The British School Of Archeology

The British School Of Archeology
The British School of Archeology in Iraq uncovered Nimrud ivories, now the British Institute for the Study of Iraq the most vital British archeological
exhumation site ever attempted in the Middle East. There is proof of residence there from ancient circumstances. Nimrud turned into the illustrious
capital under Ashurnasirpal II and the building continued under his successors. Deeper researches on the ivories were driven by Sir Max Mallowan, one
of the United Kingdom 's most praised archeologists (Cecchini, Mazzoni, and Scigliuzzo, 23–59). His wife, Agatha Christie, was a part of the exhuming
group and wrote a few books while in Nimrud. The famous collection of Nimrud ivories recounts the way materials were utilized and exchanged as a
part of the Ancient Near East in the early 1000 BC, and additionally highlighting the private association, which Britain had with Nimrud. Since 1963
the ivories have been away and not available to the general population (Hawkes, 36–89).
The range and nature of the ivories at Nimrud have been important in developing our comprehension of the Assyrian culture. The ivories were used to
haggle for different military gear and all sorts of goods. The ancient rarities have helped us comprehend the techniques utilized like throwing, pounding,
and weaving. The most critical are the remark that the adornments indicate the Assyrians from an alternate perspective. They frequently spoke of
themselves as cruel and savage, however, this shows their
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Greek Wine Case Study
How did the development of the large states and Empires promote wine as a drink of choice?
a.Around 870 BCE, a grand party was thrown to display the wealth of a king, Ashurnasirpal, for a new capital in Nimrud in the Mesopotamia region.
During this time, the king showed off exactly just how rich the new empire was by making available 10,000 jars of beer, and 10,000 skins of wine, and
at that time wine was 10 times as expensive as beer. Not only was skins imported, but some were made from his own vines, thus starting the craze of
wine in that area.
2.What role did Greek geography play in its economic development and trade?
a.Wine was a heavy and perishable good, it wasn't able to travel long–distant on land. The only way to trade far away was to travel on water. The greek
had a surplus of wine, and easy their location had an easy accessible sea pathway to other areas ... Show more content on Helpwriting.net ...
a.The Greek area were ideal for viticulture, and soon enough every farmer was cultivating grapevines and olives. Farmers made up to 20 times more
than growing grain, so wine became the main export. Wine became status of wealth, and the classes were arranged by their vineyard holdings. The
larger the holding the higher class of citizen they were.
4.What was Plato's view of democracy? How did Plato's symposium differ from others?
a. Plato believes that too much power is held by ordinary people like a father with his children. Plato also believed that the wine pourers represent the
power of democracy, and they have encouraged people to drink too much 'freedom,' aka wine. Plato's symposium had the aspects of good and bad
human behaviors, with the good outweighing the bad. For most symposiums it was an outlet of all kinds, sexual, intellectual, social, basically just a
way of dealing with any issue
5.How was the wine important in the transmission of Greek culture throughout the Mediterranean and

ISIS War
A young boy, Abu Musab, was so inspired by another man's ideas, that he then decided to spread them to other Islamic states. Therefore, in 1999,
Abu Musab moved out of Afghanistan to go to Iraq and laid the foundation of what eventually grew into the Islamic State of Iraq and Syria (ISIS). To
start his vision of ISIS, Abu Musab started to kill anyone who opposed him, including local Muslims. ISIS, is also called Islamic State of Iraq and the
Levant (ISIL). They have terrorized Iraq and Syria to establish an Islamic state in the Middle East ruled by strict shariah law. The group is made up of
Sunni Muslims and foreign jihadists. Why does ISIS fight? ISIS attacks the world without any question of religion, they claim their actions in the name
... Show more content on Helpwriting.net ...
"Lift the prohibition on U.S. "boots on the ground." This lack of eyes on the ground makes it harder to call in air strikes and to improve the combat
capacity of U.S. proxies. Experience shows that "combat advisers" fighting alongside indigenous troops are far more effective than trainers confined to
large bases. Also, the United States should work with the peshmerga, Sunni tribes, the Free Syrian Army and elements of the Iraqi security forces
(ISF) that have not been overtaken by ISIS. Either we kill the ISIS, or we will deserve the wave of terrorism that will engulf us. Killing ISIS requires
neither more nor less than waging war, not as the former administration waged its "war on terror." To make war is to kill the spirit as well as the
body of the enemy, so terribly as to make sure that it will not rise again, and that nobody will want to imitate it. That requires first isolating the
Islamic State politically and physically to deprive all within it of the capacity to make war.Then it requires killing all who bear arms and all who are
near them. The first strike against the IS must be aimed at its sources of material

Assyrian Art Essay
Assyrian Art
The reliefs from the palace of King Assurnasirpal II at Nimrud play an important role in portraying the power and importance of the Assyrian king.
These reliefs are similar to other Assyrian reliefs in terms of their purpose; however, there is a contrast in the methods used to glorify the king. By
examining such factors as style, iconography and historical significance, we find many similarities and differences between the "ceremonial" reliefs and
the more common reliefs depicting war and hunting.
The reliefs belonging to the sacred or"ceremonial" category consist of panels depicting a sacred tree, a human headed genius fertilizing a sacred tree,
a griffin fertilizing a sacred tree, and a scene of King Assurnasirpal (whose ... Show more content on Helpwriting.net ...
In term of stylization, both the human headed deities and Assurnasirpal have very stylized hair falling in straight locks to the back of their necks;
furthermore, they possess highly stylized beards of intricate waves and ringlets which end evenly at the bottom.
Because these features are similar to that of Assurbanipal and the mythological bullmen at the palace at Khorsabad, it can be construed that it is "a
coiffure characteristic of royalty and divinity alike" (Art History Anthology 28).
Moving on to the facial expression, we find that all the human headed figures contain large eyebrows, large eyes that are deeply undercut, an elongated
nose, conventionalized ears, and highly conventionalized lips which appear as a simple slit. On the other hand, the beardless griffin has an eagle's
head adorned with a feather headdress and a curved beak with a long tongue. To show the strength of the deities and Assurnasirpal, the artist depicts
muscles within the arms and legs through simple lines and curves. This style of depicting the facial and body features is common in other Assyrian
reliefs including the hunting scenes of Assurbanipal.
Although there are many similarities in body structure, there is also a distinctive element that separates the deities and the king. Each deity possesses
a set of four highly stylized wings made up of very detailed

