SlideShare a Scribd company logo
1 of 23
YOUR NAME HERE
 This template PowerPoint presentation includes all the relevant
elements you need to cover your film production.
 It is suggested you save this PP in a different name so you
always have a copy – some sections require you to delete the
information on the slide and replace with your own work
 Add more pages to each section where necessary [you should be
doing this!]
 Add visuals as you see necessary
 This document will be added to as you progress through the pre-
production phase.
 Remember, you need to give as much attention to your
sound planning as you do to your visual planning
 Use the story development resource to help structure your short
film with more detail
 Not all the aspects have to be followed verbatim, use the
resource the plan out character, motivation, stakes and the arc of
your film, this will help to ensure that it works structurally
 Proforma is on bb
 Add a structural breakdown of each scene once you have done
this
 Breakdown your film into it’s basic sections [e.g. via scene
breakdown or similar] and apply broad visual ideas to each
section. You should list the shots required
 You can use this as the master template for your production, then
add more shots to each section when you develop your full visual
plan
 From this you could work on a conventional script if you want, but
using the scene breakdowns should be enough
Scene
No.
Appro
x
timing
What happens Visual notes Audio
notes
1 10 The two leading roles discovering
an old building in the woods and
entering.
This scene will seem much
lighter and peaceful showing
the characters to be innocent.
2 15 They find a clock and whilst drunk
decide to destroy it.
Mysterious figure first appears at
end.
3 20 This scene is a running scene
through out the forest to the car,
away from the figure.
I will cut between the two
running to show fear, also I
would like to show the view of
the figure so it seems as he is
chasing them.
4 15 The last character left gets to the
car, due to the panic drops the keys
unable to unlock the car, then the
jump scare showing the figure and
ending with a canned shot.
I will be using a canned angle
to end the film, also I want a
jump scare to reveal the
figure.
Visual Planning
 Your storyboard should bring your idea to life
 Provide an idea of the sequencing of you film
 Provides a basis for production
 Suggested online storyboard creators are:
 https://www.storyboardthat.com
 http://www.pixton.com [very complicated]
 http://www.storyjumper.com [allows you to insert your own images]
 Alternatively, hand draw or photograph your storyboard and scan or
copy to insert it onto your slides
 There are lots of tips collected together on Blackboard!
Organisational Planning
 Include names, contact info, and defined roles at difference
stages of production, using a table is suggested
Name Scene 1 Scene 2 Scene 3 Scene 4
Louis Harman Playing the
protagonist role
discovering the
house
Smashing
the clock
also playing
the
antagonist
role.
Running
through the
woods as well
as chasing
through the
woods.
Plus filming
Dragging the
body and the
jump scare.
Maybe filming
Drew Parker Playing the
protagonist role
discovering the
house
Smashing
the clock
Running
through the
woods
Making it to the
car as well as
being caught.
Ella Harman Filming filming filming
 Who is going to be in your film, how and why have they been
deemed your best choice? Do you have any backup options?
Person Role scene why
Louis
harman
Filming and
acting
Acting up till
the last
scene where
im filming
Im playing one of the
two main roles as I fit
the age of the
character aswell as
my appearance
Drew parker Acting Acting in all
scenes
I chose him to play
the other leading
role, because he is
the same age as me
and has a similar
appearance.
Ella harman filming Filming the
1st and 3rd
scene
Because she has a a
steady hand and is
easily available.
 Information and images of your location[s] for filming
 You should have address details, clearance/premissions for filming, recce photos and
floorplans [including camera, equipment and cast/crew layouts]
 Where possible, have a plan B fallback location option
 Assess each location for any issues and suggest solutions
Location Scene issues solution fallback
Forest in
borough bridge
1 and 3 People may be
on walks.
Film at night so there's
no people and it is
creepy.
Any forest
ever
Old barn in krey 2 May be
dangerous or
not aloud in.
I will make sure I get
permission from the
farmer and check for
any safety risks before
hand.
I could film
in another
building
just not as
derelict
and
creepy.
Car 4 May not be
available
I will have to plan on a
back up car from
someone else if so.
The
second
car.
 Risk Assess each separate filming location using the provided
form in the pre-production folder on Blackboard and insert into
your powerpoint
 Completing a generic filming assessment would be a start, then
you can add specialist/site specific risks as you progress your
production
 Remember, a Risk Assessment is an ongoing document, you
should evaluate if anything changes in production and when you
put control measures in place
 Provide an outline of what you will do on which days during
production
Day Week 1 Week 2
Monday Finishing planning
Tuesday
Wednesday
Thursday
Friday
 List, explain how you’ll acquire and provide an overview of
anything else you’ll need for your production – this is about
anything that isn’t cast, crew, technical equipment and
locations, but could be how those things will be moved to a
location, for example.
 In my film I will need several props for the film this will
include the clock that will be in scene 2, a bottle that
resembles alcohol and then the car at the end of the scene
provided by my sister.
 I will also require a costume for the antagonist this will be an
all black outfit preferably with some sort of cloak and then
either a mask or a hood to hide there face.
Soundtrack Planning
Scene Sound Source
1 Footsteps on leaves
Wind echoing
Atmospheric back drop
I will record myself walking
across leaves using a
recorder.
I will have to use a sound
bite online for the other
two.
2 Clock rings I will use a sound bite of
the internet
3 I will again need footsteps
but faster.
I would like a grunting and
breathing sound to make it
seem as its coming from
the creature chasing
I will again record these
myself.
I will try to make my own
recording if it doesn't’t
sound right I will use
sound bites again.
4

