Kate Chopin’S The Awakening Essay

Kate ChopinвЂ™s The Awakening Essay
Kate Chopin's The Awakening
Kate Chopin's The Awakening should be seen as depicting the discontentment that comes from self–gratification rather than the glorification of
delighting in one's fantasies. Chopin describes the central idea of one who is seeking to please her personal needs and desires and, in the process,
neglects to notice how her actions affect others. The protagonist, Edna, is not able to find peace or happiness in the accepted daily life that a woman
of her era and social status should have. The fulfilling of her desires could essentially cause social ostracism for her, her husband, and her children, yet
she is unable to find repose in living the typical social Victorian life. The final resolve of her "awakening" ... Show more content on Helpwriting.net ...
Bloom notes that, "Edna is even more isolated at the end than before" (9). As the signs of her discontentment become more severe and it becomes
seemingly clear to her that she will not be able to have her strongest desires fulfilled, her suicide proves to be the next step in her spiral downward.
I first read and studied Kate Chopin during my first semester of college. The assigned story was "The Story of an Hour," and I remember the sense
of shock that I felt when I finished it. When I went to the next class to discuss the story, I remember the stir in the classroom as my classmates could
not understand how a happily married woman could be relieved by the unexpected death of her husband, to the point that she dies of heart failure at
seeing that he is still alive. The students in my class were eager to rationalize why she may feel this way, but were unable to concretely support any of
their claims.
There were several years between my reading of that first short story and any subsequent stories by her. Recently, I have begun to study Chopin again
by reading such stories as "At the 'Cadian Ball," "The Storm," and The Awakening. Being a conventionalist, I am intrigued by Chopin's female
protagonists, who seem to totally completely disregard their roles in society
... Get more on HelpWriting.net ...

The Guilt that Kills in Kate ChopinВґs The Story of an Hour
The Guilt that Kills
"The Story of an Hour" (Chopin 353–354) by Kate Chopin, is a short story about a young lady, Louise Mallard, who has her life turned upside down
in an elapsed time of an hour. Louise has just been informed of her husband, Brently's, death due to a railroad disaster. Louise has heart trouble and
this tragic news begins to take a toll on her. Louise's sister, Josephine, is aware of her heart trouble so naturally becomes concerned when Louise
starts to sob and locks herself in her room. Desperately trying to get Louise out of her room before she becomes ill, Josephine finally gets her out and
they continue to walk downstairs. Just as they make it downstairs, the front door opens and in walks Brently, alive. Doctors eventually arrive and
explain how Louise has died from a heart attack brought on by happiness. In Kate Chopin's "The Story of an Hour", it is said that there is a "joy that
kills" (354). Is it the guilt from having any remote feeling of joy that kills, or truly the joy itself that kills? It is in fact, the guilt that kills.
In S. Selina Jamil's essay "Emotions in the Story of an Hour." (Jamil, 215–220), She talks about how "Kate Chopin focuses on a late nineteenth century
American woman's dramatic hour of awakening into selfhood, which enables her to live the last moments of her life with an acute consciousness of
life's immeasurable beauty" (215). There is a sort of forbidden joy of having independence and awakening selfhood. In "The

What Does The Yellow Symbolize In The Awakening
The Awakening by Kate Chopin Several critics, especially the feminists, view Edna's awakening as intellectual maturity. However, a great number of
critics saw this as nothing but a selfish act that caused her to lose a good life with her family. The following are the symbols that appeared in the
novel, representing Edna and her awakening. Fountains and springs are symbols of motherhood. However, the the fountain's splash at Edna's party is
described as monotonous. This might mean that motherhood became boring for the newly awakened Edna. The color yellow was repeatedly
mentioned in the novel. Yellow is the most powerful color and is associated with pride, cruelty, deceit, and cynicism. This signifies that Edna's
awakening is a cruel and