King Ashurnasirpal's Relief Essay
The relief, consisted of five panels, functions both as a religious representation as well as imposing the king's power. Stone Panel in Bas–relief was
once lined the inner walls of the Northwest Palace of King Ashurnasirpal II at Nimrud. Nimrud, located on the Tigris River in northern Iraq, was the
capital of Assyria during Ashurnasirpal II's reign. The bas relief visually communicates its viewer by possessing "a more peaceful but equally imposing
iconography, depicting Ashurnasirpal's ritual activities in the company of human attendants and supernatural figures." The stone reliefs were carved in
gypsum. Gypsum was a soft stone that was locally available, which possibly represents the king's approachability. In contrast, the reliefs are
monumental... Show more content on Helpwriting.net ...
All figures were carved in twisted perspective, displaying a frontal torso with a right–facing profile head and body. This type of perspective allows the
viewer to capture "the depiction of the arms as they complete an action." King Ashurnasirpal II appears on right of the panel. He can be identified from
his fez–type head dress, a symbol of power and prestige. He is depicted with his long hair and square beard, which are both highly stylized. He is
wearing a long garment, which exposes his muscular forearms and also his sandaled feet are visible. This portray the toughness of life in Assyria,
denoting back to his powerful control. Furthermore, the king stands very stiff and upright, suggesting his rigidness. He is holding a bow in his left
hand and two upward–pointing arrows – symbolizing defense and protection from harm – in his right hand that is raised upward. His supreme status
was conveyed through the rich decorative details that appear on his shoulder. Taking a closer look, one can see the bull and lion battle. Once again, the
symbolic imagery evidently offers the viewer clues to its meaning. The bull and lion represents the Assyrians fierce nature and asserts the king's
fighting skills and brutality. The importance of the king is made evident by his activities and position within the scultpte

Analysis Of The Article ' Grisly Assyrian Record Of...
The article "Grisly Assyrian Record of Torture and Death" by Erika Bleibtreu gives an insight into the ways of the Assyrian military campaigns and
battles. During Mesopotamian times, wars were what divided ruling periods. There were many different groups of people that dominated Ancient
Mesopotamia, and the Assyrians were one of them. Assyria, a powerful ancient empire, once sprawled across the entirety of the Fertile Crescent. It
encompassed land in four modern day countries: Turkey, Iran, Iraq, and Syria. The Assyrians were a force to not be reckoned with, for they
destroyed cities and devastated crop fields and killed many people. The Assyrians did so well mainly because of their great talent to resist and
overwhelm their enemies. There was never a point in time that the Assyrians were ever at peace, they were always involved in some sort of conflict.
Assyrian national history, as it has been preserved for us in inscriptions and pictures, almost solely consists of just the Assyrian battles and campaigns.
After reading the article, I question myself "Why were the Assyrians at war so much?" Bleibtreu makes the answer clear, the Assyrians were power and
land hungry. The map of the beginning of the Assyrian empire compared to the map at the end of the Assyrian empire were completely different. The
Assyrian empire went through much expansion during the time period that they ruled. The Assyrians wanted complete control over everything and
everyone; as a matter of fact they

Material Speculation: ISIS
For years ISIS (Islamic State of Iraq and Syria), a Salafi jihadist militant group that follows an Islamic fundamentalist, has been progressively taking
over parts of Iraq and Syria. As their power and territory increases, so does the destruction. The world is horrified by the group's publicized barbaric
murders and persecution of minorities. While many lives have been lost to the Islamic state, they aren't only targeting the living. ISIS has been
methodically finding, stealing, and destroying ancient art and artifacts in order to cleanse the world of the old cultures and to create their own history.
The group has released multiple videos of its members destroying ancient structures. Sites such as Iraq's Mosul Museum and Nimrud archaeological site
have been completely demolished. ISIS is not the first group to ... Show more content on Helpwriting.net ...
Moreshin is using a three dimensional printer to reproduce the destroyed artifacts. This project is called "Material Speculation: ISIS". Allahyari starts
by carefully digitally recreating the destroyed structures based on crowd sourced pictures and prints them. Her intention is not to replace the valued
artifacts, but to recreate them as accurately as possible so that the world may not forget the history attached to them. On a deeper lever, Allahyari sees
this project as a way to resist the removal of history that the Islamic state is attempting. Furthermore, each life size copy of the artifacts will hold an
embedded memory card that contains information about the history and meaning of the original piece. Moreshin is taking it so far as to make the print
information available to the public for download online so that anyone who has the means may obtain a copy of the artifacts. This project is a peaceful,
practical, and artistic protest to the violent issues that surround

A Human Headed Winged Bull And Winged Lion
The title of this sculpture is a Human–headed winged bull and winged lion. It is often called shedu or lamassu. A lamassu represents a female deity. A
shedu refers to the male counterpart of a lamassu. There is no name of the artist. The Human–headed winged bull and winged lion is from the citadel of
Sargon II, Dur Sharrukin, Neo–Assyrian. This winged lion stood in Ashurnasirpal II 's palace at Nimrud, one of the enormous stone statues of winged
beasts set up at entrances and doorways to protect the king from evil and to impress all thoese who entered. It is excavated at Kalhu (modern Nimrud).
The sculpture is dated to ca. 883–859 B.C. and dimensions are H. 10ft. 3 1/2 in. (313.7 cm). It is plain ivory color. It is now situated at the
Metropolitan Museum of Art (32.143.1–.2). Medium is gypsum alabaster. The sculpture has the head of a human male, a body of an bull or a lion,
bird 's wings, and a long tail that is very long and looks like a broom. Also, the head of a human male has a shaggy beard, big eyes, the thick
eyebrows, tall nose, and small lip. It wears a belt, and has five legs. A belt on the waist signifies power. Their heads are crowned with the horned
caps typical of deities throughout the ancient Near East. At the facade of this sculpture, it appears to stand firmly in place. But at the side of this
sculpture, it is striding forward. It was carved in colossal size, and placed as a pair. It was predominantly placed at either side of the entrances of cities,

Treasure Of Nimrud
The treasure of Nimrud is almost 175 pounds of ancient gold jewelry and artifacts. One of the most famous object ever excavated, Golden Harp was
vandalized by looters. The original discovery was considered one of the most significant archaeological findings since the discovery of King Tut's tomb
nearly a century ago.
On March 19, 2003 Baghdad was under fire. Three weeks later, American tanks roll into theIraq capital scenes of triumph replaced by chaos. The US
Military wasn't prepared for citywide civilian crisis and eventually everything went up for grabs–even the treasures of the Iraq museum. The Iraq
Museum have object materials from about half a million years ago – carvings, statues, and pottery. All the archaeological data was housed

What Is Unesco's Grocery Site?
Unesco has named Iraqi marshlands once ravaged by dictator Saddam Hussein as a world heritage site, a bright spot for a country where jihadists
have repeatedly sought to wipe out history. The area named "is made up of seven sites: three archaeological sites and four wetland marsh areas in
southern Iraq," Unesco said. "The archaeological cities of Uruk and Ur and the Tell Eridu archaeological site form part of the remains of the Sumerian
cities and settlements that developed in southern Mesopotamia between the 4th and the 3rd millennium BCE," it said. Azzam Alwash wins Goldman
prize: 'Saddam's marsh drainage project was war by other means' Read more "The Ahwar of southern Iraq – also known as the Iraqi marshlands – are
unique, as one of

