Mamilieen Luce Research Paper

Mamilieen Luce Research Paper
A painter, lithographer and draftsman, Maximilien Luce was born in Paris, France on October 13,
1858. His parents, Charles–Desire Luce and Louise–Josephine Dunas were of modest means and
lived in the working class of Montparnasse. He began studying about engraving in 1872. In the
evening he took courses of engraving after training as a wood carver at the Ecole Nationale
Superieure des Arts Decoratifs at the age of fourteen. That apprenticeship with that wood engraver
lasted for three years.Maximilien Luce entered a engraver shop and began working at the studio of
the engraver Eugène Froment where he made woodcut prints.The following year he traveled with
Froment to London and on his return to France in 1879 he joined military service for a ... Show
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Around 1894 He was also arrested for a short period on suspicion of being involved in the
assassination of the president of France, Mari François Sadi Carnot. He became involved in the Trial
of the Thirty and served a short term of imprisonment. They had a first child that was a boy named
Frederick, but unfortunately died in 1895 at the age of fifteen months old. They had another son the
following year who was also named Frederick, they also adopted Bouin's orphaned nephew,
Georges Edouard in 1903. Until 1904, Luce lived in Montmartre, so between 1904 and 1924, he
lived in Auteuil, then moved back to Paris. the streets of Montmartre in which appeared in many of
his works. After 1920, however, when he began spending a large amount of time around Rolleboise,
Luce started to paint in a freer manner. Maximilien Luce was elected President of the Societe des
Artistes Independants but then resigns his post in 1940 in the protest against racial laws enacted by
the regime, which had banned Jewish artists from all official groupings and exhibitions. Luce and
Bouin married in Paris in 1940, only a few months before her death in June. Luce died in Paris on
February 6 the following year,
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Paris Was Becoming The World 's Hub For Art Innovators
Beginning towards the end of the nineteenth century, Paris was becoming the world's hub for art
innovators; a place that is widely regarded as the birthplace of modern art. Artists of all disciplines,
from sculptors to musicians, made their way to this city to pursue their passions in a community of
like–minded and passionate individuals. These artists came from all over the world, in a time before
the world was made flat with commercial aviation. Once they arrived, they often found themselves
in suboptimal living conditions, sometimes even lacking running water. Despite these obstacles,
Montmartre, a hillside neighborhood on the north bank of Paris, managed to draw an impressive
artistic crowd, and would eventually foster the birth of ... Show more content on Helpwriting.net ...
This type of artistic suppression was happening all over the world in varying degrees. It drove many
artists out of their homelands to places that were more accepting of their artistic expression.
Although Kandinsky didn't find himself in the company of the cubists of Montmartre, his story
demonstrates the artistic atmosphere of the world at the time. Many artists were eager to find a
haven where they could freely express themselves in the company of like–minded individuals, and
to many of them, that place was Montmartre. Although there were certainly critics of modern artists
within Paris itself, their general response to the artistic pioneers was more akin to arrogant dismissal
as opposed to the outright suppression of places such as Russia. Another factor to consider is the
somewhat overlooked economic theory of knowledge spillover. As described by Jane Jacobs in the
1960's, it explains the obscure rise of particular industries in certain cities. This concept seeks to
prescribe a name to the process of like–minded individuals who live together in a community
sharing ideas with each other in casual conversations and various other exchanges. Some examples
include the steel industry of Pittsburgh, the technology industry of San Francisco, and more
pertinently, the art industry in Paris at the turn of the twentieth century. The theory claims that
innovations arise most quickly in areas

Comparing The Fall Of The House Of Usher And Ligeia
The Fall of the House of Usher, The Murders in the Rue Morgue, and Ligeia, there was an affinity
between the many characters of each one of the stories. There were also many other analogies in the
books so far as a situation, plot, setting, etc. In the story The Murders of the Rue Morgue, which is a
very mysterious story, the main action commences when the narrator and another man named C.
Auguste Dupin meet together because they are seeking for the same book at an ambiguous library in
Rue Montmartre. The two men read about a murder in a newspaper headline, then one night they're
staying at a hotel and hear a shriek from about the fourth floor above them in which they call the
cops in backlash to that. Once the cops had broken into the apartment, for the door was locked, they
found what seemed to be a murder scene for all of the blood and the hair on the floor.
The police officers and the other two men react to the scene of what seems to be death by acting
concerned about finding what had happened and who it had happened to and who committed the
crime. In the story The Fall of the House of Usher it all starts with the character under the name
Roderick approaching a house which seems to be described as an evil feeling, for it is in a type of a
swampy area with decaying ... Show more content on Helpwriting.net ...
Because the cops knew that they would either see or meet death on their job before they took that
job. And with Roderick and his sister, Roderick knew his sister would soon die from her disease and
there was nothing he could do about it. In both stories the characters coped with the death of honest
people fairly unexpectedly for most reactions to death that are seen in the modern day. Edgar Allan
Poe's stories usually included death, which I kinda found weird but it continues to make the story

The Age of Poster: Pictorial Poster
The main focus point of Chéret's poster 'Folies–Bergere, La Loïe Fuller 1893, (Figure 1) is an
American dancer and display capture another classic Chéret woman dancing cabaret culture of
passion and emotional abilities examples of Paris . colored lithography Chéret skills let him to
express in a variety of silk garments Fuller wore light the lamp shades found in a black background ,
she seems to spin out of darkness , which is a typical Chéret composition, dancing women at the
forefront , the smallest in the background and layout on the top and bottom. usual type considered
here is clearly legible from a distance due to the black from the red background of praise , but
because it is very less important that the compositions and only used for advertising , sometimes the
type spoilts the images Compared to La Loïe Fuller Chéret's Fleur de lotus of 1893 (Figure 2)is
much lighter in feeling and colour pallet. In this work, six ballerinas dance over the page, promoting
Armand Silvestre's ballet et pantomime, Fleur de Lotus. This lighter, airy feeling of ballet is
portrayed through these pastel colours and light fades of colour oozing from the background. The
typography and main colour pallet are more considered here, and it is clear to see they work well
together. However, this image is missing the simplicity of the previous poster and the skill in which
Chéret prints La Loi fuller's dress in movement cannot be overlooked, it is what carries the whole
poster with ease. As

The Gangster Film
The Gangster film is a genre that tells a story that can be universally appreciated. Formed in
America there is a grand appeal to their methods and composition. Gangster film has a certain
formula, where any country can use its intrinsic convections, but it's also adaptable enough to
conform with any particular country's context without losing its inherent meaning. In French cinema
following the Second World War, for example, there was a visible shift that had French films
shadow Hollywood's approach. Director Jean–Pierre Melville was one of the pioneers of the French
crime movie. In 1956 his appreciation of the American gangster and film noir led way to "Bob le
Flambeur". A film very American in its characteristics, but still withholds a French aura about it.
The American features in "Bob le Flambeur" are hard to miss. In its settings, with its noir–like,
sulky lighting and urban ambiance, the film provides meaning with the characters' surroundings.
Most urban city settings in gangster films support a type of community that breeds gangsters. ...
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Even in clothing style they wear trench coats and fedoras, trademarks of the American gangster. The
characters however similar to American gangsters, share different roles than in typical American
gangster films. It gives the audience a different perspective than American film would; with its
normal gangster taking over the business. Instead "Bob le Flambeur" follows main character Bob,
who is based on the crime boss, but in the film is one that is retired and respected by most. He has
Paolo as his trusted mentee, who fills the role as the ordinary gangster who is trying to work his way
up the ranks of a gang. And Anne is somewhat based on the femme fatale, the beautiful, seductive
woman who brings disaster to any man who gets involved with her and does so ultimately ruining
the lives of every man she knows in the