More Related Content

What's hot

5. fmp pre production improved *Final*
5. fmp pre production improved *Final* 5. fmp pre production improved *Final*
5. fmp pre production improved *Final* Fraser Hardwick
 
'The Girl With The Dragon Tattoo' - opening sequence analysis
'The Girl With The Dragon Tattoo' - opening sequence analysis 'The Girl With The Dragon Tattoo' - opening sequence analysis
'The Girl With The Dragon Tattoo' - opening sequence analysis Millie Pickering
 
4. pre production sf 2017 newest v2
4. pre production sf 2017 newest v24. pre production sf 2017 newest v2
4. pre production sf 2017 newest v2Andreas Mina
 
Analysis of editing in a horror trailer
Analysis of editing in a horror trailerAnalysis of editing in a horror trailer
Analysis of editing in a horror trailerChloe9297
 
Understanding of camera shots
Understanding of camera shotsUnderstanding of camera shots
Understanding of camera shotsdaniellemerrikin
 
Horror do’s and dont’s
Horror do’s and dont’sHorror do’s and dont’s
Horror do’s and dont’sstraightunicorn
 
Media language investigation
Media language investigationMedia language investigation
Media language investigationtaylaemmons
 
Horror movies quick overview n project
Horror movies quick overview n projectHorror movies quick overview n project
Horror movies quick overview n projectguest55d149b
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1morenike16
 
Assignment 9 opening sequence analysis
Assignment 9 opening sequence analysisAssignment 9 opening sequence analysis
Assignment 9 opening sequence analysisMissConnell
 
Planning a demo reel
Planning a demo reelPlanning a demo reel
Planning a demo reelmopish
 
Horror movies quick overview n project final
Horror movies quick overview n project final Horror movies quick overview n project final
Horror movies quick overview n project final guest55d149b
 
Film trailers techniques and captions
Film trailers   techniques and captionsFilm trailers   techniques and captions
Film trailers techniques and captionsvfarrimond
 
Conventions of a horror
Conventions of a horrorConventions of a horror
Conventions of a horrorholly dando
 

What's hot (20)

5. fmp pre production improved *Final*
5. fmp pre production improved *Final* 5. fmp pre production improved *Final*
5. fmp pre production improved *Final*
 
Fmp Planning
Fmp PlanningFmp Planning
Fmp Planning
 
My Pitch
My PitchMy Pitch
My Pitch
 
'The Girl With The Dragon Tattoo' - opening sequence analysis
'The Girl With The Dragon Tattoo' - opening sequence analysis 'The Girl With The Dragon Tattoo' - opening sequence analysis
'The Girl With The Dragon Tattoo' - opening sequence analysis
 
4. pre production sf 2017 newest v2
4. pre production sf 2017 newest v24. pre production sf 2017 newest v2
4. pre production sf 2017 newest v2
 
Analysis of editing in a horror trailer
Analysis of editing in a horror trailerAnalysis of editing in a horror trailer
Analysis of editing in a horror trailer
 
Understanding of camera shots
Understanding of camera shotsUnderstanding of camera shots
Understanding of camera shots
 