Assyrian Art And Its Influences Of Assyrian Art And Their...
Assyrian Art and Its Influences Assyrian art was long buried under the sands of time. The palaces collapsed, and the grave of the city was
unrecognizable. In Wilkinson's "Some New Contacts With Nimrud and Assyria" he discusses these ancient people and their prevalence in today's
museum society, as well as their possible influences. The Assyrian people were very vicious and many descriptions of them in the Bible do not
describe them to the extreme that they describe themselves. Since Assyrian art was buried for the longest time, people did not really understand
them and their culture that well, which is why people such as Layard, an archeologist, were eager to discover more. Wilkinson describes how many
museums didn't have any Assyrian exhibits until around the eighteen forties to the eighteen fifties. Wilkinson uses descriptive details, and references
to describe Assyrian artwork and its prevalence to museum culture. Wilkinson describes Assyrian artwork in a very detailed way. He does this too
support his claims that Assyrian artwork is a mixture of many cultures. Wilkinson states the since the Assyrian people conquered so many different
groups of people, you are really able to see that influence within their artwork. The descriptions of these pieces allow the audience to follow his
claims and make connections between artworks as well. For example, Wilkinson describes one of the ivory carvings found stating that the "row of
pretty gazelles, with one of them licking her

Nazi Book Burning Essay
Decades ago, Nazi Germany felt there was a need to burn books because it didn't match their own core ideologies: racism, materialism This idea can
also be parallel to the Islamic State of Iraq and Syria's (ISIS) destruction of the historical sites Khorsabad, Jonah's Tomb, Nimrud and Mosul. During
both acts, books and museums were destroyed and along with it, housed years of work, emotions, and thoughts. Empires and people come and go but
their ideas are forever preserved through books and historic artefacts, which all represent the ideas and cultures of the past. Therefore, when you raze a
historical site, you are doing more than burning pages or debasing infrastructure––you burn ideas, erase the past and destroy the very foundation that
our future can be built upon. The act of book burning during the Nazi regime is comparable to the ISIS's destruction of Nimrud because the ideologies
of both groups suffocate liberalism, leading to the destruction of artifacts, and thus the removal of free speech and expression within their... Show more
content on Helpwriting.net ...
They hosted this act of incineration because they felt obligated to protect their indigenous population from "un–German" ideas, and to eliminate foreign
influences that could contaminate German culture (Curiosity Staff, 2016). Nazi student leader Herbert Gutjahr held a contemptuous speech and said,
"We have turned our actions against the un–German spirit. I turn everything un–German over to the fire." (LГјpke, 2013). Most of the books burned
were written by Jewish authors and those who were perceived as enemies of Socialism. Works by authors such as Albert Einstein, Sigmund Freud,
Jack London, Ernest Hemingway, H.G. Wells, and Sinclair Lewis were torched (Stern, 1997). Just simply burning books is a testament as to how
powerful the Nazis came when they took over Poland and Germany, leaving absolutely no freedom to the people of both

History 101 Study Guide Essay
What are the triangular indentations used for the script of the Sumerians called?[pic] Cuneiform[pic] Who was Gilgamesh, and which city did he
rule?[pic] Gilgamesh was the King of Uruk. His reputation inspired the Epic of Gilgamesh/5th king of Uruk(2500 BC), reigned 126 yrs/lugal "big
man"(leader) wealthy young man, warrior [pic]Which technologies were used by the earliest Western civilizations? [pic] Stone, wood, leather, and
fibers[pic]/ 1st appearance of tools (bone, wood, stone) (Paleolithic "Old Stone Era") What conclusions may be drawn from a study of the Iceman
and the materials found with him about what he did and what he was most likely to have been? [pic]He was probably a hunter or a shepherd... Show
more content on Helpwriting.net ...
[pic]Monotheistic. God is an almighty creator of everything. Source of everything that was/is.[pic] How did the Israelites view themselves and their
role in the world?[pic] They are his "chosen people". He did not value them over others, but invited them to become his special human partners and
to have a history that was to disclose him to the world.[pic] Who was Israel's first king?[pic]Saul [pic]Why was the larger significance of
Hammurabi's code? [pic]It brought a consistency of punishment for crime based on class associtation. Women could inherit. Made separate provisions
for :1 aristocrats, 2 free commoners, 3 dependents and slaves.[pic] Hammurabi's Code was in many respects like Babylonian society – so how should
it best be described? [pic]Enlightened [pic]What aspect of Assyrian society is depicted on the bas–relief stone slabs unearthed at Nimrud?[pic]Military
items [pic]Why is David considered to be the Biblical king supported by the most historical evidence? Data

Ashurnasirpal Essay
Nimrud (Kalhu) was a Neo–Assyrian city established as the new capital of Assyria by King Ashurnasirpal II, who reigned from 883 BC to 859 BC
(Gates, 170; The Banquet Inscription of Ashurnasirpal II). In Ashurnasirpal's campaign of territorial expansion of the Assyrian empire, he expressed his
political power by establishing the capital of Nimrud (The Banquet Inscription of Ashurnasirpal II). In his 24 years as King of Assyria, Ashurnasirpal II
carried out numerous construction projects of temples and other physical monuments in Nimrud, but the Northwest Palace of Ashurnasirpal II was
undoubtedly the most remarkable building erected in the city. The amount of stone needed to construct Ashurnasirpal's Northwest Palace must have
been astounding, not to mention the countless... Show more content on Helpwriting.net ...
At important doorways of the palace including the Throne Room, located immediately south of the Outer Court of the palace, stood pairs of powerful
mythological creatures known as lamassu (Gates, 170–171). The lamassu of Ashurnasirpal's Northwest palace were enormous, stone–carved sculptures
with the head of a human and displayed animal–like features including the wings of a bird and the body of a bull. The human head symbolized
intellect, the wings symbolized speed, and the body symbolized strength. Witnessing the creation of the lamassu firsthand, would have been truly
spectacular. The intricate details carved on the lamassu from the beard hair to the feathers must have been painstaking and time–consuming work for
the sculptors. The placement of the completed lamassu at the palace doorways was very crucial since they provided divine protection against the
chaos of the outside world. In addition, they served the purpose of symbolizing Ashurnasirpal's dominance over all who entered his palace by their
immense size and

The Destruction Of Visual Representations Of Religion
What is iconoclasm? Iconoclasm can be defined: the destruction of visual representations of religion. The word is Greek for "image smashing." More
specifically meaning: the impulse to destroy images for political and religious purposes. This is due to the rejection of what the art piece represents.
The controversy involving iconoclasm is the fear that people will worship the image represented instead of the object it represents. A reason for
Iconoclasts (those who reject images) to follow iconoclasm comes from the second of the Ten Commandments, which discusses not worshipping the
image of an idol rather than the idol itself [idol meaning God] (Icons and Iconoclasm, Iconoclastic Controversies, The Ten–Commandments).
Iconoclasm started in... Show more content on Helpwriting.net ...
Sa'im al–Dahr did not like this display of devotion, so he defaced the Sphinx by destroying the nose. He was later executed for vandalism (Epic
World History, Iconoclastic Controversy, ISIS and Iconoclasm, What Happened). The Taliban demolished Buddha's of Bamiyan in 2001 because they
were seen as idols. The destruction of the statues was a political movement. The United Nations sent money to restore the statues, meanwhile Taliban
children were dying because of sanctions against Afghanistan, but the UN was more concerned with statues than people. Greek and Roman statues
are thought to be missing their arms and heads to prevent worship of the statues rather than god. Pope Gregory the Great thought the Greek/Roman
statues lost all power because you do not know what god the statues represents, and therefore cannot be worshipped (Why Extreme Islamists). The
terrorist group ISIS who has destroyed many artifacts in Syria and Iran shows modern iconoclasm. The Bagdad Museum's website now reads "2015:
ISIS destroys what is left of ancient history." Statues in the Mosul Museum have been jackhammered, books have been burned, Nimrud was bulldozed,
and the Tomb of Jonah was blown up. Beheading is not getting the desired reaction anymore, so why not destroy cultural artifacts? It is rumored that
ISIS and Al–Qaeda have sold some artifacts on the black market to fund their activities. Most Muslims think the

