Photograph Of Me

Photograph Of Me
How does Atwood's use of metaphor in 'This is a Photograph of Me' portray her feminist
perspective?
In 'This is a Photograph of Me', Margaret Atwood utilises natural imagery in the photograph to
symbolise the dominance of men over women in an oppressive patriarchy. Atwood challenges and
satirises societies 'fixed concepts' of women and reinforces to the reader the diversity of women in
society. Inspiringly, Atwood brings the reader to discover the truthful depiction of the female
identity and the true essence of feminism.
To contradict the narrow–minded image of literature's representation of women, Atwood utilises the
motif of a photograph to portray the theme of female oppression. Atwood uses irony to juxtapose the
concords of the speaker's appearance and the reality revealed in the photograph. Rather than
disclosing the speaker's identity, the photograph obscures the depiction of the ... Show more content
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Thus Atwood satirises typical representations of women in literature through the lack of vivid
imagery to describe the (female) speaker. The suggestive title provides multiple interpretations on
Atwood's intentional message. The speaker draws attention to the photograph, and the significant
claim of the speaker's presence in the image verges on the fact that the speaker's true identity can be
found in the photograph and the unreal self in reality. "At first it seems to be/a smeared/print:
blurred lines and grey flecks/blended with the paper; then, as you scan it", Atwood uses the
intransitive verb "scan" to evoke the idea that the female speaker was graphically analysed by
others, reflective of how women in society are subject to graphic analysis and evaluation by others
(for example, revealing 'too much skin' labels a woman as promiscuous however 'covering skin'
labels a woman as repressed, conservative or a prude). The "blurred lines" are representative of
patriarchy's inability to truly identify
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The Relationship of Photographs, History, and Memory Essay
The Relationship of Photographs, History, and Memory
Abstract: This essay reflects on the relationship of photographs, history, and memory based on a
found and mutilated photo album. Photographs provide opportunities for disrupting and
restructuring history with their attraction to memory; they privilege the subjective, creative power of
the personal explanation and provide an emotional and even ideological grounding for memory.
Photographs as manifestations of memory assist in the process of understanding the present.
As this century fades into the past it is worth remembering that its course––in contrast to earlier
times––has been chronicled by a visual narrative that relies on the attraction of photographs as
means of storing ... Show more content on Helpwriting.net ...
The violent markings of the photo album and its images, however, produce an equally powerful
message that jars the memory as it disrupts and distorts the photographic chronicle of her life and
that of her family and friends. The result is a complex visual experience that addresses the use of
images in producing knowledge and making history.
Photographs are re–collections of the past. This essay is about photography, memory, and history
and addresses the relationship between photographic images and the need to remember; it is based
on the notion that seeing is a prelude to historical knowledge and that understanding the past relies
on the ability to imagine. At the same time, the role of thought and imagination in the production of
society––as reflected in the earlier work of Louis Althusser (1970), Maurice Godelier (1984) and
perhaps more significantly, Cornelis Castoriadis (1975), suggests yet another role for photography in
the construction of a social and cultural reality. Photographs in capitalist societies contribute to the
production of information and participate in the surveillance of the environment where their
subjective and objective qualities are applied to the private uses of photographic images in the
perpetuation of memory.
Photographs are also manifestations of time and records of experience. Consequently, writings on
photographic theory are filled with references to representations of the past. Roland Barthes (1981,
76), for instance,

Life of W. Eugene Smith Essay
William Eugene Smith was an American photographer who produced photographic projects that
changed how photographs were portrayed. Rather than a photo being a photo, he told stories through
his photographs, through a practice called photojournalism. His photographic projects depicted
people in their everyday lives, but in different situations. The photographs he took did not hide
anything that he saw from the audience no matter how graphic the scenery may appear to be. His
photography methods differed from traditional methods, in that traditional
photographs/photographic projects were a distortion of reality, so that it is more pleasing to the
audience. Smith on the other showed what was actually going on in the world or wherever he was ...
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An example was five photographs he took of the Labor Day motorboat races, which described the
event in a narrative form (Hughes 12). In 1936, Smith graduated high school and attended Notre
Dame University, where a special photographic scholarship was awarded to him (Magnum Photos).
However, a year later, Smith left the university, and went to study at New York Institute of
Photography. In the same year, 1937, Gene was hired to work for Newsweek, where his first two
photo assignments were to photograph the Rockettes at Radio City Hall and the other project was to
photograph a medical operation. Many of the editors and other photographers at Newsweek were
impressed by Smith's photographs, and he secured a job at Newsweek. His newfound employment
fulfilled his goal of becoming a professional photojournalist. However, down the line he was to
change the way he took photographs, which he obliged to at first; Smith was to use a larger camera,
a tripod and the old fashioned open shutter technique whenever he needed flash (Hughes 49). He
later decided that the smaller camera he used was better to take photographs, following his instincts
Smith used his small camera rather than the larger one when taking his photographs, disregarding
the orders from the editors at Newsweek; this decision caused him to be fired from his job.
He then went job searching, and joined the Black Star Agency as a freelancer in 1938 (Magnum
Photos). Here at the agency, he

Ways To Take Epic Travel Photographs Alone Essay
Ways to Take Epic Travel Photos Alone
Taking amazing photos relies on paying attention to every detail. D. Scott Carruthers, an
experienced photographer, has developed a list of iconic and scenic places to take pictures. Read on
to see the different options to take photos.
Self–timed Photos
Majority of cameras, GoPros and smartphones have an option for timers. Some apps can be
downloaded so if you don't have a timer on your smartphone there is no need to worry. Self–timer is
excellent for people who have a lot of time to kill. You can place your camera few feet away from
you and take about ten seconds to position yourself. To add variety to your shot selection, keep
making different poses, or you can even dance. Timed photos make others ... Show more content on
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You can take shots from the back of the head, half face and side of the face to come up with
incredible images that also feature the background.
Look for a Couple Taking an Awkward Selfie
To use this method appropriately, you have to know the exact kind of picture you want. You can help
to capture a photo of a couple that is confused on how to take selfies and let them observe your
movement to make sure they take the same exact shot of you. Since they already have an incredible
photo of them from you, they will take time to produce a picture that will make you happy.
Video Screenshots
This technique may seem complicated as it takes quick photos, but it's great if you need a variety to
of photos. You can upload the video on a computer and take screenshots of the frames that you like,
crop and then edit to upload it as a photo. Videos are fantastic as you can do actions that you would
not do when holding a phone. Some cameras have 4K photography function that enables the camera
to take about 150 photos in about 5 seconds with little motion blur.
SloMo Screenshots
SloMo videos are ideal for still pictures compared to actual videos. It is a great idea for things that
move fast such as waterfalls and animals. You can later edit the photos and get to frame your
favorite shots. You can mount your phone where you are sure to get the right angle to get perfect
shots of Slow Mo by yourself.

