Discover the artistry and intricacies of Chinese calligraphy -Through Ninety-Two Structural Principles for Chinese Calligraphy (汉字间架结构九十二法帖).
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汉字间架结构九十二法帖 Sample.pdf
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4. 1 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Ninety-Two Structural Principles for Chinese Calligraphy
Ʌ䰪ᷬ㔉ᶺғॷӂ⌋ᑌɆ
Contents
About the Author:.................................................................................................. Error! Bookmark not defined.
Our Story ............................................................................................................... Error! Bookmark not defined.
David Yao Amazon Kindle Author Central page .................................................. Error! Bookmark not defined.
Preface - Chinese Character Genealogical Charts and Similar-Looking Characters............Error! Bookmark not
defined.
Rule 01 The characters with “ᆶ” on top р䶘ᱥᇓⴌⲺᆍ ..........................................................................33
Rule 02 Characters with a base or supporting structure с䶘ᴿᓋᢎ⣬Ⲻᆍ ................................................33
Rule 03 The left half is the main component ԛᐜঀ䜞ѰѱⲺᆍ.................................................................34
Rule 04 The right half is the main component ԛঀ䜞ѰѱⲺᆍ...............................................................34
Rule 05 For characters with horizontal strokes in the middle ᴿⲺᆍ ...................................................36
Rule 06 For characters with vertical strokes in the middle ᴿㄌㅊ䍥ѣⲺᆍ................................................36
Rule 07 Horizontal hooks should be forceful ऴᤵㅊуᓊᕥᴨȽ⸣ቅ ........................................................37
Rule 08 For characters with horizontal hook strokes and fewer strokes ऴ㹺ㅊуᓊ䮵 ...........................37
Rule 09 The horizontal stroke should be written shorter ⸣᪽䮵...............................................................40
Rule 10 the horizontal stroke is long and the downward-rightward stroke is short 䮵᪽⸣.......................40
Rule 11 Short horizontal stroke long vertical stroke ⭱⸣ㄌ⭱䮵Ⲻᆍ .....................................................41
Rule 12 For characters with a horizontal stroke in the middle ⭱䮵ㄌ⭱⸣Ⲻᆍ ......................................42
Rule 13 For characters with both horizontal and vertical strokes 䮵ㄌ⸣..................................................44
Rule 14 The horizontal strokes should be written shorter ⸣ㄌ䮵 .............................................................44
Rule 15 Characters with horizontal strokes both above and below рсᴿ⭱Ⲻᆍ...................................45
Rule 16 Characters with vertical strokes on both the left and right sides ᐜᴿㄌ⭱Ⲻᆍ..........................46
Rule 17 In characters where the left stroke is a slant and the right stroke is vertical ᐜѰ᪽⭱Ѱㄌ⭱Ⲻᆍ
........................................................................................................................................................................ 48
Rule 18 In characters where the left stroke is vertical and the right stroke is a slant ᐜѰㄌ⭱Ѱ᪽⭱Ⲻᆍ
........................................................................................................................................................................ 48
Our Story ............................................................................................................... Error! Bookmark not defined.
David Yao Amazon Kindle Author Central page .................................................. Error! Bookmark not defined.
Preface - Chinese Character Genealogical Charts and Si
Si
Si
Si
Si
im
m
mi
m lar-Looking Ch
C
C
C
C
C aracters............Error! Bookmark not
defined.
Rule 01 The characters with “ᆶ” on top р
р
р䶘
р
р
р ᱥᇓⴌ
ⴌ
ⴌ
ⴌⲺ
ⴌ
ⴌ ᆍ ..
.
.
...............
.
. ..........................................................33
Rule 02 Characters with a base or supp
p
p
po
or
o
o ting struc
c
c
cture с䶘
с䶘
с䶘
с䶘
с䶘
䶘
䶘ᴿᓋ
ᴿᓋ
ᴿᓋ
ᴿᓋ
ᓋ
ᴿ ᢎ
ᢎ
ᢎ⣬
ᢎ
ᢎ Ⲻᆍ ................................................33
Rule 03 The left half is the main com
m
m
mponent ԛᐜঀ䜞ѰѱⲺᆍ......
. ...........................................................34
Rule 04 The right half is the main c
c
co
c mponent ԛঀ䜞ѰѱⲺᆍ
ᆍ
Ⲻᆍ
Ⲻᆍ
Ⲻ
Ⲻᆍ
Ⲻ ...............................................................34
Rule 05 For characters with horizon
n
nt
n
n
n al strokes in
n th
t
t
t e middle ᴿ
ᴿ
ᴿ
ᴿ
ᴿ
ᴿⲺ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻᆍ ...................................................36
Rule 06 For characters with vertical s
s
s
str
t
tr
t
t okes in the middle ᴿㄌㅊ䍥
ㅊ䍥
ㅊ䍥
ㅊ䍥
ㅊ䍥
ㅊ ѣⲺᆍ................................................36
Rule 07 Horizontal hooks should be forcefu
fu
f
fu
ful
l
l
l ऴᤵ
ऴᤵ
ऴᤵ
ऴᤵㅊу
ㅊу
ㅊу
ㅊуᓊᕥ
ᓊᕥ
ᓊᕥ
ᓊᕥ
ᓊ ᴨȽ⸣ቅ ........................................................37
Rule 08 For characters with horizontal hook strokes and fewer strokes ऴ㹺ㅊуᓊ䮵 ...........................37
Rule 09 The horizontal stroke should be written shorter ⸣᪽䮵...............................................................40
Rule 10 the horizontal stroke is long and the downward-rightward stroke is short 䮵᪽⸣.......................40
Rule 11 Short
t ho
ho
ho
ho
o
ho
orizo
zo
zont
nt
nt
n
n al
al
al
a s
s
s
s
str
tr
tr
tr
tr
r
tr
rok
ok
ok
ok
o
o
o
oke
e
e
e lo
lo
lo
o
o
o
ong v
v
v
v
v
ver
er
er
er
er
er
er
rti
ti
ti
ti
ti
ti
t
ti
t
t ca
ca
ca
ca
ca
c
cal
l
l
l
l
l
l
l st
st
st
st
t
st
t
t
s ro
ro
ro
ro
ro
ro
o
r ke
k
ke
ke
ke
ke
ke
ke
ke
ke
e ⭱
⭱
⭱
⭱
⭱
⭱
⭱⸣ㄌ
⸣ㄌ
⸣ㄌ
⸣ㄌ
⸣ㄌ
⸣ㄌ
ㄌ
⸣ㄌ
ㄌ
ㄌ
⸣
⸣ㄌ
ㄌ⭱䮵
⭱䮵
⭱䮵
⭱䮵
⭱䮵
⭱䮵
⭱
⭱䮵
⭱䮵
⭱ Ⲻᆍ
Ⲻᆍ
Ⲻᆍ
Ⲻᆍ
Ⲻᆍ
ᆍ
ᆍ
ᆍ
ᆍ
Ⲻ ...
.
..
. .
.
.....
.
.
...
.
.
..
. ..
.
. ...
..
.
. ..
..
...
.
.
.
...
..
..
.
. ..
.
.
...
..
.
.
.
. .
...
..
.
. ..
.
. ..
.
..................41
Rule 12 For ch
h
h
har
a
ar
ar
ar
a
arac
a te
te
e
e
e
ers
r
r
rs
rs w
w
w
w
wit
it
it
it
t
th
h
h
h
h
h a ho
o
ori
r
r
r zo
zo
zo
ont
nt
nt
nt
n
n
nta
a
al
a
a
a
a
a s
s
s
s
s
str
tr
tr
tr
tr
r
t
t o
o
ok
o
o e in
n
n
n
n
n t
t
t
t
t
t
t
the
he
he
he
he
e
e
e m
m
m
m
m
mid
id
id
id
id
d
id
ddl
dl
dl
dl
dl
d
d
d e
e
e
e
e ⭱
⭱
⭱
⭱
⭱
⭱
⭱䮵ㄌ
䮵ㄌ
䮵ㄌ
䮵ㄌ
䮵ㄌ
䮵ㄌ
ㄌ
ㄌ
ㄌ⭱⸣
⭱⸣
⸣
⸣
⭱⸣
⭱⸣
⭱⸣
⸣
⭱⸣Ⲻᆍ
Ⲻᆍ
Ⲻᆍ
Ⲻᆍ
Ⲻᆍ
Ⲻᆍ
ᆍ
ᆍ ......................................42
Rule 13 For characters with both horizontal and vertical strokes 䮵ㄌ⸣..................................................44
5. 2 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 19 In characters with multiple dots as strokes ᴿࠖ⛯Ⲻᆍ...................................................................49
Rule 20 In characters with multiple horizontal strokes ᴿᮦ⭱Ⲻᆍ .........................................................49
Rule 21 Equal numbers of strokes on the left and right sides of a character ⭧њѠㅿ䜞࠼㓺ᡆⲺᆍ .....52
Rule 22 For characters composed of three part (Left-middle-right) ⭧п䜞࠼㓺ᡆⲺᆍ..............................52
Rule 23 For characters consisting of two parts (Up-Down) ⭧рсњ䜞࠼ᶺᡆⲺᆍ ..................................53
Rule 24 For characters composed of three parts (Top-middle-bottom),⭧рѣсп䜞࠼㓺ᡆⲺᆍ.............53
Rule 25 For characters with a small left component ᐜڅቅⲺᆍ..............................................................55
Rule 26 For characters with a small right component څቅⲺᆍ ...........................................................55
Rule 27 For characters with four repeated components ཌѰਖⲺᆍ.........................................................56
Rule 28 For characters with four repeated components arranged internally ѰਖⲺᆍ .........................57
Rule 29 Slanting strokes should not be written flat ᯒईㅊ⭱у㾷ߏᒩ. ......................................................59
Rule 30 Horizontal strokes should not be written diagonally ᒩई⭱㤛ߏᯒҼࡏуㄥ↙............................59
Rule 31 When a vertical downward stroke is the final stroke in a character 㓫ᦰҁᆍ.................................60
Rule 32 For characters with a vertical stroke and the "ᠾ" radical 㓫ᠾҁᆍ................................................60
Rule 33 Horizontal hook should be curved to ensure stability ᠾㅊ⭱уᙋᕥᴨ. .....................................63
Rule 34 When writing vertical curved hooks ծ䫟ҁᆍᓊᣧᤷ ....................................................................63
Rule 35 When the slant and downward strokes intersect ᢵрҁ“Ӱ”ᆍ.......................................................63
Rule 36 Hooks that need to avoid colliding ቾ䫟ㅊҁࣵ...............................................................................64