A History Of The World In 6 Glasses Essay
Paulina Korzyk July 1st, 2014
A History of the World in Six Glasses: Guided Reading Q&A
Introduction "Vital Fluids" 1.) What is the author's main thesis (argument) in setting up his book? Why/how are these fluids "vital" ? The author wants
to show that beverages had a great impact on history. He wants to tell his
readers that drinks have had a greater impact on history than normally recognized. The fluids are
"vital" because without them, humans wouldn't have accomplished so much. Fluids allowed people to
farm, think, trade, and survive. "Beer in Mesopotamia and Egypt" (Chapters 1 & 2)
1.) How might beer have influenced the transition from ... Show more content on Helpwriting.net ...
2.) In the 18th century, how did spirits change the balance of power amongst the western European nations (particularly Britain and France) ?
In Britain, the knowledge of spirits allowed British sailors to have an advantage over French
sailors. The British sailors were given grog, a spirit mixed with lime juice. This drink contained vitamin
C, which made the sailors resistant to scurvy. On the other hand, the French sailors were given a
different type of drink that contained no vitamin C. They were not protected from the disease.
3.) How did spirits help in the building and shaping of early America (politically and economically) ?
Spirits helped build and shape America through trade. Rum played a big role in the triangular

trade between Africa, Europe, and North America. By trading rum, money and goods were brought
into the country.
"Coffee in the Age of Reason" (Chapters 7 & 8)
1.) Why did coffee become known to Europeans as the "antithesis of alcohol" ?
Coffee became known as the "antithesis of alcohol" because unlike alcohol, it allowed people
to stay alert. It also aided people in thinking clearly.
2.) Was coffee the first true "global" beverage ? Why or why not ? Coffee was the first true "global" beverage because it was allowed to be consumed
by people of
all religions. Unlike beer and spirits, Muslims were allowed to drink coffee. In Europe,

Mesopotamian Achievements
The human advancements of the Mesopotamian region, which incorporates the Sumerians, Babylonians, Assyrians and Persians, had various
accomplishments, for example, a type of composed correspondence with pictures, mathematics, exchange and space science. Sumerians are a member
of the indigenous non Semitic people of ancient Babylonia. The Sumerians called themselves "the dark headed individuals" and their territory, in
cuneiform script, was basically "the land" or "the place where there is the dark headed individuals". The list of Sumerian rulers included one woman,
with the city–states often at war with one another. Cases of fine works in marble, diorite, pounded gold, and lapis lazuliahve were found. Stone, wood,
and metal was transported in. Sumerian art and design was resplendent and complex fundamentally utilized for religious purposes painting and figure
the principle middle utilized. Some major contributions of the Sumerians are the sexagesimal system, irrigation and food control, pictographs and
writing, as well as monumental architecture and city–states.
Babylonians is an inhabitant of Babylon or Babylonia, also a ... Show more content on Helpwriting.net ...
The Assyrians additionally partitioned the hour into an hour and the minutes into 60 seconds. Yes they were notwithstanding tallying seconds,
Assyrians likewise developed the world's first library in the history on the man, the Royal library of Ashurbanipal was could read and write in the
cuneiform which 400 letters/images , versus the English that lone has 26

Sociological Concepts
The study of societies throughout the world at different periods in history is important to understanding human behaviors. Even though most
sociological studies are conducted on broad topics such as crime, poverty, gender, and ethnicity it is important to consider specific events that occur.
These events provide examples and evidence towards concepts and theories that are developed to explain why people act a certain way in society. In
the world today there are several issues and events that relate to sociological concepts and theories. The Middle East recently has been an area of
radical behavior conducted by a terrorist group called the Islamic State. Looking into the actions and events of this terror group we can understand the
sociological... Show more content on Helpwriting.net ...
They are using the social media as a source of producing a massive audience to their atrocities. This is also a tool for recruiting people who feel
insignificant within their society. There have been several documented individuals traveling to Syria to join the Islamic State with the motivational
purpose of being a part of something significant. This is something that confuses people who are watching them leave because they did not seem to be
radicalized. Analyzing these events while they are happening in real time has been fascinating and educational because the actions are seen from a
different perspective. The Islamic State has proven that the use of social and mass media are effective means to influence people into curiosity. That
curiosity is then exploited by radicalization to perform the horrific actions this society thrives on. What if they lost their audience? Would they still be
as effective at recruiting? These are the questions that could develop solutions to the largest global threat today and create new sociological concepts
and theories in the

Isis 's Impact On The United States Of America
Ben Rodkey Glaser English 10 3–4–15 ISIS ISIS has been a rapidly increasing threat to not just the United States of America, but the entire world.
ISIS has done countless brutal, sick, heart wrenching things that have caused a national and international uproar in the citizens of numerous
countries. ISIS considers them the Islamic State, and they seem to have many motives. They basically want a large portion of the Middle east
under ISIS control and for the rest of the world to accept their disgusting "traditions" as they claim they are doing, This threat has done some very
unspeakable things; the problem needs to be solved. Considering the view the United State holds right now, there are a few actions that can be
taken to reduce this threat that ISIS presents. ISIS has rapidly become an enormous problem for most of, if not all of the world. There are some very
simple and some very complicated ways to solves this problem. The most efficient way is to simple go to war with ISIS and physically, mentally and
emotionally destroy everything and everyone that is supporting this cause, another way is to give them what they desire to have, finally the last option
is just completely ignore the foreign issue until it presents itself on U.S. soil. After an online video emerged on Tuesday, January 21st, 2015, showing
ISIS threatening to kill two Japanese hostages, relatively little was known about the relationship between the two prisoners. But Reuters News revealed
later that next day

Great Assyrians And Egyptian Pharaohs
Throughout art history many rulers have faced the same problems that come to even the most common of people. No matter how much power a
dynasty ruler gained, they could not feel and ensure for themselves a valiant future after death. Great Assyrians and Egyptian Pharaohs alike wanted to
ensure their absolute power in this life and the next. From art they could make sure that their image would have the best chance of surviving even
after they themselves have passed away. In eras where a new ruler could change and deplete the entire region, art was a long lasting image and
message that would translate and stay with the perceiver. Art containing pictures of idealistic animals inferred an absolute image of power and respect
no matter what the... Show more content on Helpwriting.net ...
In either case it is from the same area and Mesopotamian era. During this time art was mostly military, and the most important parts of the palace
were stored with scenes of "war and chase" (Delaporte). A place where the griffin's literal and figurative image of strength would fit right in. The
Furniture Plaque Carved in Relief with a Griffin in a Floral Landscape is a square plaque measuring 7.8 cm by 6.1 cm, and carved out of ivory from
an elephant tusk, most likely from African elephants imported from south of Egypt (The Met.). The picture on the face of the plaque is of a griffin, an
animal having the head and wings of an eagle attached to a body and hindquarters of a lion ("Griffin"). The griffin shown has sharp talons and
beak with pointed eyes. Lions were repeatedly seen throughout Assyrian artwork (Ascalone). The muscular legs and abdomen paired with a strong
neck and flanks gave a symbolic image of the ideal solider or army. People in this era knew how lions would have appeared face to face, untamed
and never enclosed. To a people with needed protection from lions, their image represented a dominance and power. Two tenons, or pieces of wood
that would have joined this artwork with another, suggest that there were more works of art surrounding it (The Met.). Other animals were also
symbolic and literal figures for the Assyrians as they could represent tributes of power to characteristics such as being regal. For example, " the