The Relationship Between Photography And Traveling
Although the relationship between travel and photographing can be traced back in the distant past,
the practice of recording experiences in pictures has become especially popular after the Great War.
In England from the 1920's to the 1940's tourism in the countryside grew dramatically, at the same
time cameras were made available to the average household. Individuals lost their dependency from
professional artists and photographers, and got the power to photograph a scene according to their
perception (Taylor, 1994). With the continuous expansion of urban centres the appeal of rural,
undiscovered and unvisited places grew side by side. In a world where changes were too fast to
comprehend, people sought refuge in the past and saw the camera as a way to capture the past and
take it home with them. Not much has changed since that time. These days people from different
social strata still seek for untouched places and authentic experiences, where they can "feel
themselves to be in touch both with a 'real' world and with their 'real' selves" (Handler & Saxton,
1988, p. 243), and photographs are believed to have the capability to capture the spirit of the place
and to reproduce what was seen or experienced (Robinson & Picard, 2009).
Even though photographs are often described as mere representations of reality (Baudrillard, 1994;
Edwards, 2003; Robinson & Picard, 2009), the practice of photographing has become an essential
part of the tourist experience. Sontag (1979, p. 9), for

Impact Of Photography Research Paper
The Impacts of Photography Since its nineteenth century beginning, photography has impacted the
world in these ways: photography has impacted social issues, like the conditions of third world
countries, photography allows people to express themselves as a form of art, photography also
influences our opinions on matters such as war. "the art or process of producing images by the
action of radiant energy and especially light on a sensitive surface (as film or an optical sensor)."
(Merriam–Webster)
Photography is a strong influencer when it comes to social issues. Photographers that work to make
a change in the world, like Ismail Ferdous, feel that it is their job to speak for people who are
experiencing injustices and are being treated unequally, ... Show more content on Helpwriting.net ...
Since the Vietnam War, photography has had an impact on what people think on issues like war.
During the Vietnam War, a war between North Vietnam, which wanted communism, and South
Vietnam, that wanted democracy, the war was the first war to be broadcasted on television.
American citizens knew what American soldiers were going through, and what they were putting
others through, "Through the power of imagery, we are pushed to question our core beliefs and our
responsibilities to each other as international citizens. In this sense, photography has the power to
shine an uncompromising light on critical issues... " (Ferdous, Ismail Photography as Activism Pg.4)
Americans saw the iconic yet disturbing images of Northern Vietnamese citizens being shot for
disagreeing with the democratic leaders (South Vietnamese police chief Gen. Nguyen Ngoc Loan
killing Viet Cong suspect photographed by Eddie Adams), and a monk burning himself alive, so
Americans stopped supporting the soldiers, because the photographs shocked them, and that is not
what Americans wanted. Photographs are real life events, and to see something as disturbing as
someone being shot in the head, or burning themselves alive because it was wrong to disagree with
someone else's beliefs, will make people change their opinions on war. My Lai Massacre was a
massacre by American soldiers, in which between 347 and 504 Vietnamese were killed. Official
Army

Sebastio Negro American Hardships
Some people begin their career based on their degree of study and stay in that career arena the rest
of their working lives. Sebastião Ribeiro Salgado Jr is an individual who did not stay on this route,
he began a second career and has become very successful with this change. Initially he trained as an
economist and proceeded to earn his Master's Degree in Economics. He worked as an economist for
the International Coffee Organization. During this time he was also traveling to Africa on missions
for the World Bank. These travels are when he began taking photography seriously.
Sebastião Ribeiro Salgado Jr. was born in Brazil on February 8th, 1944. He was born in Amiorès, a
small town of only sixteen–thousand citizens. He is the son of a cattle ... Show more content on
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Amazonas Images were founded by him and his wife in 1994, after he left Magnum Photos. This
press agency is one of the smallest photographic agency's in the world because it only represents
one photographer, Sebastião Salgado. Not only have Léila and Sebastião worked together with the
photographic agency, they also work together restoring a forest in Brazil. They have worked on
restoring the Atlantic Forest back to its natural state, since 1991. In 1998 they successfully made the
forest a nature preserve and founded Instituto Terra, an educational center for the environment. At
the nature preserve more than 500,000 trees have been planted since it began. Salgado is also a
UNICEF Goodwill Ambassador and a member of the Academy of Arts and Sciences in the United
States. Throughout his career he has earned numerous different prizes, several of them being
Honorary Doctorates for his

Essay about Photography
The Test of Time: The Power of the Photograph
What is a photograph? The simplicity of taking a photograph leads many to ponder its artistic value.
Yet, it is undeniable that there are some photos that cause an emotional reaction deeper than simply
observing a recorded point in time. Surely, there are photographs that cause more reaction than some
modern art pieces. There seems to be two types of photographs. The first classification is the 'time
capture' photo – an image with the sole purpose of recording a particular event or point in time. The
second nature of a photo carries a 'deeper meaning,' which has the ability to change the observer's
mood and cause a reaction. But what distinguishes these two varieties? There are a ... Show more
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There is clearly an artistic value to this image – it is taken at the location of a massacre of over 200
members of the Great Sioux Nation. However, did Elliot Erwitt intend a 'deeper meaning' for this
photograph? In an interview recorded on his official website, Erwitt declares, "If it turns out to be
entertaining what I do, I'm very pleased. But it's not conscious." It seems that Erwitt claims to not
possess artistic intent in his photographs. However, it is clear that he simply boasts an unconscious
artistic eye. It is obvious that the photograph of this church on hallowed ground falls in the 'deeper
meaning' category. The second Elliot Erwitt photo is taken from his official webpage. It too is
captured in black and white. The photo, shown in Figure 2 was taken in France and depicts a man
and child riding a bicycle down a road lined with trees. This seems to be a 'time capture' photo; this
particular event can never be perfectly replicated again. Despite the category in which this photo
clearly falls into, it is undoubtedly still art – the setting is too perfect to be unintentional. However,
according to Erwitt in his interview, unintentional is exactly the correct word. Erwitt states, "I take
pictures of anything that interests me as I walk around with my camera." This means that many of
his photos are taken on a whim; the right place at the right time. In this case it is the viewer who
makes the distinction between

Garry Winogrand's Photography
Every day we witness events and experience moments that are engraved in our memories for
possibly our whole lives. Those significant events shouldn't be simply remembered by memory but
with physical evidence from photographs. Garry Winogrand is an artist that takes photographs of a
plethora of different life events. Those events span from major political movements to a simple
family fun day; as a result, there really is no shortage in the diversity of Winogrand's photograph.
His black and grey photographs seems to capture unique moments in everyday life in a casual way.
Thee photographs do not look like they were captured in a professional studio with perfect lighting;
however, his work encompasses the everyday life of people and the events ... Show more content on
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"The picture may discort; but there I always a presumption that something exists, or did exist which
is like what's in the picture." (Sontag). In a photograph that Garry Winogrand capture, there is an
adult couple each holding a baby monkey in their arms. This scene was taken in the streets of a busy
city sidewalk. Not only is it a strange scene but it would have certainly been hard to believe if you
did not see it with your own eyes. However, with the photograph that Garry Winogrand took, there
is evidence that that scene actually existed. Even though there is probably an immensely high
chance that the same scene would happen again, the photograph will always prove that the small
event did exist. Another example would be when Garry Winogrand took a photograph of people
laying on a grass field while there are black balloon covering the sky. It is an event that will be hard
to duplicate. The balloon was captivating and Garry Winogrand made sure to prove to everyone that
it did exist. It was indeed a beautiful sight because there was one single tree within these people and
it added to the beauty of the event. Garry Winogrand tried to convey that principle in his
photographs because he wanted to proof that these events were actually happening. Furthermore, he
wanted to let people know that no one made to events up. With his photographs all the scenes that he
saw can be proven