Robert Frost
The only thing that is constant in the world is change. As Homosapiens have progressed from primitive hunter gatherers to the biggest apex predators
on the planet, nothing has stayed the same. Some epochs were plagued with war and famine while others spurred immeasurable innovation. From
infinitesimal events to yearlong world wars, time has managed to converge to this specific point in the present. Yet technological progress in the forms
of snappier smartphones and virtual reality goggles have allowed today's inhabitants to forget about real reality and the countless events that have
shaped it. Robert Frost reminds us that time's cyclical holds both healing and destructive properties in his eloquent poem "Spring Pools." Robert
Frost was born in San Francisco on March 26, 1874. He was a farmer, a father of six children, but important of all he was a poet. He is highly
regarded for his realistic portrayals of rural life and his mastery of American colloquial speech. His work frequently employed scenarios of rural life in
New England at the beginning of the 20th century, using them to examine complex social and philosophical issues. Frost was honored frequently
during his lifetime, receiving four Pulitzer prizes for poetry and even a Nobel Prize nominee in literature. He published "Spring Pools" in 1929 inside a
volume of poems titled West Running Brook. During this time Frost taught English at Amherst College in Massachusetts. He called his simplistic use
of language as "the

The Awakening: Women's Role in Society
Have you ever wondered what the lifestyles of Nineteenth Century women were like? Were they independent, career women or were they typical
housewives that cooked, clean, watched the children, and catered to their husbands. Did the women of this era express themselves freely or did they
just do what society expected of them? Kate Chopin was a female author who wrote several stories and two novels about women. One of her
renowned works of art is The Awakening. This novel created great controversy and received negative criticism from literary critics due to Chopin's
portrayal of women by Edna throughout the book. The Awakening is a novel about awoman, Edna Pontellier, who is a confused soul. She is a typical
housewife that is looking to ... Show more content on Helpwriting.net ...
Adele is a mother–woman that lives for her children and Reisz despises children. Edna does love her children but she can't express her true identity. In
the Creole society, "mother–women idolized their children, worshipped their husbands, and esteemed it a holy privilege to efface themselves as
individuals and grow wings as ministering angels." (Justus, 109) Edna Pontellier was dissatisfied with the life of a mother–woman because she couldn't
release her true identity. Neither friends nor lovers could help her release her identity as a free woman. The tragedy within the book that James Justus
likes to point out is that despite her emotional changes Edna cannot release her identity. As a result, she commits suicide. From a different aspect,
Kenneth Eble explores and examines the tragedy of Edna's suicide. In his article, Eble starts off by first saying that the novel is about sex. Then he
refers to Chopin's biographer, Daniel Rankin and argues what Rankin believes about the novel. According to Eble, Daniel Rankin called The
Awakening "exotic in setting, morbid in theme, erotic in motivation." He refers to Edna as a "selfish, capricious" woman. Eble thinks otherwise.
Kenneth Eble emphasized that Edna is not deluded by the ideas of romance, nor is she the sensuous but guilt–ridden woman of the novel. Eble
concludes that Edna's struggle for her identity and her

Ray Shultz's Spring Awakening
On Thursday, October 19th, Ray Shultz, Professor of theater arts, and the theatre company, presented a lecture/demonstration on the soon to be staged
musical Spring Awakening. Several members of the company as well as Professor Shultz spoke about the musical and gave the audience some of the
background informations, as well as enacted three excerpts of the production. The musical, Shultz explains, was written in the Spring of 1890, and
although at the beginning was considered scandalous, it is now considered a classic of dramatic literature, as it has influenced and anticipated a lot of
other dramatic forms. It is a very influential play even though not well known to mainstream audiences. At the time of its creation it was very reviled
and controversial, and because of that it was not given a sage until 1906 in Berlin. After than, the production was banned in many places until 1974,
when in England the... Show more content on Helpwriting.net ...
That rebellion against the older generation gained much more favor in english speaking audiences during the 1960's and 70's, when women fought for
the right of contraception, which made the play relevant to that time. A recurring theme throughout the play is the children questioning why the adults
were not made aware of these topics. In the play the adults play a form of willful ignorance. Although the play portrays the voices of children of the
19th century of Berlin, they sing in a style that could be applied to 21st century American teenagers. The children from the beginning of the play sense
this ignorance and cry out for