Nimrud Lens Research Paper
710 BC
Nimrud lens
The Nimrud lens – a piece of rock crystal – may have been used as a magnifying glass or as a burning–glass to start fires by concentrating sunlight.
1000 AD
Reading stone
The first vision aid, called a reading stone, is invented. It is a glass sphere placed on top of text, which it magnifies to aid readability.
1021 AD
Book of Optics
Muslim scholar Ibn al–Haytham writes hisBook of Optics. It eventually transforms how light and vision are understood.
1284 AD
First eye glasses
Salvino D'Armate is credited with inventing the first wearable eye glasses.
1590 AD
Early microscope
Zacharias Janssen and his father Hans place multiple lenses in a tube. They observe that viewed objects in front of

Nimrud Research Paper
The remains of the city, Nimrud, tell many stories about itself throughout its lifespan. Even though most of the remains left today were destroyed by an
Islamic terrorist group, we can still replicate, through the architecture, the lives of the Nimrud people. Through the statues built and the reliefs on the
walls we can determine the everyday lives, wars, and divinity that the people of Nimrud lived among.
Sir Layard was the first to head an excavation team at Nimrud. He choose this site considering his earlier travels near Nimrud. One of his major find
was the sculpture of the King Ashurnasirpal II. "From the expedition were two colossal winged lions, which Layard insisted be kept intact, unlike
similar lamassu from Khorsabad that had been cut into smaller sections for their transportation to the Louvre Museum. Layard moved his winged lions
whole, much in the same way they had originally been transported to Nimrud in antiquity. His findings were shipped to The British Museum where they
became the centerpiece of their art." 1 This sentence from his book shows how much he wanted to preserve the art and architecture of Nimrud. Sir
Layard wanted to keep these pieces in a whole ... Show more content on Helpwriting.net ...
11/21,2016. http://www.britishmuseum.org/about_us/news_and_press/press_releases/2011/nimrud_ivories.aspx
3 Lines, Joan. "Ivories from Nimrud." The Metropolitan Museum of Art Bulletin 13, no. 8 (1955): 233–43. doi:10.2307/3257626.
4 "Generous donations allow British Museum to acquire histoiric ivoires from ancient Assyira." The British Museum. 11/21,2016.
3
Museum is the place for people and researchers to go to learn more about almost any artifacts of Nimrud. Sir Layard sent them to this specific
location for that reason, to be able to be preserved in the best possible care, yet still can be cherished by the public. Some artifacts cannot be
transported, such as the Northwest

The Horus Statue of Nectanebo II and the Human-headed...
The Horus Statue of Nectanebo II and the Human–headed winged lion, also known as the Lamassu, are two pieces of art that are very different yet
similar with each other in composition, representation, function, and style. Although they were created at two different points in history, the artists
thought about and created the two art works in similar fashion.
The work of art from the Egyptian period is a statue representing the god of war, the sun, and rulers, Horus. It was created in the time frame from three
hundred sixty to three hundred forty–two B.C. It is titled The Horus Statue of Nectanebo II because the god Horus is seen protecting one of the kings,
also known as pharaohs, of Egypt, Nectanebo II. Another similar work of art, a ... Show more content on Helpwriting.net ...
The falcon figure was highly worshipped, and the animal was called the lord of the two lands, Upper and Lower Egypt. Like the lamassu, Horus
wears a hat which symbolizes those two regions of Egypt. The cobra emblem on the hat represents royalty because it is also associated with the
pharaoh. The lamassu creature is not a god but wears a hat and belt which are symbols of divinity. It makes the statue god–like in nature but does not
represent a god in way the falcon does. The head of the statue was made to be a human's representing humans' intelligence. These works show that the
artists were interested in animal anatomy. Although its body is made up of the parts of animals, the human–headed winged lion is far from being a
natural creature. The statue of Horus is a much better example of the natural animal world because of the fine skill put into carving its anatomy.
The natures and composition of the statues can explain for their differences in size and function. The artist of the Horus statue carved it to be
realistic and natural looking, unlike the lamassu. The work was carefully carved from the material greywacke, which is hard and dark sandstone.
The statue was carved out of the stone without backing like most early art. One is able to view all sides of the falcon by walking around the piece.
The lamassu figure was carved from the material alabaster and was made to be unnatural with five

Art Of Near East Royalties
Jinhwan Kim
Professor Debin
ArtHist 112
08 November 2016
Art of Near East Royalties
Many people speculate on ancient artifacts with an eye towards its aesthetic value of contemporary etic perspective. While most people are not
professional anthropologists who would try to be an anachronistic spectators of a so–called "unknown ancient society", the interesting historical and
cultural aspects are embedded within every art piece throughout the ancient world. The ancient near east nations were characteristic in their own values
just like any contemporary society, and they are worth the discussion through various aspects such as cultural, ideological, and historical.
The first art piece called Ashurnasirpal II and a Winged Deity, discovered in Northern Iraq, Nimrud, in 9th century BC opens our exhibition of
ancient near east art. The presence of many contents such as artistic canon, hierarchy of scale and composite view is most correspondent to the
characteristics of Old Kingdom period of Egyptian art. The subject depicted in the panel is king Ashurnasirpal II on the left and the winged deity, god
Ashur. In addition to details, hierarchy of scale is used for clarification; both king and the winged deity fully occupies the entire panel in absence of
background features, and the deity is shown to be slightly taller than king Ashurnasirpal ii, to clarify its identity. The hair, wings and clothes in both
subjects are very much stylized, not very naturalistic, with circular spots

Winged Protective Deity Analysis
The work titled "Winged Protective Deity" hails from the Assyrian empire and was created sometime in the early to mid 800s BCE. The Assyrian
empire was located in what is today known as Northern Iraq. Assyrians were recognized as fearsome and ruthless conquerors of the ancient near east.
This relief sculpture features a winged male figure pollinating a sacred tree and it would have decorated the walls of Ashurnasirpal II's Northwest Palace
at Calakh. Assyrian kings often commissioned relief sculptures and paintings for their palace walls to show off their power to anyone that may enter
the palace. This work would have originally been painted but the paint has faded over time and the original color has been lost, so this work can only be
This would have been on the walls of Ashurnasirpal II's palace so it would have been seen by both Assyrians or any opponents that may try to
invade. The size of the work helps to enforce this idea of power as well, this is a human sized work, the viewer is forced to confront the figure kind
of face to face; especially if they were interacting with it in its original context on the walls. Something that shows up in Assyrian art is the idea of
showing the strength of Assyrian warriors by also showing the strength of their opponents. This can be seen in another relief sculpture from the
Northwest Palace "Assyrian archers pursuing enemies," where the enemies are depicted as almost giants yet they are seen fleeing across the
Euphrates river from the Assyrian archers (Kleiner, Gardner's Art through the Ages: The Western Perspective, p. 47). So it would make sense that
sense that an Assyrian king would have such confidence that this piece could be the same size as the viewer and yet still leave an imposing