How to Take a Good Photograph
HOW TO TAKE A GOOD PHOTOGRAPH
Outline:
I. Introductory paragraph: II. Body paragraphs: 1. Choosing angle of sight and adjusting the lay–out
2. Adjusting the light 3. Take many photographs at the same sight to pick out the most beautiful one
4. Hold the camera steadily 5. Use a editing software to make the photo more beautiful III.
Concluding paragraph:
Essay:
Photographing has been enjoyed by many people for a long time. Today, it is very easy for everyone
to own a camera so this hobby is becoming more and more popular. Everyone like taking
photograph but their photo is not always beautiful. Having an expensive camera does not mean that
you will have wonderful photographs. The beauty of a photograph ... Show more content on
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You should avoid blazing sunshine at noon because it would make your photos become too shine.
When taking photo outside, if the angle of sight is against the sunlight, you can use the flash. You
also can use a dedicated light to light up some dark area caused by sunlight such as: eye socket,
neck, and so on. Do not let the light from the back get all the attention of the main character. When
talking photograph at night, pay attention to the distance between the flash and the subject. If it is
too dark, use more lights.
Next, take many shot at the same sight in order to choose later. Taking many shot helps you to
improve your skill and increase the chances of having beautiful photos. While you taking photos,
many mistakes may happen. We do not want our beautiful photographs depreciate because of those
small mistakes. So take many shot at each sight and pick out the most beautiful one.
Then, hold you camera steadily. Some people often shake their hands while taking photo so the
photo will be blurred and dim. And of course, that photo will be useless. Try to keep your hands and
your feet steadily when taking photograph. You can use a table tripod or any other fulcrums to help
you hold the camera. In short, try to hold the camera steadily to make the most beautiful
photographs.
Finally, use editing photos software. One of the most popular editing photos software today is
Photoshop. With Photoshop, you can make your photos much more beautiful as by

Picture Analysis: The Migrant Mother
Anyone who sees this photo can feel pain and suffering on her face. The Migrant Mother gazes
distractedly into the distance. Her children are cowering behind her, hiding their faces. This
photograph is one of the powerful symbols of the Great Depression. It is a woman and child's
photograph, but it is telling the story.
People approach photography the other way around, by bringing their own interpretation. I think
that's a good approach. There are no wrong answers to approach to photograph. Because it is not
math, we don't need to calculate or solve the problem. Viewers can approach it as they feel when
they see the photograph. Photograph may interpreted in many different ways by viewers' mood,
experiences, and situation. One photo looks 'sad' today and next day same photo looks 'finding hope
in difficult circumstance.' Photographers often manipulate composition and lights for better photo or
to making a story that they want, so when viewers see the photo, they can approach in their way and
just read photographer's intention is good way to appreciate photos. ... Show more content on
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When I saw this photo, it reminded me a sad story. It touched. Their clothes are torn and didn't clean
well; they looks poor. The Migrant Mother gazes distractedly, and her children doesn't want to see
what she is looking. If she gazes for a short time, children only hide their face. They turned their
bodies too that means that she was sitting there for a long time. The kid on the right side, try to hide
his eyes with his hand or wipes his eyes. A baby is on her legs. She is holding her baby with right
arm. She is touching her face, just like rest her chin on her hand but cannot rest her chin on her hand
because she is gazing at something that's not in a good

Dorothea Lange: An Analysis Of Different Genres In The...
There are a number of genres in the photography industry. Ones that are the most popular and
mainstream are considered as portrait photography while surrealism photography is another
interesting genre. These two genres have specific features and characteristics which allow the
photographers working in these genres to deliver and convey the subject meaning they wanted.
Portrait photography
Portrait photography is a type of photograph combing the use of lighting, composition, backdrops
and postures to showcase one person's personality further portraying its main subject meaning.
Dorothea Lange is a famous photographer who has taken numerous portraits during the postwar and
the Great Depression. Due to Lange's another identity as a journalist, it is relatively ... Show more
content on Helpwriting.net ...
It seemed like their eyes were full of tears. The facial expressions on the two little children's faces
are apparently relative to the subject matter of emotion. A sense of sadness and desperate is
conveyed also through the use of subtle lightning which are shadowed above the two children's
foreheads. The portrait is black and white, which the use of colour helps to enhance the sense of
sadness to a next extent. By assuming, there may be some smell of bullet, fire and dead bodies. In
addition to that, there may also be the sound of bullet and fire.
Lange may relate this portrait to her own past experiences where her parents got divorced when she
was a still a child, and she was insecure and sad about the future which she can only live with one or
another. Moreover, Lange's job of being a journalist really helped her to take this portrait in the
refugee camp in California. It is because of the journey of being a journalist, Lange has the strong
belief to explore the raw truth of was and expose it to the

Essay: The Importance Of Photography During The Civil War
In the mid 1800's the first photo was taken. This was a big phenomenon in history because of the
change of events since then. One of the biggest events in history that the photograph had an impact
on was the Civil War. The images of the Civil War were important because they could coney much
more than words could alone. "It is really not the photographs themselves that provoke us; rather, as
I said, it is the memory of close personal encounters with the subject(s) of the photographs,"
(Rudolph). The importance that the images of the Civil War had, was not the images themselves but
rather the importance that the images held behind the picture itself. There are three ways photos
have impacted the Civil War, they are able to tell what happened, they provide and emotional
connection to the event, and they provide memories. In the Civil War, photos were a huge part of
recording what happened in american history. Before the Civil War, they only way of recording what
happened was through journals. Although, through those, nobody could really see how awful the
war could be. Through pictures, people can see what the scene looked like and can imagine how bad
it really was. "But they have also, increasingly, ... Show more content on Helpwriting.net ...
Many people have said the having pictures if the Civil War may be considered cold hearted and
disrespectful to the victims. Although this may be true, those victims cannot change the past, and
will have to live through the pain of remembering either way. By having and sharing the photos of
the Civil War, people are able to show respect and are able to connect emotionally with those who
were in the war. "It allowed families to have a keepsake representation of their fathers or sons as
they were away from home," (Niiler). Pictures are a great way for families to connect, and to share a
special bond that might be to difficult to share through