Rule 37 For characters with four dots similar to the character "俢," 傢喵Ⲻ䫟䭁.........................................67
Rule 38 Characters with a flat horizontal stroke on top р䗯Ѱᒩ⭱Ⲻᆍ.....................................................67
Rule 39 Characters with a flat horizontal stroke с䗯Ѱᒩ⭱Ⲻᆍ................................................................68
Rule 40 For characters with multiple downward strokes ᴿࠖѠᦰ⭱Ⲻᆍ...................................................68
Rule 41 For characters with hooks ᴿࠖѠ䫟ᨆⲺᆍ ....................................................................................71
Rule 42 For characters with hooks both above and below рсᴿ䫟ᨆⲺᆍ ................................................71
Rule 43 For characters with both downward and upward hooks ᴿإ䫟ૂԦ䫟Ⲻᆍ...................................72
Rule 44 For characters where the upper part is the main component ԛр䜞ѰѱⲺᆍ................................72
Rule 45 For characters where the lower part is the main component ԛс䜞ѰѱⲺᆍ................................75
Rule 46 For characters with a left-right structure where the right part is the main component ԛ䜞ѰѱⲺ
ᆍ.................................................................................................................................................................... 75
Rule 47 For characters with more strokes on the left side ԛᐜ䜞ѰѱⲺᆍ.................................................76
Rule 48 For characters more strokes on both sides ԛᐜѰѱⲺᆍθѣ䰪ᇒቅ........................................76
Rule 26 For characters with a small right component څቅⲺᆍ ...........................................................55
Rule 27 For characters with four repeated components ཌѰਖⲺᆍ.........................................................56
Rule 28 For characters with four repeated componen
n
n
nts
ts
ts
t arranged inte
te
e
e
ern
rn
r
rnally ѰਖⲺᆍ .........................57
Rule 29 Slanting strokes should not be written
n
n
n f
f
f
f
f
fl
la
l t ᯒईㅊ
ㅊ
ㅊ⭱
ㅊ
ㅊ у
у
у㾷
у
у ߏᒩ
ᒩ
ᒩ
ᒩ. ......................................................59
Rule 30 Horizontal strokes should not be w
w
w
w
written dia
a
a
a
ag
g
go
g nally
y
y
y
y ᒩ
ᒩ
ᒩ
ᒩई
ᒩ ⭱㤛
㤛
㤛
㤛
㤛
㤛ߏᯒҼࡏуㄥ↙............................59
Rule 31 When a vertical downward str
r
ro
o
ok
o
o e is the f
f
f
f
fi
i
in
in
inal stro
o
ok
k
o
o e in
n
n
n
i a
a
a
a
a character 㓫ᦰҁᆍ.................................60
Rule 32 For characters with a vertica
al
al
a
a stroke and the "ᠾ" radical 㓫ᠾ
㓫ᠾ
㓫ᠾ
㓫ᠾ
㓫 ҁᆍ................................................60
Rule 33 Horizontal hook should be curved to ensure stability
y
y
y ᠾ
ᠾ
ᠾ
ᠾ
ㅊ⭱
ㅊ
ㅊ⭱
ㅊ⭱
⭱уᙋᕥᴨ. .....................................63
Rule 34 When writing vertical curv
v
v
v
ved
e hooks ծ䫟
䫟
䫟
䫟
䫟ҁᆍ
ҁ ᓊᣧ
ᣧ
ᣧ
ᣧᤷ
ᤷ
ᤷ
ᤷ
ᤷ
ᤷ ..........
.
.
...........................................................63
Rule 35 When the slant and downwar
r
r
rd
d
d
d strokes intersect ᢵрҁ
ҁ
ҁ“Ӱ
Ӱ
Ӱ
Ӱ
Ӱ
Ӱ”ᆍ.......................................................63
Rule 36 Hooks that need to avoid colliding ቾ䫟
ቾ
ቾ䫟
ቾ䫟
ቾ䫟
ቾ ㅊҁ
ㅊҁ
ㅊҁ
ҁࣵ
ࣵ
ࣵ
ࣵ............................................................................... 64
Rule 37 For characters with four dots similar to the character "俢," 傢喵Ⲻ䫟䭁.........................................67
Rule 38 Characters with a flat horizontal stroke on top р䗯Ѱᒩ⭱Ⲻᆍ.....................................................67
Rule 39 Characters with a flat horizontal stroke с䗯Ѱᒩ⭱Ⲻᆍ................................................................68
Rule 40 For ch
h
har
ar
ar
ar
r
arac
c
cte
te
ers
rs
rs
r
r w
w
w
w
w
wit
it
it
t
t
th
h
h
h
h
h
h
h mu
mu
mu
mu
mult
lt
lt
t
t
l ip
i
i
i
i
i
i
i le d
d
d
d
d
d
dow
ow
ow
ow
ow
w
ow
w
wnw
nw
nw
nw
nw
nw
war
ar
ar
ar
ar
a d
d
d
d
d
d
d st
st
s
s
st
t
t
s ro
ro
ro
ro
ro
r
r
ro
roke
k
k
k
k
k s
s
s
s
s ᴿࠖ
ᴿࠖ
ᴿࠖ
ᴿࠖ
ᴿࠖ
ᴿࠖ
ࠖ
ᴿ
ᴿ
ᴿࠖ
ᴿࠖѠᦰ
Ѡᦰ
Ѡᦰ
Ѡᦰ
Ѡᦰ
Ѡᦰ
Ѡ
Ѡᦰ
Ѡᦰ
Ѡᦰ
ᦰ
Ѡ ⭱Ⲻ
⭱Ⲻ
⭱Ⲻ
⭱Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ......................
. ....
. .........................68
Rule 41 For ch
h
h
har
ar
ar
ar
a
a
arac
a
a te
te
e
e
e
ers
r
rs
rs w
w
w
w
wit
it
it
it
th
h
h
h
h
h hook
ok
ok
ks ᴿࠖ
ᴿࠖ
ᴿࠖ
ᴿࠖ
ࠖ
ᴿࠖ
ࠖ
ᴿࠖ
ࠖ
ࠖѠ䫟
Ѡ䫟
Ѡ䫟
Ѡ
Ѡ䫟
Ѡ䫟
䫟
Ѡ ᨆⲺ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ ..
..
.
..
...
..
.
..
. .
.
..
. .
..
..
.
....
..
....
.
.
.
.
. ....
.
....
.
.
..
.
.
...
.
.
.....
..
..
.....
..
..
..
.
..
....
.
..
. ...
....
.
.
. ..
..
. ....
.
.
.
.
. ........................................71
Rule 42 For characters with hooks both above and below рсᴿ䫟ᨆⲺᆍ ................................................71
6. 3 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 49 For characters with a left-middle-right structure, when there are more strokes in the middle ԛѣ䰪
ѰѱⲺᆍθѣ䜞ᓊཝ....................................................................................................................................78
Rule 50 For characters with an upper-middle-lower structure where the upper and lower parts are wide ԛр
сѰѱⲺᆍθѣ䰪ᓊቅ................................................................................................................................78
Rule 51 The bent hooks 㓫㞋ㅊθᓊᕥᴨ㙂ᴿ࣑.........................................................................................79
Rule 52 When writing vertical curved hooks 㞋ㅊθᓊ഼⏜⿶ ............................................................79
Rule 53 Vertical slant and the right stroke 㓫᪽ᴶᘂ䊗㘷啖Ⲻቴᐪ.............................................................82
Rule 54 Multiple parallel "᪽" strokes ᴿᒬᧈࠖѠ᪽Ⲻᆍ...........................................................................82
Rule 55 The writing of three parallel "᪽" strokes 䘔п᪽Ⲻᆍ................................................................82
Rule 56 For characters with the "п⛯≪" radical п⛯Ⲻߏ⌋.....................................................................83
Rule 57 The vertical stroke in the character ""ᆍ㾷ߏ↙у㾷څ...........................................................85
Rule 58 The vertical stroke in the upper part like the "ൕ" ൕᆍ㾷ߏ↙у㾷څ ...........................................85
Rule 59 Characters with complex and intertwined strokes 㔉ᶺ䭏㔲གྷᵸⲺᆍ............................................86
Rule 60 For characters with a tight and compact structure 㔉ᶺ㍝ᇼⲺᆍ....................................................86
Rule 61 In characters with a vertical stroke that passes through the middle ᖉᛢ䪾Ⲻㅊ⭱㤛ᡆම䵨 .........89
Rule 62 use a suspended needle ᖉම䵨Ⲻ㤛ᛢ䪾.........................................................................................89
Rule 63 Although the character should be slightly slanted ᆍ։㲳ᱥᯒⲺ....................................................90
Rule 64 Characters with a well-proportioned form ᆍ։ᵢᱥ↙Ⲻ ...............................................................91
Rule 65 Characters with a slender form ᆍᵢᶛቧⱜⲺ.................................................................................93
Rule 66 Characters with a flat form ᆍᵢᶛቧ⸤Ⲻ.......................................................................................93
Rule 67 Horizontal stroke ᪽ and vertical stroke ᦰ on top ⴌсδӰεⲺߏ⌋.......................................94
Rule 68 The writing of downward strokes with a leftward 䏁сⲺߏ⌋㾷ᐜ〦 ..................................94
Rule 69 While characters should appear plump 㲳ᇒ㛛Ⲻᆍ ........................................................................97
Rule 70 Although characters should appear slender 㲳ᇒⱜⲺᆍ..................................................................97
Rule 71 Characters with fewer strokes ㅊ⭱ቇⲺᆍ ......................................................................................98
Rule 72 Characters with more strokes ㅊ⭱ཐⲺᆍ.......................................................................................98
Rule 73 For characters with a "䗬" component 䎦ҁрⲺᆍ.....................................................................100
Rule 74 When the "ཝ" (dà) component is at the bottom of a characterćཝĈᆍ൞с ..............................100
Rule 75 The left vertical stroke should be written short ᐜㄌуᄂ⸣θㄌуᄂ䮵..................................101
Rule 76 The left vertical stroke should be written long ᐜㄌуᄂ䮵θㄌуᄂ⸣...................................102
Rule 77 The hook in ćᆶĈᇓⴌⲺ䫟 ........................................................................................................104
Rule 55 The writing of three parallel "᪽" strokes 䘔п᪽Ⲻᆍ................................................................82
Rule 56 For characters with the "п⛯≪" radical п⛯Ⲻߏ
ߏ
ߏ
Ⲻߏ
ߏ⌋
⌋
⌋
⌋
⌋
⌋....