Horror do’s and dont’s
Horror do’s and dont’sHorror do’s and dont’s
Horror do’s and dont’s
 
1. initial plans
1. initial plans1. initial plans
1. initial plans
 
Costume
CostumeCostume
Costume
 
Media language investigation
Media language investigationMedia language investigation
Media language investigation
 
Storyboarding
StoryboardingStoryboarding
Storyboarding
 
Horror movies quick overview n project
Horror movies quick overview n projectHorror movies quick overview n project
Horror movies quick overview n project
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Editing Analysis
Editing AnalysisEditing Analysis
Editing Analysis
 
Assignment 9 opening sequence analysis
Assignment 9 opening sequence analysisAssignment 9 opening sequence analysis
Assignment 9 opening sequence analysis
 
Planning a demo reel
Planning a demo reelPlanning a demo reel
Planning a demo reel
 
Horror movies quick overview n project final
Horror movies quick overview n project final Horror movies quick overview n project final
Horror movies quick overview n project final
 
Film trailers techniques and captions
Film trailers   techniques and captionsFilm trailers   techniques and captions
Film trailers techniques and captions
 
Conventions of a horror
Conventions of a horrorConventions of a horror
Conventions of a horror
 

Similar to 4. pre production sf 2017

Pre Production sf 2017
Pre Production sf 2017Pre Production sf 2017
Pre Production sf 2017Mel Nuttall
 
Video - Pre-Production
Video - Pre-ProductionVideo - Pre-Production
Video - Pre-ProductionDaniel Corr
 
Short film rotation-// Pre Production
Short film rotation-// Pre Production Short film rotation-// Pre Production
Short film rotation-// Pre Production caleb wilcox
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017Tahmid Ahmed
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017joe manship
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017jack-morton
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017stefan hughes
 
4. pre production storyboard
4. pre production storyboard4. pre production storyboard
4. pre production storyboardDaniel Thompson
 
4. pre production sf 2017 (1)
4. pre production sf 2017 (1)4. pre production sf 2017 (1)
4. pre production sf 2017 (1)Abbey Glancy
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017Jack Hickman
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017stefan hughes
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017Louis Robinson
 
5. fmp pre production (done)
5. fmp pre production (done)5. fmp pre production (done)
5. fmp pre production (done)alfieepimblett
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017Toni Gibson
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017Tom Batty
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017Tom Batty
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017Toni Gibson
 

Similar to 4. pre production sf 2017 (20)

Pre Production sf 2017
Pre Production sf 2017Pre Production sf 2017
Pre Production sf 2017
 
Video - Pre-Production
Video - Pre-ProductionVideo - Pre-Production
Video - Pre-Production
 
Pre-Production
Pre-Production Pre-Production
Pre-Production
 
Short film rotation-// Pre Production
Short film rotation-// Pre Production Short film rotation-// Pre Production
Short film rotation-// Pre Production
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production storyboard
4. pre production storyboard4. pre production storyboard
4. pre production storyboard
 
4. pre production sf 2017 (1)
4. pre production sf 2017 (1)4. pre production sf 2017 (1)
4. pre production sf 2017 (1)
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
5. fmp pre production (done)
5. fmp pre production (done)5. fmp pre production (done)
5. fmp pre production (done)
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 
4. pre production sf 2017
4. pre production sf 20174. pre production sf 2017
4. pre production sf 2017
 

More from louis harman

More from louis harman (20)

Theory thrasher
Theory thrasherTheory thrasher
Theory thrasher
 
Theory thrasher
Theory thrasherTheory thrasher
Theory thrasher
 
Presenting
PresentingPresenting
Presenting
 
Planning fmp [autosaved]
Planning fmp [autosaved]Planning fmp [autosaved]
Planning fmp [autosaved]
 
Fmp proposal
Fmp proposalFmp proposal
Fmp proposal
 
Portfolio
Portfolio Portfolio
Portfolio
 
Personal statement
Personal statementPersonal statement
Personal statement
 
Ucas pplication
Ucas pplicationUcas pplication
Ucas pplication
 
Ilp powerpoint
Ilp powerpointIlp powerpoint
Ilp powerpoint
 
Ual ucas pro forma(1)
Ual ucas pro forma(1)Ual ucas pro forma(1)
Ual ucas pro forma(1)
 