Essay about Formal Analysis of "Relief of a Winged Genius"
Formal Analysis of
"Relief of a Winged Genius"
Yahaira Guzman
Art History
09/29/10
Relief of a winged genius is a two–dimensional stone relief sculpture currently located on the first floor of the Museum of Fine Arts Boston, in the
Ancient Near East
Gallery (Accession number: 81.56). It is an Assyrian artifact excavated from the palace walls of the capital of ancient Nimrud, dating between 883–859
B.C. The unknown artist's deliberate use of size, material, scale, style and content, together with the sculpture's original setting, reflects the politically
driven agenda during the reign of
Ashurnasirpal II.
Upon first viewing Relief of a winged genius, one cannot help but notice the enormity of the stone ... Show more content on Helpwriting.net ...
After one takes in the armed and protective aura of the Winged Being, the eyes are struck by the the very detailed workings of his hair and beard.
His thick, curly and luxuriant hair suggests the kind of hair that only the most virile of men posess. This human aspect of the winged being serves
as way to reflect the kings own power and virility. In terms of the object's anatomy, one notices the markings that are inscribed over the area that
encompasses the space directly above his left knee and below the top of the sword in his right hand, spanning the full width of the sculpture. These
markings are actually text and is a form of writing technique called Cuneiform. The same text that is on Relief of A Winged Genius also appears on
other reliefs within the palace walls. The inscription tells of the story of the kings lineage, his military victories, how he founded
Kalhu (present–day Nimrud, Iraq) and built his palace. These inscriptions are a perfect example of political propaganda which purposely highlight the
kings skill and accomplishments. Considering the artist's choice of medium, form, and content, it's clear that he or she chose their elements very
carefully to convey a message of power, strength, and permanence to the intended viewer at the time. It's clear that this artist was comissioned by

Ashurnasirpal II

A History Of The World In 6 Glasses Summary
A History of the World in Six Glasses by Tom Standage In A History of the World in 6 Glasses by Tom Standage, there was many eras covered. The
first era Standage covered was the Stone Age. The drink covered during the stone age was beer. During the stone age nomadic people in the near
east started abandoning the lifestyle of hunters and gatherers. They began to start farming and settling down in villages creating the world's first
cites. Standage focused especially on how beer affected Egypt and Mesopotamia. The second drink he covered was wine in Greece and Rome. This
drink was covered during the first millennium BCE. During this time one of the greatest feasts was given by King Ashurnasirpal the second of
Assyria around 870 B.C.E. to celebrate his mew capital at Nimrud. During this period of time the Rome were also advancing in math, architecture,
and much more building off of the findings the Greek found. Rome even imitated some of their architecture. The third drink that was covered by
Standage was spirits. This drink occurred during the colonial period. This period was towards the close of the first millennium AD. During this
colonial period the greatest and most cultured city was Cordoba. Cordoba was advanced in... Show more content on Helpwriting.net ...
I think it was cool getting to know how drinks were made and obstacles that were overcome to produce the drinks. However, I was not interested in
the first three chapters about alcohol drinks. Alcohol does not affect me now so I did not want to know about alcohol. I did think the non alcoholic
drinks were interesting though because I drink them. It was also interesting for me to know that Coca Cola contained coca in it. That was a
interesting fact. However, my overall opinion of the book was that it was not that good. The book did not keep me interested or awake. It was all facts
including facts that were just over detailed that I did not need to

Reasons For The Hostages Were Journalists And Aid Workers
ISIL continued to demand ransom payments and other concessions from foreign governments in exchange for the return of hostages, and it executed
the hostages if the governments refused. Most of the hostages were journalists and aid workers, but in late December 2014 the group captured a
Jordanian pilot after his fighter jet crashed during a mission against ISIL in Syria. News of the pilot's capture met with consternation in Jordan, where a
large proportion of the public had opposed the country's participation in the anti–ISIL coalition. Support for military action surged in February 2015,
however, after an ISIL video showed the pilot being burned to death by his captors. Once ISIL took control of territory in Iraq and Syria, it engaged in a
To help mitigate the manpower losses, IS has turned to conscription in some areas. Iraqi expert Hisham al–Hashimi believes only 30% of the group 's
fighters are "ideologues", with the remainder joining out of fear or coercion. A significant number of IS fighters are neither Iraqi nor Syrian. In October
2015, National Counterterrorism Center Director Nicholas Rasmussen told Congress that the group had attracted more than 28,000 foreign fighters.
They included at least 5,000 Westerners, approximately 250 of them Americans, he said. Studies by the London–based International Centre for the
Study of Radicalization and Political Violence (ICSR) and the New York
–based Soufan Group suggest that while about a quarter of the foreign fighters
are from the West, the majority are from nearby Arab countries, such as Tunisia, Saudi Arabia and Jordan and Morocco" ("What Is 'Islamic State
'?"). By late 2014, cells of militants claiming to be affiliates or direct extensions of ISIL had emerged in a number of conflict zones in Africa, the
Middle East, and Central Asia. Existing insurgent groups such as Boko Haram in Nigeria and some elements of the Taliban in Afghanistan also
pledged their allegiance to ISIL. Outside of Iraq and Syria, ISIL–affiliated groups appeared to be most strongly established in North Africa. In
Libya–fragmented by factional conflict after the deposal of Muammar al–Qaddafi in 2011–ISIL claimed

The Threat Of The Terror Group Isis
In December of 2011, the United States withdrew all remaining combat troops from Iraq. After eight years of war, the United States turned the
responsibility for the defense of Iraq over to the Iraqi security forces. Iraq immediately saw the rise of sectarian violence among Sunnis and Shia. This
nation also saw the reemergence of the insurgency known as Al Qaeda in Iraq in the northwest portion of the country. The problems in Iraq grew with
the igniting of a civil war in the neighboring nation of Syria. This civil war allowed for members of Al–Qaeda in Iraq to spread to and develop in an
unstable area and emerging as the Islamic State in Iraq and Syria, ISIS. Within twelve months, ISIS grew by creating of an organizational structure,
engaging in violent military campaigns, developing an economy and establishing successful recruitment techniques. ISIS now controls large swaths of
territory in both northwest Iraq and Eastern Syria. Political leadership in the United States is now debating what action should be taken to combat the
terror group ISIS. To prevent ISIS from harming our national security, to stop the threat of international terrorism and to stop the destruction of Iraq
and its people The United States should send ground troops to Iraq to combat ISIS.
Many people do not think the government should send troops to Iraq to stop the threat of ISIS becoming a national threat to the United States. The
Obama administration has focused on bombing ISIS and training