.
....
.
.
. ...............................................................83
Rule 57 The vertical stroke in the character ""ᆍ
ᆍ
ᆍ
ᆍ
ᆍ㾷ߏ
ߏ
ߏ
ߏ↙у
↙у
↙у
↙у
↙у
у
↙ 㾷څ...
.........................................................85
Rule 58 The vertical stroke in the upper par
r
r
rt
t
t
t
t l
l
li
l ke the "ൕ
ൕ
ൕ
ൕ
ൕ" ൕᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ㾷ߏ↙
↙
↙
↙у㾷څ ...........................................85
Rule 59 Characters with complex and in
n
n
n
nt
t
te
t rtwined st
st
st
s rokes 㔉
㔉
㔉
㔉ᶺ
㔉 䭏㔲
㔲
㔲
㔲
㔲གྷ
གྷ
གྷᵸ
གྷ Ⲻᆍ............................................86
Rule 60 For characters with a tight an
n
n
n
nd
d
d
d
d compact st
st
st
st
s ru
ru
ruct
ct
ctur
ur
ure
e
e 㔉ᶺ
㔉ᶺ
㔉
㔉ᶺ㍝ᇼ
㍝ᇼ
ᇼ
㍝ᇼ
ᇼ
ᇼⲺᆍ....................................................86
Rule 61 In characters with a vertica
al
l
l
l
l stroke that passes through the
e
he
e
e middle ᖉᛢ䪾Ⲻㅊ⭱㤛ᡆම䵨 .........89
Rule 62 use a suspended needle ᖉම
ම
ම
ම䵨Ⲻ㤛ᛢ䪾
䪾
䪾
䪾........................
.
.
.........
.
..........................................................89
Rule 63 Although the character shou
ul
ul
u
uld
d be slightly sl
sl
slan
an
an
an
a
a
a te
te
te
te
ted
d
d
d
d
d ᆍ
ᆍ
ᆍ։㲳ᱥ
ᱥ
ᱥ
ᱥ
ᱥ
ᱥᯒ
ᯒ
ᯒ
ᯒⲺ
ᯒ ....................................................90
Rule 64 Characters with a well-proporti
i
ion
on
on
oned form ᆍ։ᵢᱥ
ᵢᱥ
ᱥ
ᵢᱥ
ᵢᱥ↙
↙
↙Ⲻ
↙
↙ ...............................................................91
Rule 65 Characters with a slender form ᆍᵢᶛቧⱜⲺ................................................................................. 93
Rule 66 Characters with a flat form ᆍᵢᶛቧ⸤Ⲻ....................................................................................... 93
Rule 67 Horizontal stroke ᪽ and vertical stroke ᦰ on top ⴌсδӰεⲺߏ⌋.......................................94
Rule 68 The w
w
wri
ri
r
ri
r
r
r ti
t
ti
t
t
ting
g
g
g o
o
o
of do
do
d
do
d w
wn
w
w
wn
w wa
w
w
wa
wa
wa
wa
w rd
r
r
r
r
r
r strok
ok
ok
ok
okes
es
es
es
s
es
e
e w
w
w
w
wit
it
it
it
i
it
it
it
th
h
h
h
h
h a
a
a
a
a
a
a le
le
le
e
e
le
e
e
eft
ft
ft
f
ft
ft
f
f
f
f wa
wa
wa
wa
a
ard
rd
rd
rd
d
rd 䏁с
䏁с
䏁с
䏁с
䏁с
䏁с
䏁 Ⲻߏ
Ⲻ
Ⲻߏ
Ⲻߏ
Ⲻߏ
Ⲻߏ
Ⲻ ⌋㾷
⌋㾷
⌋㾷
⌋㾷
⌋㾷
⌋㾷
⌋㾷
⌋㾷
⌋㾷ᐜ
ᐜ
ᐜ
ᐜ
ᐜ
ᐜ
ᐜ
〦
〦
〦
〦
〦
...
.
.
....
.
.
.
. ..
.
.
. ..
..
.
...
.
.
...
.
.
..
..
..
.
..
. ................94
Rule 69 While ch
c
c
c
c
c aracters s
sho
h
h
h uld
d
d
d
d appe
pe
pe
pear
a
a
a p
p
p
plu
lu
lu
ump
m
m
m
m
m 㲳ᇒ㛛Ⲻᆍ ........................................................................97
Rule 70 Although
g
g
g cha
h
h
h
h ract
t
ter
r
rs
s
s
s sh
h
h
h
h
h
hould
ld
d
ld app
pea
a
ar
r
r
r
r slende
der
r 㲳ᇒ
㲳ᇒ
㲳ᇒ
㲳ᇒ
㲳ᇒ
㲳ᇒⱜⲺ
ⱜⲺ
ⱜⲺ
ⱜⲺ
ⱜⲺ
ⱜ
ⱜⲺᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ..................................................................97
Rule 71 Characters with fewer strokes ㅊ⭱ቇⲺᆍ ...................................................................................... 98
7. 4 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 78 Characters with neatly arranged 㒸䳼ᧈࡍⲺㅊ⭱.........................................................................104
Rule 79 Characters based on the "ট" component Ԅ“ট”Ⲻᆍ...................................................................105
Rule 80 For characters with the component "䱓,"Ԅ“䛇”δ䱓εⲺᆍ ....................................................106
Rule 81 For characters with the "left ear" component "䱓"Ԅ“䱒”δᐜ䱓εⲺᆍ......................................108
Rule 82 For characters with the “Ⲭ”radical Ԅ“Ⲭ”ᆍཪⲺᆍ ....................................................................109
Rule 83 Characters with the "ji" (⾣) radical at the top Ԅ“⾣”ᆍཪⲺᆍ ...................................................109
Rule 84 For characters with the "ji" (҇) radical at the bottom Ԅ ҇“㚐ᆍᓋ”Ⲻᆍ...................................110
Rule 85 For characters with the (䊋) radical at the bottom Ԅ“䊋”Ⲻᆍ......................................................112
Rule 86 For characters with the “ӱ” Ԅ“ӱ”Ⲻᆍ.......................................................................................112
Rule 87 For characters with "ᖩ"radical Ԅ“ᖩ”Ⲻᆍ ..................................................................................112
Rule 88 For characters with the "Ґ" component ԄҐ“ҧ”ᆍѣⲺㄌᕥ䫟Ⲻᆍ.........................................113
Rule 89 For characters with the same triangular shape ਖⲺᆍ ...............................................................115
Rule 90 For characters that are stacked from bottom to top 〥㍥Ⲻᆍ........................................................115
Rule 91 The horizontal strokes at the bottom с䶘Ⲻ⭱..........................................................................116
Rule 92 Characters with a vertical hook at the end ᵡ䫟ᓊ䈛ぃᗤᤌ䮵ж⛯ .............................................116
Rule 85 For characters with the (䊋) radical at the bottom Ԅ 䊋 Ⲻᆍ......................................................112
Rule 86 For characters with the “ӱ” Ԅ“ӱ”Ⲻᆍ....................................................................................... 112
Rule 87 For characters with "ᖩ"radical Ԅ“ᖩ”Ⲻᆍ
ᆍ
ᆍ .
..........................
.
.
.........................................................112
Rule 88 For characters with the "Ґ" componen
en
en
n
ent
t
t ԄҐ“ҧ
ҧ
ҧ
ҧ
ҧ”
”
”
”ᆍѣ
ѣ
ѣ
ѣ
ѣ
ѣⲺㄌᕥ
ᕥ
ᕥ䫟
ᕥ Ⲻᆍ.........................................113
Rule 89 For characters with the same trian
n
n
n
ng
g
g
gular shap
p
p
p
p
pe ਖⲺ
Ⲻ
Ⲻ
Ⲻᆍ
Ⲻ
Ⲻ .......
.
..
. .......................................................115
Rule 90 For characters that are stacked
d
d
d from botto
o
o
o
om
m
m
m to to
op
op
o
op 〥㍥
〥㍥
〥㍥
〥㍥
〥 Ⲻ
Ⲻ
Ⲻᆍ
Ⲻ ........................................................115
Rule 91 The horizontal strokes at the
e
e
e
e bottom с䶘Ⲻ⭱................
.
.
...........................................................116
Rule 92 Characters with a vertical h
h
h
hook at the end ᵡ䫟ᓊ䈛ぃᗤ
ぃᗤ
ぃᗤ
ぃᗤ
ぃᗤ
ぃ ᤌ䮵
䮵
䮵
䮵
䮵ж⛯ .............................................116
8. 5 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Preface
Ʌ䰪ᷬ㔉ᶺғॷӂ⌋ɆⲺ֒㘻哺㠠ݹθ൞䘏ᵢ㔅ޮҁ֒Ⲻะ
рθѰᶛⲺҜ⌋⡧ླ㘻ૂᆜ㘻ᨆבҼ⹊ޛガૂᆜҖⲺᵰՐȾԌ
Ⲻ֒ѰѣളҜ⌋亼ตṇҼḽᵼθᖧଃ䘒ȾThe author of "The
Ninety-Two Principles of Structural Framework in Calligraphy," Huang
Zi-yuan, built upon this classic work to provide later calligraphy
enthusiasts and scholars with an opportunity for in-depth study and
learning. His work has set a benchmark in the field of Chinese
calligraphy and has had a profound influence.
൞䘏ᵢҜѣθ֒㘻уӻԁ㔃Ҽғॷӂ〃Ҝ⌋ᢶ⌋ૂࡏθ䘎᧘ޛ
䇞ҼѣളҜ⌋Ⲻᶺᔰ㾷㍖Ƚㅊ⭱Ⲻ䘆⭞Ƚᆍ։Ⲻ㔉ᶺૂ㗄θԛ
Ҝ⌋㜂Ⲻନᆜᙓ㘹Ⱦ䘏ӑᇯѰ䈱㘻ᨆבҼޞ䶘ⲺҜ⌋ሲθᑤ
ࣟԌԢ⨼䀙ૂᧂᨗҜ⌋Ⲻᵢ䍞ȾIn this book, the author not only
introduces ninety-two calligraphic techniques and principles but also
delves deep into the essential elements of Chinese calligraphy, stroke
application, character structure, aesthetics, and the philosophical
reflections behind calligraphy. These contents offer readers
comprehensive guidance on calligraphy, helping them understand and
master its essence.