Theory week 2
Theory week 2Theory week 2
Theory week 2
 
Theory week 1 (1)
Theory week 1 (1)Theory week 1 (1)
Theory week 1 (1)
 
Axel bmx magazine powerpoint
Axel bmx magazine powerpointAxel bmx magazine powerpoint
Axel bmx magazine powerpoint
 
Development diary
Development diaryDevelopment diary
Development diary
 
Fmp presentation
Fmp presentationFmp presentation
Fmp presentation
 
Problem solving 2
Problem solving 2Problem solving 2
Problem solving 2
 
Problem solving
Problem solvingProblem solving
Problem solving
 
Presentation1
Presentation1Presentation1
Presentation1
 
Fmp proposal
Fmp proposalFmp proposal
Fmp proposal
 
Axel bmx magazine powerpoint
Axel bmx magazine powerpointAxel bmx magazine powerpoint
Axel bmx magazine powerpoint
 

Recently uploaded

FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiMalviyaNagarCallGirl
 
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 60009654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000Sapana Sha
 
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur DubaiBur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubaidajasot375
 
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Servicedoor45step
 
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | DelhiMalviyaNagarCallGirl
 
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call GirlsFaridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Kishangarh Call Girls : ☎ 8527673949, Low rate Call Girls
Kishangarh Call Girls : ☎ 8527673949, Low rate Call GirlsKishangarh Call Girls : ☎ 8527673949, Low rate Call Girls
Kishangarh Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Triangle Vinyl Record Store, Clermont Florida
Triangle Vinyl Record Store, Clermont FloridaTriangle Vinyl Record Store, Clermont Florida
Triangle Vinyl Record Store, Clermont FloridaGabrielaMiletti
 
Zagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdfZagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdfStripovizijacom
 
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Servicedoor45step
 
Burari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call GirlsBurari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call GirlsAiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Roadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NMRoadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NMroute66connected
 
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Availabledollysharma2066
 
FULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | DelhiFULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | DelhiMalviyaNagarCallGirl
 
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call GirlsJagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call GirlsMandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call GirlsLaxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Indian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts Service
Indian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts ServiceIndian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts Service
Indian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts Servicedoor45step
 

Recently uploaded (20)

FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
 
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 60009654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
9654467111 Call Girls In Noida Sector 62 Short 1500 Night 6000
 
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur DubaiBur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
 
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
 
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
 
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call GirlsFaridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
 
Kishangarh Call Girls : ☎ 8527673949, Low rate Call Girls
Kishangarh Call Girls : ☎ 8527673949, Low rate Call GirlsKishangarh Call Girls : ☎ 8527673949, Low rate Call Girls
Kishangarh Call Girls : ☎ 8527673949, Low rate Call Girls
 
Triangle Vinyl Record Store, Clermont Florida
Triangle Vinyl Record Store, Clermont FloridaTriangle Vinyl Record Store, Clermont Florida
Triangle Vinyl Record Store, Clermont Florida
 
Zagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdfZagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdf
 
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
 
Burari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call GirlsBurari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call Girls
 
Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call GirlsAiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
 
Roadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NMRoadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NM
 
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
 
FULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | DelhiFULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gandhi Vihar | Delhi
 
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call GirlsJagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
 
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call GirlsMandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
 
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call GirlsLaxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
 
Indian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts Service
Indian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts ServiceIndian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts Service
Indian High Profile Call Girls In Sector 18 Noida 8375860717 Escorts Service
 

