Allusions In The Sandman

Allusions In The Sandman
Often nowadays characters of well–known stories are at times more well known than the stories they inhabit thanks to pop culture
where people recognize faces, but not their origins. The Sandman, a comic published by DC Comics, has taken various comic and
Biblical references and incorporated them into its own universe. These allusions to other works helps the reader easily identify
characters and their roles in the story, especially if they have a wide enough literature background. Some simply reveal something
about the universe they inhabit. Understanding this makes the book much more satisfying to read and appreciate the thought put into
the book. In The Sandman the main character, The King of Dream, becomes trapped for 70 years and loses ... Show more content on
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Cain and Abel are an allusion to the story of the first murder in the Bible, and Lucifer is the Lord of Hell (or in the story a triumvirate
with Beelzebub and Azazel). Cain and Abel's first appearance involves the two arguing about a present and finding Dream at the
doorstep (Gaiman, "Imperfect Hosts"). Lucifer is introduced when Dream ventures into hell to retrieve his mask from a demon that
traded it (Gaiman, "A Hope in Hell"). Throughout their interactions, the reader can learn a lot about the universe that they inhabit.
Abel lights a room with fire on his fingertips and there are floating islands (Gaiman, "Imperfect Hosts"). Hell is a physical place, so
one can conclude that magic is real, and there are multiple realms or worlds that the supernatural beings inhabit (Gaiman, "A Hope in
Hell"). Any reader that had read any book that relates to magic such as The Dresden Files, a book series about a wizard detective, can
understand the concept that magic and Hell has laws or rules to follow, which Choronzon even mentions when Dream challenges him
for his helmet (Gaiman, "A Hope in Hell"). Having a background in Biblical or fantasy readings reinforces these facts and helps the
reader better understand the actions of the characters in the
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Grendel's Visit To The Dragon Analysis
The reason why Grendel wants to visit the dragon was because he wants to learn about the Shaper. Grendel was very interested in
what his songs had to say and what they had meant. This is because as it says in the novel "The Shaper was singing the glorious
deeds of he dead men...He sang how they'd fought me. It was all lies." (pg.54) This made Grendel very upset and was so confused on
what the Shaper was saying. Grendel wants to know more about the Shaper because of why he was singing these stories that were
lies about Grendel. He responds "Bullshit!... How was it that he could enrage me so? Why not? the darkness hissed around me. Why
not? (pg.54 L.12–14) The darkness that is surrounding him made him feel uncomfortable and sounded like it had wanted to answer
his question. The darkness represents the dragon. Based on my understanding Grendel sees this darkness as "evil" and the dragon as
"evil". Grendel discovers more about this "darkness" as the dragon because this is what causes Grendel to sit up with a jerk and asked
"Who is it?... No ... Show more content on Helpwriting.net ...
Darkness." (pg.56) Grendel begins to fear of what it could be "I made my mind a blank and fell, sank away like a stone through earth
and sea, toward the dragon" (pg.56) He has now discovered the dragon and is very afraid of this creature or

The Sandman
E.T.A. Hoffmann's "The Sandman" illuminates Freud's theory of the Uncanny. Freud's understanding of Nathaniel in E.T.A.
Hoffmann's "The Sandman" is that the Nathaniel's "madman" like actions are the result of the return of his suppressed juvenile
material. Nathaniel is the protagonist and is convinced that a frightful destiny awaits him. His fear focuses on a threatening old man
whom he has understood since infantile to be the "Sandman", a monster who takes away the eyes of children who are awake at night.
He connects the "sandman" with Coppelius, a colleague of his father and he incriminates Coppelius in his father's death. As an adult,
Nathaniel madness is triggered after having a visitor from what he believes to be the "sandman" whom ... Show more content on
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In the Uncanny Freud states "everything that ought to have remained hidden and secret, and yet comes to light," (7) Whenever
something reminds Nathaniel of the sandman it triggers him to turn into a "madman" and he gets lost in his own world. There are
different causes that trigger one to go mad. Freud believes that one of the main sources of "uncanny" has to do with the idea of one
being robbed of their eyes. " Oedipus that mythical–lawbreaker was simply carrying out a mitigated for of punishment of castration."
Freud believes Nathaniel was afraid of castration not just loosing his eyes since many cherish both. Oedipus links with Nathanael,
both were afraid of loosing a part of them that they both treasure. Nathanael also treasures his mother. Nathaniel seems to only see
his mother as "good", she is the one who protects them and the one that does not want the sandman in the house. "my mother, kissing
and cuddling her darling boy who was thus restored to life." (91) Nathanael has an attachment to his mother. Nathaniel appears to not
like his father and see him as the "bad" parent. "I was comforted by the realization that his alliance with the devilish Coppelius could
not have plunged him into eternal perdition." (92) It could be because the father continues to allow the sandman in their

Essay On The Sandman
The Sandman, A Hand–crafted Nightmare A bedtime story is meant to guide children into a peaceful sleep. That, however, is not the
case when one talks about Paul Berry's The Sandman. According to a friend of his, the late internationally respected animator Paul
Berry started his career in his home country the United Kingdom. There, he had worked on The Wind in The Willows and The Fool
of the World, done solely in stop motion. His Oscar nominated short The Sandman placed his name onto the global stage and led him
to many opportunities oversea, including a position in Nightmare Before Christmas production team. Since its release in 1992, The
Sandman had become the recipient and winner of many film awards around the world (Purves). With its story based on E.T.A.
Hoffmenn's novella Der Sandmann (Willig), the magical nighttime fairy is not what viewers typically know him for. A dark twist to a
gentle bedtime story, combined with clever use of color and distinctive style, turned The Sandman into a great piece of stop motion
animation still known and enjoyed by animators today. The Sandman, contrary to its name, is not your usual folklore. As film critic
Caren Willig noted, ... Show more content on Helpwriting.net ...
The look and feel of characters and environment, simple yet distinctive, tells more story than any dialogue ever could. The moon–like
face and bird–like body combined into a nightmarish Sandman who walks the night (Willig). Angular and lined face depicts an old
mother, gently encouraging her child to sleep. A big, round face makes up a young boy, the protagonist, so innocent and so hesitant to
walk through a dark hallway. A simple and crooked but beautifully crafted set created a minimalistic background, allowing audience
to engage with the intensely bleak story while taking in the eerie atmosphere. The cleverly designed and distinctive style augmented
the story with the subtle information presented in the form of simple shapes and

Meaning Of The Sandman
The Sandman The Sandman is a mythical character whose purpose is to lull children to sleep and give them sweet dreams, by
sprinkling magical sand into their eyes. If children fought the effects of his magical sand, they would have torturous nightmares. The
folklore says that the sleep in the corner of the eyes is a proof that The Sandman was there during the night. The text Verse 1 Say
your prayers little one Don't forget my son To include everyone I tuck you in, warm within Keep you free from sin 'Til the sandman
he comes The song starts with a parent putting their son to bed, persisting the child to say their prayers before they go to bed. The
parent tucks his son into bed to keep him warm during the cold night, which is associated with sin. Children see duvets and blankets
as a shield to protect them from anything that can happen throughout the night. Although the last line can seem disturbing The
Sandman is someone who brings good dreams. But the child may misunderstand this and his own fear may twist the ... Show more
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The prayer was meant to help kids calm down with fear, and trust that God will protect them through the night. Hush, Little Baby is a
lullaby thought to have been written in the Southern United States. The lullaby is traditional too real to soothe an anxious or crying
child. In this version, it's uncertain whether it's The Sandman or the parent who is singing. Whereas the first line follows the
traditional lullaby, the following lines hints to a boogeyman or something to be afraid of. This could be child's way of twisting his
parent's words. Chorus 2 Exit light Enter night Grain of sand The grain of sand is again the proof that The Sandman was there during
the night sprinkling his magical sand into the children's eyes. The music