֒㘻哺㠠ݹԛ㠠ᐧউ䏀ⲺҜ⌋ᢶ㢰ૂࡑ֒㔅僂ѰะθሼՖ㔕фࡑ
᯦㔉ਾθᖘᡆҼ⤢⢯ⲺҜ⌋伄Ṳθ㻡䂿Ѱćᆍ൙ĈȾԌⲺ֒у
ӻޭᴿ㢰ᵥᙝθ䘎⌞䠃Ҝ⌋Ⲻᇔ⭞ᙝૂՖᢵԭٲȾ䘏ֵᗍԌⲺ֒
ᡆѰᆜҖҜ⌋Ⲻᇓ䍫䍺ⓆθਇҼᰖᮦӰሯҜ⌋Ⲻ✣⡧ૂ䘳≸Ⱦ
Based on his outstanding calligraphic skills and creative experiences,
enthusiasts and scholars with an opportunity for in-depth study and
learning. His work has set a benchmark in the field of Chinese
calligraphy and has had a profound
d
d
d
d
d i
i
i
i
influe
e
e
e
en
n
n
n
n
nc
ce.
൞䘏ᵢҜѣθ֒㘻уӻԁ
ԁ
ԁ
ԁ
ԁ㔃
㔃
㔃Ҽғ
ғ
ғ
ғ
ғॷӂ
ӂ
ӂ
ӂ
ӂ〃
〃
〃
〃
〃Ҝ
Ҝ
Ҝ
Ҝ
Ҝ⌋ᢶ⌋ૂࡏθ䘎᧘ޛ
䇞ҼѣളҜ⌋Ⲻᶺᔰ㾷㍖
㍖
㍖
㍖
㍖
㍖Ƚㅊ⭱Ⲻ䘆⭞Ƚᆍ
ᆍ
ᆍ
ᆍ
ᆍ։Ⲻ㔉ᶺૂ㗄θԛ
Ҝ⌋㜂Ⲻନᆜᙓ㘹Ⱦ䘏ӑᇯ
ᇯ
ᇯ
ᇯ
ᇯѰ
Ѱ
Ѱ䈱
䈱
䈱㘻
㘻
㘻
㘻ᨆ
ᨆ
ᨆ
ᨆ
ᨆ
ᨆב
ב
ב
ב
בҼޞ䶘ⲺҜ⌋ሲθᑤ
ࣟԌԢ⨼䀙ૂᧂᨗҜ⌋Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻᵢ䍞ȾI
I
I
In
n
n
n
n
n
n t
t
t
t
th
h
h
h
h
hi
is boo
o
o
ok
k
k
k
k, the author not only
introduces ninety-two calligr
ra
a
a
a
ap
p
p
p
p
ph
h
h
h
hic te
ec
c
c
ch
h
h
h
hn
n
n
ni
i
i
iques and principles but also
delves deep into the essential elements of Chinese calligraphy, stroke
application, character structure, aesthetics, and the philosophical
reflections behind calligraphy. These contents offer readers
comprehen
ns
s
s
s
si
i
i
i
i
iv
v
v
v
v
v
ve
e
e
e g
g
g
gu
u
u
u
u
u
ui
i
i
i
id
d
d
d
d
d
d
d
d
da
a
a
a
a
an
n
n
n
n
nc
c
c
c
c
c
ce
e
e
e
e
e
e on
n
n
n
n
n
n c
c
c
c
c
c
c
ca
a
a
a
a
a
al
l
l
l
l
l
ll
l
l
l
l
li
i
i
i
i
i
i
i
ig
g
g
g
g
g
g
gr
r
r
r
r
r
r
r
ra
a
a
a
a
a
a
a
a
ap
p
p
p
p
p
ph
h
h
h
h
hy
y
y
y
y
y
y
y
y,
,
,
, h
h
h
h
h
h
h
h
h
he
e
e
e
e
e
e
e
e
e
el
l
l
l
l
l
l
l
lp
p
p
p
p
p
p
pi
i
i
in
n
n
n
n
ng
g
g
g
g
g
g
g
g t
t
t
t
t
t
t
t
t
t
th
h
h
h
h
h
h
h
h
h
he
e
e
e
e
e
e
e
em
m
m
m
m
m
m u
u
u
u
u
un
n
n
n
n
n
nd
d
d
d
d
d
d
de
e
e
e
e
er
r
r
r
r
r
rs
s
s
s
s
s
st
t
t
t
t
t
t
t
ta
a
a
a
a
a
an
n
n
n
nd and
master its e
e
e
es
s
s
s
s
s
ss
s
s
s
s
se
e
e
en
n
n
n
n
nc
c
c
c
c
c
c
ce.
.
.
.
.
9. 6 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Huang Zi-yuan blended tradition with innovation, forming a unique
calligraphic style and earning the title of "Character Sage." His works
are not only artistic but also emphasize the practicality and heritage
value of calligraphy. This makes his works a precious resource for
learning calligraphy and has inspired countless individuals to develop a
love for and pursuit of calligraphy.
↚ཌθ֒㘻൞Ҝ⌋ᮏ㛨ૂ᧞ᒵᯯ䶘ҕᴿ〥ᶷⲺ䍗⥤ȾԌ᭥ᤷҜ⌋൞
ᆜṗᮏ㛨ѣⲺᓊ⭞θѰฯޱ᯦жԙҜ⌋⡧ླ㘻ૂщѐӰᢃཱྀ࣑࣠
ᯍȾԌⲺᮏ㛨⨼ᘫૂ㔅僂ѰҜ⌋ⲺՖᢵૂਇኋᨆבҼᇓ䍫Ⲻٕ䢪θ
ֵᴪཐӰᴿᵰՐⴀӄҜ⌋㢰ᵥȾFurthermore, the author has made
active contributions to calligraphy education and promotion. He has
supported the application of calligraphy in school education, striving to
cultivate a new generation of calligraphy enthusiasts and professionals.
His educational philosophy and experiences provide valuable insights
for the preservation and development of calligraphy, providing more
people with the opportunity to benefit from the art of calligraphy.
㔲рᡶ䘦θ哺㠠֒ݹѰɅ䰪ᷬ㔉ᶺғॷӂ⌋ɆⲺ֒㘻θуӻ൞Ҝ⌋
ࡑ֒亼ตᗍҼউ䏀ᡆቧθ䘎䙐䗽ᮏ㛨ૂ᧞ᒵѰѣളҜ⌋Ⲻ㑷㦙ૂ
Ֆᢵ֒࠰Ҽᶦ࠰Ⲻ䍗⥤ȾԌⲺᖧଃ࣑ሼ㔝㔣◶ࣧӰԢ⹊ガȽᆜҖ
ૂՖᢵѣളҜ⌋䘏жᇓ䍫Ⲻᮽौ䚍ӝȾIn conclusion, as the author of
"The Ninety-Two Principles of Structural Framework in Calligraphy,"
Huang Zi-yuan has not only achieved excellence in the field of
calligraphy but has also made outstanding contributions to the prosperity
and preservation of Chinese calligraphy through education and
promotion. His influence will continue to inspire people to research,
↚ཌθ֒㘻൞Ҝ⌋ᮏ㛨ૂ᧞ᒵᯯ䶘ҕᴿ〥ᶷⲺ䍗⥤ȾԌ᭥ᤷҜ⌋൞
ᆜṗᮏ㛨ѣⲺᓊ⭞θѰฯޱ᯦жԙ
ԙ
ԙ
ԙ
ԙ
ԙҜ
Ҝ
Ҝ⌋
⌋
⌋
⌋
⌋
⌋⡧
⡧ླ
ླ
ླ
ླ
ླ
ླ㘻
㘻
㘻
㘻
㘻ૂщѐӰᢃཱྀ࣑࣠
ᯍȾԌⲺᮏ㛨⨼ᘫૂ㔅僂ѰҜ
Ҝ
Ҝ
Ҝ
Ҝ⌋Ⲻ
Ⲻ
Ⲻ
ⲺՖ
Ֆ
Ֆ
Ֆ
Ֆ
Ֆᢵ
ᢵ
ᢵ
ᢵ
ᢵ
ᢵૂਇኋ
ኋ
ኋ
ኋ
ኋᨆבҼᇓ䍫Ⲻٕ䢪θ
ֵᴪཐӰᴿᵰՐⴀӄҜ⌋
⌋
⌋
⌋
⌋
⌋㢰ᵥ
ᵥ
ᵥ
ᵥ
ᵥȾFu
u
u
u
u
u
ur
r
r
r
rther
r
rm
m
m
m
more, the author has made
active contributions to call
l
l
l
li
i
i
igraphy
y
y e
e
ed
d
du
uc
c
ca
a
at
t
ti
i
io
o
on
n
n a
a
a
a
a
an
n
n
n
nd promotion. He has
supported the application
n
n
n of calligraphy in s
s
s
s
s
sc
c
c
ch
h
h
h
hool education, striving to
cultivate a new generatio
o
on
n
n of calli
ig
g
g
graphy e
e
e
e
en
n
n
nt
t
t
t
th
h
h
h
h
hu
u
us
s
s
s
siasts and professionals.
His educational philosoph
h
h
h
h
hy
y
y
y
y
y and experi
i
i
i
iences p
p
p
p
pr
r
r
rovide valuable insights
for the preservation and devel
l
l
l
lo
o
o
o
o
op
p
p
p
p
pm
m
m
men
n
nt
t
t
t o
o
o
o
of
f
f
f calligraphy, providing more
people with the opportunity to benefit from the art of calligraphy.
