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El Cartero - L. Bacalov - Set of Clarinets

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El Cartero - L. Bacalov - Set of Clarinets

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El cartero (en italiano: Il Postino; también conocida como: El cartero (y Pablo Neruda), El cartero de Neruda) es una película italiana de 1994 dirigida por Michael Radford. Está protagonizada por Philippe Noiret, Massimo Troisi y Maria Grazia Cucinotta. La película ha sido galardonada con más de 25 premios internacionales, incluyendo el Premio David di Donatello al mejor montaje (1994), Premios BAFTA a la mejor película de habla no inglesa, mejor dirección y mejor música (1995), Premio Cóndor de Plata a la mejor película extranjera y un Premio Oscar a la mejor banda sonora. Luis Enríquez Bacalov (Buenos Aires, Argentina, 30 de agosto de 1933) es un pianista, compositor y director de orquesta argentino, famoso por ser el ganador, en 1996, del Oscar por la mejor música original por la banda sonora de la película italiana El cartero y por sus bandas sonoras en las películas de Django, La muerte de un presidente y Gran duelo al amanecer.
                     Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet        Tranquilo                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 6                                 solo poco rit.                 a tempo IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 11                                                  poco animato                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 16                poco rit.               solo                    a tempo                       3     2Il Postino
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 21                                                                                  poco rit.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 26                                 a tempo piú mosso cresc.                         27                                                                               3Il Postino
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 31                                                     poco piú lento                     34                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 36                                                                       solo 4Il Postino
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 41                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 46                                                   rit......                       rall... 5Il Postino
                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 51                                                    Allegro Moderato  In bicicleta                                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 56                                                                                                                                                       6Il Postino
      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 61                                               3 3                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 66                                          poco rit.                                                    7Il Postino
            Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 71                    rit......                                      a tempo                                                                                                             solo       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                               76                                                                                                                                                        8Il Postino
      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 81                                                                82                                          3 3                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 86        3 3                                                                            3 3                                                                         3 3                                 9Il Postino
      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 91                                                                                                                                                                 94       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 95                                                                                                                    3 3                              10Il Postino
      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 99                                                             100                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 103                       poco rit.                                                                      poco rit. 11Il Postino
      Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 108                                  a tempo                                                                                                        poco rit.  solo                     12Il Postino
   Tranquilo          solo rubato a tempo              12                     poco animato           16       poco rit.         a tempo               22                   poco rit.         a tempo piú mosso cresc.      27   28                                33      poco piú lento        34                     38                            46                    rit......  rall...  IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
  52 Allegro Moderato  In bicicleta                         60                                   66           rubato                    rit......  72 a tempo     76                               81      82         3 3          3 3           88        3 3                 3 3               93    94                           99            100                rubato  104                     poco rit. a tempo      poco rit.    2 Il Postino
   Tranquilo      poco rit.   a tempo      14   poco animato   poco rit.        solo       a tempo         20          3                        25     poco rit.       a tempo piú mosso     27             30                 poco piú lento   34      37            solo         45                   rall...     52  Allegro Moderato  In bicicleta                     61              3 3            IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
  67     rubato                         rit......  72  a tempo            solo  76         79          82          86                           92                       94    96                     3 3       100  101           rubato                  107        poco rit.  a tempo       rit...... 2Il Postino
    Tranquilo           9  poco rit.   a tempo      poco animato    poco rit.   17     a tempo         25    poco rit.      a tempo piú mosso     27               31         poco piú lento   34         39                48       rall...            Allegro Moderato  In bicicleta          54                                             IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
 60                                      66   rubato         rit......          a tempo  73                                 76          78                                         82  83                                          88                                          93             94                                 99          100    rubato      107    poco rit.         a tempo                         poco rit.    2Il Postino
     Tranquilo              8   rubato   a tempo      poco animato     poco rit.   17    a tempo            poco rit.   26       a tempo piú mosso      27                    31          poco piú lento      34           38                                  44                       rall...     51                Allegro Moderato  In bicicleta                          55                                      IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º Arr. by Gino Gonçals
 59                                          64                                  rubato   68         rit......          a tempo          74                 76                  80           82                   87                               93                 94                  97                            100          102                 rubato        poco rit.  108         a tempo                         poco rit. solo     2Il Postino
    Tranquilo               8   rubato   a tempo     poco animato     16   poco rit.    a tempo         25    rubato      a tempo piú mosso     27               31         poco piú lento   34       38              46    rall...            Allegro Moderato  In bicicleta                  55                                IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino GonçalsClarinet 5 (Cover of Clarinets, Aragón, S.XXI)
 62          poco rit.        71    rit......          a tempo                                  76                                  81                 82                          86                                          91                               94  95             100  101    rubato        poco rit.  108         a tempo                         poco rit.   2Il Postino
    Tranquilo          poco rit.   a tempo   11     poco animato     poco rit.    a tempo   19          poco rit. a tempo piú mosso      27        34 poco piú lento   35                44     rall...             Allegro Moderato  In bicicleta  53                                         58                                       IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino GonçalsClarinet Bass (Cover of Clarinets, Aragón, S.XXI)
 63                                 69  poco rit.         a tempo                              76                              81               82                       86                                     91                         94        96                                         100                   poco rit.  108        a tempo                      poco rit.   2Il Postino