The Sandman By E. T. A Literary Analysis
The perplexing short story, The Sandman by E.T.A. Hoffman, conveys an unsettling dark tale about a man struggling with the effect
of a traumatic childhood experience. Hoffman delivers an imaginatively chilling portrayal of the looming consequences adolescent
perception can have on adult life. Studies have shown that childhood trauma may harmfully affect the brain structure and cause
children to be at risk for psychiatric disorders later in life (Bergeron 1). Similarly, this idea is shown in Hoffman's tale as the main
character Nathaniel plunges repeatedly into despair and madness because of the fear introduced in his youth. Although childhood
fears may not always be grounded in reality, overwhelming conditions could have a negative impact on ... Show more content on
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Nathaniel, who enjoyed the moments before bed in the company of his father, associated the Sandman with the unwelcoming
separation from his father. Soon after, his sister's nanny teasingly tells of a darker story about the wicked Sandman, who gouges the
eyes out of children who will not go to sleep, feeding their eyes to his own kids (Hoffman 2). Furthermore, his own imaginings about
the Sandman continued to grow strong. Nathaniel's fear grew more intense when he believes his father is murdered by Coppelius,
whom he believes to be the evil Sandman. Expressively, Hoffman's story illustrates the power of perception and the dangers of subtle
progression. Imposing threats help to create harmful visualizations. Children are especially taunted by fears and environmental
influences and may silently cope with things they do not fully understand.
Clara is disturbed after she reads the letter meant her brother Lothaire. For this reason, she replies to Nathaniel to eagerly express her
astute insight and discerning opinion into the probable cause of Nathaniel's affliction; his memories had not been real, but merely
misguided by his own imagination (Hoffman 7–9). The influence of an individual's thought life and belief system can severely
disrupt life and relationships. For instance, when Nathaniel believed that

Sandman Worlds End Essay
The Sandman is a series written by Neil Gaiman. The Sandman volume eight is a graphic novel with dark elements such as
melancholy feelings and supernatural events. This fictional story is a blend of modern and ancient times. The Sandman Worlds' End
is about Brant and his friend Charlene getting caught up in a snowstorm and taking shelter in the Worlds' End Inn. Multiple people
and creatures are waiting in the Inn while he storm is emerging. After awhile, they all find out it is not a weather storm, but it is a
"reality storm" and they exchange stories while they await for the storm to pass. Anyway, readers could expect that The Sandman
Worlds' End is portrayed as a dark fantasy book because an author known for his horror books, Stephen King, ... Show more content
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A frame story is a literary technique that contains a story within another story. An article by David Turner discusses the importance of
a frame narrative process, "This encounter itself initiates a humanizing process, enlarging the understanding of the narrator" (Turner
128). This is important because it explains how a frame narrative can give a clear interpretation of the narrator. Also, most of Neil
Gaiman's story is concerned with the narration. This novel is like Mary Shelley's Frankenstein and Geoffrey Chaucer's Canterbury
Tales because they both have a bunch of small stories that lead to a larger purpose of the big story. In The Sandman Worlds' End, the
main character, Brant Tucker, tells his story and the characters in his story tell their own stories. Also, The Sandman Worlds' End
shows little information about Brant, but it gives more information about the inside characters. The Sandman Worlds' End is told
from the first person point of view of Brant. However, the point of view changes from character to character. Brant tells his story
about going to the Inn, and the people from the Inn are trying to tell the best story of the night. Within the stories from the people of
the Inn, are other characters telling their stories. These frame narratives are important because these smaller stories give the reader
background information about the big

The Insanity Of Nathaniel In The Sandman By E. T. A.
Nathaniel is the main character of the short story "The Sandman" by E.T.A. Victimized ata young age with stories about a sandman;
he later comes to believe that his father's work friendCoppelius is the Sandman. After the death of his father, Nathaniel blames
Coppelius and tries toseek him out for revenge. His significance to the story is shown through his behavior, words, andinteractions
with other characters. This character's importance is also in his insanity, whichmanifests itself throughout the story. The story opens
up with a letter from him to his lover's brother, Lothaire. Then itswitches between letters with Nathaniel still as the main focus,
before finally settling into theperspective of an anonymous friend of Nathaniel's, who continues ... Show more content on
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From childhood, Nathaniel was plaguedby horrific stories of a sandman and then his father dies terribly with the person, who he
believesto be the Sandman, there. This made his mindset fragile and more susceptible to delusions andevents that would seem like a
Sandman was behind them. After Nathaniel awakens from his insanity episode, he appeared relatively normal for alittle while. He
even appears rational enough to admit he was not well before to his friendSigismund. "Heavens, brother, I was in an evil way, but a
good angel led me betimes on to thepath of light! Ah, that was Clara (Hoffman 10)!" If Nathaniel was insane before in the story,
thisis one of the few times he seems level–headed. A madman would not admit to being in an "evilway;" a madman would think that
his actions were in the right and normal. The rationality ofNathaniel does not last, however, and all it takes to drive him back over the
deep end is areminder of the man who has troubled his thoughts since childhood. One of the best examples ofa rational person in this
story would be Clara. She is rational because she believes in fact andlogic. In her eyes, after reading Nathaniel's first letter, it is all in
Nathaniel's head. Her reasoningis based on the psychological compared to what happened to Nathaniel as a child.The reminder of
Coppelius is in the telescope given to him by Coppola. Nathaniel reliveshis watching of Olympia through glancing Clara in the
telescope. "Then he sprang high into theair and punctuating his words with horrible laughter, he shrieked out in a piercing tone,
'Spinround, wooden doll! – Spin round!' Then seizing Clara with immense force, he tried to hurl herdown" (Hoffman 10). He remains
in this state of madness until the very end of the story whenthrows himself off the building to get at Coppelius, who he believes to be
down in the

Folly of Science Exposed in Shelley’s Frankenstein and...
Folly of Science Exposed in Shelley's Frankenstein and E.T.A. Hoffman's Sandman
In Mary Shelley's Frankenstein and E.T.A. Hoffman's Sandman, elements of science are portrayed in a negative light, warning the
reader of the dangers of the unknown. Many aspects of science and technology are portrayed from alchemy and robotics in the
Sandman to biology and chemistry in Frankenstein. The stories feature similar main characters that break the boundaries of
conventional society in order to investigate their desires. Each story features a "living doll", or a creation of man that, while first
made for good, results in evil.
When we read The Sandman, we are left in doubt as to whether what is happening to Nathaniel is real or ... Show more content on
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In his later actions, Frankenstein again behaves obsessively, by pursuing his own creation, absolutely confident that only its
revengeful death would provide a solution, no matter what the cost.
In the case of Nathaniel, we see the same type of obsession although, due to the shortness of The Sandman and its purposeful "fog",
we don't have enough information to competently judge Nathaniel's actions. The result, nevertheless, is strikingly similar. Nathaniel,
incapable of recovering from his first obsession about the "Sandman" is only to fall into another extremity in his love towards the
lifeless Olympia. How ironic are his own words, "O you glorious profound nature ... only you, you alone, understand me
completely."
It should be noted that during the rest of the time, Frankenstein is rather inactive and passive, always providing a moral excuse for
that. He does not realize the deceitful nature of his behavior when he undergoes one his regular spasms of desire to return to the
virtues of domesticity, "the amiableness of domestic affection". Nathaniel, as well, exhibits the futileness of his passive response to
his condition when he deceivingly thinks that a return to a normal, domestic life will erase all his nightmares.
It is the pursuit of the unknown that motivates Nathaniel and Frankenstein in