㔲рᡶ䘦θ哺
哺
哺
哺
哺
哺
哺
哺㠠
㠠
㠠
㠠
㠠
㠠
㠠
㠠
㠠ݹ
ݹ
ݹ
ݹ
ݹ
ݹ
ݹ
ݹ
ݹ
ݹ֒
֒
֒
֒
֒
֒
֒
֒
֒
֒Ѱ
Ѱ
Ѱ
Ѱ
Ѱ
Ѱ
Ѱ
Ѱ
Ѱ
ѰɅ
Ʌ
Ʌ
Ʌ
Ʌ
Ʌ
Ʌ䰪
䰪
䰪
䰪
䰪
䰪
䰪
䰪ᷬ
ᷬ
ᷬ
ᷬ
ᷬ
ᷬ
ᷬ
ᷬ
ᷬ㔉
㔉
㔉
㔉
㔉
㔉
㔉
㔉
㔉
㔉ᶺ
ᶺ
ᶺ
ᶺ
ᶺ
ᶺ
ᶺ
ᶺ
ᶺ
ᶺ
ᶺғ
ғ
ғ
ғ
ғ
ғ
ғ
ғॷ
ॷ
ॷ
ॷ
ॷ
ॷ
ॷ
ॷ
ॷ
ॷ
ॷ
ॷӂ
ӂ
ӂ
ӂ
ӂ
ӂ
ӂ
ӂ
ӂ⌋
⌋
⌋
⌋
⌋
⌋Ɇ
Ɇ
Ɇ
Ɇ
Ɇ
Ɇ
Ɇ
Ɇ
Ɇ
ɆⲺ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ֒
֒
֒
֒
֒
֒
֒
֒
֒㘻
㘻
㘻
㘻
㘻
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Ֆᢵ֒࠰Ҽᶦ࠰Ⲻ䍗⥤ȾԌⲺᖧଃ࣑ሼ㔝㔣◶ࣧӰԢ⹊ガȽᆜҖ
10. 7 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
learn, and pass down this valuable cultural heritage of Chinese
calligraphy.
൞䘏ᵢ㔅ޮҁ֒ⲺะрθᵢҜ֒㘻 David Yao ԛѣ㤧ਂ䈣ڐҼ
Ⲻ࠰⍻ޛԁ㔃θᒬ䞃ԛ㤹ׁૂᆍᑌ㓹Җθֵ䈱㘻㜳ཕ൞⸣ᰬ䰪ᧂ
ᨗ≿ᆍⲺ㔉ᶺθ亼⮛ࡦ≿ᆍⲺ㗄ૂ≿ᆍҜ⌋Ⲻ㋴࿏ȾBuilding upon
this classic work, the author of this book, David Yao, provides a
comprehensive and accessible introduction in both Chinese and English.
Accompanied by examples and character practice sheets, this book
enables readers to quickly grasp the structure of Chinese characters and
appreciate the beauty and intricacies of Chinese calligraphy.
David Yao Ⲻᐛ֒ሯӄ≿ᆍᆜҖ㘻ᶛ䈪ޭᴿ䠃㾷ⲺᝅѿȾ䙐䗽ሼҜ
⌋ᢶ⌋ૂ≿ᆍ㔉ᶺⲺ䀙䠀фѣ㤧ਂ䈣ሯ➝⧦θԌᑤࣟ䈱㘻ᴪླ൦
⨼䀙ૂᧂᨗ≿ᆍⲺҜߏ㿺ࡏૂ㗄Ⱦ䘏уӻᴿࣟӄᨆ儎≿ᆍҜߏⲺ
䍞䠅θ䘎ฯޱҼ䈱㘻Ⲻᇗ㗄ݿȾDavid Yao's work holds significant
value for Chinese language learners. By presenting explanations of
calligraphic techniques and character structures in both Chinese and
English, he assists readers in better understanding and mastering the
rules and aesthetics of Chinese character writing. This not only enhances
the quality of Chinese character writing but also cultivates readers'
aesthetic sensibilities.
↚ཌθҜѣⲺ㤹ׁૂᆍᑌ㓹ҖѰᆜҖ㘻ᨆבҼᇔ䐫ⲺᵰՐθ䇟ԌԢ
㜳ཕӨ㠠։僂≿ᆍҜ⌋Ⲻ㢰ᵥ养࣑Ⱦ䘏ӑ㓹Җᴿࣟӄᨆ儎䈱㘻ⲺҜ
ߏᢶᐝθֵԌԢᴪ㠠ؗ൦ᓊሯҜ⌋᥇ᡎȾFurthermore, the examples
this classic work, the author of this book, David Yao, provides a
comprehensive and accessible introduct
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䍞䠅θ䘎ฯޱҼ䈱㘻Ⲻᇗ㗄ݿȾDavid Yao's work holds significant
value for Chinese language learners. By presenting explanations of
calligraphic techniq
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11. 12 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Platforms (Websites, Google stores, Groupons, Facebook stores). We
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basis. We can provide technical assistance to integrate our contents
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Please contact us by whatsapp +60163863716.
12. 22 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Pang Zhonghua - Pioneer of Contemporary Chinese Hard Pen
Calligraphy ᓎѝॾ-ѝഭᖃԓ⺜ㅄҖ⌅Ⲵᔰᤃ㘵
ᓔѣδPang Zhonghuaεᱥѣളᖉԙ⺢ㅊҜ⌋亼ตⲺᶦ࠰ԙ㺞ҁжθԌⲺҜ
⌋֒൞ᖉԙ㢰ᵥ⮂༽᧞ጽθੂᰬҕ൞ᆜṗᮏ㛨ѣਇᥛҼ〥ᶷⲺ᧞ᒵ֒
⭞ȾPang Zhonghua is one of the outstanding representatives in the field of
contemporary Chinese hard-pen calligraphy. His calligraphy works are highly
respected in the contemporary art world and have played a positive role in
promoting education in schools.
ᓔѣⲺ⺢ㅊҜ⌋֒ԛެ⤢⢯Ⲻ伄Ṳૂࡑ᯦ᙝ㙂㪍〦ȾԌⲺ֒ᑮᑮሼՖ
㔕Ⲻ⺢ㅊҜ⌋ᢶ⌋ф⧦ԙ㢰ᵥݹ㍖㔉ਾθኋ⧦࠰᯦仌㙂ሂᴿࡑᝅⲺ㿼㿿᭾
᷒ȾԌⲺҜ⌋֒൞ളཌ㢰ᵥኋ㿾ѣኋ࠰θᒬ㧭ᗍҼᒵ⌑Ⲻ䇚ਥфླ䇺Ⱦ
ᓔѣ䙐䗽㠠ᐧⲺࡑ֒θѰᖉԙ⺢ㅊҜ⌋⌞ޛҼ᯦Ⲻ⍱࣑фᰬԙ⏫θᡆѰ
Ҽѣള⺢ㅊҜ⌋亼ตⲺԙ㺞ᙝӰ⢟ҁжȾPang Zhonghua is known for his
unique style and innovation in hard-pen calligraphy. His works often combine
traditional hard-pen calligraphy techniques with modern artistic elements, creating
a fresh and creative visual impact. His calligraphy works have been exhibited both
domestically and internationally, receiving widespread recognition and acclaim.
Through his own creations, Pang Zhonghua has injected new vitality and
contemporary relevance into the field of hard-pen calligraphy, making him one of
the prominent figures in Chinese hard-pen calligraphy.
contemporary Chinese hard-pen calligraphy. His calligraphy works are highly
respected in the contemporary art world a
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ᓔѣⲺ⺢ㅊҜ⌋֒ԛެ
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㔕Ⲻ⺢ㅊҜ⌋ᢶ⌋ф⧦ԙ㢰
㢰
㢰
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㔉ਾθኋ
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Ҽѣള⺢ㅊҜ⌋亼ตⲺԙ㺞ᙝӰ⢟ҁжȾPang Zhonghua is known for his
unique style and innovation in hard-pen calligraphy. His works often combine
traditional ha
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e been exhibited both
domestically and internationally, receiving widespread recognition and acclaim.
13. 32 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Ninety-Two Rules of Frame Structure 䰤ᷦ㔃ᶴҍॱҼ⌅
14. 42 | P a g e B y E d e o & L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 12 For characters with a horizontal stroke in the middle ⭱䮵ㄌ⭱⸣
Ⲻᆍ
δ12) ⭱䮵⸣θ᪽ᦰᇒ㕟ȾᆍⲺㅊ⭱൞ѣ䰪Ƚᴿ᪽Ƚ৾ᴿᦰθㅊ⭱㾷
ߏ䮵ӑȾؓᤷ䘏〃ㅊ⭱Ⲻ䮵ᓜᴿࣟӄؓᤷᆍⲺ᮪։ᒩ㺗ૂҜߏ㿺㤹Ⱦྸφ҆
(‸)Ƚἆ 4
IČL Ƚㆇ(ㇿ)Ƚ∐ 5
ȽδᷬȽ䳼ȽḆȽḉεȾ For characters with a
horizontal stroke in the middle, featuring both a slant and a downward stroke, the
horizontal stroke should indeed be written longer. Maintaining this stroke's length
helps preserve the overall balance and writing conventions of the characters.
Examples include ҆(‸), ἆ(fxi), ㆇ(ㇿ), ∐, and similar characters such
as ᷬ, 䳼, Ḇ, and ḉ.
4
ἆ IČL䖻ࣟφ“ᆦ⾔уЊޤθ䲞ᆆӄⓠȾ”2 ਚ䙐“㨨”θ㨨㮺Ⱦ3 ਚ䙐“῝”θ俏῝θᑮ
㔵ҊᵞȾspecies of yew 4 ਚ䙐“㈐”θⴑђ㾵Ⲻὣ഼ᖘㄯಞȾ
5
ℹ chán ҕ֒ɇ∐ɈȾ1 ɏℹᷠɐᖍ᱕θྸ“ཟрℹ ℹ ㄥਥ㩳θ㥿䰪⤆ފу亱ᜀȾ” 2.
ਚҜр䈪Ⲻ₶ж㊱Ⲻṇφ“ℹ₶ᵞަθ䊡ㄖྩ䍔Ⱦ”
horizontal stroke in the middle, featuring both a slant and a downward stroke, the
horizontal stroke should indeed be written l
l
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lo
o
o
o
on
n
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ng
g
g
ger. M
M
M
M
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Ma
a
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aintaining this stroke's length
helps preserve the overall balance an
nd
d
d
d
d
d writin
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ng
g
g
g co
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onventi
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ions of the characters.
Examples include ҆(‸), ἆ(
(
(
(f
f
f
f
fx
xi), ㆇ
ㆇ
ㆇ
ㆇ
ㆇ
ㆇ(ㇿ)
)
)
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)
), ∐
∐,
,
,
and similar characters such
as ᷬ, 䳼, Ḇ, and ḉ.