Photographs Furnish Evidence Susan Sontag Analysis
A photograph is a powerful tool for life. A single, unchanged image of reality can be utilized for a
variety of situations. For one, one photograph could decide the lifestyle in the foreseeable future of a
person that committed a crime. Furthermore, one photograph could reveal the horrors of a particular
event. On another note, one photograph could hold heartwarming memories forever. In addition, one
photograph could stir a controversy that will have people debating whether an entity is real or not.
Overall, as Susan Sontag mentions in her book Photograph, "Photographs furnish evidence."
(Sontag); in other words, whether if it is, good, bad, or misinterpreted, one photograph can be used
as evidence that something in fact happened or is real. ... Show more content on Helpwriting.net ...
A photograph is powerful because it can be used to solve a crime because a photograph could carry
enough evidence to apprehend an individual and arrest the people responsible for the illegal acts.
Moreover, a photograph can also provide evidence of an amazing accomplishment or event such as
someone's graduation or wedding. In the same way, a photograph could also provide evidence that a
dreadful event happened in the past. Additionally, a photograph can turn a skeptic into believer in
whatever matter. For example, it can make a person believe that there is an actual monster living in
Loch Ness, even though it is not highly possible. To sum it all up, Sontag expressed that
"Photographs furnish evidence"; in agreement, a photograph does indeed provide evidence in a
variety of ways. I cannot say this enough, but a photograph is quite powerful, it is hard to believe
what this world would be like if they did not

Photographs Capture Time And Create Meaning
Photographs capture time and create meaning. Mark Klett's "Under the Dark Cloth", is a simple, yet
compelling piece of art which captures his experience in Monument Valley, Arizona on May 27th,
1989. The perspective of the photograph is strategic in allowing the viewers to see from Klett's point
of view. This angle places the viewer in the first person, connecting them directly to the image.
Images of landscapes are often engrossing, Klett's piece does this on two planes.
In the text, Visual Methodologies, author, Gillian Rose uses semiotics as a way to make sense of an
image. She defines semiotics as the study of signs and their use or interpretation, or, "how images
make meaning" (pg. 75). Under close inspection of Mark Klett's "Under ... Show more content on
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Another question could be looked at through the lens of "positional communication". "Who is
positioned as superior and who inferior?" (pg. 82). The photographer makes the audience feel as if
they are a part of the image, giving the audience a connection to the subject of the photograph. This
allows power within the image to be equally distributed and shared between human and nature.
The objects within the image, such as the watch, camera, and dark cloth connote time, preservation,
and reflection. Klett's use of signs give his photo the purpose it needs to remain captivating. Within
Klett's photo, icons, indexes, and symbols are all presented.
The icon most prevalent in the image is the upside down image of Monument Valley. This iconic
image represents that specific rock structure in the valley. This image is also a synecdochal sign, it is
a part of this rocky range, representing the national park as a whole.
The two indexes that stand out immediately are the camera and the dark cloth. When you see a
camera– you immediately think of documentation or memories. When we think of something under
the dark cloth or in a dark space we think of referees reviewing a play or the process of developing a
photograph. When someone is under the dark cloth, it is a personal, capturing moment. This sign is a
moment of silence and critical reflection.
The symbols which are presented in the photograph include the camera, watch, and the style of the
photograph.

The Positive Effects Of Photography During The Civil War
Despite its positive effects, photography can also lead to impropriety. Photography greatly affected
America both in the past and in the present. Photography's main intention is to inform individuals
about humanity. In relation to the past, photography profoundly impacted the Civil War. Since the
Civil war, which lasted from 1861 to 1865, photography has tremendously revolutionized and has
been a major factor in how we view Journalism and Warfare. Famous photographers during the
Civil War were able to display conflict, hardship and unification through art. No matter it's effect,
photography was and is very pivotal throughout society. Photography can be a beautiful but yet
haunting form of art. It displays an image which is characterizing ... Show more content on
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Besides pictorial propaganda in the news, pictorial "envelopes" were being used and distributed. The
United States also took advantage of almanacs being produced and used them to advertise the
government's strong minded opinions on different issues. For example, an anti–slavery almanac was
produced and distributed among the Southern States. Mathew Brady, a famous photographer, went
through constant scrutiny for his work. Many people believe that he moved corpses to create a more
graphic images. Not only were photographers under scrutiny, but officers as well. Officers during
the Civil War would hire photographers to go behind enemy lines and gain knowledge.
"Trachtenberg said military leaders on both sides also hired photographers to gain intelligence about
enemy emplacements, roads, bridges and railroads." A famous example of a confederate spy soldier
was a man by the name of A.D. Lytle. Even those these men were seen as propagandists, they were
able to achieve something."Photographers such as Mathew Brady, Alexander Gardner, and Timothy
O'Sullivan found enthusiastic audiences for their images as America's interests were piqued by the
shockingly realistic medium. For the first time in history, citizens on the home front could view the
actual carnage of far away

Two Photographs Capture Women's Economic Misery By Lydia...
Thinking Critically about "Two Photographs Capture Women's Economic Misery" In Lydia
Wheeler's essay "Two Photographs Capture Women's Economic Misery", Wheeler shows how two
photographs can evoke the emotional side and suffering of people. She uses two photographs to
create analysis, Stephen Crowley's "Isabel Bermudez, who has two daughters and no income" and
Dorothea Lange's famous photograph titled "Migrant Mother". Wheeler wants to help "visualize the
human suffering involved in economic conditions" (Wheeler, 143). Also, the author uses
photographic elements to create analysis to make the reader have a better understanding about the
topic. Subsequently, Wheeler uses photographic elements such as focus, orientation, framing, and
shape. For instance, in Crowley's photograph, Wheeler points out on how those elements
"emphasize this vanished wealth and emotional pain" (Wheeler 143). Also, the author mentions the
use of Crowley's orientation, focus, and framing and how it those elements contribute to the
audience's understanding of the photograph. In addition, Wheeler illustrates how the focus on
Isabel's crying eyes attracts the viewers as well as the space. According to Wheeler, "the space
between Bermudez and her daughter is one of the photograph's dominant features" (Wheeler 146).
On the other hand, in ... Show more content on Helpwriting.net ...
However, I would include the use of color in the photographs. For instance, in Lange's "Migrant
Mother" the black and white picture creates a sad and depressed mood due to the colors.
Subsequently, I would also compare the children portrayed in the photographs and how they interact
with their mothers. Also, I would also compare the different times periods from the two
photographs. For example, "Migrant Mother" is a well known photograph that took place in the
Great Depression and "Isabel Bermudez' took place in 2010 and was published in a New York Times

Camera Lucida Analysis
The Indexical Experience in Camera Lucida
Roland Barthes' analysis of the photograph in Camera Lucida is based on his introspective
experience with photography's appearance. The book consists of reflections of emotions felt during
his experiences, which essentially defines a phenomenological approach. Phenomenology, according
to David Woodruff Smith, is concerned with the "things as they appear in our experience...thus the
meanings things have in our experience"(Smith). For photography, the appearance of the photograph
is produced through the physical relationship between the referent photographed and how it is
imprinted in film. Therefore, in the experience of a photograph for Barthes, the sign is determined
by that physical relationship. Although, Barthes analysis of the photograph includes both indexical
and iconic aspects, this paper seeks to argue that the indexical aspect of a photograph is the
prominent sign of the photograph because of Barthes' phenomenological approach to photography.
To be clear, I am analyzing how Barthes perceives photography as indexical from his
phenomenological approach and proving how it serves the indexical sign.
First, we must consider how Barthes speaks of indexicality when describing the Camera Lucida's
purpose, which he says is to find the noeme of photography. He eventually concludes that the noeme
is the undeniability of "that–has–been", which refers to the indexical truthfulness of what has
physically been in front of the camera. He