The Role Of Literature In The Sandman, By Martha Nussbaum
Introduction A society that wants to foster the just treatment of all its members has strong reasons to foster an exercise of the
compassionate imagination that crosses social boundaries, or tries to. And this means caring about literature. (Nussbaum, 92) This
passage is from Martha Nussbaum's Cultivating Humanity: A Classical Defense of Reform in Liberal Education. Nussbaum is a
strong advocate of literature as a tool for compassion and understanding of other people. She thinks that, through literature, we can
achieve an openness and responsiveness that goes beyond cultural stereotypes. If Nussbaum is right, that literature is an "expansion
of sympathies that real life cannot cultivate sufficiently" (111), the role of literature in Swedish ... Show more content on
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Poe was an American writer born in 1809 and dead 1849. He wrote poems, short stories and literary criticism. "Usher", published
1839, is a Gothic horror story told by an unnamed narrator. The narrator travels to his childhood friend Roderick Usher's house after
receiving a letter from Roderick which speaks of a great illness. Upon arriving at the house, the narrator realizes that there is
something strange going on with Roderick and his sister Madeline and there also seems to be something strange with the house itself.
Both stories I have chosen for my discussion fit into the Gothic genre. In The Gothic Novel, Brendan Hennessy explains that the
Gothic genre is related to and emerged in the Romantic period. The Gothic was a step away from the classical order in literature and
embraced imagination, the unknown and the supernatural. The stories horror theme might be useful when teaching them. There is a
lot to find and recognize in the authors' creation of atmosphere and in their attempt to scare or unsettle their readers. Both stories deal
with madness and fear in explicit ways which offers opportunity for analysis, contemplation and

Balen The Sandman
The muses were often depicted in art as beautiful women, mystical and playful by nature. Women who were often seen dancing and
entertaining humans. For example, the oil on wood painting done by Baldassare Peruzzi. In this painting the muses are represented
very light heartedly. They are gracefully dancing with the God Apollo; with skirts swirling and a hop in each muses step it is clear to
see that this is a joyous and carefree representation of them. However, paintings of the muses were not always concerned with
amusement. Another painting done by Hendrick van Balen the Elder shows the nine muses with the Olympian Athena, goddess of
wisdom and just war. In this portrayal of the nine, they are seen with the musical instruments they have created. ... Show more
In the television series Grimm created by Stephen Carpenter, David Greenwalt, and Jim Kouf, the twentieth episode of season two is
titled Kiss of the Muse. The episode uses a character who takes on the persona of a muse. Although this muse is anything but its
classic counterpart. In the show the muses are referred to as Musai. They do not hold the classical appearance of a muse, rather they
are blue–silver in complexion, with vibrant red hair, bright cyan eyes, and pointed ears much like a nymph (Carpenter et al., 2013).
This variant of the muse does not inspire humanity, rather it feeds off the creativity of men. Grimm takes on a femme fatal approach
to the character. Musai in the show kiss their victims, driving them mad with obsession causing them to become their devoted slaves.
Often this results in men killing each other in devotion of their Musai. This contrasts highly with the story written by Gaiman. In
Gaiman's tale the muse was someone who was helpless and in need of a saviour, in contradistinction Carpenter, Greenwalt, and Kouf
turn the muse into something much more dangerous. The men who fall under the spell of the muse's kiss often fall into insanity or
face death (Carpenter et al., 2013). In this tale the men are captives of the muse rather than it being the other way around. The writers
use the myth of the muses as a

Death By Sophocles And The Holy Bible
Death is a very popular theme in world literature; authors seem to feed off the anguish it causes readers. However, there are many
types of deaths from many different eras. For example, in its broadest sense death has two forms homicide and suicide. Homicide for
instance, dates all the way back to the two earliest works of literature known to man; The Epic of Gilgamesh and The Holy Bible.
Suicide is also ancient, but has a much darker feel to it. Despite death being universal throughout time, there are some striking
similarities in today's world. Firstly, the story of Antigone, written by Sophocles in 441 B.C., is the epitome of literary death. One of
the main homicides in the story is the main character's brother, Polynices. In summary, King Oedipus had four children–– Antigone,
Ismene, Polynices, and Eteocles. Moreover, upon the king's death it was decided that his sons would cycle leadership each year.
However, Eteocles refused to step down, and after a fierce duel, both brothers were dead. Furthermore, this makes Polynices' death
an honorable death in battle. Polynices died fighting for something he believed in and while essentially fighting a war. In modern day,
this death is comparable to that of a solider. The United States has lost many brave men and women over time in the line of duty.
Furthermore, all of these individuals died fighting for what they believed in: the safety and security of the United States. Towards the
end of the story, one death causes a domino

Advice From Nel Gaiman Analysis
TAKING ADVICE FROM NEIL GAIMAN There is a multitude of advice I will receive as I make my path in the career of art and
these are just two two the many; "When you start out on a career in the arts you have no idea what you are doing" (Gaiman, 2012).
and "If you have an idea of what you want to make, what you were put here to do, then just go and do that" (Gaiman, 2012). I chose
these pieces of advice from Gaiman's address because as a beginning artist, it is the advice I have heard most from those with
experience. The people I look up to and whose work I admire, the people who have jobs in the field they want or a large following of
people who support their work all give the same advice. I feel that it is because once you get to that point in your career, you have
been in the exact same spot– asking yourself, "What should I do to get better?", and that is to do what you want to do, even if you are
... Show more content on Helpwriting.net ...
In this essay, I will be applying this advice from Gaiman's speech to experiences in my own life, as well as how this advice could
assist an artist in improving. "If you have an idea of what you want to make, what you were put here to do, then just go and do that"
(Gaiman, 2012). In accordance to my writing courses and courses in general that deal with writing at Ringling, I believe this advice
will aid me greatly. Mainly, because I tend to procrastinate things when I am not keen on doing them or have no idea where to start.
There have been countless times throughout my time in school where a writing assignment has been due and I have turned it in at the
last second, spending the the day before that rushing and making sure it was up to standard. In these situations, I found that,

Objectification In The Sandman
The Longing for Beauty
In his early 19th century narrative The Sandman, E.T.A. Hoffmann attempts to express the possessiveness and obsessiveness of man
that derives from appearance and sexuality. Hoffmann in particular utilizes Klara and Olympia to exemplify Nathaniel's
objectification of either of them and his sub–conscious ownership over both women. While Hoffmann degrades the standing of the
women in the narrative, he subsequently draws on an obsession with outward appearance and beauty that is comparable to the
Pygmalion myth. As Pygmalion attempts to have physical possession over the beauty of his sculpture, Hoffmann similarly paints
Nathaniel as irrationally pursuing the possession or ownership of beauty through the female characters. Through the symbolic
objectification of the female characters and the obsessive sexualized actions of Nathaniel, Hoffmann draws a parallel to the
Pygmalion myth as beauty, grace, and sexuality become the apparent paramount measure of value and also reveals the pitfalls created
by such obsessions.
Throughout The Sandman, E.T.A. Hoffmann seeks to reveal the underlying references to the Pygmalion myth by first portraying the
female characters as subordinate, possessive objects that are primarily defined by their beauty and are diminished to the standard of a
piece of art. As the narrative progresses, the emphasis on beauty begins to intensify and Hoffmann begins to direct the illustration of
the women through their outward appearance.