Characteristics Of The Post-Impressionist Paintings
The three paintings that I chose from the 19th–century Impressionist are the self–portraits of Pierre
Auguste Renoir, and Claude Monet reading a newspaper, and Camille Pissarro's Boulevard
Montmartre. The Post–Impressionist paintings that I chose are A Lion Devouring its Prey by Henri
Rousseau, In the Oise Valley by Paul Cezanne, and The Yellow Books by Vincent Van Gogh. The
way that the first three pieces of art fall into the 19th–century Impressionist is that the some of the
characteristics of their paintings were that they involved a slightly small, thin, but noticeable brush
strokes. Moreover, they emphasize the depiction of light in its dynamic qualities, to accentuate the
effects of the passage of time. The colors when employed were ... Show more content on
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The last portrait was a painting of a stack of books scattered across a table with a small glass filled
with water holding a flower, but the picture is colored mostly with yellow, some red and green. As
for the placement of the 19th–century Impressionist paintings, the two self–portraits would look
great in the boardroom; they could portray the founders of the company and how hard they worked
to build the company that it is today. The Boulevard Montmartre painting could be placed in the
main entrance to the company to describe how the company started out years ago and how the city
grew around the business and how it has improved the people around with growth and prosperity. As
for placement of the last three paintings, the painting of a lion devouring its prey can be placed in
the main work area to show the employees that hard work and commitment will get them the
rewards that they deserve. The next portrait, In the Oise in the Valley, could be placed in the main
break room of the company, so that the employees have a place to relax and not be bothered in order
to get away, even if it's just for a little while from their rigorous job. Finally, the painting of the
yellow

Pablo Ruiz Picasso Essay
Pablo Ruiz Picasso
Pablo Picasso was born in Malaga in 1881. Pablo was the son of a respected art teacher, and due to
his father's influence, young Pablo entered the Academy at Barcelona at age 14. This was where he
painted his first great work, "Girl with Bare Feet". After two years of schooling, Picasso transferred
for even for advanced tutelage. This did not hold Picasso's interest, so instead he spent much of his
time in cafes and in brothels.
Three years later, Picasso won a gold medal for his work, "Customs of Aragon". This work was
displayed on exhibit in Picasso's home town. In 1901, Picasso set up a studio in the northern section
of Paris known as Montmartre. Picasso had mastered traditional forms of art by now. ... Show more
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His work, "Two Nudes" reflects this attitude.
Cubism soon followed after this. Picasso began experimenting with the many facets of Cubism.
Cubism was developed in stages: analytic, synthetic, hermetic, and rococo. These techniques were
not only useful in painting but in collages as well. Picasso met Eva Marcelle Humbert, and fell in
love with her but the war separated them and she died in 1915. Picasso worked on "Harlequin" to
cope with the grief of his lost friend.
In 1917, Picasso involved himself with Diaghilev's Russian Ballet. He worked on costume and set
design for Parade(1917) and while all this was going on Picasso met his future bride, Olga
Kokhloven, who was a dancer for the ballet. The Ballet gave him inspiration for his next work,
"Three Dancers". Then something dreadful happened, a small Spanish town became a test site for
some new bombs. Picasso's work, the "Guernica" demonstrates the horror, cruelty, and injustice that
took place. On a greater scale, not only does it provide compassion for those lost at Guernica, but it
also illustrates how useless and horrible war truly is. Following that, Picasso became director of the
Prado Gallery in Madrid. World War II blazed on while Picasso worked in Paris and he worked
diligently despite the world around him.
Picasso left his wife in 1931, and following that he had many mistresses that provided him with
inspiration for his works and even did some modeling work for him. Picasso

How Is Realism A Reaction Against Romanticism?
Define Modernism. How does Modernist painting compare to painting of the Old Masters?
Modernism is a development that, alongside social patterns and changes, emerged from wide–scale
and extensive changes in Western culture in the late nineteenth and mid twentieth hundreds of years.
An Old Master ought to be a craftsman who was completely prepared, was a Master of his
neighborhood specialists ' organization, and worked freely, yet by and by artworks thought to be
delivered by students or workshops will be incorporated in the extent of the term How is Realism a
reaction against Romanticism? Realism has been predominant in expressions of the human
experience at numerous periods, and is in substantial section a matter of method and preparing, and
the evasion of stylization. Realist gems may accentuate the revolting or shameful. There have been
different authenticity developments in expressions of the human experience. The authenticity
workmanship development in painting started in France in the 1850s. Courbet was a grand figure in
his own time and he stands as the leading artist of Realism. Why did he choose to forgo academic
traditions for realist works? Courbet was a French painter who drove the Realist development in
nineteenth century French painting. He dismissed scholastic tradition and the Sentimentalism of the
past era of visual craftsmen. His freedom set a sample that was imperative to later specialists, for
example, the Impressionists and the Cubists. Courbet

Pablo Picasso's Boy With A Pipe
Growing up I was infatuated with art, I love the creativity that a person could bring to any piece of
work. While looking through many paintings, I came across one that caught not only my eye, but
many others. The name of this Painting is Boy with a Pipe, created by one of the greatest artist in the
world, Pablo Picasso. This representational painting was created in the year of 1905 when Picasso
was 24 years old (Daluwatta). This Painting is representational because, the oil that is on the canvas
depicts a young white Persian boy who is holding a pipe in his left hand and also wearing some type
of headband of flowers around his head. Picasso lived in Le Bateau–Lavoir in Montmartre when he
created this mister piece. Picasso called the young white boy Little Louise, he had spent much time
in the studio while he was creating this painting. (Lu). There are many people that say that the boy
who ... Show more content on Helpwriting.net ...
Picasso choice was to go with the boy sitting down. Next step in his process was see how he was
going to position the arm. This is where Picasso spent most his time trying to get the height just
right. In my opinion I believe this piece of work doesn't really show how any other object is being
used besides the pipe and a head band of flowers. The Pipe, which is a symbol for the intellectual
also relating in nineteenth and twentieth century type of painting. It looks like its being held by the
artist outside the painting as he wonder about the image, although it's held by the model inside the
painting. It is believed that Picasso is imagining his own alter ego while holding his own pipe and
that the boy is a reflection of Picasso (Chipp). In my opinion this work depict a very young boy that
represent intelligent and wealthy kids in the late 19th and early 20th century mood and everyone
would be attracted by

HUM 112 Assigment 2 Essay
Assignment 2: Project Paper Edwin D Giraldo Professor: Ibrahim H Alsaeed, Ph.D. HUM 112
11/29/14 Abstract In this paper, I choose to discuss three pieces of art from the 19th century
Impressionist period and three from the Post–Impressionist period and how these six pieces of art
compare to each style. Then I will draft a memo to the CEO of my company to describe the
appearance, so that they will have an idea of what the art looks like and where it should be placed
throughout the corporate offices. Next, we are going to explain the historical significance for each
piece of artwork that I choose. Finally, I will descried to the CEO of my company how each piece of
art matches the company's overall image. Office ... Show more content on Helpwriting.net ...
As for placement of the last three paintings, I decided to put the A Lion Devouring its Prey in the
central work area to show the employees that hard work and dedication will get them the rewards
that they deserve for they have done for the company, the next one, In the Oise in the Valley, could
be placed in the main break room of the company, so that the employees have a place to relax and
not be disturbed in order to get away from the regular environment that any workplace create, even
though just for a little while from their rigorous job, and The Yellow Books could be placed where
the company keeps all its information on the business to represent how the business conducts itself
and what the future holds for the business and all the customers. Explain why each piece is
considered to be historically significant. Pierre Auguste Renoir made his mark historically on the
surfaces of his paintings by using small dabs of pigment that were applied uniformly, but his brush
strokes were somewhat nervous, but yet he used the sunlight effects that were achieved with colored
shadows, and loose brushwork.