Nora Ephron The Boston Photographs Summary
Rowell Dingle
Professor Corbin
English–13 Wed. 7pm
20 May 2016 "The Boston Photographs" In, "The Boston Photographs" by Nora Ephron she states
photojournalism has a bigger impact than written journalism. It provides real images of events that
have occurred and often times can create an outrage upon consumers. She goes on to further her
claim by stating that when incidents do happen tragically it is not the occurrence that happen, but
knowing death took place and that people were involved. Having imagery of death is something
most people would not want to see as it can anger them especially if it involves people they know,
but it captures the attention and that is what news articles are trying to get which is the significance
of how to involve consumers into the loop, regardless if it is subjective. Ephron provides imagery
taken by a ... Show more content on Helpwriting.net ...
When a person does become preoccupied with whatever it is they are doing, so in this case
photojournalism, take into precautions as to what matters most and sometimes it takes being in the
same shoes as a consumer and really think what they would want to see and read about. The images
from Ephron's, "The Boston Photographs" is all about thinking about how others might react to a
certain image and before even thinking of publishing it, think about the newspaper boy who has to
distribute these papers with graphic images printed on them. If a consumer were to ask the
newspaper boy explain the image and why it was printed for a reason, there really would have to be
a valid reason as to why it has been

Photograph Synthesis Essay
A wise person once said, "If you want to learn what someone fears losing, watch what they
photograph." If one moment could be held onto forever, captured on paper never to be changed,
which one would be the chosen one? Ed Sheeran's song Photograph, is both a product of past
experiences and a serenade to times long past, carries the theme of love and memories providing
support, and is rife with literary devices used to better convey his message. Born the 17th of
February 1991 in Halifax, England, Edward Christopher "Ed" Sheeran is internationally renowned
for his music. Starting off as a young boy given a guitar as a gift from his uncle, his musical prowess
grew from self produced CD's to playing in over 300 live shows in 2009 alone. With more ... Show
more content on Helpwriting.net ...
Perhaps the easiest to recognize is personification, giving human characteristics to non–human
objects. With the lines "If you hurt me / That's okay baby, only words bleed / Inside these pages you
just hold me / And I won't ever let you go" he employs personification to attest how the photograph
'holds' him and provides protection from the bleeding words. This further exemplifies the power of
the photograph and the support it can provide. Imagery, using words and phrases to create a mental
image, is a simple yet remarkably powerful trick. The final verse of the song begins "When I'm
away / I will remember how you kissed me / Under the lamppost / Back on 6th Street," conjuring
both the picture of a deserted lamppost with a young couple underneath and managing to tint it with
the nostalgia of reminiscence. The image drives the song back to the main idea of memories
providing security because the same happiness felt at imagining the moment is what Sheeran thinks
of when he's away. Another trick is using stark contrasts to show a more complete whole: antithesis.
By contrasting that "Loving can hurt sometimes / ... / It is the only thing that makes us feel alive"
and "Loving can heal / ... / It is the only thing we take with us when we die" Sheeran shows the
power of love. It then supports his message of love's ability to provide both a sense of support and
one of safety. One of the more sneaky tricks used is assonance, repeating vowel sounds in words
near each other without the words rhyming so one word seems to echo the other. In the lines "you
won't ever be alone / wait for me to come home" the sound of alone with a long 'o' followed by
'come home' with both words having a long 'o' provides a sense of echo and repetition without being
blatantly obvious. This trick repeated over the course of the song sounds lovely to the ear and causes
the brain to focus on

Let Us Now Praise Famous Men Analysis
In James Agee and Walker Evans's Let Us Now Praise Famous Men, the photographs are given
"independence and co–equality" compared to the text. There are no captions to accompany the
photographs, and there are no explicit descriptions of them in the text. This makes the photo essay
distinct from the conventional model in which text is broken up and supported by images, which
makes the most logical sense to readers. I agree with Mitchell in that this is an interesting way to
treat pictures, and it is difficult for the reader to comprehend. Mitchel states that "Agee's generic
requirements are ... prescriptions for a highly alert reader/viewer that may not yet exist, that may in
fact have to be created." This observation makes me wonder if the authors predicted that the photo
essay would be confusing to the average reader. ... Show more content on Helpwriting.net ...
By starting the volume with Evans's photographs, and then labeling the text that follows "Book
Two," the reader realizes that the photographs were supposed to be "read" as closely as text. Perhaps
that is what the authors wanted to their readers to do – to look over the photographs, read the text,
and then go back and review the photographs and make connections between the two. However, this
demands much more of a reader than a regular photo essay. Mitchell states that the odd format
"resists the straightforward collaboration of photo and text." He attempts to explain the separation
between the images and the text by labeling it "an ethical strategy, a way of preventing easy access
to the world they represent." While art is supposed to have some aspect of abstraction, this photo
essay exploits that idea to the extreme. The "spy/counter–spy relation" is not a normal dynamic that
readers see, and it makes the photo essay more difficult to understand and relate

Cynthia Morris Sherman Research Paper
Cynthia Morris Sherman turned to photography near the end of the 1970s after working on realistic
painting and has created various portraits that present her as the main subject. Cindy explores many
topics in her photographs, including female social roles, entertainment, self confidence, etc. She
creates iconic "snapshots" that pose as meaningful representations of people in society. Her facial
expressions, body language, clothing, hair, and more contribute to making the final result of a well–
thought out picture. Cindy Sherman is a very creative photographer who dedicates tremendous effort
to each photo she takes.
Sherman once failed a photography class and when she repeated it, she became passionate for
photography. She met two other photographers

Images And Images Of Photographs Essay
Photographs are everywhere –on our work desk, in our wallets, on restaurant walls, and even at
photography exhibitions. Every photograph has its own story behind it. However, each photograph
does not tell us the complete story and instead captures only a part of it. For this reason, viewers
sometimes find themselves confounded between viewing a photograph as fact or an interpretation
because they only see a part of what has happened during that captured moment. Yet, we live in this
world where most facts can be verified by photography; almost all photographs that surround our
lives show evidence about events that have happened. However, some photographs leave out the
"before and after" moments, leading us to interpret and hypothesize what could have happened
before and after the photo was taken. Sometimes, those interpretations incorrectly lead away from
the conclusion –the real fact–behind the photo. Moreover, the place where photographs are
displayed is very important because it can give the viewers an idea whether they have accessed to an
actual fact or a photographer's fictional approach. Therefore, because photography creates a sense of
actuality, it has the power to influence and shape viewers' memories through the medium it is
viewed, the photographer's intention, and the usage of aesthetic elements.
To most people, a photograph is a piece of paper that contains information about a specific moment
in time. A fascinating thing that humans can do is that they can