Comparison of Hofffman’s work, The Sandman, and Mosse’s,...
Hofffman's work, The Sandman, and Mosse's, From Romanticism to the Volk, share cohesive concepts, each examine the dramatic
cultural shift toward promoting nationalist thought in the minds of the German people. Through the "rootlessness" of his characters,
the cognitive disparity between Nathanael and Klara, and the structure of The Sandman, Hoffman aptly uses the folktale genre to
effectively reveal his disdain for the tenets of enlightenment as they challenged the new Volk ideology of Germany. Mosse's scholarly
analysis critically examined this same shift and sought to clarify how the groundwork laid for the return to Germanic roots,
exemplified in the Volk neo–romantic movement, came as a direct reaction to the industrial revolution. In The Sandman, we are
introduced to the character Coppelius, who quickly becomes the "root" of all evil in the protagonist, Nathanael's life (pun intended).
From the Volk perspective, it becomes apparent that Coppelius' malevolent traits are due to his lack of allegiance to Germanic
cultural identity. Nathanael suspects that Coppelius is "not a true German", which was problematic in the German Volk
conceptualization of an idyllic state (47). Mosse explained: need to block quote "The term 'rooted' was frequently invoked by Volkish
thinkers as it supported their primary self–definition. Rootedness conveyed the sense of man's inseparable connection with the
landscape through to the soul, which embodied the life spirit and the cosmos. It

Uncanny In The Sandman
Sadono, Renee English 102: Dr. Rosemary Kwa Essay #2 October 8th, 2014 From Ordinary to Uncanny: Involuntary Repetition and
Doubling In studying Hoffman's, "The Sandman", Freud attempts to define and set parameters for the uncanny. It is commonly
thought that the uncanny is produced by something frightening or upsetting. Freud takes this idea one step further and says that even
seemingly ordinary or harmless situations can become uncanny if the right circumstances exist. For instance, when a person suddenly
takes notice of a recurring pattern in their life, they might be inclined to believe the pattern is designed. Making that sort of
connection can take a recurrence from innocuous to creepy. Another concept Freud touches upon is the idea of ... Show more content
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Neither experience is very strange on its own but, when the dark implications of each are manifested in Miu's mind, they become
uncanny. Freud postulated that this was the case with involuntary repetition and this concept shed light on why Miu became upset
when she suspected Ferdinando was intentionally crossing her path and maybe even following her. Freud also argued that doubling is
a common and even ancient practice that people use to protect themselves against some terrible fate. Miu may have done just that
when she watched herself, as a separate person entirely, engage in sexual activities with Ferdinando in her apartment while she was
trapped on a Ferris wheel. Applying Freud's ideas and arguments to Haruki Murakami's, "Sputnik Sweetheart" has unraveled much of
the mystery contained therein as it relates to the human experience of the

Mr Nobody Character Analysis
Mr. Nobody is a fantasy/drama written by Jack Van Dormael also known as the director that associates a lot of his films with
characters who have mental disabilities or physical disabilities. The rated R film that contained sexuality/nudity, strong language, and
violent images was released in 2009. Mr. Nobody was watched on Netflix by TV. It was a confusing movie at first, but is easy to
catch on along the way. The protagonist is named nemo, also known as the lead singer of Thirty Seconds to Mars. He is the last
mortal human on earth to die and is being watched every second of his last moments like a zoo animal by these weird, futuristic, and
immortal humans. Mr. Nobody is trying to remember his whole life step by step by the help of a man who has the Mike Tyson tattoo
imprinted all over his face. The story begins in the year of 2092. The whole film consisted of high key lighting and the futuristic
scenes looked a lot like what is described a limbo setting. The wide shots captured a colorful palette setting similar to Wes Anderson
childlike color palette . There was various flashbacks of nemo's younger self and his many infinite possibilities and pathways he
could've taken. Dormael really wanted the audience to analyze the character's physical appearance and study every pore upon their
face due to many face close up shots captured throughout the movie such as 7:39, 11:13, 17:16, 37:48, 54:14, 1:28:57, and counting.
The pool scene (25:40) seemed like a shot that needed a

The Mind Argument And The Evil Demon Argument
Renѐ Descartes is known to be the "founder of modern philosophy" aswell as a man who was superior in the scientific revolution. As
a catholic and a man of science he wanted to show how the scientific world had space for God and freedom which hence led to the
Mediditions published in 1641. In the first meditation Descartes introduces the idea that in order for him to establish anything in the
sciences which is "stable and likely to last" he must build truths of which he can be certain. In order to do so he believes he must start
right from the foundations, demolishing all of his previous opinions. He finds out that his senses often deceive him and concludes
that it is "prudent never to trust completely those who have deceived us even ... Show more content on Helpwriting.net ...
The evil demon argument is the idea that there might be a spiritual being, almost like god, deceiving us in matters that are not put into
doubt by the dreaming argument – the "simpler and more universal things". A key point to be remembered throughout this argument
is that Descartes is not trying to have us believe in the possibility of the evil demon but in turn he is just trying to make the reader
consider it in order to dismiss the idea. This argument is similar to the dreaming argument from the perspective that everything we
know to believe could be false. There is no evidence for simple mathematic equations like 2+3=5 to be true just as there is no
evidence to prove we are not living within a dream. The argument puts into question whether the evil demon deceives us into
believing things in which are simply made into a virtual reality when in fact there could be "no earth, no sky, no extended thing, no
shape, no size, no place". Just as the dreaming argument can be broken up into premises and a conclusion the same can be done for
the evil demon;
– If I am certain to be certain of anything at all then I need to be certain that I am not being deceived by an

East Of Eden Character Analysis
The novel, East of Eden, by John Steinbeck references to the bible quite a bit when describing some of the characters. Steinbeck
refers to the story of Cain and Abel, two brothers who lived in peace until Cain slaughtered Abel. One day the two boys were to offer
sacrifices to god; Abel offers his best lamb and Cain offers grain to god. God prefers Abel's gift over Cain's and in a jealous fit of
anger Cain murders Abel. After this God comes to talk to Cain about what he had just done and in doing so he banishes Cain to "the
land of Nod, east of Eden"(Genesis 4:16). Steinbeck uses a few Cain like characters throughout the novel to illustrate the reality of
humanity; jealousy and favorability shapes our society and the way people act. There is no place to escape one's baser nature besides
death's home; steinbeck shows this through Cal Trask, Charles Trask, and Tom Hamilton. Cal Trask is the most prominent Cain like
figure because he has always been the twin who was looked down upon and he causes his brothers death with an act of jealousy
exactly like Cain did to Abel. When Adam says,"You'll have to give it back" Cal is torn apart and in a state of jealousy and hatred
towards his brother(Steinbeck 540). He knows that Aron is the preferred twin and this really makes him upset. This exact thing
happens in the bible when Abel's gift is the one God likes more of the two. This builds up jealousy in Cain and pushes him to the
point where he murders Abel. Also when Cal says,"Oh, it's