15. 52 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 21 Equal numbers of strokes on the left and right sides of a character ⭧њ
Ѡㅿ䜞࠼㓺ᡆⲺᆍ
δ21εњᒩ㘻ᐜᇒൽȾᆍᐜњ䜞࠼Ⲻㅊ⭱ᖉθߏⲺᰬُ㾷ཝቅൽशȾ
ྸφ㲳(䴌)Ƚ(于)Ƚ亴(亝)Ƚ։(儊)Ƚ仒ȽᵍȽ他ȾWhen there are equal
numbers of strokes on the left and right sides of a character, it's important to write
them with even sizes. Examples include characters like 㲳(䴌), (于), 亴
(亝), ։(儊), 仒, ᵍ, and 他.
Rule 22 For characters composed of three part (Left-middle-right) ⭧п䜞࠼㓺
ᡆⲺᆍ
δ22εпਾ㘻ѣ䰪ࣗ↙Ⱦ⭧п䜞࠼㓺ᡆⲺᆍθѣ䰪㾷ߏ↙Ⱦ ྸ:ᗗ()Ƚ䉘
(䅓)Ƚṇ()Ƚᵥ(㺉)Ƚ⒎ȾFor characters composed of three parts, it's important
to write the middle part correctly. Examples include characters like ᗗ(), 䉘
(䅓), ṇ(), ᵥ(㺉), and ⒎.
(亝), ։(儊), 仒, ᵍ, and 他.
Rule 22 For characters comp
p
p
po
osed of three part (
(
(
(L
L
L
L
Left-middle-right) ⭧п䜞࠼㓺
ᡆⲺᆍ
δ22εпਾ㘻ѣ䰪ࣗ↙Ⱦ⭧п䜞࠼㓺ᡆⲺᆍθѣ䰪㾷ߏ↙Ⱦ ྸ:ᗗ()Ƚ䉘
(䅓)Ƚṇ()Ƚᵥ(㺉)Ƚ⒎ȾFor characters composed of three parts, it's important
to write the m
m
m
m
m
m
mi
i
i
i
i
id
d
d
d
d
d
dd
d
d
dl
l
l
le
e
e
e
e
e
e
e p
p
p
pa
a
a
ar
r
r
r
r
rt
t
t
t
t c
c
c
c
c
co
o
o
o
o
o
or
r
r
r
r
r
r
rrect
t
t
t
tl
l
l
l
l
ly
y
y
y
y
y
y.
. E
E
E
E
Ex
x
x
x
x
x
x
x
xa
a
a
a
a
a
am
m
m
m
m
m
mp
p
p
p
p
p
p
p
pl
l
l
l
l
l
l
l
l
les
s
s
s
s
s
s i
in
n
n
n
n
n
nc
c
c
c
c
cl
l
l
l
l
l
lu
u
u
u
ud
d
d
d
d
d
d
d
de
e
e
e c
c
c
ch
h
h
h
h
h
h
h
ha
a
a
a
a
a
a
a
ar
r
r
r
r
r
r
ra
a
ac
c
c
c
c
c
ct
t
t
t
t
t
t
te
e
e
e
e
e
er
r
r
rs
s
s
s
s
s l
li
i
i
i
ike
e
e
e
e
e
e
e ᗗ
ᗗ
ᗗ
ᗗ
ᗗ
ᗗ
ᗗ
ᗗ
ᗗ(
(
(
(
(
(
(
), 䉘
(䅓), ṇ(
)
)
)
)
)
)
)
),
,
,
, ᵥ
ᵥ
ᵥ
ᵥ
ᵥ
ᵥ
ᵥ
ᵥ(㺉
㺉
㺉
㺉
㺉
㺉
㺉
㺉
㺉), a
a
a
an
n
nd
d
d
d
d
d
d
⒎
⒎
⒎
⒎
⒎
⒎
⒎.
.
.
16. 62 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
17. 72 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 43 For characters with both downward and upward hooks ᴿإ䫟ૂԦ䫟Ⲻ
ᆍ
δ43εإԦ䫟᥇㘻θإ䫟㕟㙂Ԧ䫟ծȾᴿإ䫟ૂԦ䫟Ⲻᆍθإ䫟㾷⸣θԦ䫟
㾷䮵Ⱦ ྸχߖȽߋȽᇽȽᆻȽ(ߚ)Ⱦ For characters with both downward and
upward hooks, the downward hook should be shorter, and the upward hook should
be longer. Examples include characters like ߖ, ߋ, ᇽ, ᆻ, and (ߚ).
Rule 44 For characters where the upper part is the main component ԛр䜞Ѱѱ
Ⲻᆍ
δ44εрখ൦᷑20
㘻ެрᇳȾԛр䜞ѰѱⲺᆍθр䶘㾷ߏᇳӑθс䶘㾷ߏ
ズӑȾྸφӇ(䴨)ȽᲤȽⲼȽ喆(喀)ȾFor characters where the upper part is the
main component, the upper part should be written wider, and the lower part should
be written narrower. Examples include characters like Ӈ(䴨), Ფ, Ⲽ, and
喆(喀).
20
↛Ⲻᔸ։ᆍφ ᷑ ↟
ᆍ
δ43εإԦ䫟᥇㘻θإ䫟㕟㙂Ԧ䫟ծȾᴿإ䫟ૂԦ䫟Ⲻᆍθإ䫟㾷⸣θԦ䫟
㾷䮵Ⱦ ྸχߖȽߋȽᇽȽᆻȽ(ߚ)Ⱦ F
F
F
Fo
o
o
or
r
r
r characte
e
e
e
er
r
r
r
r
rs
s
s
s with both downward and
upward hooks, the downward hook s
s
s
sh
h
h
h
hould b
b
b
b
b
be sh
h
h
h
ho
orter, a
a
a
and the upward hook should
be longer. Examples include cha
a
a
a
ar
r
r
racters l
l
l
li
i
i
ike ߖ
ߖ
ߖ
ߖ
ߖ, ߋ
ߋ
ߋ
ߋ
ߋ
ߋ, ᇽ, ᆻ, and (ߚ).
Rule 44 For characters where the upper part is the main component ԛр䜞Ѱѱ
Ⲻᆍ
δ44εрখ൦
൦
൦
൦
൦
൦
൦
൦
൦
൦᷑
᷑
᷑
᷑
᷑
᷑20
20
20
2
20
0
2
2
㘻
㘻
㘻
㘻
㘻
㘻
ެ
ެ
ެ
ެ
ެ
ެ
ެ
ެ
ެр
р
р
р
р
р
р
р
рᇳ
ᇳ
ᇳ
ᇳ
ᇳ
ᇳ
ᇳȾ
Ⱦ
Ⱦԛ
ԛ
ԛ
ԛ
ԛ
ԛ
ԛ
ԛр
р
р
р
р
р
р
р
р
р䜞
䜞
䜞
䜞
䜞
䜞
䜞
䜞
䜞
䜞
䜞Ѱ
Ѱ
Ѱ
Ѱ
Ѱ
Ѱ
Ѱѱ
ѱ
ѱ
ѱ
ѱ
ѱ
ѱ
ѱⲺ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻ
Ⲻᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍ
ᆍθр
р
р
р
р
р
р
р
р
р䶘
䶘
䶘
䶘
䶘
䶘
䶘
䶘
䶘
䶘
䶘㾷
㾷
㾷
㾷
㾷
㾷
㾷
㾷
㾷ߏ
ߏ
ߏ
ߏ
ߏ
ߏ
ߏ
ߏᇳ
ᇳ
ᇳ
ᇳ
ᇳ
ᇳ
ᇳӑ
ӑ
ӑ
ӑ
ӑ
ӑ
ӑ
ӑ
ӑ
ӑθ
θ
θ
θ
θ
θс
с
с
с
с
с
с
с
с䶘㾷ߏ
ズӑȾྸφӇ
Ӈ
Ӈ
Ӈ
Ӈ
Ӈ
Ӈ
Ӈ
Ӈ(
(
(
(䴨
䴨
䴨
䴨
䴨
䴨
䴨)
)
)
)
)
)
)ȽᲤ
Ფ
Ფ
Ფ
Ფ
Ფ
Ფ
Ფ
ᲤȽⲼ
Ⲽ
ⲼȽ
Ƚ
Ƚ
Ƚ
Ƚ喆
喆
喆
喆
喆
喆
喆(
(
(
(
(喀
喀
喀
喀
喀
喀)Ⱦ
Ⱦ
Ⱦ
Ⱦ
Ⱦ
ȾF
F
F
F
F
F
F
F
Fo
o
o
o
o
or
r
r
r
r c
c
c
c
c
c
c
ch
h
h
h
h
h
ha
a
a
ar
r
r
r
r
ra
a
a
a
a
a
a
ac
c
c
c
c
ct
t
t
t
t
te
e
e
e
er
r
r
r
r
r
rs
s
s
s
s
s
s
s w
w
w
w
w
wh
h
h
h
h
h
h
he
e
e
e
e
er
r
r
r
re
e
e
e
e
e t
the upper part is the
main component, the upper part should be written wider, and the lower part should
18. 82 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 53 Vertical slant and the right stroke 㓫᪽ᴶᘂ䊗㘷啖Ⲻቴᐪ
δ53ε㓫᪽ᘂ啖ቴȾㄌੇⲺ᪽⭱㾷ᘂ䇩ߏᗍ܅㘷啖ቴᐪжṭȾ ྸφᓣȽቻȽ
ቯȽᓋȾVertical slant and the right stroke should avoid looking like a rat's tail.
Examples include characters like ᓣ, ቻ, ቯ, and ᓋ.
Rule 54 Multiple parallel ᪽ strokes ᴿᒬᧈࠖѠ᪽Ⲻᆍ
δ54ε㚊᪽ᘂᧈ⢏ȾཐѠᒬࡍⲺ᪽θᴶᘂ䇩ࡍᧈ܅⢏喵жṭ䴭ੂȽ↱ᶵθ㾷
ᴿཝቅौȾྸφਁȽȽਃȽⳤȾ Multiple parallel ᪽ slant and the right
strokes should avoid being arranged in a rigid, uniform manner, similar to teeth in
a row. There should be variations in size. Examples include characters like ਁ,
, ਃ, and ⳤ.
