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1. THE GODS
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Character Analysis
To a certain extent, the role of the gods in Homer's Iliad can be summed up by the following remark
by a character in an entirely different literary work, Gloucester from Shakespeare's King Lear: "As
flies to wanton boys are we to the gods; / they kill us for their sport." This is only true to a certain
extent because Homer's gods also experience deep connections with some mortals (think of
Aphrodite looking out for Paris or Athene's special friendship with Odysseus), particularly when
these mortals are their children (think of Aphrodite looking out for her son Aineias, Zeus pondering
rescuing his son Sarpedon from death, or the profoundly human grief of Thetis for her short-lived
son Achilleus). And yet, there remains something essentially trivial about the gods' way of life, as is
made most vividly clear in the feasting scene that rounds off Book 1, in striking contrast to the
vehement human struggle that has just erupted between Achilleus and Agamemnon.
In reading about Homer's gods, a few basic facts should be kept in mind. First of all, they are
immortal. As such, their veins are not full of blood, but rather a divine substance called ichor. Also,
they do not eat ordinary food, subsisting instead on ambrosia (this word in Greek means simply
"immortal [stuff]"), and imbibing nectar, an immortal drink. They also "eat" (not quite the right word,
but it's hard to come up with a better one) the smoke from sacrifices of burned animal fat, which the
mortals offer up to the gods at their feasts, and "drink" the wine spilled on the ground when mortals
make libations. In exchange for these offerings, as well as other acts of worship, such as prayers or
the construction of temples, the gods perform a variety of services for mortals (such as giving them
victory in battle or athletic contests, etc.).
The second thing to remember about the Homeric gods is their specific allegiances in the Trojan
War. Hera, the patron goddess of women and the home, and Athene, goddess or war and wisdom,
are opposed to the Trojans because Paris said that Aphrodite was more beautiful than them.
Poseidon, the god of the sea, is also against the Trojans, but for a different reason. He's mad
because Laomedon, an ancient king of Troy (and the father of Priam, its current king) once enslaved
him and made him build the city's walls – and then refused to pay him. Even though Apollo, god of
poetry, archery, healing, and a whole lot of other stuff, was also enslaved at that time, and also
cheated out of his pay, he is backing the Trojans. So is Aphrodite, the goddess of love, whose heart
is still going pitter-patter because of Paris's original flattery. Ares, the god of war, is also on the

2. Trojan side.
Those who remain more neutral are Zeus, the king of the gods, who controls the sky and the
weather, Hephaistos, the god of fire and metal-working, and Hades, the god of the underworld.
These gods can swing one way or the other on specific occasions as a favor – as when Thetis
convinces Zeus to help the Trojans, or when the same goddess gets Hephaistos to make a snazzy
new suit of armor for her son Achilleus.
The final thing to remember about the gods is that, even though, in principle, they are not bound by
fate (as can be seen when Zeus considers saving Sarpedon, even though it is against his destiny),
they usually follow it anyway, just to keep things in order.