Analysis Of Regarding The Pain Of Others By Susan Sontag
In Regarding the Pain of Others, Susan Sontag argues that the way people and the media utilizes
photographs does not do full justice in representing misfortunes in the world. This can be seen
through the emphasis she puts on how everything surrounding the picture effects how the picture is
perceived. "It is always the image that someone chose; to photograph is to frame, and to frame is to
exclude", in other words the photo is not an entity of its own, but influenced by the photographer
and excluding context (Sontag 46). The viewer of the image needs to be fully aware of the context
and background of an image to be able to comprehend troubles in the world.
Media drains the photo not only of the deeper meaning by providing only a cookie cutter

On Photography By Susan Sontag Essay
Ever since the invention of cameras in 1839, the photographic image and its steady progression has
molded reality. The book On Photography by Susan Sontag, is a book of many ideologies and
aspects. The main aspect of this book is how pure reality is being captured through photography.
Through history, reality has been associated with images and philosophers who have subsequently
diminished our trust on representations by directing our eyes at ways to grasp reality through
paintings and images. Susan Sontag says that in the modern day and age, we prefer to take
photographs of the reality. This is widely accepted in modern culture, because we are always
"producing and consuming photographs to such a degree that photography has been made ... Show
more content on Helpwriting.net ...
This is because reality is "the rallying point of Surrealism" (Sontag pp. 63). Surrealism is art
movement in the 20th to present century of the creative potential of an unconscious mind. The use
of Surrealism in reality displays the "endlessly alluring, poignantly reductive way of dealing with
the world" (Sontag pp.63). For example the relation between reality and Surrealism, for instance is:
"the photographer's insistence that everything is real also implies that the real is not enough... which
in modern society, a discontent with reality expresses itself forcefully and most hauntingly by the
longing to reproduce this one; as if only by looking at reality in the form of an object–through the
fix of the photograph–is it really real, that is, surreal" (Sontag pp.63). Meaning that the altering of
the picture through Photoshop, of lighting, of movement, angle, etc. can be real in the photograph
and the audience; however, it is been modified and altered to fit the preference of the
photographer(s). Basically, something can be seen real in a photograph, but it is not really

Photography During The Civil War Essay
Photography was first used in the United States prior to the Civil War as a way of making portraits
of people. Due to the limits of the technology, each photograph was a unique image that could not
be reproduced. Over time as the technology improved, photographs could be reproduced and this art
form was then used as a method of communicating and sharing images of places and themes. The
use of photography during the Civil War to depict (show) battles is one example. While the effect of
photography on people's perceptions of the Civil War has been well–documented, the changes in
technology gave photography a more extensive influence on public opinion, institutions and the way
people lived after the Civil War. The primary focus of this paper ... Show more content on
Helpwriting.net ...
However, by the late 1850's, the invention of the "wet plate' negative process allowed photographs
to be reproduced (gilderlehrman – citation). When the wet plate technology boomed, photography
became more profitable but the work was slow and tedious. The Civil War was extensively
photographed and changed people's opinion of the war. The photographs depicted the atrocities of
war and stripped away romantic views of battle (Civil War Trust, 1). The technology allowed people
from different places in the U.S. to witness the abomination of war. Mathew Brady and Alexander
Gardner were two of the most famous photographers during the Civil War. Mathew Brady also
owned a gallery in Washington DC where he displayed the photographs of others like Alexander
Gardner for the public to see (Civil War Trust – Mathew Brady). Although these photographs had a
major impact on the public's perception of war, the technology was not too far advanced.
Photographers had to use dangerous chemicals to create pictures (Civil War Trust, 2). The ability to
distribute the photographs to the public was

The Photograph As Fine Art By Graham Clarke
Graham Clarke, in his book "The Photograph as Fine Art", states that "photography can be
considered as fine art"; which is a statement that I entirely agree with. People all over the world take
photos everyday, so why is someone considered an artist while the other is just a person taking
photographs? A lot of characteristics differentiate an artist from a hobbyist or a memory collector,
such as the ability to properly execute his artistic visions and capture them in an photograph.
Another characteristic is how he chooses to structure his photograph and how he positions the
objects inside the frame. Artists observe their surroundings in a different way and capture moments
in creative and beautiful photographs. "There is a major difference between a snapshot and a
photograph. A snapshot captures a moment in time; a photograph captures the emotions, feelings,
and beauty from that moment in time"1.
When straight photography came out in the early 20th century, it was a revolutionary approach to
taking photographs that justly gave photography its own place in the world of art and far away from
paintings. Straight photography encourages the purity of tone and vision and is strongly against any
manipulation done to the photos after taking it.
As Graham describes its approach in saying: "Speaking against manipulation, as such, it
distinguishes photography from painting as a unique medium in its own right with its own unique
possibilities"2.
Edward Weston (1886–1958) is one of

Ww2 Photography Essay
Photography is a powerful tool that can change the way someone feels about an event by being able
to see how the event looks. Pictures during WW2 showed civilians what the war was like without
having them be in the war. It gives people an impression how something is and is more descriptive
than writing because you are able to actually see what the war is about instead of just reading an
article about war. Unlike writing, it is hard for someone to fake how the war looks with a
photograph because you aren't able to lie in a photograph. Some of the most popular photographs
from WW2 are pictures of soldiers and civilians that are struggling. People feel sympathy for those
civilians which attract more people to look at the photographs because they ... Show more content
on Helpwriting.net ...
If a soldier was trying to harm another soldier or civilian but the picture was taken at a point where
it looks like they are helping each other, then people might think that a certain group was helping
another group instead of being enemies with each other. If there were no pictures, then the only
thing to document history is a pen and pencil which doesn't give people the same perspective as a
photograph would. People also believe a photograph much more than they would if someone had
said that an event had happened. An example could be the Holocaust, there are countless pictures of
the Holocaust and many different diaries yet some people don't believe that it happened. If there
were no photographs of it, there would be more people that didn't believe in it because the proof
wouldn't be in a photograph, it would be what someone had said. Time Magazine said "there are
about 100,000 Jews who were in camps, ghettos, and in hiding under Nazi occupation who are still
alive today", with the amount of disbelief in the Holocaust now, in 100 years the amount of people
that don't believe in Holocaust will go up since there would be any more survivors to tell the story.
The only thing to do to try and stop the disbelief is publicize more photos of the Holocaust and hope
that it limits the amount of people that don't believe in it. Photographs helped to prove that certain
events happened and changed the way that some people look at the