The Islamic State Of Iraq And The Levant
In the horror novel, Supernatural Horror in Literature, the author, H.P. Lovecraft starts off by stating the following: "The oldest and strongest emotion
of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." Choosing the topic of ISIS/ISIL, which are the Islamic State of Iraq
& Syria / the Islamic State of Iraq & the Levant, was an easy choice because in truth, I know very little about the terrorist groups within these Islamic
States. I, along with seventy percent of Americans, fear the rise of the IS and would consider them the number one threat to American interests
(Telhami). Through further studying this topic, I have been able to better understand how ISIS/ISIL was created, along with understanding
International Law's ambiguous confrontation of the issue regarding the use of force. The fact of the matter is that ISIS/ISIL is a real threat, but the
debate lies within how to deal with said threat since it is on an international playing field. This threat has been at our doorsteps for years now and the
United Nations Security Council has made several resolutions under different articles, leaving a somewhat ambiguous message to the international state
actors on how to react to ISIS/ISIL. It is under my interpretation, however, that the United Nations Security Council finds legitimacy within the United
States– lead coalition and that the use of force towards this terrorist organization is necessary for making the international community a

Cultural Experience Response Essay : Magic
Cultural Experience Response Essay Magic has been incorporated into many cultures and stories throughout history. The idea of magic has gone
from being scary and misunderstood to be wonderfully interesting. This class focuses on magic and how it has been incorporated and portrayed to
the world for centuries. The art paintings and sculptures I saw at the Houston Fine Arts Museum had perfect representations of the influence of
magic on different societies. Each artifact and painting had its own magical feeling to it that left an impression on me since I could see the effect
magic had on the creators as well as on the society. Every piece told a story in some way and I found them to be great illustrations of the magic
during those periods of time. The first painting that I felt had the most impact on me was the Composition with Figures and Banners by American
artist, 'Jackson Pollock which was painted with oil on a canvas in the Houston Museum of Fine Arts. This painting consists of hidden brown figures on
or around black cross–shaped stick. Around these figures and cross–shapes are flame like outlines with green, orange, red, and yellow. The instant I
saw this painting the image of the Salem witch trials and of the stories of witch burnings came to my mind by virtue of the hidden magical feel that
the painting gave off; especially with the red cloak figures on the crosses. This painting may not have magic showing, but it does give off a feel of
magic just by the way the

Khaled Al-Asaad: Article Analysis
On August 18th, the militant group know as the Islamic State of Iraq and Syria or ISIS–known for its public executions, destruction of priceless
artworks, and brutal oppression of a region that has seen its fare share of, well, brutal oppression–has dealt a blow to the archaeology community by
publicly beheading 82–year–old Khaled al–Asaad, revered as one of the premier Syrian archaeologist. The beheading was spectated by dozens of
people in front of a museum in Palmyra, Syria, an ancient Roman city and gem of archaeology, which Khaled al–Asaad called home. ISIS overran the
city in May 2015, raising international alarm about potential damage to the relics there. In death, the Syrian archaeologist protected his country's
antiquities as he had in life. ISIS had... Show more content on Helpwriting.net ...
During his tenure, Palmyra became an UNESCO World Heritage Site. Khaled al–Asaad was beheaded in the ancient Roman plaza whose excavation he
oversaw decades before, in front of the museum where he served as Palmyra's Head of Antiquities for over half a century. Two millennia ago,
Palmyra looked quite different: it was controlled by the Roman Empire and flourished as a major trading hub along the Silk Road. Its people most
commonly worshipped either Roman deities or their own gods, depicted in many of the artifacts discovered by the late Syrian archaeologist,
including many Roman tombs and the Temple of Bel. Jews were oppressed, Jesus Christ was still a teenager, and Islam wouldn't exist for another 600
years. This period of history fascinated Khaled al–Asaad, as he believed it had great impact on the kind of country Syria would later become. Why
ISIS Makes Archaeologists Lose

Agatha Christie Essay 2
AGATHA CHRISTIE Agatha Christie was born in Torquay, in the county of Devon, as the daughter of Frederick Alvah Miller, an American with a
moderate private income, and Clarissa Miller. Her father died when she was a child. Christie was educated home, where her mother encouraged her
to write from very early age. At sixteen she was sent to school in Paris where she studied singing and piano. Christie was an accomplished pianist
but her stage fright and shyness prevented her from pursuing a career in music. In her books Christie seldom referred to music, although her
detectives, Poirot and Miss Marple, show interest in opera and Poirot sings in THE A.B.C. MURDERS (1936) a World War I song. When Christie's
mother took her to Cairo for a... Show more content on Helpwriting.net ...
Later Christie used these exotic settings in her novels MURDER IN MESOPOTAMIA (1936) and Death on the Nile (1937). Her own
archeological adventures were recounted in COME TELL ME HOW YOU LIVE (1946). Mallowan was Catholic and fourteen years her junior; he
became one of the most prominent archaeologist of his generation. Of her marriage the writer told reporters: "An archaeologist is the best husband
any woman can have. The older she gets, the more interested he is in her." Mallowan worked in Iraq in the 1950s but returnmed to England, when
Christie's health grew weaker. His most famous book was Nimrud and its Remains. Christie's most prolific period began in the late 1920s. During the
1930s he published four non–series mystery novels, fourteen Poirot novels, two Marple novels, two Superintendent Battle books, a book of stories
featuring Harley Quin and another featuring Mr. Parken Pyne, an additional Maru Westmacott book, and two original plays. In 1936 she published the
first of six psychological romance novels under the pseudonym Mary Westmacott. After visiting Luxor in 1937, where Christie saw Howard Carter, she
wrote the play AKHNATON, which was not published until 1973. It dramatized the fate of the Egyptian pharaoh Akhnaton, who tried to replace the old
gods with monotheism, and Nefertiti, his wife. Curiously, the Finnish writer Mika Waltari, who gained later

Ancient Art Research Paper
Human beings make art. We do this for many reasons and with whatever tools that is available to us. Thirty thousand years ago, cavemen were not
making works of art and there were no artists. They were crafting flints into spear point, scrapers, and knives, not as art, to use in order to survive.
People will find wall painting appealing to the eye and to the touch. However, wall painting must have seemed as important as these tools in terms of
everyday survive, not for visual pleasure. The Stone Age started at 13.7 billion years ago and the earth came into being 4.5 billion year ago in a
process of consolidation of gases and matter. Our ancestors made simple stone tools about 2.5 million years ago in East Africa. Fully modern human
developed... Show more content on Helpwriting.net ...
Early Cycladic sculpture comprises predominantly female figures that range from simple modification of the stone to developed representations of the
human form. The Cycladic Female Figure, Cyclades, 2600–2400 BCE, was one of the realizations of the Cycladic style. The artist, who remains
unknown, has portrayed a nude female made up of triangular shapes. The woman has her hand across her stomach, which is a pose typical of the
Cycladic time period. However, people believe this stance to be symbolic of a woman's