Jenny Lawson's Furiously Happy
The days I was caught in the storm of depression united me with Jenny Lawson's second book that became my therapy for that period
of time. It was recommended by a close friend who knew of the challenges I faced in a haze of darkness. When she recited excerpts
from the book, immediately, the words changed from tangible squiggles to lived nights in distant insomnia.
On days I was unable to pull myself out of bed, I would read Furiously Happy while under my covers, staring at the ceiling and
dealing with the many voices that kept clawing and breaking each layer down that built a fortress of self–doubt and underwater
volcanos of self–loathing. Many people do not understand these feelings that blossomed inside, and therefore bring their own
selective perspectives about mental illness devaluing my human in brain experiences. Explaining to them proved to be harder.
While with a friend, I mentioned my experiences with depression and anxiety medication and her response was that it was most
definitely a placebo and that I should try and be more optimistic, words have often heard. This not only invalidated my lived
experiences, indirectly, she was calling me a liar. This seems to be the most common opinion people hold about mental struggles, and
Jenny addresses this in her book. ... Show more content on Helpwriting.net ...
There are very few books that cover the topic of depression that are hysterical while triggering my hypothalamus emotion center. Her
self–awareness is what really drew me into her writing. One of the most profound moments was when she spoke about the silent war
that those suffering from mental illness face on a daily basis and the silent victory that no one knows about. The hidden nature of
mental illness is what creates a barrier. You cannot judge from mere appearance how loud and loaded their brains truly

Spide-Man and Macbeth: Heroes with Tough Decisions
Spider–Man and Macbeth: Heroes With Tough Decisions
Heroes have to go through a lot of battles to become who they are, especially within
themselves, heroes have many choices to make and these choices can dictate their future or
outcome of the way their life may or will end. Both Spider–man, also known as Peter Parker and
Macbeth are seen as heroes but throughout the course of the novel or play and movie, they are
seen as someone different, someone with a darker side. Both of these so called heroes, have to
make many decisions and if they choose wrong, it may cost them their lives or someone else's in
the end. The play and film that are portrayed are Spider–man 3 and Macbeth, the focus will be on
how Spider–man and Macbeth, want power, get power and let it take them over and change them
into something they are not. Spider–man and Macbeth are supposedly the good guys but some
bad decisions change who they should be because they desperately want power, they both have
internal problems that affect them, and lastly greed takes them over and forces them to make the
wrong choices.
Heroes such as Spider–man and Macbeth want what's best for the world, and when they
do great things to make the world better, they gain more power, and are willing to do anything to
get more power because power is such a great thing. Spider–man and Macbeth achieve plenty of
Gouin 2
power, and once they get it,

Theme Of Rage In The Thousand And One Nights
The Thousand and One Nights, is a frame tale, where there are stories within stories, in which all the tales included have a
connection. The overall frame of the tale is the transformation of a good king to a tyrant, which was caused the deception of his wife
that invoked the King's anger by her infidelity. As the overall tale continues, stories come into perspective and back up the main topic
of the story by using its own issues as examples. When reading the recurring theme in the overall frame and the stories within the
story is rage. There is a frequency in the tales, in where an issue occurs then it enrages the subject, which causes a consequence that
affects the one at fault. Therefore, a lesson can be taken out of the the tale as a form of knowledge and progression. Analyzation of
the theme of rage can be done throughout the frame tales of The Thousand and One Nights. The Thousand and One Nights, is the
story of King Shahrayar, where King Shahrayar sees before his own eyes his wife cheating on him with a black slave and also his ten
slave–girls sleeping with other men. After the deception of his wife, he then declares that he will have a new wife everyday and then
put her to death in the morning. King Shahrayar is angered by the fact that he has been betrayed by his wife in his own palace.
Leading King Shahrayar to go to the extent of extinction of girls in the Kingdom, making the parents of these girls mourn their
daughter's death due to the revenge rampage that the

Essay about Comparing The Sandman and Frankenstein
In The Sandman, the weirdness of the tale could be perceived in two directions––the first being that of intellectual uncertainty and
the other is that of psychoanalytical experience and namely the ideas of Freud. In order to describe the uncanny experience in
Hoffmann's The Sandman and Shelley's Frankenstein it is indispensable, however, to explain and define beforehand what is the
connotation of Unheimlich. In my further analysis of the uncanny, I relate the two works and stress on the obsession of the two
characters which explains the weirdness in them. Moreover, I focus on the surrounding environment in the face of the society because
it is pertinent to the discussion of the weirdness. The unconsciousness is also playing a major role in ... Show more content on
Helpwriting.net ...
Thus, the uncanny is entangled in the ambivalence of the tale. Moreover, we could clearly notice that Hoffmann is purposely creating
such uncanny effects as to leave the reader in uncertainty. For instance, when Hoffmann enters the "personage" of Olympia, he does
not mention whether she is a human being or a doll and in such a way the reader is not immediately acquainted with the truth and his
attention is thus not directly focused on this uncertainty. It is noteworthy that this way of constructing the tale creates quite an
unparalleled emotional effect.
Freud, however, argues that at the end of the tale we come to know the truth, that is Coppola is, in fact, Coppelius and therefore the
Sandman. He argues that the theme of Olympia and the succession of the events in the story could not be the only underlying factors
in evoking this extraordinary atmosphere of weirdness. For Freud, the reason could be discerned in Nathaniel's fear of losing his eyes
* an obsessive fear haunting him from his very childhood. This anxiety about his eyes is according to Freud enough a substitute for
the dread of being castrated. Freud proves his thesis by replacing the Sandman by the dreaded father at whose hands castration is
expected. According to him, this image of the father has an intimate connection to Nathaniel's anxiety about his eyes. It separates
Nathaniel from Clara and from his best friend––her brother; it destroys Olympia––the

The Sandman Essay
The location of Paul Berry's film establishes the eerie tone not just for the viewers, but also the protagonist. Paul Berry's "The
Sandman" focuses on a young boy's fear of the dark and the night. The familiarity of the setting further intensified the uncanniness of
situation for the child which is nighttime in a household where the child presumably lives. Freud describes the uncanny as being "in
reality nothing new or alien, but something which is familiar and old established in the mind and which has become alienated from it
only through the process of repression" (Freud 13). Being in the home is not unusual, but the boy is still anxious in the darkness.
Prior to having to climb a dark and ludicrously lengthy series of staircases to bed, the boy was comfortable in the home. The home
traditionally signifies security and safety, ... Show more content on Helpwriting.net ...
The shadows alert the child of a chilling presence as a warning of the Sandman's arrival. Doubles are connected to a fear of death, in
spite of being assurance for life. The moon is also a double for the Sandman, due to their similar appearance. The moon is obviously
familiar to the child, but is warped into the face of the grotesque Sandman. The Sandman as a double represents the child's impending
death. In the scene after the credits, the child is visibly wandering the darkness aimlessly until he freezes and is joined by similar
children. These children are all without eyeballs indicating other victims of the Sandman. The frozen motion implies the character's
death due to his unmoving body. The Sandman confines the child to his familiar fears and death ultimately follows. Freud
emphasizes, "The 'double' has become a thing of terror, just as, after the collapse of their religion, the gods turned into demons."
What was considered before as being safe and good is morphed into something evil and vile Freud uses the German word for canny,
heimlich (homely), to further question the meaning of the uncanny which is frightening beyond being

