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Commercial
Photograpy
You can build a business around a particular subject, such as portraits,
weddings, domestic animals, or wildlife. You can be a photojournalist,
sports, event or public relations photographer
Commercial Photography
◦ Is always used as a tool to sell or promote another product with the goal of client satisfaction.
◦ Commercial work is often more technically demanding than other forms of photography.
◦ Commercial works standard is perfection, in addition deadlines and budgets must be keep in
mind.
◦ The client or customer might purchase the right to use your image in a published product, such as
a book, magazine, or website,
Students will learn:
◦ The types of commercial photography
◦ The basics of copyright.
◦ How to control 3 point lighting.
◦ How to create a simple product shot.
◦ Create a commercial advertisement using your product shoot.
Brush up on these key terms
◦ Art director
◦ Client
◦ Continuous tone
◦ Creative director
◦ Derivative
◦ Engraving
◦ Halftone
◦ Prop stylist (or product stylist)
A brief history of
Commercial Photography
The
daguerreotype
◦ Was widely popular in the United States for the
time it was introduced in 1939
◦ Patented by Louis Daguerre in France
◦ The portraits were characterized as crisp,
uncompromising details of American aesthetic
for factual over artifice art.
Compare and
Analyze:
What makes these two
portraits different.
Left:
Portrait of the Author Maxim
Gorky (1939)
Right:
Portrait of John Quincey
Adams (1939)
The popularity of the
daguerreotype
◦ Americans immediately set about exploring
how daguerreotype portraits could be made
and become a viable business.
◦ Sam Morse, the painter inventor of the
telegraph, was and early proponent of the
process and business
Baron Adolph de Meyer
◦ French (1868-1946)
◦ Fashion Photographer
◦ Connect by marriage to wealthy family of King Edward VII
Note the
soft focus
theatrical lighting
Elegant props
Elaborate staging
Early Commercial photography
◦ In photography's first years, portrait and travel photography were wildly
popular and very profitable.
◦ But photographic prints were made one at a time made by hand.
◦ Most illustrations for print/papers/magazines at this time were done by
engravings and etchings from drawings and paintings.
◦ A Swedish magazine, the Nordisk published a half tone image in 1871.
◦ This method took years to catch on but eventually became the
halftone/continuous tones of photography we see today in print.
WHAT CONTEXT CLUES
CAN YOU FIND IN THE
COMPOSITION TO THE
RIGHT THAT WOULD
SUGGEST IT IS MEANT TO
ADVERTISE?
Inquire
◦ Examine the color and black and white phots in
magazines and newspapers with a magnifying
glass.
◦ Identify and describe the dot patterns you see.
◦ What are some physical differences between color
and black and white reproductions ?
◦ Examine your monitor screen to see how images
and colors are created.
◦ How is the computer monitor different from the
magazine reproduction.
ERB PHOTOGRAPHY AND
MODERN ERA OF COMMERCIAL
PHOTOGRAPHY.
ERB Photography
Scott Erb & Donna Dufault
• husband and wife team
• Focuses on advertising, editorial,
commercial portrait and product
work.
• “Whether it be a chef’s food, a
model, a building, or anything else,
my focus in any commercial
photograph is on the subject. I like
to fill the frame, with
straightforward simplicity. “
How to make your commercial
photography shine
• Know the message
• Use props and Models
• Use creative lighting and angles
What do you see in this ad for the One Eleven Chop
house.
Lighting Tips for Product Photography
1. Set up at least two off-camera lights.
“Off camera lights” refers to any lights
that are unattached to your camera. ...
2. Use light modifiers. I shoot through
umbrellas 90% of the time. ...
3. Place lights strategically. ...
4. Make the backlight slightly brighter than
the front.
Is this 1 or 2 photos?
The goal of Commercial Photography
Commercial photographs sell products.
Think of all the images in a clothing catalogs or jewelry websites,
ads for cars, and photos of food in a restaurant menu.
All of those images clearly show the items and try to make them
appealing to the viewer.
Commercial photos do not have to feature the product be
promoted; they can trigger an emotional response from the viewer
that is then linked to that product.
Commercial photographers can sell a lifestyle, or even the promise
of a felling.
What does the ad on this page make you want?