Rule 55 The writing of three parallel ᪽ strokes 䘔п᪽Ⲻᆍ
δ55εп᪽⌋θԛс᪽ҁ俌京р᪽ҁ㞯Ⱦᒬࡍп᪽Ⲻߏ⌋θᓊᱥс᪽亵ㅊᯯ
ੇሯр᪽Ⲻ㞯䜞Ⱦྸχ৸(৹)ȽؤȽ亱(举児)ȽᖘȾThe writing of three
parallel ᪽ strokes should have the lower ᪽ strokes facing the belly of the
Rule 54 Multiple parallel ᪽ s
s
s
strokes ᴿ
ᴿ
ᴿ
ᴿᒬᧈ
ᧈ
ᧈ
ᧈ
ᧈࠖѠ
Ѡ
Ѡ
Ѡ᪽
᪽
᪽
᪽Ⲻᆍ
δ54ε㚊᪽ᘂᧈ⢏ȾཐѠᒬࡍ
ࡍ
ࡍ
ࡍ
ࡍ
ࡍⲺ᪽θᴶᘂ
ᘂ
ᘂ
ᘂ
ᘂ䇩
䇩
䇩
䇩
䇩
䇩
䇩܅
܅
܅
܅
܅ᧈ
ᧈ
ᧈ
ᧈ
ᧈ
ᧈࡍ⢏喵жṭ䴭ੂȽ↱ᶵθ㾷
ᴿཝቅौȾྸφਁȽȽਃȽⳤȾ Multiple p
p
pa
a
a
a
ar
r
r
rallel ᪽ slant and the right
strokes should avoid being a
a
ar
r
r
rranged in a rigid, un
n
n
ni
i
i
if
f
f
f
f
fo
o
o
o
orm
m
m
m
m manner, similar to teeth in
a row. There should be variati
i
i
i
i
io
o
o
o
ons in size. E
Example
es
s
s
s
s
s i
i
i
i
include characters like ਁ,
, ਃ, and ⳤ.
19. 91 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 64 Characters with a well-proportioned form ᆍ։ᵢᱥ↙Ⲻ
δ64εᖘᵢ㠠↙㙂僞࣑ᗻඐȾᆍᖘㄥ↙Ⲻᆍθ僞ᷬ㾷ඐᇔ⊿どθྸφ↙Ƚ
ѱȽᵢȽ⧁ȾCharacters with a proper form should have a solid and stable
structure, like ↙ȽѱȽᵢȽ⧁.
䀙䠀φᴿⲺᆍᵢ䓡ᆍᖘቧᱥ↙Ⲻθߏᆍᰬ㾷ؓᤷश〦Ⲻ㔉ᶺȾExplanation:
When writing characters with a well-proportioned form, it's essential to maintain a
sturdy and steady structure.
Rule 64 Characters with a well-proportioned form ᆍ։ᵢᱥ↙Ⲻ
δ64εᖘᵢ㠠↙㙂僞࣑ᗻඐȾᆍᖘㄥ↙Ⲻᆍθ僞ᷬ㾷ඐᇔ⊿どθྸφ↙Ƚ
ѱȽᵢȽ⧁ȾCharacters with a prope
e
e
er
r
r
r
r f
f
f
f
f
form s
s
s
s
s
sh
h
h
h
ho
o
o
o
o
ou
uld h
h
ha
a
a
a
ave a solid and stable
structure, like ↙ȽѱȽᵢȽ⧁.
䀙䠀φᴿⲺᆍᵢ䓡ᆍᖘቧᱥ
ᱥ
ᱥ
ᱥ↙
↙
↙
↙
↙
↙Ⲻθߏ
ߏ
ߏ
ߏ
ߏᆍ
ᆍ
ᆍᰬ
ᰬ
ᰬ
ᰬ
ᰬ㾷
㾷
㾷
㾷ؓ
ؓ
ؓ
ؓᤷ
ᤷ
ᤷ
ᤷ
ᤷ
ᤷश
श
श
श
श〦Ⲻ㔉ᶺȾExplanation:
When writing characters with
h
h
h a well-proportioned
d
d
d
d
d f
f
f
form, it's essential to maintain a
sturdy and steady structure.
20. 105 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
䀙䠀φߏ䘏ṭⲺᆍθ㾷ߏⲺ܅ứ⨼䗡ᆆⴎ䎭ᶛⲺਇ㒸жṭৱ䇚ⵕᧈࡍθߏ࠰
ᶛ㾷ࡱ܅䭸⢟ಞ䛙ṭθグᇔҁ༺䜳ᖾᇂ㗄ȾWhen writing characters like these,
you should arrange the strokes carefully, just like combing and coiling up braided
hair. The final result should resemble finely carved and well-organized artwork,
with perfection in both empty and solid spaces.
Rule 79 Characters based on the ট component Ԅ“ট”Ⲻᆍ
δ79εԄটҁᆍθ↚Ⱦ ᑜঋ㙩Ⲻᆍθᣎ䫟ᇒ⸣θ䮵ㄌᓊѰම䵨θᥰ
ੇсȾԄ“ট”Ⲻᆍθԛ↚ѰḽχྸφদȽਟȽপȽয 37
ȾFor characters
with the single ear component, the horizontal hook should be short, and the long
vertical stroke should hang down straight, resembling a dewdrop. Use characters
based on the ট component as a standard. Examples include দȽਟȽপȽয.
37
য xù ੂ“ᚚ”
Rule 79 Characters based o
o
o
on the ট componen
n
n
nt
t
t Ԅ“ট”Ⲻᆍ
δ79εԄটҁᆍθ↚Ⱦ ᑜ
ᑜ
ᑜ
ᑜ
ᑜঋ㙩Ⲻ
Ⲻ
Ⲻ
Ⲻᆍθᣎ
ᣎ
ᣎ
ᣎ
ᣎ䫟
䫟
䫟
䫟
䫟
䫟ᇒ
ᇒ
ᇒ
ᇒ
ᇒ
ᇒ⸣θ䮵ㄌᓊѰම䵨θᥰ
ੇсȾԄ“ট”Ⲻᆍθԛ↚Ѱḽ
ḽ
ḽ
ḽ
ḽ
ḽ
ḽχྸφদȽਟ
ਟȽ
Ƚ
Ƚ
Ƚপ
প
প
প
পȽয 37
ȾFor characters
with the single ear component, the h
h
h
hori
i
i
izontal hook should be short, and the long
vertical stroke should hang down straight, resembling a dewdrop. Use characters
based on the ট component as a standard. Examples include দȽਟȽপȽয.
21. 116 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Rule 91 The horizontal strokes at the bottom с䶘Ⲻ⭱
δ91εс⭱ᇒᗤ䮵θԛᢵㄌҁᵡ Ⱦс䶘Ⲻ⭱θᓊ䈛ぃᗤ䮵⛯θԛфㄌ
ⲺᵡቴȾྸφਙȽᴦȽ⭦Ƚ⭧ȾThe horizontal strokes at the bottom should
be slightly longer to connect with the end of the right vertical stroke. Examples
include ਙȽᴦȽ⭦Ƚ⭧.
Rule 92 Characters with a vertical hook at the end ᵡ䫟ᓊ䈛ぃᗤᤌ䮵ж⛯
δ92εᵡ䫟ᇒᗤᤌθղᴿᑜсҁࣵȾ ᵡㅊѰㄌ䫟Ⲻᆍθㄌ䫟Ⲻ䫟䭁ぃੇᐜᒩ
࠰θ܅ᴿ㩜ᑜсᆍҁࣵȾྸφзȽ㢲 52
ȽᆽȽӣ(ƺ)ȽӄȽᢁȽ҄Ⱦ
Characters with a vertical hook at the end should have the hook's tip slightly
protruding to the left, resembling the motion of trailing or winding around the
character below. Examples include зȽ㢲 ȽᆽȽӣ(ƺ)ȽӄȽᢁȽ҄.
52
㢲 GӿQJ ᶈ ɏ㥍Њɐਚੂ“䞟䞀”θཝ䞿ⲺṭᆆȾ
ⲺᵡቴȾྸφਙȽᴦȽ⭦Ƚ⭧ȾThe horizontal strokes at the bottom should
be slightly longer to connect with the end
d
d o
o
o
of
f
f
f the righ
h
h
h
ht
t
t
t
t v
v
vertical stroke. Examples
include ਙȽᴦȽ⭦Ƚ⭧.
Rule 92 Characters with a vertical hook at the end ᵡ䫟ᓊ䈛ぃᗤᤌ䮵ж⛯
δ92εᵡ䫟ᇒᗤᤌθղᴿᑜсҁࣵȾ ᵡㅊѰㄌ䫟Ⲻᆍθㄌ䫟Ⲻ䫟䭁ぃੇᐜᒩ
࠰θ܅ᴿ㩜ᑜ
ᑜ
ᑜ
ᑜ
ᑜ
ᑜ
ᑜ
ᑜ
ᑜс
с
сᆍ
ᆍ
ᆍ
ᆍ
ᆍҁ
ҁ
ҁ
ҁ
ҁ
ҁ
ҁ
ҁ
ҁࣵ
ࣵ
ࣵ
ࣵ
ࣵ
ࣵ
ࣵ
ࣵ
ࣵȾྸφ
φ
φ
φз
з
з
з
з
з
з
зȽ
Ƚ
Ƚ
Ƚ
Ƚ㢲
㢲
㢲
㢲
㢲
㢲
㢲
㢲
㢲
㢲 52
2
52
52
52
52
52
2
5
5
Ƚᆽ
ᆽ
ᆽ
ᆽ
ᆽ
ᆽ
ᆽȽӣ
ӣ
ӣ
ӣ
ӣ
ӣ
ӣ
ӣ
ӣ(
(
(
(ƺ
ƺ
ƺ
ƺ
ƺ
ƺ
ƺ
ƺ
ƺ
ƺ)
)
)
)
)
)
)
)Ƚӄ
ӄ
ӄ
ӄ
ӄ
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22. 126 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
23. 135 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
24. 146 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
25. 155 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
26. 163 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
27. 164 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
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30. 167 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
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teaching!
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-online quiz
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We welcome Teachers to join our group!
We welcome teacher to join our Facebook group: Chinese Course book, Video
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Edeo (Educational Video Online Courses) is one of the pioneering online Courses
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(more than 1 million users in our networks and social media, YouTube, Udemy,
Amazon, iBook, Teachlr, Google Books, Rakuten Kobo etc.) for:
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- Creating and marketing online Video
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https://www.facebook.com/groups/2896012267340830/
Franchising Program
Welcome to the Edeo (Educational Video Online Courses) Franchising Program!