Biography Profile For Pablo Picasso
http://www.pablopicasso.org/picasso–biography.jsp
http://www.biography.com/people/pablo–picasso–9440021
Biography profile for Pablo Picasso
Pablo Ruiz Picasso the man was a troubled, eccentric, problematic man who could never settle down
with a woman or a place of residency, maybe what we could call a "free spirit". Picasso, the man,
was also an activist. He fought for peace until his last days. However, no matter how much troubled
Picasso, the man was overshadowed by his own art. In addition, even though one might not like his
works, one cannot deny that without Picasso, modern art and the world would be much poorer, so
that is why I decided to write about one of my favorite artists of all times, the unique Pablo Picasso.
Pablo Ruiz ... Show more content on Helpwriting.net ...
His first oil painting, which he kept his whole life, was called "El Picador", a common theme in the
bullfight scene. Picasso was focuses in his painting by using the subject of pigeons and bullfights.
In 1896, his first large oil painting "The first Communion" was exhibited in Barcelona. The year
after, he painted "Science and Charity" and received an honorable mention in Madrid at the national
exhibition of fine art and a gold medal in a competition in Malaga. It is important to note that at that
point he was only 16 years old. His visits to museums became very important in this first period of
his career, because like many other modern artists, Picasso had his "classicism period" when he tried
to imitate the style of the old masters. He also met someone who would become one of his best
friends and his secretary, the poet Sabartes. The new atmosphere made the young artist abandon his
classic style and start a period of searching and encountering new experiences in his career.
During this period, Picasso expressed his idea that an art student should not be obligated to follow
any already established school, but should be free to explore his or her own styles and ideas. This
search for change caused deterioration in his relationship with his parents who could not accept his
interest in modern art.
In 1900, during this search period, Picasso moved to the city that was the major artistic center, Paris,
where he

Contribution To Quatre Gats
His fascination and skill in painting was displayed from a very early age; his first exhibition was
held when he was only 18 years old.
Quatre Gats– most important center of cultural and artistic standards in modernista Barcelona. Was a
tavern and restaurant that was opened in June of 1897.
Taverns founders were Ramon Casas, Santiago Rusinol, Miquel Utrillo, and Pere Romeu who were
all Moderisme artists in one way or another
Name of tavern is "Four Cats" and derives from the four owners as well as pays tribute to the
famous Parisian locale Le Chat Noir owner Rodolph Salis who died a few months before the tavern
opened for business
Casas was the main artist because of his popularity and skill and was a mentor to a lot of the
younger ... Show more content on Helpwriting.net ...
The tavern provided him with an environment to promote his work as well as inspiration deriving
from admiring all the other artists great work that was constantly on display. In a time when Picasso
needed confidence in his ability, the men of Quatre Gats provided. This must have been really
refreshing for young Picasso mainly because the other person who was influencing his career at the
time was his father who could be hard on him and times and steer him in directions he may of not
wanted to go.
The sound of the tavern also intrigues me. I love socializing at taverns and bars and this one seems
like the ultimate environment to strike a conversation with interesting people. All walks of life went
to this tavern and when a famous artist was in town, it was a must that they visited Quatre Gats for a
drink. If I possessed a time machine, it would be insane to go back to this place in the 1900's and
admire little Picasso and attend his first

Annual Ring Essay
My tour theme is 18th Arrondissement "Annual Ring". Typically, when you are planning to go to
Paris, guidebooks or websites tell you that most of the major sites are located in the center of Paris. I
am going to Paris in July. I was looking at the website information and was going to visit some
major sites. You never know when you can visit there next, so I don't want to miss the world–
famous sites. While I was researching about Paris, I found a beautiful eye–catch building. It was
located in 18th arrondissement. I was not sure what it is, but it was love at first sight. No matter
what my current plan is now, I am going to visit there. So I changed the entire schedule that I
planned previously and decided on the gorgeous building to visit ... Show more content on
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What do you think that Jeanne d'Arc was praying for 588 years ago in this location? Because of the
reason, this church is dedicated to Jeanne d'Arc. Other than Jeanne d'Arc, the stained–glass windows
are one of the features. It was created by Leon Zack. You will also find the head sculpture and the
statue of the saint. [Paris Convention and Visitors Bureau, 2015]
After you visited the church, when you head south on Rue de la Chapelle toward Impasse du Cure
for 110 meters (0.06 miles), you will see the next destination, Eglise Saint–Bernard de la Chapelle
on your left side. It is about 1 minute walk. Eglise Saint–Bernard de la Chapelle is located at 6 Rue
de la Chapelle, 75018 Paris. The purpose of this church to be built was starting back in 1864. The
Gare du Nord (North Station) construction was started and completed in 1864. During the Gare du
Nord construction time, the population was increased and needed a new church. That is why the
Eglise Saint–Bernard de la Chapelle started its construction and was built in 1861. It is a Roman
Catholic Church and it's also known as "Neo–Gothic Charm". [Wikipedia, 2017] This is one of the
symbolized beautiful churches from the 19th century. The interiors of this church are attractive with
several art and artificial objects. The most remarkable item among them is the Cavaille–Coll pipe
organ from 1963. This church is also famous for an area

Amlie Movie Essay
A narrative reading of Amélie (2001) directed by Jean–Pierre Jeunet, is a quirky portrayal of
modern–day Parisian life, set in Montmartre. It tells the story of a shy waitress, played by Audrey
Tautou, who decides to change the lives of those around her for the better, while struggling with her
own isolation. We see the progression of Amelie's character from childhood to adulthood. The
opening sequence of the film gives an insight of Amelie's childhood and establishes the main
characters and their traits. Young Amelie's traits are established in different scenes of the opening
sequence, for example a mid shot is used as the opening credits start and young Amlie is framed
alone. We see a stream of games young Amelie used to play, like making silly faces, dominoes and
finger games. These games belong to the knowledge of everyone, everyone can recognise them. If a
scene focuses on the childhood, we know that this moment of life will be a determinative item in the
film. This shows the active audience theory, which media audiences do not just receive information
passively but are actively involved, often unconsciously making sense of the message within their
personal and social context. The decoding of a media message may therefore ... Show more content
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Some of her games were kind, such as when she forged a love letter to a heartbroken lady, and some
not so kind, such as sabotaging the mean grocer's apartment. One of her pranks were by pure
mischief by sending her father's garden gnome round the world and some were downright
interfering, trying to match–make two lonely people (Georgette And Joseph). These games showed
that Amelie had no real moral compass because she had no doubts about misleading or deceiving
others. This reflected her childlike nature, whereby she did not understand the consequences of her