A World Without Photography: Imagine A World Without...
Imagine a world without photography: no news photographs, no advertising photographs, no family
pictures, no endless number of magazines with photographs. How would our knowledge and
understanding of the world would have been different? What about the culture? Photographs have
always been an important part of our lives it affects our lives such that we see what photograph
'shows' but we don't see the photograph as a 'thing' and still we cannot think about our lives without
photographic existence.
I have always been fascinated with the concept of a CAMERA, and the concept of freezing a
moment forever. Having a memory, having a beautiful thing in your hand which you can treasure
forever. Ever since I picked up my camera and I started taking ... Show more content on
Helpwriting.net ...
How a viewer might perceive a picture might even contradict as to what the photographer wanted to
say. This fact is explained by Roland Barthes, where he challenged the common sense idea that if
the photographer is not there to explain the photograph, we only have resources i.e. a photograph to
interpret what he wanted to say. While taking a picture sometimes even photographers are not sure
about their intentions with the picture they want to take, or even if they are, their expectations might
not match with the results. The results might be completely different and convey a different meaning
altogether. A photographer's vision gets restricted by the little hole through which he sees. While
framing a picture, the photographer is restricted with the frame. He also has to intersect two quite
distinct procedures, i.e. how the light falls on the object and the formation of image through optical
device. All these works in his head but the result might be completely different and more dramatic
then what the photographer thought of or it might even be vague. In photography we can never
predict what might be triggering for the viewers or the photographer himself after they look at the

How The Truth Gets Framed By The Camera
It is a common occurrence in which one begins to describe a situation or event to an acquaintance,
and they do not conceive the event as you did in the moment of its manifestation. The narrator may
have all the details perfectly correct, and all of the imagery is present, but there is no way to fluidly
transcribe perception. Photographs allow for perception to be made by the observer, without words.
Louis P. Masur, the author of the article "How the Truth Gets Framed by the Camera, states in his
article that "Photographs seduce us into believing that they are objective records, but, in fact, all
images are interpretations, texts that must be read (2007)". Masur, as any photographer does leaves
the perception of the story he is trying to communicate, up to the observer. ... Show more content on
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Warren, within Jason Howerton's article titled "Read the Chilling Text Message Student Sent Mom
Before Hero Teacher Reportedly Took Down Gunman at High School", after a shooting at North
Thurston High School Monday, April 27, 2015 in Lacey, Washington (2015) .In the photo we see
people entering and leaving through an opening in a chain linked fence, some facing the camera, and
some facing away. As a main focus of the photo, a woman is seen, presumably a mother, holding her
teenage under her arm smiling and kissing the teens forehead. As the teen looks through her thick
framed glasses, her gaze is numb and emotionless. Also present in the photo is a boy, about eight,
facing away from the camera, but is looking at the shocked teen and her mother. In front of the boy,
is a woman whom is trying to get the attention of the man in military uniform to her left as her hand
reaches out to touch his shoulder. The man's gaze goes over the chain linked fence to the crowd of
heads that can be seen on the other side positioned as if they are looking for people all looking to the
same vantage

Who Is Annie Leibovitz's Photography
Annie Leibovitz, a famous portrait photographer, is one of America's best. Her photographs have
appeared in a number of magazines and publications. She was born in Waterbury, Connecticut on
the 2nd of October, 1949. In school, Leibovitz became very involved in various artistic practises like
painting and playing music. She also grew a love for photography, after taking her first pictures
when she was stationed in the Philippines during the Vietnam War. She continued perfecting these
photography skills all throughout her schooling life.
In 1970, Leibovitz began her photography career at the Rolling Stone magazine and was promoted
to chief photographer in 1973. It was here at the Rolling Stones magazine, where her talent really
began to germinate ... Show more content on Helpwriting.net ...
Finally after some convincing, and an agreement that she would be a mime, Streep came around to
the idea. The shoot ended up by giving her more confidence in herself and in her field of work. The
arms pulling at her face, symbolises the real Meryl Streep as she is taking her mask away. The
mime–type makeup acts as a facade and symbolises Meryl's acting career and embodies her diverse
and versatile personality she has as an actress. It also represents her fame, which masks her inner
self and private despair. It makes the viewer focus on her eyes and shows a great deal of emphasis
on her face. The visual metaphor, represented by the arms that are morphing and pulling on Streep's
face, represent how Streep felt at the time with all the fame and pressure. She felt out of control of
who she was, and had to constantly and quickly adapt to all the different roles she played as an
actress. By conveying this message, it allows the audience to have a connection with the real person
behind the mask. It is as if we are in cahoots with Streep, even if it is for just a moment.
After this, Annie Leibovitz started to become more and more well known. She was asked to
photograph many events and was even invited to become the concert–tour photographer for the
music band The Rolling Stones in 1975. She even photographed the British singer Joan Armatrading
for an album cover, becoming the first women to do so. It wasn't until 1980 however, when one of
her most iconic photographs was taken. It was of the famous John Lennon who was naked next to
his fully clothed wife, Yoko Ono. They were positioned in an unconventional pose and this ended up
becoming her signature

Susan Sontag's Photography Analysis
Photography offers perspective into a world that harbors a unilateral view of the life surrounding it.
When examined in intricate detail, a photo would serve to aid in a person's learning process. It
provides new insights; introducing foreign locations and ideas to those who may have never seen
them otherwise. The human brain is not being limited knowledge when it analyzes a photo. To limit
knowledge would be like observing the world only through photographs. Susan Sontag's claim of
photography limiting our understanding of the world is absurd. A picture does not limit our
perception of the world; instead, it merely opens us up to further our knowledge. A captured moment
possesses the natural ability to reveal the world further for one ... Show more content on
Helpwriting.net ...
Sontag strongly stands by her belief on photography, but with her scarce amount of sources; readers
should be wary when evaluating both sides of the argument. She gives reasons and examples that are
mostly opinionated responses. There are no actual evidences. On the contrary to Sontag's belief,
photos do not hide anything except allow one to discover more of the world. According to the
National Geographic author Robert Draper, when the camera captures a photo, it "can explode the
totality of our world, [so] that we [may] never see it quite the same again" (Draper). Photography
could be utilized to show the world in multiple points of views, but each of those contribute to piece
together a broader understanding of the

The Effects Of Film Photography On The World
Unlike photojournalism which is quick coverage of breaking news and events, Documentary
photography focuses on a story or event in depth over a period of time. Visual storytelling has the
power to capture the public's attention, highlight pressing issues and expose ignored realities. Early
documentary photography was mostly used to bring about social reform. For example, Lewis Hines
photographs played a role in passing the child labour law in America. Walker Evans and Dorothea
Lange created photographs, which were "the most important example of a state–funded
documentary project in the world" (Wells, p97), Wells, L (2009) Photography : A Critical
Introduction which documented how the depression affected farm workers in America.
During the 1950's and 1960's, photographers such as Diane Arbus, Garry Winogrand, Robert Frank,
greatly influenced the effect documentary photography had on the world. Winogrand stated that he
took pictures "To see what something looks like as a photograph". In the late 1950's and early 60's,
American photographers changed the style of documentary photography from its traditional and
usual snapshot photographs and instead used various techniques to carefully compose and create
incredible stories.
This essay will now focus on Swiss–born photographer, Robert Frank and his book "The
Americans". While analyzing this documentary project, we have to keep in mind various different
questions in order to evaluate the work. Questions such as,