4. pre production sf 2017

  • 2.  This template PowerPoint presentation includes all the relevant elements you need to cover your film production.  It is suggested you save this PP in a different name so you always have a copy – some sections require you to delete the information on the slide and replace with your own work  Add more pages to each section where necessary [you should be doing this!]  Add visuals as you see necessary  This document will be added to as you progress through the pre- production phase.  Remember, you need to give as much attention to your sound planning as you do to your visual planning
  • 3.
  • 4.  Use the story development resource to help structure your short film with more detail  Not all the aspects have to be followed verbatim, use the resource the plan out character, motivation, stakes and the arc of your film, this will help to ensure that it works structurally  Proforma is on bb  Add a structural breakdown of each scene once you have done this
  • 5.
  • 6.  Breakdown your film into it’s basic sections [e.g. via scene breakdown or similar] and apply broad visual ideas to each section. You should list the shots required  You can use this as the master template for your production, then add more shots to each section when you develop your full visual plan  From this you could work on a conventional script if you want, but using the scene breakdowns should be enough
  • 7. Scene No. Appro x timing What happens Visual notes Audio notes 1 10 The two leading roles discovering an old building in the woods and entering. This scene will seem much lighter and peaceful showing the characters to be innocent. 2 15 They find a clock and whilst drunk decide to destroy it. Mysterious figure first appears at end. 3 20 This scene is a running scene through out the forest to the car, away from the figure. I will cut between the two running to show fear, also I would like to show the view of the figure so it seems as he is chasing them. 4 15 The last character left gets to the car, due to the panic drops the keys unable to unlock the car, then the jump scare showing the figure and ending with a canned shot. I will be using a canned angle to end the film, also I want a jump scare to reveal the figure.
  • 9.
  • 10.  Your storyboard should bring your idea to life  Provide an idea of the sequencing of you film  Provides a basis for production  Suggested online storyboard creators are:  https://www.storyboardthat.com  http://www.pixton.com [very complicated]  http://www.storyjumper.com [allows you to insert your own images]  Alternatively, hand draw or photograph your storyboard and scan or copy to insert it onto your slides  There are lots of tips collected together on Blackboard!
  • 11.
  • 12.
  • 14.  Include names, contact info, and defined roles at difference stages of production, using a table is suggested Name Scene 1 Scene 2 Scene 3 Scene 4 Louis Harman Playing the protagonist role discovering the house Smashing the clock also playing the antagonist role. Running through the woods as well as chasing through the woods. Plus filming Dragging the body and the jump scare. Maybe filming Drew Parker Playing the protagonist role discovering the house Smashing the clock Running through the woods Making it to the car as well as being caught. Ella Harman Filming filming filming
  • 15.  Who is going to be in your film, how and why have they been deemed your best choice? Do you have any backup options? Person Role scene why Louis harman Filming and acting Acting up till the last scene where im filming Im playing one of the two main roles as I fit the age of the character aswell as my appearance Drew parker Acting Acting in all scenes I chose him to play the other leading role, because he is the same age as me and has a similar appearance. Ella harman filming Filming the 1st and 3rd scene Because she has a a steady hand and is easily available.
  • 16.  Information and images of your location[s] for filming  You should have address details, clearance/premissions for filming, recce photos and floorplans [including camera, equipment and cast/crew layouts]  Where possible, have a plan B fallback location option  Assess each location for any issues and suggest solutions Location Scene issues solution fallback Forest in borough bridge 1 and 3 People may be on walks. Film at night so there's no people and it is creepy. Any forest ever Old barn in krey 2 May be dangerous or not aloud in. I will make sure I get permission from the farmer and check for any safety risks before hand. I could film in another building just not as derelict and creepy. Car 4 May not be available I will have to plan on a back up car from someone else if so. The second car.
  • 17.  Risk Assess each separate filming location using the provided form in the pre-production folder on Blackboard and insert into your powerpoint  Completing a generic filming assessment would be a start, then you can add specialist/site specific risks as you progress your production  Remember, a Risk Assessment is an ongoing document, you should evaluate if anything changes in production and when you put control measures in place
  • 18.
  • 19.  Provide an outline of what you will do on which days during production Day Week 1 Week 2 Monday Finishing planning Tuesday Wednesday Thursday Friday
  • 20.
  • 21.  List, explain how you’ll acquire and provide an overview of anything else you’ll need for your production – this is about anything that isn’t cast, crew, technical equipment and locations, but could be how those things will be moved to a location, for example.  In my film I will need several props for the film this will include the clock that will be in scene 2, a bottle that resembles alcohol and then the car at the end of the scene provided by my sister.  I will also require a costume for the antagonist this will be an all black outfit preferably with some sort of cloak and then either a mask or a hood to hide there face.
  • 23. Scene Sound Source 1 Footsteps on leaves Wind echoing Atmospheric back drop I will record myself walking across leaves using a recorder. I will have to use a sound bite online for the other two. 2 Clock rings I will use a sound bite of the internet 3 I will again need footsteps but faster. I would like a grunting and breathing sound to make it seem as its coming from the creature chasing I will again record these myself. I will try to make my own recording if it doesn't’t sound right I will use sound bites again. 4