Cortot
In the painting, The Garden in Rue Cortot, Montmartre, Pierre–Auguste Renoir displays the idea of
beauty being universal, however humans have a tendency to neglect it.
Pierre–Auguste Renoir was a highly regarded French painter, who was very well known for his
leading role in Impressionist painting. The Garden in Rue Cortot, Montmartre, is a great example of
impressionism because of its bright colors and lifelike details. Upon first viewing this painting, the
viewer's eyes are immediately drawn to the vivid colors of the flowers in the foreground of the
painting. Renoir paints the foreground overwhelmingly busy which causes the viewer's eyes to be
filled with the beauty of nature in the first glance of the painting, Despite how busy it is, ... Show
This choice of color creates a change in lighting from the foreground being lighter and the
background being darker. In contrast to the busy foreground, the background is more barren and
spaced out. Furthermore, trees and the two men in the upper left corner to take over the background.
Additionally, the viewer's eyes are first taken to the two men having a conversation in what looks to
be the woods. These men are oblivious to anything that is going on around them as they are both
engaged in a conversation together. In the information listed next to this painting in the Carnegie
Museum of Art, the two men are believed to be Claude Monet and Alfred Sisley, both of which are
famous Impressionist painters, or the two men are also believed to be Monet and Renoir, himself.
The neglect of the beauty that is right in front of the men is still comparable to today's era. People
often focus on materialistic beauty rather than the natural beauty that is right in front of them. As
stated earlier, the claw–like branch is symbolic of nature consistently trying to wow humankind by
reaching out and grabbing its attention.
Thus, humans having the tendency to neglect universal beauty is displayed by Pierre–Auguste
Renoir in his painting, The Garden in Rue Cortot, Montmartre. Beauty is universal, mankind just
needs to make a priority of opening their eyes to enjoy and appreciate

Van Gogh Essay
Van Gogh Essay
In this essay I am going to discuss Vincent Van Gogh and post–Impressionism. Vincent Willem van
Gogh (March 1853 – 29 July 1890) was a Dutch post–Impressionist painter whose work, notable for
its rough beauty, emotional honesty and bold color, had a far–reaching influence on 20th–century
art. After years of painful anxiety and frequent bouts of mental illness, he died aged 37 from a
gunshot wound, generally accepted to be self–inflicted (although no gun was ever found). His work
was then known to only a handful of people and appreciated by fewer still.
France in the late 19th century was in the rule of the ambitious Napoleon III. Prussian prime
minister, Otto von Bismarck waged war on France, capturing Paris and claiming ... Show more
Starry Night by Vincent van Gogh has risen to the peak of artistic achievements. Although Van
Gogh sold only one painting in his life, the aftermath of his work is enormous. Starry Night is one of
the most well known images in modern culture as well as being one of the most replicated and
sought after prints.
One may begin to ask what features within the painting are responsible for its ever growing
popularity. There are actually several main aspects that intrigue those. Firstly here is the night sky
filled with swirling clouds, stars ablaze with their own luminescence, and a bright crescent moon.
Although the features are exaggerated, this is a scene we can all relate to, and also one that most
individuals feel comfortable and at ease with. This sky keeps the viewer's eyes moving about the
painting, following the curves and creating a visual dot to dot with the stars. This movement keeps
the onlooker involved in the painting while the other factors take hold.Secondly below the rolling
hills of the horizon lies a small town. There is a peaceful essence flowing from the structures.
Perhaps the cool dark colors and the fiery windows spark memories of our own warm childhood
years filled with imagination of what exists in the night and dark starry skies. The center point of the
town is the tall steeple of the church, reigning

Moulin Rouge Analysis
Additionally, the film is a love song to spectacle, to all forms of spectacle, including cabaret, opera,
musical comedy, dance, to theater, and, of course, film. As Stuckey points out, "the cabaret acts,
especially the (in)famous can–can, but also the drama 'Spectacular Spectacular', provide frenetic
musical numbers for Moulin Rouge! that serve to amaze the audience." The can–can dance is a
flurry of legs and petticoats thrown up in the air, edited with a fast pace to convey the excitement
Christian is feeling when he enters the Moulin Rouge. These elements successfully elicit the
filmmaker's desired emotion within me. When Satine first appears in the film during her burlesque
routine, the crowd is in awe, staring up at her like she is an angel coming down from heaven. When
she performs in the Moulin Rouge, the crowd instantly recognizes her and cheers. Their reactions
give the film's audience an idea of how to feel about Satine and how to react when we see her come
onscreen. As the audience cheers, I too found myself wanting to cheer for her. Therefore, I feel I
enjoyed these scenes as the movie literally queued how I should respond. I feel these well placed
queues heighten my enjoyment, especially during the ensemble numbers and the comedic scenes.
On the topic of spectacle, the film appeals to me due to the how it conforms to the musical genre.
Throughout their history, musicals are most often conceived as "pure entertainment." Furthermore,
according to Richard Dyer in

Camille Pixarro
In Paris, France, a painter named Camille Pissarro painted his creation "The Boulevard Montmartre
on a Winter Morning", in 1897. In the Metropolitan Museum of Art, this painting is hanging on the
second floor in Gallery 820. The galleries with the 800, in which this section is dedicated to only the
European Paintings in the 19th and the 20th century. Gallery 820 itself only has the painting that
only Camille Pissarro made. The painting surrounding gallery 820 is also paintings from Paris from
the same era. Galleries 818–822 all are from the Annenberg collection. The painting is right next to
both The Garden of Tuileries on a Spring and The Garden of Tuileries on a Winter Afternoon. Like
in the Boulevard Montmartre, the Garden of Tuileries ... Show more content on Helpwriting.net ...
It shows that Paris was a very busy city in the 1890s. As the painting was created from him looking
outside his window in his hotel, his attitude toward his painting is to capture and paint the details of
the boulevard that he see outside his window. This mood and narrative tone in the painting is both
somber and peaceful. This is because it represents a peaceful street in the winter, but also is painted
in colors that feel somber to me. The Boulevard Montmartre on the Morning Winter is a streetscape
painting. The Boulevard Montmartre on the Morning Winter belongs in the Impressionist
Movement. During the Impressionist Movement, the impressionist will always paint their paintings
with multiple colors and use bright colors and with rough and ready brush strokes. In this painting, it
is painted in many different shades of the same

Memo: Decorating the New Office Space With Artwork
Re: Decorating the new office space Dear Mr. X: Now that the renovation of our new office is
complete, it is time to consider furnishing the new space with works of art that reflect the spirit of
the company and the ethos we wish to communicate to new clients. When walking into our
organization's headquarters, we want people to gain a sense of tranquility and confidence. No matter
how stressed they might feel, we want them to know that the partners at our law firm can handle
their concerns. An image of nurturing and competence is an ideal first 'scene' for them to be greeted
by, which is why I would suggest a painting by Mary Cassatt. The Impressionist Cassatt was one of
the few women painters of her era. Although women were often the subject of paintings, they more
rarely found their way behind the canvas. Showcasing a women's work of art would also underline
the firm's commitment to equality and diversity, important cornerstones of our philosophy. Cassatt's
Mother Combing Her Child's Hair shows a mother tenderly caring for her child. Its study of light
and shadow and focus on a naturalistic domestic scene is characteristic of Impressionism. The
subject and the treatment are soothing and generous, and will convey a sense of peace to clients.
Another Impressionist work which is similarly calming is that of Claude Monet's The Japanese
Footbridge. Monet's 1899 study of the footbridge (which he painted on many occasions) is a study
of blue and green dabs. "Floating lily