The Rise Of The Babylonian Empire
10,000 BCE – Hunting–gathering became widespread after the end of last ice age.
9,000 BCE – People became farming barley and wheat instead of gathering wild grains.
4300 BCE – Villages started to come together, developing large towns, and then cities.
3400 BCE – Writing began to appear.
2500 BCE – Pyramids were being constructed in Egypt.
870 BCE – A feast was given by King Ashurnasirpal II of Assyria, for the inauguration of his new capital at Nimrud.
539 BCE – The Babylonian Empire fell to the Persians.
212 BCE – The Romans destroyed the Greek colony of Syracuse.
410 CE – The Visigoths destroyed Rome.
732 CE – Islam didn't progress into Europe because of the Battle of Tours.
970 CE – A completed public library in Cordoba with nearly half a million books.... Show more content on Helpwriting.net ...
1492 CE – The European discovery of the New World byChristopher Columbus.
1607 CE – The establishment of the first permanent English colony in Virginia.
1660 CE – The accession of Charles

Eagle-Headed Apkallu Guardian Figure Analysis
Paper Assignment #1 – Writing in Art History: The Formal Analysis
Figure 1 : Eagle–headed Apkallu Guardian Figure
Angelica Copaus
ARTH 1380 – Art and Society (Prehistoric to Gothic)
Figure 2
The Eagle–headed Apkallu Guardian Figure is a low relief sculpture from 883–859 B.C. Assyria. Made from gypsum, this sculpture measures
approximately 42 1/8 inches tall, 26 inches wide and 1 ВЅ inches thick. The sculpture is mounted on the wall of the dark, navy–blue painted
Antiquities section of the Museum of Fine Arts Houston, dimly lit by the luminance of showcase lights. The guardian figure watches over the room as
visitors pass through the archway between two exhibits of the Museum of Fine Arts Houston. In The Eagle–headed Apkallu Guardian Figure, the artist
uses compositional choices, stylistic ... Show more content on Helpwriting.net ...
Explained in the dissertation written by Gane, the Assyrian name of the bucket is "banddudГ»" which translates exactly to "bucket", and the name
for the cone is "mulluli" which translates to "purifier." The bucket is said to contain holy water, so when the purifying cone is dipped into the bucket
and then sprinkled atop the Sacred Tree, it leads to the conclusion that the apkallu figure is performing an act of purification for the land of Ashur.
However, another interpretation of these items is that the shape of the cone also resembles that of the male flower of date palms, and is held in the
right hand of the subject which symbolizes masculinity. The bucket could be interpreted as containing pollen, and thus when the cone is dipped into
the bucket held in the feminine hand and sprinkled atop the Sacred Tree, it leads to the conclusion that the apkallu figure is performing an act of
fertilization for the land of Ashur. Either way, the apkallu figure is performing some kind of ritual to secure the abundance of the

Why Does Art Get Destroyed?
Why does art get destroyed? This essay will examine many different factors that contribute to art getting destroyed and why these happen. It will
look at the various reasons the destruction happened and the consequences that occurred because of them. This essay will look at both religious
and political reasons art can get destroyed along with the work that has no connection to religion or politics in how it was destroyed. There are
many different reasons why art can get destroyed, some can be accidental and some can be on purpose. So why does art get destroyed? Monolithic
structures like the Pyramids of Giza and the Sphinx have been slowly eroded over thousands of years by the elements and sands of the desert.
Fourteen hundred pieces of art were irreparably damaged in floods that devastated Florence. Japanese art, an estimated tens of thousands pieces of
art, were destroyed in the great Kanto earthquake and the fire that followed it in 1923. Another earthquake destroyed Ribeira Palace destroying the
library which held around seventy thousand books and manuscripts along with many pieces of art. In the case of ISIS destroying works of art and
historical artefacts in the Mosul Museum they did it because god willed them to destroy idols depicting Allah put on display by devil worshippers.
They have since gone on to ransack and burn the Mosul library and by doing so have destroyed thousands of rare books and literature. This isn't all
Isis is doing to destroy the heritage

Machu Picchu Research Paper
Machu Picchu, one of the most famous cities in our world history obviously has many artifacts connected to it. Up until only short while ago these
many artifacts were located at the Yale University in Connecticut. For a long time Peru, where Machu Picchu was located, fought with Yale to get the
artifacts back. Yale at first stated that their systems inPeru were going to damage the artifacts even more. This research the university conducted
allowed them to gain further knowledge into this time. Yale, in the end, would not give the artifacts to Peru until they were almost forced to in an
agreement. Today, Peru still doesn't have all the artifacts that were taken from them. This leads us to the question of whether or not artifacts should be
taken ... Show more content on Helpwriting.net ...
This gigantic ocean liner, at its time, was the most famous and largest ship. The ship was known for the fact of how it was thought to be
unsinkable. It was filled with new china, new beds, everything was new. While the ship may have been thought of as unsinkable this was not the
case. On April 14, 1912 at 11:40 PM tragedy struck. The unsinkable ship had hit an iceberg and in only approximately 2 hours later it would be at
the bottom of the ocean. A total of 1,502 people died either on the ship or in the frigid water. Obviously this ship was on its maiden voyage and as
said earlier was filled with all new everything. Then in 1985, Robert Ballard found the Titanic near the Grand Banks of Newfoundland about
12,000 feet down. Since then a total of over 6,000 artifacts have been taken out of the ship. Some experts say the ship will be gone in a few years
and implode on itself until it eventually breaks down. Others say the ship will gradually decompose until the bow eventually implodes on itself. In an
article published by Canadian Chemical News, D. Roy Cullimore and Lori Johnston described the results of their study of the ship's condition. They
concluded: "There appears, at this time, to be evidence not of a catastrophic structural failure about to occur in the near future, but rather of a gradual
collapse that would follow a somewhat predictable pattern." Many believe this wreckage should

Assur Culture
I am a work of art that was created in the Neo–Assyrian period, and I once lined the halls of the Northwest Palace at Nimrud. The large halls I once
stood in contained many large stones carved in low relief, and were brightly painted with gigantic sculptural figures guarding the doorway. Together,
we told a story of our King and his many travels and his victories. However, those days are long gone, and I no longer stand along the magnificent
palace walls. Since that time, I have been separated from my home, and moved around many places. It is quite an interesting story, but it all starts long
before I was created. The real story begins back in the ninth century B.C. The city–state of Assur was located on the upper course of the Tigris. It...
Show more content on Helpwriting.net ...
In each room there seemed to be different themes of what was shown on the reliefs. I was located on the east side of the inner court. On my reliefs
there were pictures of my king accompanied by attendants engaging in activities that could be identified as pouring libations. I am now classified
as slabs 7 and 8, I am 465 cm, and I am made of gypsum alabaster. On my front side is a low relief of my king, Ashurnasirpal II. He is wearing the
royal crown, which is a conical cap with a small peak and a long diadem. He also holds a bow, which is a symbol of his authority, and a ceremonial
bowl. Facing him is a eunuch, or a "beardless one". He is carrying a fly whisk and a ladle for replenishing the royal vessel. The upper parts of the
body are facing towards the viewer, while the legs, feet, arms, and face are shown from the side. These features, along with the shape of the eyes
seem to resemble Egyptian art. There are distinct patterns in the beards and hair of the king and the attendant. Also, the muscles in the arms and legs
are clearly defined within the relief. Both the king and the attendant are dressed in long robes, and are carrying swords at their sides. Both are also
wearing earrings, and bands around their wrists and upper arms. Flowing across the middle of the relief is actual writing. This writing describes what
is being shown on my relief. All of the reliefs in the palace had writing across them

The British School Of Archeology

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