My Best Friend
In the winter of 8th grade, I began to disconnect from my friends, mainly my 'best friend'. I didn't have as much fondness of her as I would've had a
few years ago. I didn't laugh with her as much, and we didn't hang out as often or even feel the need to. It was as if I didn't want to be with her.
"I've known Rue since 3rd grade, so we're best friends," Emma had stubbornly declared to my friends during lunch at school. Emma grabbed my arm,
yanking me towards her until our shoulders rubbed against each other. I plastered a smile in front of the others, slowly withdrawing my arm from her
hold. That's not how being best friends work, right? I questioned. The air was malicious, nipping my skin as if telling me to stop being her friend.
The following day, the two of us were drawing in the school's math hallway while having lunch. "Do you think this is good?" Emma asked, holding up
a scruffy drawing that was supposed to portray an angel grieving the death of his bird.
Even though the picture looked more like a person gorging on a bird, it was better to give her support rather than destructive criticism. After all, she
needs more practice in order to improve."It's amazing," I cheered. "How about mine?"
"Oh, it's alright, it looks kind of weird though."
Just as she said that, the crisp winter air blew across the sketch, humming in agreement with Emma's words. In turn, my drawing spoiled, blurring as
the I made the eraser scrub back and forth until the paper tore in half and I

Sexuality In Spring Awakening
Throughout his study Psychopathia Sexualis, Krafft–Ebing argues that sex is an animalistic instinct that can drive humans toward barbarism, unless
cultivated with beauty and emotion. Similarly, Act I of Spring Awakening can be interpreted to support the notion that sexuality is inherently shameful,
specifically through the dialogue of Melchior. However, a closer read of the play suggests that Wedeking identifies more with the character Moritz,
whose naГЇve view of human nature directly challenges Krafft–Ebing. Though the boys cast down Moritz as stupid, presuming that his report card is
"already full of F's," the exchange between Professors Starver and Brockenbohn implies that the studious Melchior sees some intelligence in Moritz,
or else there would be no relationship (Wedekind 28). In fact, Moritz' remark that "a human being's sense of shame is merely a result of his
upbringing" transpires as more sound than Melchior's desperate persuasion that shame of sexuality is innate and unrestrained, akin to the views of
Krafft–Ebing (19). Melchior further echoes the writing of Krafft–Ebing when he participates in a sadomasochist experience with Wendla at the... Show
more content on Helpwriting.net ...
Whereas Krafft–Ebing views sex and religion as two similar alternatives, where a person can find refuge in one if the other is lacking, Wedekind
suggests that work can also function as an outlet, through the synecdoche of the boys' homework. Moritz, having never seen a naked girl, instead pours
his attention into schoolwork, challenging the notion that religion is the only alternative to sex. Instead, Moritz' dialogue suggests the possibility that
"Central America and Louis the Fifteenth... [p]lus the sixy lines of Homer, the seven equations, the Latin paper," or more in general, work, can be
used as a way to avoid talking about and participating in sexual activity (Krafft–Ebing

Spring Awakening Play Review
I find it incredibly fascinating thinking about this musical as a creation from the early 1900's. The controversial subjects of sexuality, sexual deviation,
sex, religion, education, abuse are still akin to the current times and societal norms and expectations today. That I could visualize this musical in real
world in current times made this a very impactful and significantly alluring musical.
I absolutely loved Spring Awakening. Firstly, I thought the entire musical was beautifully directed. The set was incredibly polished and professional.
The lighting was powerful and set the mood for the various scenes and distinctions in setting very well. The different lightings at the same time to
show different contexts and situations made this seem very professional and of top quality. I was hosting a couple of theatre alumni from Bucknell and
had a very interesting conversation with them regarding the musical. They said that the enjoyed the visuals, the music and ... Show more content on
Helpwriting.net ...
I think that would be a role that I could play because my childhood revolved around very strict authoritative school teachers and principals. And,
considering the context of the play, I would find it easier to play a more neutral role than a significantly more intense role that would require a lot of
character development and support to envision and empathize with the character's state of mind. The only criticism that I had was of when the actors
broke character a little too early before they exited the stage or was out of vision from the audience. When some of the characters were moving down
the stairs they would break character earlier and it was noticeable in some cases. The dancing was great but in some cases it was evident that they
weren't trained dancers and their expressions showed that they were thinking of the next steps. Besides that everything was spectacular and I'm so
impressed by their