Comparison Between Impressionism And Post Impressionism
Art is the best way humans can express their thoughts and realities. Many people do not see art in a
linear fashion; whether a painting is from the 1800s or the 1900s many people would consider them
the same. Art has gone through many changes since its conception many millennia ago. Due to this,
one cannot scrutinize all of the art movements in the same fashion. Two of art's largest movements,
Impressionism and Post–Impressionism, are commonly lumped together in the same category.
Although these movements are very similar in name, they have distinct characteristics that set them
apart. However, they also have some aspects in common. The Impressionist art movement took
place between the years 1874 and 1886. At the time this movement was birthed, the majority of
high–end art being made was made in a super realistic and classical way. The Salon, a place in
France where art was displayed, only accepted this kind of art. The Salon was ran by the French
government and all art placed in it had to be approved. The Impressionists were always refused due
to them not painting about significant figures in the government or of the church. Impressionists
painted about ordinary people doing ordinary things alongside landscapes and taboo topics. The
Salon did not only refuse them because of this but also because Impressionists did not paint in an
ultra–realistic manner. Claude Monet is one of the most recognizable painters in the Impressionist
movement and one of the most popular at

Valadon In The Midst Of Uncertainty
The Rise of Valadon in the midst of Uncertainty Many historians have often contemplated what
inspired Valadon to become an artist. Some critics even ponder on how she obtained access to
various art techniques without a strong academic background. She did not acquire a formal
education after all and she often gallivanted throughout the taverns of Montmartre. It was quite rare
and peculiar for a woman with such social stigma to become a well–rounded artist. It is commonly
believed that Valadon started her modeling career in Montmartre at the tender age of 15. She
modeled for ten years for many prominent artists such as Pierre–Cécile Puvis de Chavannes, Pierre–
Auguste Renoir, and Henri de Toulouse–Lautrec (Rose, 1999). She was also known

The Lost Generation By F. Scott Fitzgerald
Loss, wastefulness, and regret are not words that anyone wants to hear. While reading the works of
F. Scott Fitzgerald in "Babylon Revisited" and of Ernest Hemingway in "The Snows of Kilimanjaro"
these three words seem to connect to two stories together. In these stories loss, wastefulness, and
regret intertwine in the stories to better explain the struggles that people have to deal with. Both
Fitzgerald and Hemingway were part of what is called the Lost Generation. The Lost Generation
was a group of American writes who moved to Europe because they believed that America had lost
all hope and could never be fixed. In the "Lost Generation" by Kate O' Connor, she says that, "The
accusation, 'You are all a lost generation,' referred to the lack of purpose or drive resulting from the
horrific disillusionment felt by those who grew up and lived through the war, and were then in their
twenties and thirties. Having seen pointless death on such a huge scale, many lost faith in traditional
values like courage, patriotism, and masculinity." The aftermath caused these ex–pats to write about
common themes such as, "Decadence, Gender roles and Impotence, and Idealized past" (O'Connor).
As audiences read stories written during the twentieth century, they will be able to see these themes.
"Babylon Revisited" by Fitzgerald, is an example of the twentieth century sense of loss,
wastefulness, and regret because Charlie had to deal with all of those problems. The reader sees this

Analysis Of Amélie
Amélie is a 2001, French romantic–comedy set in Montmartre, Paris, France during the late 1990s.
The film follows Amélie as she wanders through the city, and portrays a variety of perspectives on
daily life in the city. The film is set in and around iconic areas of Paris, France, where viewers are
given glimpses of classical French architecture and landmarks. This essay will argue that the film
Amélie portrays daily Parisian life through a romanticized lens. This essay will offer discussion on
how the film provides a commentary on urban life in Paris. The following paragraphs will offer a
discussion on the portrayal of the city, the reasoning for these portrayals, how they might affect the
audience and how such portrayals impact one's ... Show more content on Helpwriting.net ...
What is important to consider is what is missing from this representation of the city. Jean–Pierre
Jeunet is the director of the film, he is quoted as saying, "I wanted to make a fake Paris, a very nice
Paris, like in my head when I was twenty and I arrived in Paris for the first time. I wanted to avoid
the bad things: traffic jams, dog shit on the street, the rain" (Portegies, 2010, p. 55). What Amélie
projects is simply a cinematic version of Paris (Durham, 2008, p. 178). Jeunet was criticized for this
depiction of Paris, "which appeared to erase, as if by magic, all traces of graffiti, crime, pollution,
and social unrest" (Ezra, 2004, p. 301). The film's setting used more than eighty separate locations,
and is, "so vetted and filtered that the manufactured Paris–scape resembles little more than a
sustained advertisement for a traditional French product" (Portegies, 2010, p. 56). This romanticized
version of Paris is then exacerbated by the traditionally associated French clichés which are present
throughout the film. Thus, Amélie seeks to contrast the dark and gritty imaginings of the city and
instead make it an attractive place to be. Jeunet's contemporary Paris, creates astonishing adventures
out of the everyday life. For some, this reimagining of the city erases the experiences and lives of
actual people within the city. The focus of the film does not give the viewer an honest

Art Appreciation: The Reflection Of The Art Of Art
Art Appreciation It's fun to see art evolve and how it is very different from the art we see today. As
much as I really like all the art movements due to their unique and individual styles and techniques,
ALL of them really stand out to me and I enjoy looking at them. Impressionism is one of my
favorite movements. It was an artistic movement that originated in France in the 1860s and 1870s.
In addition, it introduced the new technique of 'En plein air', where artists paint outside in order to
capture the effects of natural light. They paint what they see. The artwork isn't as perfect as the
Renaissance period (Not that I wished it was from that time. It's just that the fact that the figures
painted/sculpted were supposed to look 'perfect' was just ridiculous–to me, of course) and the style
is definitely different from the periods before. Colors are applied side–by–side with as little mixing
as possible, to making the color appear more vivid to the viewer. Like, it may look messy up close
due to the hurried brush stokes, but from afar they're just beautiful and look very detailed. Famous
artists from that time are as follows: Monet, Renoir, Pissarro, Degas, Sisley, Touluse–Lautrec, etc.
What I love about ... Show more content on Helpwriting.net ...
This movement lasted from just about 1905 to 1920 and spread throughout Europe. Vincent van
Gogh, Edvard Munch, and James Ensor were the ones who influenced the rules of this particular
movement and inspired many Expressionist painters. In an artwork, the distortion of form and the
use of strong colors shows what the artist wants you to feel as you look at the painting.
Expressionist artists often used swirling, swaying, and 'exaggeratedly executed' brushstrokes in the
portrayal of their subjects. The objective of an Expressionist artist is to show EMOTION through
the painting, which–to me–is the whole point of any form of art. This is why I like this

