17. “Halfway down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon Elm.” N. Hawthorne, The House of Seven Gables
18.
19. “A Weapon of Truth” In the book Hawthorne relates the powers of “heaven’s broad and simple sunshine” to “bring out the secret character with a truth no painter would ever venture upon” helped propel the silver camera likeness. The Daguerreotypist: Holgrave “His present phase, as a Daguerreotypist, was of no more importance in his own view, nor likely to be more permanent, than any of the preceding ones. It had been taken up with the careless alacrity of an adventurer, who had his bread to eat; it would be thrown aside as carelessly, whenever he should choose to earn his bread by some other equally digressive means.”
29. To the National Photographic Association in Cleveland in 1873 Southworth said, “I am talking art.” “Nature is not at all to be represented as it is, but as it ought to be, and might possible have been.”
Creator: OIV\r\nTitle: Slide 002\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:33:53 EDT 2008\r\nDescription: \r\n\r\n "It is required of and should be the aim of the artist photographer to produce in the likeness the best possible character and finest expression of which that face and figure could ever have been capable. But in the result there is to be no departure from truth in the delineation and representation of beauty, and expression and character."\r\n\r\n\r\nby Albert Sands Southworth, 1871\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 008\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:33:56 EDT 2008\r\nDescription: Unknown Photographer. \r\nJabez Hogg Making a Portrait in Richard Beard's Studio. \r\n1843. Daguerreotype.\r\n\r\n\r\n
Title: Ref.: daguerreotype case, frame, and matte\r\nDate: [n.d.]\r\nRepository: International Museum of Photography at George Eastman House\r\nSubject: Daguerreotype cases\r\nSubject: Photography--Daguerreotypes--19th C. A.D\r\nSubject: Reference\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: OIV\r\nTitle: Slide 010\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:33:58 EDT 2008\r\nDescription: Gustav Oehme. Three Young Girls. 1845. Daguerreotype.\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 020\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:34:04 EDT 2008\r\nDescription: \r\nStudio of Southworth and Hawes\r\n1843-1862\r\n\r\nJosiah Johnson Hawes -- the artist\r\nAlbert Sands Southworth -- the promoter\r\n\r\nHawes was a master of \r\n 1. Lighting\r\n 2. Composition\r\n 3. Posing\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 021\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:34:04 EDT 2008\r\nDescription: Southworth and Hawes\r\n\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 022\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:34:05 EDT 2008\r\nDescription: Southworth and Hawes. \r\nCharles Sumner. 1856. Daguerreotype\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 026\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:34:08 EDT 2008\r\nDescription: The Ideal in Family Portraiture\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 027\r\nWork Type: Slide\r\nDate: Thu Aug 28 13:34:08 EDT 2008\r\nDescription: Did this photograph cost Michael Dukakis the election in 1988?\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 004\r\nWork Type: Slide\r\nDate: Sun Sep 07 10:21:28 EDT 2008\r\nDescription: Queen Victoria and Her Daughter. \r\nCalotype. 1844-45.\r\n\r\nHarriet Beecher Stowe. \r\n\r\nDaguerreotype. 1850s.\r\n\r\n\r\n
Creator: OIV\r\nTitle: Slide 005\r\nWork Type: Slide\r\nDate: Sun Sep 07 10:21:28 EDT 2008\r\nDescription: David Octavius Hill and Robert Adamson. \r\nRedding the line. 1846. Calotype.\r\n\r\n\r\n
