great understating of human sensibilities and emotions in the portrait of this figure that needs little background to define his situation. The image shows him alone struggling, which reflects the struggles that African American encounter during this time. However, the image still has a sense of hope, as the figure is upright with the will to continue.
  • 13. Herman (“Kofi”) Bailey, Martin Luther King, Jr.’s, 1968. Poster campaign, 339 x 471. The following poster shows Bailey involvement in the political world of his time. Besides Pan-Africanism, Bailey covered other areas of the African- American experience such as Black Power, anti-colonialism, and African- American civil rights. In this work of art, Bailey portraits Martin Luther King, Jr., a leader in the African-American Civil Rights Movement. This is a Poster for the Poor People's Campaign, 1968, which was an effort to gain economic justice for poor people in the USA.
  • 14. Herman (“Kofi”) Bailey, Untitled [Boy Reading by Gaslight], 1970. Pastel and Charcoal, 40” x 30”. Bailey was best known for his conte and charcoal drawings as shown here, which depicts and African American reading at night. This is another image that seems to show bailey’s desire to empower African American in his drawings. There is a great use of color and employs geometric and figurative elements and including aspects of character common to all mankind, almost encouraging all those around him to fight for a respectable life.
  • 15. Citations Bailey, Herman. Wikipedia. Wikimedia Foundation, Inc., 2015. Web. 16 July 2015 (https://en.wikipedia.org/wiki/Herman_Bailey) Brown, John. Wikipedia. Wikimedia Foundation, Inc., 2015. Web. 16 July 2015 (https://en.wikipedia.org/wiki/John_Brown_(abolitionist) Edmonia Lewis. The Indomitable Sprit of Edmonia Lewis, 2014. Web. 16 July 2015 (http://www.edmonialewis.com/favorite_quotations.htm0 Lewis, Edmonia. Encyclopedia of Worlds Biography. 2008. Web. 16 July 2015 (http://www.encyclopedia.com/topic/Edmonia_Lewis.aspx) Lewis, Samella S,. African American Art and Artists. California: University of California Press, 2003. Book. 16 July 2015