Stephane Grappelli Research Paper
Stéphane Grappelli was a French jazz violinist who was known as "the grandfather of jazz
violinists" because of his all–string jazz band that he had begun/initiated in 1934. Grappelli was
born on January 26, 1908 to Ernesto Grappelli and Anna Emilie Hanoque in Paris, France. While his
father was Italian, his mother was French. Grappelli's early years were quite unfortunate. His family
was very poor. His mother died when he was four years old which left him in the hands of his father,
who was later drafted to fight for Italy in World War I. He spent much of his time as a child in
orphanages and boarding schools.
What's fascinating about Grappelli is that he was mostly self–taught when it came to music. He
began practicing on club owners' house

Surrealism And Andre Breton, The Founder Of Surrealism
A cultural movement that emerged in the early 1920's, Surrealism started as a literal movement but
evolved into something much more. Best known for it's dreamlike scenes of irrational and often
surprising substance, the movement spoke to the unconscious mind of humankind with the semiotic
balance between reality and fiction. Artists of this era turned and merged everyday objects into
contradictory and irrational works of art, giving rise to new forms of thought and creation (Mikos,
2013). Andre Breton, the founder of surrealism was inspired by Sigmund Freud's view of the
unconscious mind and how this information could shape society. Salvador Dali, a surrealist artist,
challenged the conventional mind, and set an example to as the ever changing reality; as seen
through his abstract perception of nature and time. Post WW1, where society was evidently
changing; Breton became the founder of the surrealist movement, while Dali was a pioneer in the
abstract styles of surrealism. Culturally, this movement directly impacted individuals identity,
ritualistic beliefs, status and the way in which art was performed and presented. Many still question
why this is relevant today, as this form and movement was a pinnacle turning point for art as we
know it today; creating and changing the 'norm' to something farfetched but still seemingly realistic
and possible.
The semiotic value during this time frame had a significant impact on the way society as a whole
viewed the world at large. It

Music In Western Europe Essay
Music Performance in Western Europe Seeing Europe and it's many treasures over sixteen days in a
life changing experience. Not everyone can say that they got to perform in four different countries
across Europe or that they have even been to Europe. From sightseeing in London to performing in
the mountains of Switzerland there was never a dull moment in our limited time there. It was
amazing how different each city is from each other and the cultural differences we experienced. No
matter how different each city was, however there was always at least this one thing in common;
their passion for music. Our journey first started in the busy city of London, England. After landing,
we set off to the village of Windsor to see the Windsor ... Show more content on Helpwriting.net ...
The Tower of London has always played a prominent role in the English's history. Controlling the
Tower has always been important to controlling the country because of it's position on the River
Thames. Because it is so important it has been besieged several times. There is also a group of at
least six ravens that reside in the Tower of London. The ravens in the tower are there due to a
popular superstition that "if the Tower of London ravens are lost or fly away, the Crown will fall and
Britain with it". Some of the ravens were even bred in Somerset specifically for the tower. The bird's
flight feathers on one wing are clipped so that they cannot fly away. That same day we visited
Buckingham Palace to watch the changing of the guard. The changing of the guard is a colorful
ceremony where the sentries are relieved and replaced by a new batch of sentries. The ceremony is
done every Monday, Wednesday, Friday, and Sunday between January and March. Buckingham
Palace was built in 1703 and originally built for the Duke of Buckingham and was called the
Buckingham House. In 1761, King George III acquired the house and made it a private residence for
Queen Charlotte and was from then on known as The Queen's House. It was enlarged twice in the
19th century and then once more in the 20th century. The next place we visited was the Westminster
Abbey. The Westminster Abbey is a large, Gothic abbey church in the

Paul Signac's Breakfast In The Dining Room
Paul Signac was a French painter who helped develop the pointillist style. He was born on
November 11, 1863 in Paris, France where he began his artistic career. He decided he wanted to
become an artist after viewing an exhibition of Monet's work in 1880. His family were wealthy
shopkeepers and encouraged him to study architecture, however, his early interest in painting
continued into adulthood. His father and grandpa were both saddlemakers, but the store was still
under his name. During the Franco–Prussian War, he was sent to northern France to live with his
grandmother because his family didn't want him to get into harm's way. Since Signac had to stay
there for the time being, he was enrolled in a college named Rollin in Montmartre. Soon ... Show
These two artists shared an interest for science behind color and perception, so Signac worked with
Seurat to create a painting style that used optical effects. (Paul Signac) They applied small dabs of
colors closely together on canvas, using various shades that appeared to merge from a distance.
Using pointillism, Signac created two paintings that became very popular, one of which, was called
"Breakfast in the Dining Room" (Meyer). This painting was actually based on his own family, and it
featured his mother, grandfather and housekeeper. The figures present at the lunch table appear to be
in silence. It portrays a family that lacks interaction and a feeling of home.
Signac's style was very similar to his good friend, Georges Seurat. For example, Signac's oil
painting "Breakfast in the Dining Room" appears to look like Seurat's "Sunday in the Park on the
Island of Grande Jatte".(Jackson) Signac based this pinwheel design on a Japanese print, but
replaced it with his own colors and patterns to represent himself. Till this day, it is still a mystery as
to why Signac drew this, but it is rumored that both Seurat and Signac worked on each others
projects hand in

Cultural Impact Of The Harlem Renaissance
The Harlem Renaissance showed a bizarre cultural change that helped the image of Africans around
the world. The Renaissance's purpose was to project the rebirth of the African American arts.
Though, it originally wasn't known as the Harlem Renaissance, but instead called the Negro
Renaissance by Alain Locke. It all started with a insane migration of African Americans traveling
north to pursue a new future for themselves and their families. With Harlem being the focus of
where most of the African American migrate to, it also became where the America's culture shifted.
The Harlem Renaissance removed the old views of how blacks are supposed to be treated as slaves
and gave them a way to show that they aren't that different compared to other races.
Jazz was the creation of the combination of African rhythm and the European harmony. It was
popular enough to bring the attention of the whites towards the African American community. Soon
enough, people of all backgrounds were willing to cross into the Harlem community to enjoy the
exotic music jazz provides. With it's insane popularity, the term "New Negro" was created where the
black cultural community was able to establish a connection with New York's artistic mainstream.
Hence it assisted in breaking down the stereotype barrier that once separated the white and black
community since the founding of the United States. Joel Augustus Rogers, a journalist, believed that
along with poetry, music was one of the fine arts that penetrated the soul and bring out all the
richness and sincerity of the man (Asukile 24). However, the information of jazz did not become
popular until Rogers wrote Jazz at Home. For that reason Rogers stated, "Locke included it in The
New Negro (1925), which became the cultural landmark anthology of the Harlem Renaissance"
(Asukile 23).
The popularity of jazz raised in the white community when Paul Whiteman introduced jazz
orchestra to them. Paul Whiteman's ability to take the best improvisations of jazz and coordinate it
to jazz orchestra gave him the title "King of Jazz" by white critics. Yet, Whiteman had declined the
title for "King of Jazz". Whiteman believed that jazz was a African–American invention and he did
not have the ability to

Picasso's Family Of Saltimbanques
Suggestive of a covert portrait of Picasso and his group, the poverty and isolation in Family of
Saltimbanques (La Famille de Saltimbanques) is clearly evident. Picasso frequented the Cirque
Médrano in Montmartre and greatly admired the performers. For Picasso, the wandering
saltimbanques (a kind of circus performer) represented the neglected lower class, whom he must
have identified with as an avant–garde artist. Picasso and the saltimbanques had to work hard and
strove for recognition in spite of being outsiders, practicing their trades their entire lives. Fully
integrating himself in his work, the setting is reminiscent of Picasso's homeland, Spain. The desolate
landscape background, empty except for the figures, serves as a stark reminder