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  • 1. El cartero (en italiano: Il Postino; también conocida como: El cartero (y Pablo Neruda), El cartero de Neruda) es una película italiana de 1994 dirigida por Michael Radford. Está protagonizada por Philippe Noiret, Massimo Troisi y Maria Grazia Cucinotta. La película ha sido galardonada con más de 25 premios internacionales, incluyendo el Premio David di Donatello al mejor montaje (1994), Premios BAFTA a la mejor película de habla no inglesa, mejor dirección y mejor música (1995), Premio Cóndor de Plata a la mejor película extranjera y un Premio Oscar a la mejor banda sonora. Luis Enríquez Bacalov (Buenos Aires, Argentina, 30 de agosto de 1933) es un pianista, compositor y director de orquesta argentino, famoso por ser el ganador, en 1996, del Oscar por la mejor música original por la banda sonora de la película italiana El cartero y por sus bandas sonoras en las películas de Django, La muerte de un presidente y Gran duelo al amanecer.
  • 2.                      Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet        Tranquilo                                                  Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 6                                 solo poco rit.                 a tempo IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals(Cover of Clarinets, Aragón, S.XXI)
  • 3.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 11                                                  poco animato                             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 16                poco rit.               solo                    a tempo                       3     2Il Postino
  • 4.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 21                                                                                  poco rit.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 26                                 a tempo piú mosso cresc.                         27                                                                               3Il Postino
  • 5.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 31                                                     poco piú lento                     34                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 36                                                                       solo 4Il Postino
  • 6.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 41                                                                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 46                                                   rit......                       rall... 5Il Postino
  • 7.                         Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 51                                                    Allegro Moderato  In bicicleta                                                                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 56                                                                                                                                                       6Il Postino
  • 8.       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 61                                               3 3                                                                                                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 66                                          poco rit.                                                    7Il Postino
  • 9.             Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 71                    rit......                                      a tempo                                                                                                             solo       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl.                               76                                                                                                                                                        8Il Postino
  • 10.       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 81                                                                82                                          3 3                                                                    Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 86        3 3                                                                            3 3                                                                         3 3                                 9Il Postino
  • 11.       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 91                                                                                                                                                                 94       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 95                                                                                                                    3 3                              10Il Postino
  • 12.       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 99                                                             100                                                        Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 103                       poco rit.                                                                      poco rit. 11Il Postino
  • 13.       Cl. 1 Cl. 2 Cl. 3 Cl. 4 Cl. 5 B. Cl. 108                                  a tempo                                                                                                        poco rit.  solo                     12Il Postino
  • 14.    Tranquilo          solo rubato a tempo              12                     poco animato           16       poco rit.         a tempo               22                   poco rit.         a tempo piú mosso cresc.      27   28                                33      poco piú lento        34                     38                            46                    rit......  rall...  IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals Clarinet 1º (Cover of Clarinets, Aragón, S.XXI)
  • 15.   52 Allegro Moderato  In bicicleta                         60                                   66           rubato                    rit......  72 a tempo     76                               81      82         3 3          3 3           88        3 3                 3 3               93    94                           99            100                rubato  104                     poco rit. a tempo      poco rit.    2 Il Postino
  • 16.    Tranquilo      poco rit.   a tempo      14   poco animato   poco rit.        solo       a tempo         20          3                        25     poco rit.       a tempo piú mosso     27             30                 poco piú lento   34      37            solo         45                   rall...     52  Allegro Moderato  In bicicleta                     61              3 3            IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals Clarinet 2º (Cover of Clarinets, Aragón, S.XXI)
  • 17.   67     rubato                         rit......  72  a tempo            solo  76         79          82          86                           92                       94    96                     3 3       100  101           rubato                  107        poco rit.  a tempo       rit...... 2Il Postino
  • 18.     Tranquilo           9  poco rit.   a tempo      poco animato    poco rit.   17     a tempo         25    poco rit.      a tempo piú mosso     27               31         poco piú lento   34         39                48       rall...            Allegro Moderato  In bicicleta          54                                             IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino Gonçals Clarinet 4º (Cover of Clarinets, Aragón, S.XXI)
  • 19.  60                                      66   rubato         rit......          a tempo  73                                 76          78                                         82  83                                          88                                          93             94                                 99          100    rubato      107    poco rit.         a tempo                         poco rit.    2Il Postino
  • 20.      Tranquilo              8   rubato   a tempo      poco animato     poco rit.   17    a tempo            poco rit.   26       a tempo piú mosso      27                    31          poco piú lento      34           38                                  44                       rall...     51                Allegro Moderato  In bicicleta                          55                                      IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º Arr. by Gino Gonçals
  • 21.  59                                          64                                  rubato   68         rit......          a tempo          74                 76                  80           82                   87                               93                 94                  97                            100          102                 rubato        poco rit.  108         a tempo                         poco rit. solo     2Il Postino
  • 22.     Tranquilo               8   rubato   a tempo     poco animato     16   poco rit.    a tempo         25    rubato      a tempo piú mosso     27               31         poco piú lento   34       38              46    rall...            Allegro Moderato  In bicicleta                  55                                IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino GonçalsClarinet 5 (Cover of Clarinets, Aragón, S.XXI)
  • 23.  62          poco rit.        71    rit......          a tempo                                  76                                  81                 82                          86                                          91                               94  95             100  101    rubato        poco rit.  108         a tempo                         poco rit.   2Il Postino
  • 24.     Tranquilo          poco rit.   a tempo   11     poco animato     poco rit.    a tempo   19          poco rit. a tempo piú mosso      27        34 poco piú lento   35                44     rall...             Allegro Moderato  In bicicleta  53                                         58                                       IL POSTINO Luis E. Bacalov Gino Gonçals BSO del film "El Cartero" Arr. by Gino GonçalsClarinet Bass (Cover of Clarinets, Aragón, S.XXI)
  • 25.  63                                 69  poco rit.         a tempo                              76                              81               82                       86                                     91                         94        96                                         100                   poco rit.  108        a tempo                      poco rit.   2Il Postino