Introduction
At Edeo, we are a renowned provider of online courses, specializing in Mandarin
language learning. Our flagship program, LEGOO Mandarin, offers a
comprehensive range of materials, including PPT, PDF, and video resources,
meticulously designed to cater to learners of all proficiency levels. From
Kindergarten and Youth Chinese Test (YCT) to Chinese Proficiency Test (HSK),
IGCSE Chinese, A1, A2 Chinese, IB Chinese, SAT Chinese, AP Chinese, and more,
our materials cover a wide spectrum of Chinese language education.
With over 27 years of experience in teaching Chinese to foreigners, we have
refined our teaching methods to perfection. LEGOO Mandarin is the result of our
unwavering dedication to providing top-quality educational content that is both
Franchising Program
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32. 169 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
engaging and effective. Our slogan, Share with You What We Know Best,
encapsulates our commitment to sharing our expertise with learners worldwide.
We also offer trained teachers who can conduct live lessons through webinars,
Skype, YouTube, and Facebook at a reasonable cost, providing interactive and
engaging learning experiences for students.
For schools, we have a licensing program that grants access to our quiz, video
courses, PPT, and PDF materials. This program allows you to utilize our resources
under our licensing terms, and we can even develop customized courses with
your school's branding. Please reach out to us for further details and quotations
at a highly competitive price. Additionally, our technical support team is available
to assist you in integrating our content with your system, ensuring a seamless
user experience. We guarantee a response within 24 hours. Contact us via
WhatsApp at +60163863716 to learn more about this opportunity.
Join the Edeo Franchising Program and become a part of our successful journey in
providing quality online education. Together, we can empower learners
worldwide and make a positive impact on their language learning journey.
Modular Fee Structure
Our Franchising Program fee is charged on a module basis, ensuring that you only
pay for the specific modules you choose. This approach offers several advantages,
including lower franchising fees and greater flexibility as your business grows. By
selecting the modules that align with your target market and goals, you can
optimize your investment and maximize your potential for success.
For schools, we have a licensing program that g
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Join the Edeo Franchising Program and become a part of our successful journey in
providing quality online education. Together, we can empower learners
worldwide and make a positive impact on their language learning journey.
Modular Fee Structure
33. 170 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
We understand that every franchisee has unique requirements and business
objectives. With our modular fee structure, you have the freedom to customize
your franchise package based on your specific needs. Whether you want to focus
on a particular proficiency level, age group, or specialized curriculum, our flexible
pricing model allows you to tailor your investment accordingly.
As you expand and diversify your offerings over time, you can easily add new
modules to your franchise package. This ensures that your franchise remains
dynamic and adaptable, enabling you to meet the evolving demands of your
market and stay ahead of the competition.
Our commitment to transparency and fairness is reflected in our module-based
fee system. You can have peace of mind knowing that your franchising fees are
directly tied to the modules you choose, providing a clear understanding of your
investment and its corresponding returns. We believe in fostering a mutually
beneficial partnership where your success is our success.
By offering a flexible and cost-effective franchising fee structure, we aim to
empower franchisees like you to thrive in the competitive educational market.
We are dedicated to supporting your growth and providing you with the
necessary tools and resources to build a successful Mandarin learning franchise.
Join our Franchising Program today and take advantage of our module-based fee
system, allowing you to lower your initial investment, increase your flexibility, and
unlock the full potential of your franchise. Let us embark on this exciting journey
together and make a positive impact on the world of Mandarin language
education.
As you expand and diversify your offerings over time, you can easily add new
modules to your franchise package. This e
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rency and fairness is re
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ieve in fostering a mutually
beneficial partnership where your success is our success.
By offering a flexible and cost-effective franchising fee structure, we aim to
empower fra
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34. 171 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Training and Supporting
Our Franchising Program goes beyond providing you with exceptional educational
content and a flexible fee structure. We also offer comprehensive training
programs and annual seminar gatherings to support your success as a franchisee.
Through our online training system, you will have access to a wealth of resources
that will equip you with the knowledge and skills needed to effectively manage
and promote your Mandarin learning program. The training modules cover
various aspects, including curriculum implementation, marketing strategies,
operational guidelines, customer service excellence, and more. These modules
are designed to empower you with the expertise and confidence to deliver a high-
quality educational experience to your students.
In addition to the online training, we also organize annual seminar gatherings
where franchisees from around the world come together to share their
experiences, best practices, and insights. This collaborative environment provides
a valuable platform for networking, learning from each other, and gaining fresh
perspectives on program management and marketing. You will have the
opportunity to connect with fellow franchisees, exchange ideas, and build
relationships that can further enhance your success.
We believe in the power of knowledge sharing and the collective wisdom of our
franchise community. By fostering an environment of collaboration and
continuous learning, we aim to create a supportive ecosystem where franchisees
can thrive and grow together. Our commitment to your success goes beyond just
programs and annual seminar gatherings to support your success as a franchisee.
Through our online training system, y
y
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ou will h
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In addition to the online training, we also organize annual seminar gatherings
where franchisees from around the world come together to share their
experiences, best p
practices, and insights. This collaborative environment provides
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35. 172 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
providing educational materials; we are dedicated to nurturing your expertise and
helping you excel in all aspects of running your Mandarin learning program.
Join our Franchising Program and gain access to our comprehensive training
programs and annual seminar gatherings. Through these initiatives, you will not
only enhance your skills and knowledge but also have the opportunity to connect
with like-minded professionals in the field. Together, we can achieve remarkable
results and make a lasting impact on Mandarin language education.
Take the next step in your franchising journey and seize the opportunity to learn,
share, and succeed with Edeo's Franchising Program.
Marketing and Referral system
As a franchisor, we understand the importance of effective marketing in driving
the success of your franchise. We are committed to supporting your marketing
efforts by implementing a referral system that connects potential franchisees
with the nearest location.
Our marketing team will work closely with you to develop targeted marketing
strategies that will generate leads and attract potential franchisees in your area.
Through comprehensive market analysis and segmentation, we will identify the
most suitable target audience for your Mandarin learning program. By leveraging
digital marketing, social media platforms, and local advertising channels, we will
raise awareness of your franchise and drive interested individuals to reach out to
you.
Through our referral system, we will actively refer interested parties to the
franchise location closest to their area. This strategic approach ensures that you
results and make a lasting impact on Mandarin language education.
Take the next step in your franchisin
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ng
g journ
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ey an
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nd seiz
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ze the opportunity to learn,
share, and succeed with Edeo's F
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portance
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ective marketing in driving
the success of your franchise. W
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efforts by implementing a referra
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36. 173 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
receive inquiries from potential franchisees who are geographically convenient
for you to engage with. By connecting you with prospects who are in close
proximity to your franchise, we aim to streamline the process and increase the
likelihood of successful partnerships.
In addition to the referral system, we will provide you with marketing materials,
branding guidelines, and ongoing support to help you effectively promote your
franchise. Our marketing collateral, such as brochures, flyers, and digital assets,
will showcase the benefits and features of your Mandarin learning program,
highlighting its unique selling points and competitive advantages.
We believe in the power of localized marketing and the value of connecting
franchisees with their target audience in their respective areas. By implementing
a referral system and providing comprehensive marketing support, we aim to
maximize your franchise's visibility, attract qualified leads, and facilitate the
growth of your business.
Join our Franchising Program and let us collaborate in driving the marketing
efforts for your franchise. Together, we will create impactful marketing strategies
that will generate interest, increase brand awareness, and ultimately lead to the
successful expansion of your Mandarin learning program.
franchise. Our marketing collateral, such as brochures, flyers, and digital assets,
will showcase the benefits and features of y
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growth of your business.
Join our Franchising Program and let us collaborate in driving the marketing
efforts for your franchise. Together, we will create impactful marketing strategies
that will gene
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37. 174 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
Tai Chi Fitness Franchising Program
Welcome to Tai Chi Fitness, where we bring the ancient practice of Tai Chi to the
modern world through our unique franchising program and comprehensive
training.
Tai Chi Fitness is a recognized brand in the health and wellness industry, offering a
range of programs and services that promote physical and mental well-being
through the art of Tai Chi. With our franchising program, we invite passionate
individuals and fitness enthusiasts to join us in spreading the benefits of Tai Chi to
communities worldwide.
Our franchising program provides a turnkey solution for individuals looking to
start their own Tai Chi Fitness business. We provide you with the necessary tools,
resources, and support to establish and grow your franchise. Whether you are a
seasoned fitness professional or a newcomer to the industry, our program is
designed to accommodate different skill levels and backgrounds.
As a franchisee, you will benefit from our extensive experience and expertise in
Tai Chi instruction and business operations. Our training programs are designed
to equip you with the knowledge and skills needed to deliver high-quality Tai Chi
classes and programs to your clients. We provide comprehensive training on the
principles and techniques of Tai Chi, teaching methodologies, class management,
and customer engagement.
Beyond initial training, we offer ongoing support to our franchisees. Our team of
experienced professionals is always available to provide guidance, answer
questions, and offer advice to help you succeed. We believe in fostering a
range of programs and services that promote physical and mental well-being
through the art of Tai Chi. With our franchising program, we invite passionate
individuals and fitness enthusiasts to join
n
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n u
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us in spread
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38. 175 | P a g e B y E d e o L E G O O M a n d a r i n . A l l R i g h t s R e s e r v e d .
collaborative and supportive network of franchisees, where we can learn from
one another and share best practices.
One of the key advantages of joining our franchising program is the recognition
and credibility that comes with being part of an established brand. Tai Chi Fitness
has built a strong reputation for delivering exceptional Tai Chi experiences and
achieving positive results for our clients. By becoming a franchisee, you leverage
the trust and recognition associated with our brand, giving you a competitive
edge in the market.
We are committed to the success of our franchisees and work diligently to create
a mutually beneficial partnership. Our franchise program offers a flexible business
model, allowing you to choose the scale and scope of your operations based on
your goals and market demand. You have the freedom to customize your
offerings and adapt to the unique needs of your local community.
Join our Tai Chi Fitness franchising program and embark on a rewarding journey
of sharing the transformative power of Tai Chi with others. We invite you to
explore this exciting opportunity and discover the possibilities of building a
thriving business while promoting health and wellness.
Contact us today to learn more about our franchising program and start your
journey towards becoming a part of the Tai Chi Fitness family.
the trust and recognition associated with our brand, giving you a competitive
edge in the market.
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Join our Tai Chi Fitness franchising program and embark on a rewarding journey
of sharing the transformative power of Tai Chi with others. We invite you to
explore this exciting opportunity and discover the possibilities of building a
thriving busin
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Contact us today to learn more about our franchising program and start your