Montmartre Research Paper
Most importantly, Montmartre, a range on a slope in the eighteenth arrondissement, north of
downtown Paris, is known for its numerous specialists who have been ubiquitous since 1880. The
name Montmartre is said to be gotten from either Mount of Martyrs or from Mount of Mars. Until
1873, when the Sacré–Coeur was based on top of the slope, Montmartre was a little town, occupied
by a generally cultivating group. The venture to build the Sacré–Coeur (Basilica of the Sacred
Heart) was started by a gathering of compelling individuals. Their motivation to construct this
landmark was two–crease: they had vowed to manufacture a congregation if Paris got away
unscathed from the war with the Prussians and they saw the thrashing of the French because of ...
He composed a monstrous basilica in a Roman–Byzantyne style. This compositional style remains
in sharp appear differently in relation to other contemporary structures in France, Paris which were
for the most part implicit a Romanesque style. Development of the Basilica began in 1876 with
Abadie as the lead designer. At the point when Paul Abadie kicked the bucket in 1884, he was
prevailing by Lucien Magne, who included a 83 meter (272 ft) tall clock tower. The Savoyarde
clock introduced here is one of the worlds biggest. Because of its area on the Montmartre slope, the
basilica towers over the city; its most elevated point is considerably higher than the highest point of
the Eiffel Tower. On account of this conspicuous area the Sacré–Coeur Basilica is a standout
amongst the most Sacré–Coeur, Parisnoticeable points of interest in Paris. The Sacré–Coeur Basilica
has figured out how to keep its radiating white shading even in the dirtied demeanor of a major city
like Paris. This can be ascribed to the Château–Landon stones which were utilized for the
development of the Sacré–Coeur. When it rains, the stones respond to the water and discharge
calcite, which acts like a cheap seat.

Social Changes In Mulin Rouge
2 Figure 1 for the Dutch painter Vincent Van Gogh created in 1885, "eat the horse of the people", the
performance of the Belgian miners daily life fragments, intuitive feeling is sad (then the general
working hours is 14 hour). Later in the nineteenth century, today's developed European countries at
that time, the two levels of social differentiation is relatively strong, the poor working people are
often eaten ("Lenin in 1918" this movie has such a line "Bread will have, milk will have"), support
or maintain the survival of workers is often the spiritual world of Christianity Figure 2 for the
French impressionist painter Auguste Renoir's "Moulin Rouge", created in 1883 years. The work
depicts a grand open–air ball in Montmartre, a meeting of the French semi–upper–class society. ...
The two drawings show the spiritual outlook of the different classes of Western European societies
from the different sides of the late 19th century. The background is the same, but the state of life is
very different, the voice of change Natural social change Social change is to rebuild the social
structure, to promote the power of change is usually impossible to come from the top, the top is
often conservative, the bottom is the reformist "Eighteen fingerprints" in the signing of the farmers
dare to take political risk, the production of households, but also because of their poor life caused
by) However, the reform is not always bottom–up, top–down Reform in China in the last century
80's has been in the past to promote. Let's talk about the reform of the capitalist world and the
reform of the socialist world for two

Reviewing Downie's Guidebook for Paris
write a two page essay explaining which locations and subjects were of interest to you. What
specifically intrigued you and why are they important to tourism? How does a book like this prepare
a tourist for their visit? Introduction Paris is a tantalizing place and Downie made it seem all the
more so with his unique approach to describing it. It was quite difficult to select one specific place
to explore since all seemed so tantalizing, but I eventually settled on the Île de Saint Louis as being
the most attractive location. Many of the subjects and locations covered by Downie tantalized me.
These were not only the more famous locations and topics such as the Seine, the Place des Vosges,
Coco Chanel, and Vincent van Gogh, but even more insignificant locations. Tantalizing too was
what Downie called the Paris underneath Paris (I..e all of the tunnels, nooks, crannies, and
catacombs which lie under the city proper),. Loving the sea and water in general, I was attracted to
"The Boat People of the Seine," and would love to live (temporarily at least) amongst those who
make their home and livelihoods on the péniches (cargo–cum–houseboats) of Paris's waterways .
Downie's chapter on "Night Walking" was equally attractive in a different way. It is hard for me to
choose any one site above another, but I would like to mix the famous sights such as Versailles and,
of course, museums and ancient places with walks along the quiet quaint cobbled streets, and along
the rivers with

Amélie: The New Wave
During the French New Wave, many critics became the moviemakers. One of the main qualities of
the New Wave were the casual looks of the films. In addition, the New Wave also used a large
amount of camera movements. The film Amélie is inspired by the French New Wave and uses its
distinct characteristics throughout the movie. In the film Amélie, director Jean–Pierre Jeunet uses
skillful directing, lighting, editing, and form to achieve themes such as innocence and happiness.
Jean–Pierre Jeunet is able to maintain the themes, simplicity and happiness, with strong directing.
Having strong directing allows the components of the mise en scene to be coherent throughout the
film. As a foundation, Jeunet develops a setting to help emphasize Amélie's ... Show more content
on Helpwriting.net ...
Editing allows the director to make the themes of the film appear clearly and correctly during a film.
This is achieved through elements such as, montage, time manipulation, and shot design. In Amélie,
the director uses montage to further advance the narrative of the story. In addition, montage can be
used to help build character traits. For example, in the scene where Amélie asks the question, "How
many couples are having an orgasm now?" the director uses montage sequences to evoke humor.
Using this montage helps to develop Amélie's character traits while also building upon the themes of
the movie. In addition to montage, time manipulation also helps the director further advance the
story. An example of time manipulation shown in the film is the scene where Amélie is cutting the
letters in to pieces incredibly fast. There are two main purposes for the director doing this: first, to
shorten the amount of time this task takes to complete and, second, to help the audience gain insight
into Amélie's character. In order to make the montage and time manipulations more effective in the
film, shot design is important. Throughout the film, Jeunet consistently uses close–up shots and
zoom shots. These shots are effective because it enhances the audience's experience and draws their
focus towards the characters emotion. In Amélie, understanding the emotions of the characters is
important to the story. This is because Amélie expresses herself more with her nonverbal language
than her verbal language. In particular, Amélie speaks mostly through her eyes and other facial
expressions. Another important aspect of editing in Amélie is the widespread use of Computer–
Generated Images (CGI), which can be seen in every scene of the film. A unique usage of CGI in the
film is the scene where Amélie turns to liquid in the middle of the café. These special effects help to
further the film's sense of fantasy and