Rainie's Sandman
Neil Gaiman's Sandman contains different kinds of psychological approaches as it comprises different types of short stories to
execute diverse insights. Looking closely at the chapter Facade, the main character Rainie is feeling doubtful and upset as she has a
challenging time finding where she belongs generally. She has a unique presentation of herself as she has interesting facial features.
Rainie's face is realistic, detailed, and is heavily structured to be almost photographic (McCloud 28). She's illustrated with a high
cheekbone structure as the shadows underneath it contour her facial figure. In fact, the passive lines throughout her face are
illustrated so much, that we're able to see a detailed bone structure of her face in general. With these details illustrated, it gives her a
... Show more content on Helpwriting.net ...
As of this moment, Rainie's disposition articulates sadness and disparity as her large, dark eyes have hints of white speckles to appear
in a broken state. She displays the unfortunate consequences of not feeling wanted or loved by anyone. In support of this idea of
sadness, the colors accurately represent the indication of feeling conflicted psychologically. Throughout Rainie's body, she's
comprised of a mixture of bland and bright colors. Her skin color isn't typical but instead, has an off–white color mixed with hints of
grey and black. Since Rainie's emotions are more towards a negative manner, it affects her skin tone in an unhealthy manner. It's also
worth mentioning that five secondary colors mixed with her ensemble along with black spots to cover her assets. Different kinds of
bright colors such as orange, purple, brown, blue, and green, are all shaded boldly throughout her body. Each of these bright colors
represents the different kinds of conflicts Rainie feels psychologically. Colors that are normally bright, means that they represent

Sandman Short Story
In the middle of the desert lie various tepees. The chieftain of this settlement came out of his tent, frustrated at the noise produced
from angry men outside.
"What's all that racket?" the chieftain said questioningly.
"It's the troublemaker, Sandman. We had caught him reading the white man's books. This is both an insult to our ancestors and our
law. You cannot protect him anymore, chief." The miscellaneous tribesman then dropped a book on the ground, with a loud
resounding thud.
"He will be scalped! Any objections?" No one objected, not showing any fear for Sandman.
"Then he will be punished!"
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A large group of indians were chasing Sandman through the desert, yelling loudly for punishment. They had thought they could catch
Sandman, due to the fact that they had horses. Strangely however, Sandman was OUTRUNNING the horses.
'He's picking up speed! That running style...' One tribesman thought.
'I've seen it before! That running style, It's a style used by the white man! The style they use for winning trophies and money! It's for
running short distances!' Another tribesman thought.
"What are you doing?! Don't let him get to the hills! Put more into your horses!" One tribesman shouted, gaining speed on sandman.
One tribesman to the side had gotten tired of this, and had finally caught up with Sandman. He pulled out an axe and swung, but
Sandman did something strange. He ducked under the horse, and used the horse's kick to fly towards a nearby plateau, and took no
time to catch on and start climbing.
'What the? He dove under my horse! Sandman, what are you thinking? You got purposefully kicked to fly back towards the plateau...'
"The bows! Use your bows to shoot him!" One had remembered. They all quickly shuffled for their bows, and took aim. But before
firing, a strange arm with what looked like crumbled skin and exaggerated knuckles wearing leather gloves extended out of
Sandman, scooping sand out of the plateau and quickly throwing it into the tribesmans' field of vision, stopping them from firing due
to uncertainty.
'What are you, Sandman? Are you really from the same tribe as me?' One man

The Conception Of Dreams Is Interesting Because It Helps...
Dreams can occur at anytime of the day. Some people day–dream at school or work while others dream at night. Even if you did not
dream last night, you probably have earlier in life or even before reading this sentence. Have you ever had a dream you forgot to print
out a worksheet and got in trouble for it at school? Then, you wake up with your heart racing and print out the worksheets before you
forget. How are dreams created during sleep? During rapid eye movement (REM) sleep, the brain gathers images and thoughts to
create realistic or imaginative dreams. There has been some debate if these dreams could actually help someone in their life. Whether
it helps them just a little or substantially, people can use all the help they can receive. ... Show more content on Helpwriting.net ...
As stress accumulates, depressive moods and thoughts develop day after day which creates an unhealthy atmosphere for anyone. This
could lead to negative thoughts and unproductivity of any task at hand. However, one of the solutions discovered to help with the
depressing thoughts and moods was through dreaming at night. According a study performed by Rosalind Cartwright, the study
showed that 72% of the subjects had less depression after dreaming (Chatterjee). How was this possible? There was a decreased
development of depression while moods changed throughout the night. This could be explained by experiencing a pleasant dream
which causes a release of pleasure neurotransmitters such as serotonin or dopamine. Pleasant dreams could be anything from
superpowers related to even sexual. Another interesting thing about dreams, it can help someone find a problem that is bothering
them through nightmares or dream adventures. Therefore, "an explication of a dream can lead to understanding personality dynamics
and promote behavioral change" (Merced 183). Dreams could point out personality dynamics that need changing following a
traumatic experience. People's personality changes with every experience that occurs to them; therefore, it is possible to be happy one
day then sad another day. Dreams can lead the dreamer to the problem and help get them mentally back on track. With dreams
mentally being able to help,

Analysis Of Millay 's Lost Love
An Analysis of Millay's Lost Love in Poetry
Poetry is a unique way of telling a story in which the medium in question shows instead of tells. They come in all sorts of styles from
a Haiku to Free Verse. Some of them are very clear as to what they are about while others can be convoluted and they have to think
about for a while. The message in the poem could be about anything. Edna St. Vincent Millay wrote about a variety of topics mostly
about the pain of loss from either death, break up, etc. Everyone at some point learns what it is like to lose a loved one and after
reading these it could help to them to cope. To lose someone one loves can be very difficult, how one copes with that is varied but
there is bound to be a Millay poem to help with that.
Time does not bing relief; you all have lied is a poem in which Millay describes the voraciousness of his or her pain after having lost
someone near and dear to them. Within this fourteen line sonnet they depict the variety of ways they miss them and are reminded of
them in their daily life. "There are a hundred places where I fear To go, –so with his memory they brim!" ( Millay 56). Within a poem
the author has only so much space to convey all they wish to say. To tell a tale and have the audience to be able to feel and relate to it.
Millay shows how with the passing of each season, the changes in the weather how no matter the time that has passed she continues
to miss them. "I miss him in the weeping of the rain; I

Imaginations Run Wild: The Sandman By Bonnie Ronson
Imaginations Run Wild In "The Sandman" published in Grammar is a Destination, 4th Edition on April 2016, author Bonnie Ronson
details the story of a young boy frightened by his older cousin and describes the effects it still has on him as an adult. As children, we
constantly learn new things and our minds are blank canvases where anything is possible. Children are very incorrigible and easily
scared; therefore, I believe it's not okay to frighten children. Frightening children can have long–term negative effects as told in this
story. The man, in his fifties now, still has an irrational fear of the dark despite knowing it was his cousin who scared him. The boy
was quite young to experience this kind of scare and even though the "Sandman"

Robert Duncan Poetry Analysis
Within this course, the ideas of the involvement of the mythological and the modern have been searched for throughout various types
of literature. We have analyzed poems, essays, theatrical plays and even graphic novels to see the origin of their creative success
among the masses. After studying these pieces and their formal elements, we can see that most literature falls under classic
mythological premises such as ideas of a higher power/collective mind, power/wisdom through dream and the purity/unforeseen
knowledge of children. These ideas seem to be something that is only really recognized by poets. The poem Often I Am Permitted To
Return To A Meadow by Robert Duncan uses all of these elements. Within this poet's work we see he composes a strong relationship
between myth and modern day with classical ideas, a powerful quality that makes a great poet. The idea of a higher power or a
collective mind is nothing new to humanity. The idea is as old as humanity itself and is displayed in many modern practices and
creations. The classic idea of a higher power is most widely associated with religion. In every religion of any time period there was
some belief of a higher power or collective mind. From the polytheistic Greeks to the monotheistic Christians a higher power is
focused upon to explain things that were not yet comprehended.
Robert Duncan continues this tradition by including this idea in his opening line to start the entire poem of with its classic sense. He
begins