Kate Chopin 's The Awakening
Commonly explored throughout her works, the idea of marriage inhibiting a woman's freedom is the driving force behind Kate Chopin's contextual
objections to propriety. In particular, The Awakening and "The Story of an Hour" explore the lives of women seeking marital liberation and
individuality. Mrs. Chopin, who was raised in a matriarchal household, expresses her opposition to the nineteenth century patriarchal society while
using her personal experiences to exemplify her feminist views. Katherine O'Flaherty, later Kate Chopin, was born to Eliza and Thomas O'Flaherty in
St. Louis, Missouri on February 8, 1850 (Deter). Unfortunately, when Mrs. Chopin was four, her father died in a train incident leaving her under the
care of three independent widows'– her mother, grandmother, and great–grandmother (Deter). Mrs. Chopin's great–grandmother, Victoria Verdon
Charleville, directed her education, "giving her a taste of the culture and freedom allowed by the French that many Americans during this time
disapproved of . . . through the art of storytelling" (Deter). Therefore, much of Mrs. Chopin's success in writing about women pursuing morality,
freedom, and political independence can be attributed to Victoria. Furthermore, the teachers at the St. Louis Sacred Heart Academy, a school Mrs.
Chopin's father had previously enrolled her in, "exposed her to Catholic teachings devoted to creating good wives and mothers, while also teaching
independent thinking" ("Biography").

Blue Wind Song 'Spring Awakening' By Ilse And Moritz
Blue Wind from Spring Awakening
Introduction
"Blue wind" is one of the most popular songs of "Spring Awakening". "Blue Wind" is a duet song that is sung and performed by Ilse and Moritz.
This song is interpreted by different people in different ways. Some find it haunting while others see it as gorgeous duet. Ilse and Moritz are
childhood friends and are suffering in their personal life. Ilse is regularly abused by her father while Moritz was thrown out from his house by his
father. This paper proposes to discuss and analyse the "Blue Wind" song from famous musical the "Spring Awakening".
Analysis
This song is very important for the play as Ilse and Moritz share their love, as well as, pain through this song. Both are important characters of the
play and are in perplexed situation. Both of them are childhood friends and have met after a long time. Ilse was subjected to abuse by her own father
since a long time. She was not only very ... Show more content on Helpwriting.net ...
Seeing this song touches the heart of audiences. This song depicts pain and suffering of Ilse, but at the same time it also indicates about the love of
a beautiful girl towards her lover. She inspires her lover and does not hesitate in portraying pain and sufferings of her own life. Ilse has been
portrayed in this song as very practical and bold girl who believes in making her present instead of crying unnecessarily about her past.
The overall feeling of the song, "Blue Wind" is very pleasant. Lyrics and music of the song are commendable. The voice is soothing and appealing.
The song conveys a message of positivism. The condition of Ilse has been portrayed as more than worse who was abused by her own father. If she
can think that everything is going to better in the future, everybody should believe that way. On stage performance of the song "Blue Wind" is just
amazing. It attracts everyone and touches hearts of those who are practical and have witnessed ups and downs of the

Dr. Oliver Sacks 'Awakenings'
A moment of genuine humor in Penny Marshall's film version of "Awakenings" finds the ward nurses at a Bronx hospital for chronic mental patients
annoyed at having to stop watching a soap opera on television. They happen to be surrounded by real–life events of a sort that soap–opera writers only
dream about, miraculous occurrences alive with joy and pathos, love and laughter, courage and tears: all the things that give the phrase "triumph of
the human spirit" a bad name. It need not have been so. "Awakenings," Dr. Oliver Sacks's 1973 account of the events that are seen here, is quite free
of false sentiment, preferring to let the extraordinary facts of Dr. Sacks's medical detective story speak for themselves. The patients whose lives he
changed... Show more content on Helpwriting.net ...
"Thus these patients," Dr. Sacks wrote, "some of whom had been thrust into the remotest or strangest extremities of human possibility, experienced
their states with unsparing perspicacity and retained the power to remember, to compare, to dissect and to testify." It was Dr. Sacks's inspired
understanding of this state as possibly responsive to the drug L–dopa that led to the opening of what the film calls a "chemical window." For a brief
period, these patients regained their ability to move and speak freely. Their wildly unpredictable reactions to this physiological windfall, as
documented scrupulously and reflectively by Dr. Sacks, are what give "Awakenings" its potency as both a mystery story and a meditation on the limits
of human consciousness. If Dr. Sacks's descriptions make impossible–sounding transformations sound real, Ms. Marshall's film very often has the
opposite effect. Her "Awakenings" is a fairy tale forged uneasily out of facts, despite the facts' overwhelming strangeness and weight. "Awakenings"
both sentimentalizes its story and oversimplifies it beyond recognition. At no point does the film express more than one idea at a time. And the idea
expressed, more often than not, is as banal as the reality was