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Commercial photography

  • 1. Commercial Photograpy You can build a business around a particular subject, such as portraits, weddings, domestic animals, or wildlife. You can be a photojournalist, sports, event or public relations photographer
  • 2. Commercial Photography ◦ Is always used as a tool to sell or promote another product with the goal of client satisfaction. ◦ Commercial work is often more technically demanding than other forms of photography. ◦ Commercial works standard is perfection, in addition deadlines and budgets must be keep in mind. ◦ The client or customer might purchase the right to use your image in a published product, such as a book, magazine, or website,
  • 3. Students will learn: ◦ The types of commercial photography ◦ The basics of copyright. ◦ How to control 3 point lighting. ◦ How to create a simple product shot. ◦ Create a commercial advertisement using your product shoot.
  • 4. Brush up on these key terms ◦ Art director ◦ Client ◦ Continuous tone ◦ Creative director ◦ Derivative ◦ Engraving ◦ Halftone ◦ Prop stylist (or product stylist)
  • 5. A brief history of Commercial Photography
  • 6. The daguerreotype ◦ Was widely popular in the United States for the time it was introduced in 1939 ◦ Patented by Louis Daguerre in France ◦ The portraits were characterized as crisp, uncompromising details of American aesthetic for factual over artifice art.
  • 7. Compare and Analyze: What makes these two portraits different. Left: Portrait of the Author Maxim Gorky (1939) Right: Portrait of John Quincey Adams (1939)
  • 8. The popularity of the daguerreotype ◦ Americans immediately set about exploring how daguerreotype portraits could be made and become a viable business. ◦ Sam Morse, the painter inventor of the telegraph, was and early proponent of the process and business
  • 9. Baron Adolph de Meyer ◦ French (1868-1946) ◦ Fashion Photographer ◦ Connect by marriage to wealthy family of King Edward VII Note the soft focus theatrical lighting Elegant props Elaborate staging
  • 10. Early Commercial photography ◦ In photography's first years, portrait and travel photography were wildly popular and very profitable. ◦ But photographic prints were made one at a time made by hand. ◦ Most illustrations for print/papers/magazines at this time were done by engravings and etchings from drawings and paintings. ◦ A Swedish magazine, the Nordisk published a half tone image in 1871. ◦ This method took years to catch on but eventually became the halftone/continuous tones of photography we see today in print.
  • 11.
  • 12. WHAT CONTEXT CLUES CAN YOU FIND IN THE COMPOSITION TO THE RIGHT THAT WOULD SUGGEST IT IS MEANT TO ADVERTISE?
  • 13. Inquire ◦ Examine the color and black and white phots in magazines and newspapers with a magnifying glass. ◦ Identify and describe the dot patterns you see. ◦ What are some physical differences between color and black and white reproductions ? ◦ Examine your monitor screen to see how images and colors are created. ◦ How is the computer monitor different from the magazine reproduction.
  • 14. ERB PHOTOGRAPHY AND MODERN ERA OF COMMERCIAL PHOTOGRAPHY.
  • 15. ERB Photography Scott Erb & Donna Dufault • husband and wife team • Focuses on advertising, editorial, commercial portrait and product work. • “Whether it be a chef’s food, a model, a building, or anything else, my focus in any commercial photograph is on the subject. I like to fill the frame, with straightforward simplicity. “
  • 16.
  • 17.
  • 18.
  • 19. How to make your commercial photography shine • Know the message • Use props and Models • Use creative lighting and angles What do you see in this ad for the One Eleven Chop house.
  • 20. Lighting Tips for Product Photography 1. Set up at least two off-camera lights. “Off camera lights” refers to any lights that are unattached to your camera. ... 2. Use light modifiers. I shoot through umbrellas 90% of the time. ... 3. Place lights strategically. ... 4. Make the backlight slightly brighter than the front. Is this 1 or 2 photos?
  • 21. The goal of Commercial Photography Commercial photographs sell products. Think of all the images in a clothing catalogs or jewelry websites, ads for cars, and photos of food in a restaurant menu. All of those images clearly show the items and try to make them appealing to the viewer. Commercial photos do not have to feature the product be promoted; they can trigger an emotional response from the viewer that is then linked to that product. Commercial photographers can sell a lifestyle, or even the promise of a felling. What does the ad on this page make you want?