Symbols In The Sandman
Are themes and symbols mentioned in a short story allow readers to comprehend the main character's personality and well being?
The use of symbols and themes in E.T.A Hoffman's short story "The Sandman", reveals that his childhood fear for a fictional
character causes Nathaniel's weak state of mind. Firstly, eyes represent Nathaniel's naiveness by letting a childhood story about the
Sandman influence his mind and decisions. Nathanael learns at a young age that the Sandman only arrives when children are not
asleep. For example, when Coppelius catches Nathaniel spying, he whispered, "Now we've got eyes– eyes a beautiful pair of
children's eyes..." (188). Coppelius always frightened Nathaniel, which caused his hallucinations and obsession about ... Show more
He was convinced that Coppola an optician is Coppelius who killed his father's. During a certain period, Nathanael's madness
disappeared, but would be triggered at any moment when thinking about the Sandman. Suddenly, Coppola who he associated with
the fictional character in his hallucinated was present in his room. For example, Nathanael describes, "... he continued to produce
more and more spectacles from his pockets until the table began to gleam and flash all over"(202). This quote reveals the uncertainty
of Nathaniel's point of view. In general, the glasses immensely affect his vision and judgement of others. When in use, his world
revolved around Spalazani's daughter, called Olimpia. Hoffman writes, "Nathanael had completely forgotten that there was a Clara in
the world, whom he had once loved – and his mother and Lothair" (208). Her looks, shyness, stiffness and lack of emotions attracted
the unstable Nathanael. At the end of the novel, readers discover that Olimpia is a mechanical doll created by Spalanzani. When
Nathanael finds this out, he kills himself with the help of Coppola. The Sandman's presence worsens Nathanael's mental abilities,
which leads him to

The Sandman Worlds End
The Sandman: Worlds' End, written by Neil Gaiman in 1994, is a comic novel that explores the idea of dreams. In the beginning of
the novel, Gaiman starts the story with a man, Brant Tucker, and his fellow friend, Charlene Mooney, travelling by car to Chicago in
the month of June. A storm suddenly appears, causing them to crash and get stranded in a mysterious guest house, known as Worlds'
End Inn. While waiting for the storm to pass by, different stranded travelers tell their own tales about dreams from different worlds
and times, portraying a tale with artistic narrative styles. In his novel, Gaiman's great use of narrative techniques of storytelling,
consisting of the creative addition of narration, point of view, illustration, speech, and ... Show more content on Helpwriting.net ...
According to Annalisa Castaldo, an assistant professor of British Literature at Widener University, the speech style in Sandman:
Worlds' End provides "a chance to illustrate the fantastic and unreal much more effectively" (Castaldo 97). Gaiman adds three
different types of carriers to guide the readers to know when and what the characters are personally saying, thinking, or doing in an
image. This creates for the writing style and the dialog of direct speech to play a major part in the tone. For its word choice leading to
the ideas of misery, misunderstanding, and dreams, Worlds' End holds an aggressive, mysterious, yet hopeful tone to it. It appears
that Gaiman desires for the novel to stimulate his readers to read his piece of literature as a serious and peculiar manner by including
his artistic comic dialog, which adds a great sense of dusky yet expectant

Analysis Of ' Maus And The Sandman ' By Neil Gainman
When defining great literature, graphic novels are often the last source scholars and educators consider. In general, graphic novels are
seen as low–brow, mass culture entertainment or as pedagogical tools (Long 6). In recent years graphic novels have proven to be
worthy of being considered great literature and valuable tools in the classroom. Comic books should not be viewed simply as
aesthetic objects, but rather as texts which function when read by their audience within a specific context. Our education curriculums
are heavily relied on reading comprehension, which has proven to be a struggle for visual learners. Graphic novels offer value,
variety, and new medium for literacy that acknowledges the impact of visuals. Novels such as Maus by Art Spiegelman and The
Sandman (vertigo) by Neil Gainman, not only appeal to visual learners, but are useful across all curriculums. Maus and The Sandman
offer different style narratives and visuals that reflect the diverse nature of graphic novels. The variety in compositions between these
two demonstrate the strengths of the graphic novel genre, and how they can be considered valuable sources of education. The use of
word image combination allow the reader of graphic novels to experience much more than what words allot. For visual learners that
struggle with reading compression, the visual components of graphic novels help portray the context in a medium that is easier for
these learners to digest. Maus by Art Spiegelman is one of

Summary Of Romanticism In The Sandman
The Romantic movement throughout Europe was in response to the rationalism and Enlightenment movement of the 18th century.
This time period was seen as a Segway between two time periods, the Enlightenment and the Romantic movement, creating a conflict
between cultures. Whereas most of Europe was transitioning into a time of Romanticism, German culture didn't accept the movement
until later 1790's, due to the thought that it was undermining the national identity. It wasn't until a new generation decided to break
away from established tendencies in the culture and focus on the unique experiences of the individual. Goethe previously encourages
the movement in the development of the Faust figure which in many ways reflects change and Romanticism. The new modern age of
the Romantics distrusted the Enlightenment views of reason as the supreme guiding force of human action and they sensed a new age
was dawning. As these cultural conflicts arose, the publication of "The Sandman" came out, illustrating characteristics that advocated
for the Romantic era ideals, while also contrasting rational views. Within the story of "The Sandman" and as well as in his other
novels and stories, E.T Hoffman depicts a duality between dream and reality, as it is a motif for his own life. Hoffman insists of there
being an irreducible heterogeneity and dualism between the two realms of what is reality and what is a dream, which is seen through
the dispute between Clara and Nathanael in "The Sandman." Within this publication, Hoffman begins with a dispute between Clara
and Nathanael regarding the death of his father. It then transitions into letter that were written between that of Nathanael, Clara, and
Clara's brother Lothar. In one of the letters, Clara exemplifies her rational, clear–headed personality leading Nathanael to believe that
his recollections were mere childhood fantasies and that all the horrors in which he recalls exist only in his own mind. Some of these
horrors are depicted in the first letter written by Nathanael to Lothar who as stated, is Clara's brother. Within this letter, Nathanael
tells a story about a horrific story engrained in his mind from an incident earlier on in his childhood, where he was