Annotated Script Of ' A Picture Is Worth A Thousand Words '
Guethshina V Altena
Project 2 Rough draft (Written script of video)
When talking about the rhetorical aspect of images, people tend to ignore the potential power that a
photograph has to convince someone. However, images such as those of veterans meeting their
relatives in tears use emotional appeal to convince their viewers so those viewers are far more likely
to agree with the message behind photo. In a sense, photographs can have a powerful impact on how
one sees and interpret the message that comes with an image.
I believe that many people underestimate the value and capacity of a picture to use rhetorical
appeals. It may be hard to realize that a visual image can have a great impact on someone; there is a
Chinese proverb that says: "A picture is worth a thousand words" and I strongly believe this
statement to be true. Looking at those three pictures of veterans with kids, everyone can see
something different in them and there ae multiples interpretations. Although there is a lot to be said
about these photographs, I will make my argument in a brief, clear and concise manner.
In order to measure the extent to which those photographs are appealing and rhetorical, it is crucial
to analyze every aspect of the picture without leaving any details behind. First let's look at the first
picture of a woman veteran hugging a children that we assume is her daughter. We must pay
attention to the expression on her face which is a happiness that is overwhelming, she looks like

Observing William Penn's Photography
I Description
At first glance I notice this Irving Penn photograph seems mysterious and blurry, much like a lot of
his works of art. He uses the blurring technique to make you wonder more in detail what is going on
in the photo. When researching, I found most of his works are portraits unlike Cretan Landscape.
Irving Penn was known as a photographer whose classical simplicity transformed the pages of
Vogue magazine. There are very few great portraitists, but he is a sort of sorcerer who seems beyond
resemblance. Irving Penn's Cretan Landscape was a rather large photograph at 15.4x22in. However,
it still showcases the magnificent artwork that Irving Penn is capable of. When looking at this
photograph, I first think that the man on the horse is the main focus, almost as if he is in charge over
everyone else in the picture. I also notice the animals in the back ground almost like cattle, things
like sheep and cows. What I don't understand about this photograph is the shadows of people behind
him. I don't understand their meaning in this picture. I also don't understand why this photograph's
setting is in the deep woods, almost as if they are all hiding from something. Penn stays in a strict
color scheme, using multiple shades of gray staying dark around the sides and moving to lighter
shades in the center spaces. He blends these colors going through the many prints he used in the
platinum metals and then slowly blends the more distinct colors when the hand–coated color

Through The Lens Darkly, By Thomas Allen Harris
"How was/is the photograph used in the battle between two legacies [within the African American
community]–self affirmation, and negation?" What does the director mean when he states that there
is a "war of images in the American family album"?
Through the Lens Darkly:
In the historical documentary, "Through the Lens Darkly", Thomas Allen Harris examines the
impact of photography within the African American community. For Harris and many other African
American photographers, photography was a tool of empowerment, enabling them to take
photographs that accurately reflected themselves. Photographs, since their creation have always
been caught between a battle of realities, propagating both positive and negative reflections of
ourselves. While cameras are weapons of empowerment, they also are weapons of falsehood, no
more seen than in the negative portrayal of African Americans throughout history. Through the Lens
Darkly, grapples with theses concepts, in a ... Show more content on Helpwriting.net ...
Photography, as illustrated in the film, has always been utilized to both self–affirm and negate.
Throughout the film, Harris provides countless examples of horrendous depictions of violent racism
against African Americans. The Agassiz photographs, for example, use the science of photography
to promote the theories of African Americans as an other worldly and inferior race. Stripped of all
civilized decorum, Renty, Delia, and the rest of their family stare almost definitely at the camera in
the haunting daguerreotypes. However, just as slaves were stripped for scientific proof of their
"inferiority", they also were posed in family portraits often surrounded by or holding

Digital Imaging Essay
Digital Imaging Digital imaging inevitably undermines photography's status as an essentially
truthful medium. Discuss.
Until recently, at least, it was possible to define photography as a process involving optics, light
sensitive material and the chemical processing of this material to produce prints or slides. Today
though, that definition is subject to change. Technological innovations...are shifting photography
from its original chemical basis towards electronics... It is not overstating it to say that the advent of
this new technology is changing the very nature of photography, as we have known it. (Bode and
Wombell 1991)
In the last decade computer technology has been introduced to photography yet again challenging
the meaning ... Show more content on Helpwriting.net ...
3) An unprecedented ease, sophistication and invisibility of enhancing and manipulating
photographic images.
4) The entry of photographic images into a global information and communications system as they
become instantaneously transmissible in the form of electronic pulses passing along telephone lines
and via satellite links.
5) The high–speed transmission of news images which are no longer containable within territorial
and political boundaries.
6) The conversion of existing photographs and historical archives into digital storage banks, which
can be accessed at the screens of remote computer terminals.
7) The potential of the new information and image networks for greatly extending the practises of
military and civil surveillance.
8) The unprecedented convergence of the still photographic image with other, previously distinct,
media: digital audio, video, graphics, animation and other kinds of data in new forms of interactive
multi media.
However as the authors stressed, probably more significant than the change in how images are
produced, distributed and used, are the ideas to which the changes are giving rise and how digital
imaging is challenging and changing traditional ways of seeing and thinking. It seems that our

traditional belief that 'the camera never lies' has been brought into question. It also appears
important to consider who

Careful Visual Observations Of Photography
Careful visual observations are key when distinguishing masterpieces of photography. The attention
to the slightest details and uses of many various techniques are what distance Gregory Crewdson
and William Eggleston from the norm. Though it is simple to discuss the contents of a photograph, it
takes a trained eye to analyze the true visual art that the picture portrays. Every image by both of
these photographs contains a hidden meaning, a variety of thousands of possible interpretations
made by the viewers. Composition and content are both considered and involved when the
photographers make the final decisions of the arrangement. Thus, the artist's intensions of the the
subject of the image are also essential to consider. All in all, the ... Show more content on
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There is no mistaking that Crewdson carefully set up every image to create a story that is seen
beyond the frame.
The simple realization is that, in modern art, the value of a photograph is not accredited to the
aesthetics of it. Though aesthetics plays an important role in the craftsmanship of an image, it is by
no means the selling point. Eggleston's photographs are simple yet extraordinary. In order to
understand them, you must understand what art truly is: a way of looking at the world through
different eyes. Art must induce emotions and create new thoughts. It challenges ones views of the
world by creating an entirely new one. Eggleston has mastered this technique. The simplicity of his
photography is the key to his success. Some even describe his works as "perfectly banal, perfectly
boring," yet they are just that, perfect.
"Birth" is featured in Crewdson's "Beneath the Roses" album. The image portrays a young women
sitting in a dimly lit room with a baby by her side. The setting is serene yet gloomy. The baby is
sleeping peacefully on the bed yet the mother has a look of confusion and sadness. The woman is
looking at the child, not knowing what do. She is wearing a patterned nightgown which reveals a
small tattoo on her arm. Darkness surrounds the motel room as lights from beyond the frame shine
into it. On the far nightstand, there is a pack of prescription drugs sitting by the lamp. On the other,
an old

Photograph Of Me

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