Pablo Picasso Research Paper
Picasso was one of the most influential artists in the 20th century. He was a Spanish painter,
sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life
in France and the most well known name in modern art before the age of 50 and he is known for co–
founding the Cubist movement, the invention of constructed sculpture, the co–invention of collage,
and for the wide variety of styles that he helped develop and explore. The blue and rose periods are
the earlier artworks of Picasso, and La Vie, 1903 and Family of Saltimbanques, 1905 are the most
representative artworks during each of these periods. The colors, movements and shape of the
paintings have different meanings, which were influenced by events in Picasso's life.
Picasso's blue period used monochromatic shades of blue and blue–green with very infrequent warm
colors, but mostly the color appearing in the paintings is blue. The subject matters of that ... Show
It is one of the key works of the Blue period. La Vie means life in French. It has used hues of blue
and blue – green colors to create the artwork. It portrayed a couple and a woman who was holding a
baby. The background of the painting was a room and two sketches appeared on the wall. The man
of the couple was Picasso's friend, Casagemas. He was a good friend to Picasso and he committed
suicide by firing a bullet at his temple. As the artwork shows the woman with a sad and depressed
look is leaning on the man's shoulder. He is wearing a white loincloth, symbol of a sexuality that
proved impossible, as Casagemas was sexual impotence. They will remain infertile. That is why
there is no response to the gesture of the man towards the clothed woman, who is carrying a child in
her arms. In the middle, two sketches express pain and solitude as the figures of the sketches are
lonely and depress. Picasso has used blue tone in his subject matters because of the blue means
somber and

Paris Research Paper
Paris is the biggest and the most popular capital of France . The Paris city is surrounded by gently
hills and it is situated on the beautiful Seine River , in the north of the France, Paris located in the
middle of the region Ile de France.
Paris is known as the city of love and romance and due it is enchanting atmosphere and sparkling
light all over the Paris city. There is another most tourist attraction destination is Disneyland Park
Paris. Disneyland The Resort is located several miles East of Paris center. It will take around 48
travel time with Paris Disneyland Transfer service.
The Paris has an area of 40 .7 square miles and had a inhabitants about 2 ,241 ,346 pirisienne.
Paris was discovered in the 3rd century by a Celtic Peoples called the Parisii , who presented the
town its name. Paris was the metropolis} in the western European world, a profitable business
trading centre, and the residence of the standed University of Paris , one of the primary in Europe.
After French Revolution , the city became an important best center of finance , commerce , fashion ,
science , and the arts. ... Show more content on Helpwriting.net ...
World famous and most attraction landmark is the Eiffel Tower and it built In 1889 by the Engineer
Alexandre Gustave Eiffel.
Other most popular monument is the Basilica of Sacré–Cœur.it is located in Montmartre and it
consecrated in 1919. it has the most gorgeous magnificent views of the City, from over 400 metres
above the

Amelie Cultural Differences
As I re–watched the film, I noticed several cultural differences. Some of the cultural differences
included: details, where they live, visuals, sound effects (music), photos, and clothing.
This film includes many details, including a scene of a blue fly that was capable of flapping 70 beats
a minute and landed in Montmartre. In a restaurant, the wind made two glasses dance on a
tablecloth, which led to show how Amelie was born. Those scenes weren't necessary, but in the
French culture they might have been because they value the littlest things. It also shows how life in
France is. Being in France, I noticed that many people go to the Cafe, where Amelie works, they
also use telephone booths, and they all seem to live in apartments. Throughout the film, I ... Show
From what I saw, art is really important to them, there are pictures of art in many places during the
film. I also noticed a lot of buildings and stairs. As I kept watching the film, I realized that pictures
are really important in their culture. Some examples include: Amelie taking pictures of shaped
clouds, Nino having an album of pictures that he finds, and Amelie finding a box that included
important objects such as pictures and other materials. The visual of Amelie taking pictures of
shaped clouds shows how imagination plays a role in this film. I also noticed how important a
garden gnome was to Amelie's father. The gnome represented Amelie's father's dream of traveling.
Soon, Amelie takes the gnome and sends it to other places of the world, her father is sent pictures of
the gnome traveling and soon decides to travel himself. Another cultural difference is the music,
which is very happy and sometimes even sounds romantic. Equally important, the clothes that most
women wear including Amelie are a skirt with a blouse or t–shirt and many of them have short hair.
Lastly, this film didn't focus a lot on history, economics, or politics. The only part I noticed where it
talked about

Brophy College Ordeal The Battle Of Pamplona
Rohit Khurana Brophy College Preparatory Summer Reading Assignment 7/3/15 ST. IGNATIUS
OF LOYOLA Definitions 1. Battle of Pamplona– The Battle of Pamplona was a struggle between
French–backed Navarrese troops and Spanish troops, occurring during the Spanish conquest of
Navarre. In 1512, most Navarrese towns consented to be under French rule. Before an agreement
could be signed however, King Ferdinand of Spain seized the capital, Pamplona, fortifying its walls,
and claimed all of Navarre for Spain. Later on, in 1521, Francis I, King of France reconquered
Pamplona, with their victory short–lived as Spain would reconquer the province. It was during this
battle in which St. Ignatius of Loyola was struck and severely injured. 2. Our Lady of ... Show more
Ignatius of Loyola– Ignatius of Loyola, born to Doña Marína Sánchez de Licona and Beltrán de
Onáz in 1491, created a legacy much bigger than himself by founding the Society of Jesus. Serving
to the treasurer's household (Velázquez) at first, Ignatius injuries during the Battle of Pamplona
fueled a period of reflection in which Ignatius placed his life at the feet of God. Traveling to
Manresa after his recovery, Ignatius created the Spiritual Exercises to help others grow closer to
God setting the stage for a new religious order. Pursuing this path, Ignatius received a well–rounded
education from the University of Paris, attracting new followers, such as Peter Favre and Francis
Xavier, and making plans to travel to the Holy Land. However, these plans were curtailed in the
shadow of conflict at the Holy Land. Instead, the companions decided it was time to place
themselves at the service of the Holy Father by means of the Society of Jesus with Ignatius
delivering his first mass on Christmas Eve, 1538 in the Chapel of the Manger in Rome's Basilica of
St. Mary Major, 18 months after his ordination into priesthood. Yet good things come to an end and
on July 31, 1556 Ignatius died due to poor health. "Pope Paul V authorized the gathering of miracles
attributed to the intercession of Ignatius ... On July 27, 1609 he was beatified by Pope Paul V, and
canonized by Pope Gregory XV on March, 12, 1622" (Skylar 78). His feast day is celebrated on the
day of his

Pablo Picasso : Family Of Saltimbanques During The Rose...
From the time periods of late1904 to early 1906, Pablo Picasso, one of the most renowned oil
painters in history, explored the theme of Saltimbanques upon his canvas medium during his famous
Rose Period. Previously, Picasso suffered from depression, which resulted in the era known as the
Blue Period, but in 1904, Picasso met Fernande Olivier, who some speculate was the transition from
his Blue Period to Rose Period. During the Rose Period, Picasso's used of warm color oil paints,
primarily pink, highlighted the artistic style of Saltimbanques as he depicted circus performers,
harlequins, and acrobats that he observed when living in France. For much of his artwork, "Picasso's
eye would also require the stimulus of a visual experience," and for him, the idea of being visually
stimulated by circuses, caught his attention. In order to gather inspiration, Picasso would frequently
visit the Cirque Médrano in Montmartre so that both his mind and eyes could be visually stimulated.
As his infatuation with Saltimbanques increased, he dedicated a series to them and in 1905, he
created his most famous painting of the Rose Period "Family of Saltimbanques." This painting,
standing at 7x8 ft, was considered to be the biggest painting ever produced by Picasso. Using these
influences, Picasso was able to create his most impressive works of the Rose Period, "Family of
Saltimbanques." It is six people in a barren landscape, sad, maybe distraught of what their future
holds. They could have

Mamilieen Luce Research Paper

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Mamilieen Luce Research Paper