The Tell-Tale Heart, Don T Ask Jack, And The Sandman
"The Tell–Tale Heart", "Don't ask Jack" and "The Sandman", written by Edgar–Allan Poe, Neil Gaiman and Paul Berry respectively,
all belong to the gothic genre. The gothic genre is characterised by dark themes and supernatural elements and other menacing and
scary components. "The Tell–Tale Heart" is about an insane protagonist that has a plot to murder his master all because of his
Vulture–Eye. "Don't ask Jack" is about a bunch of children that find a supernatural jack in a box in the nursery's attic and they all
have different theories of what's in it but they all grew up forgetting about it. "The Sandman" is about a child's fear coming to life by
a supernatural villain that came from the moon. All three of the stories use components like ... Show more content on Helpwriting.net
...
They will also add different elements like a supernatural element. Stylistic techniques are the little things that are used as an extra
effect to improve the quality of the story. Settings play a big role into the story as it gives the story a frightening feeling. Supernatural
elements add onto the scary feeling. They are the monsters in the story and don't necessarily have to make sense. Gothic stories are
similar in a way but are also different. Some stories would use certain components while others might not. For example, "Don't ask
Jack" and "The Sandman" had metonymy in their stories while " The Tell–Tale Heart" didn't. I think " The Tell–Tale Heart" is the
most successful at creating an appropriate mood for the gothic genre as it includes a frightening setting which were the creepy
mansion, good stylistic techniques and supernatural elements. It used good figurative language when describing something and had
an extra gothic convention of claustrophobia when the protagonist's master was stuffed under the planks. Although the story is well
constructed, the author could have further improved it by add components like foreshadowing to give the audience a glimpse of what
going to happen to excite them more. Another way of improving the story would be having the story told in third person. The story is
told in first person and is incredibly bias as the protagonist is the one telling the story in his point of view and he is also clearly
insane. The author could also have used metonymy like lightning to show the protagonist's

Similarities Between The Yellow Wallpaper And The Sandman
"Common Sense" in Fantastic Stories: Two Aspects of Rational Thinking Stories like Charlotte Perkins Gilman's "The Yellow
Wallpaper" and E. T. A. Hoffmann's "The Sandman" are examples of the central character being the one experiencing the
supernatural events. At the same time, another seemingly rational character was created as a contrast to the central character, these
are the characters that the readers are more identified with. They are observers, give rational explanations to unnatural experiences of
the central characters, like John from "The Yellow Wallpaper" and Clara from "The Sandman"; just like us readers, due to natural
instinct, our first reaction is also trying to find reasons for things. Characters with "common sense" are identifiable to the readers: as
we are rational, love analyzing every element in the story and trying to explain everything in a scientific way; at the same time,
narrow–minded and lack of imagination just like these characters. John in "The Yellow Wallpaper" is not a very likable character to
the readers, mainly because his characteristic is depicted through the narrator's point of view. In her mind, he cannot see things she's
seeing, and her opinions ... Show more content on Helpwriting.net ...
As the readers, while reading a fantastic story, would love to find clues and analysis the behavior of the character in order to find a
rational explanation when the story itself doesn't provide us with a concrete answer to supernatural elements within it. At the same
time, being narrow–minded and denying supernatural forces is perfectly normal for us readers, living in a world without concrete
proof that they truly exist. The reason why fantastic tales exist is to bring a whole new point of view to our ordinary lives. There may
be things appeared beyond our knowledge, some people prefer to be agnostic towards the formation of the world, and religion is an
example of people believing in higher

The, The Sandman By Neil Gaiman
To my knowledge, I have never read or seen that many horror comics that involve women taking the lead over the typical male. Just
like in Vampirella, it had some horror in it, but was more focused on being sexual and outlandish. One particular comic book series I
was quite fond of was The Sandman by award–winning writer Neil Gaiman. What really got my attention was the character Death;
the sister of the main protagonist Sandman. Death is both the lord and personification of all death and life, but she is the complete
opposite of what people see her image as, an image of a skeleton with scythe and a scary black robe. We do not know the true image
of death, but why depict a woman? Why not just a figure of a skeleton? Is it too complicated to show Death as a skeleton figure or a
mere shadow, like in the film The Frighteners? It is not scary and I find it sexist to have an image of a dark and strange figure be a
woman. This is similar to the Infinity Gauntlet storyline published by Marvel where Thanos, the main antagonist, is on a quest to
please Death herself in order to win over her heart and cause destruction all over the galaxy. Again, another personification of death
is portrayed as a female, seeming to signify that women are far more ferocious and scary than men are. I always had an image of a
woman when I think of death when I was little. How woman are seen in horror comics, they are shown either as being the damsel in
distress, or being death itself, but not

Descartes Dreaming Argument
The topic of this essay is Descartes' First Meditations and I will be discussing in detail the Dreaming argument and the Evil Demon
argument.
According to Descartes', "As I think about this more carefully, I see plainly that there are never any sure signs by means of which
being awake can be distinguished from being asleep." This is the fundamental principle of the Dreaming Argument. The scenarios in
which we experience whilst we are asleep are comparable to the scenarios we experience whilst we are awake. Often, we struggle to
tell from our own perspective where our experiences are derived from; it is difficult to differentiate whether our experiences stem
from reality or our dreams. The issue with this is that our unconscious ... Show more content on Helpwriting.net ...
This can be challenged as to sit in a lecture you must be certain that you're sitting in a lecture, but you cannot be certain that you are
not actually dreaming, therefore you cannot be certain that you're sitting in a lecture. P2 – there is no way to be certain that the
experiences we perceive to be reality are our reality. Descartes' argues that there is no way that we can be completely certain that
such experiences are not unconscious experiences, "Any experience that strikes me as waking experiences such that I am perceiving
the environment in a normal way are indistinguishable from possible dreaming experiences."
An objection to this argument is that we can distinguish being awake and being asleep. If we can remember our dreams once we are
awake, we can recognise them as dreams as they generally don't make sense which differs from our logical conscious experiences.
Dreams are usually only coherent for a short period of time which is a distinct difference from being awake. Once we are conscious,
even our most vivid unconscious experiences can be recognised as dreams. Your waking experiences can be intensely recalled
whereas you do not always remember your unconscious experiences. I believe that this is a weak argument because sometime
struggle to fully distinguish between reality and our dreams as our unconscious experiences are overwhelmingly intense and life–like.
A counterargument

The Graveyard Book, The Wolves In The Walls, And The Sandman
A picture is worth a thousand words, and each piece of artwork has its own unique story to tell. The smallest change in style can lead
to the picture setting a completely different tone, which is true whether the painting hangs in a museum or illustrates a children's
book. Illustrations in books draw the attention of younger readers. However, illustrations are not limited to the bright and lighthearted
picture books such as the Dr. Seuss creations. Pictures in young adult novels enhance the meaning behind words, allowing the reader
to have a better understanding of the story. In the works The Graveyard Book, The Wolves in the Walls, and The Sandman: Dream
Country, Neil Gaiman utilizes different styles of illustrations to further express story, ... Show more content on Helpwriting.net ...
The illustrations show these tones in each story. The Graveyard Book begins with an ominous tone through the first image of Jack's
knife, which gleams white on a completely black background (Graveyard 2). This image is shockingly dark and ominous, setting the
tone for the chapter as the man named Jack kills Nobody Owens' family. The tone for The Wolves in the Walls is set through the
position and size of the words. For example, when Lucy first describes the noises as "sneaking creeping crumpling noises," the words
are getting larger to put more emphasize on the sounds she was hearing (Wolves). The tone is also shown through the way the that
wolves are drawn with sharp black lines, making the images jarring in comparison to the soft warm colors of Lucy and her family.
The contrast of the wolves and Lucy's family show the tension from the fear that Lucy and her family have of the wolves (Wolves).
There is also contrast of images that shift the tone in The Sandman, Dream Country, which can be seen in "Calliope." When Oneiros
confronts Richard, Richard Madoc visibly cracks as the Oneiros plagues him with ideas, marking the change in tone. This image of
the panel cracking gives the reader a deeper understanding of the tone than words

Allusions In The Sandman

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Allusions In The Sandman