Spring Awakening Theatre
Broadway is no longer for the hearing after introducing deaf actors in the revival of "Spring Awakening." The show is now looked at from a new
angle since both hearing and deaf actors share the stage. Usually, the roles are divided with one person signing and another singing. NYT Critics
describe the show as "thrilling" and "inventive" and in "Review: 'Spring Awakening' by Deaf West Theater Brings a New Sensation to Broadway"
they agree that deaf actors in a musical may sound bizarre; however, the viewer will become "immersed...in a first–rate production of a transporting
musical." For example, the protagonist, Wendla Bergmann, is played by two actors, one is deaf and the other can hear. As Sandra Mae Frank signs the
dialogue, Katie Boeck,

Spring Awakening Critique
On September 30, 2016, I attended the musical Spring Awakening, by Steven Sater. The musical production was performed by the West Georgia
Theater Company and directed by Shelly Elman. The production was definitely something to remember, but after it was over I felt slightly relieved.
Personally I wouldn't recommend anyone to go see this Spring Awakening performance. Each scene brought different emotions about such as
confusion, disbelief, astonishment, humor, and shock. When arriving to the musical I was a bit excited, because I was hearing about the content that
was supposedly being displayed on stage and I thought this musical was definitely going to be interesting. Towards the end of the musical the title went
from Spring Awakening to Falling... Show more content on Helpwriting.net ...
It seemed as if the costumes were meant to be literal and just go with the theme of the musical. Seeing the actors switch from school regulated
uniforms dress code costumes to what seemed to be a rock band's attire was a bit annoying, because when they were constantly ripping apart their
vests and snapping it back together. Some of their double sided costume components would be submerging out with each change, making it very
distracting. Not only were the costumes difficult to distinguish, but some of the characters were as well. With three actors having to play two
different roles, it was hard to tell the difference between Hanschen and Rupert, played by Bryan Jones, or Ernst and Reinhold, played by Fern Jones,
or Otto and Ulbrecht, played by Tyshawn Gooden. At one time I thought the Wendla and Melchior were sister and brother, because both characters'
mother was acted out by the same actress and it made me extremely confused at first. The only thing that separated the actors playing multiple character
roles were them changing the style or color of a shirt or dress. The small change in clothing wasn't enough to help me differentiate the different character

My Personal Experience In College Education
Spring 2017 was the worst semesters for me in comparison to my entire college education. I returned back to college after leaving for six years. I
started back spring 2016 at Cuny Hostos . I took 5 classes in the spring and Fall and one class over the summer. I maintained a GPA over 3.0. I had 3.54
the spring, I passed my summer class and I maintained a 3.94 for the fall . I transferred from there due to the distance and I attended my first semester at
Brooklyn College. So many elements affected me and I must be honest and say this was a very hard adjustment for me. My toddler son had
contracted pink eye on three separate occasions. One of my closest friends experienced a horrible anxiety attack where she flat lined twice in front
of me. I'm unsure of the name the EMT called it but he said due to the stress she was dealing with that her body shut down on her. Having to be her
main source of support has mentally and physically strained everything in me. Another stressful situation that took place was my cousin experienced
a event which caused her to have a psychotic breakdown. She witness a murder while she was away in college and she tried to cope with drugs and
a bunch of other things. Her parents went and got her and she was in a manic stage. She was home for about three days, not sleeping, not eating, just
babbling about a few different things. Full of rage, energy it was a very long three days with her. My mom finally convinced her parents that she
needs to go to

Abortion In Kate Chopin's Spring Awakening
In Spring Awakening, the central conflict is between the children and the sexually repressed society they live in. For example, when fourteen–year–old
Wendla asks her mother how babies are made, her mother initially refuses to tell her. Instead, her mother responds with "Go get dressed, young lady;
go get dressed," with clothes functioning as a symbol for ignorance and supposed purity (Wedekind 40). Eventually, Wendla'smother does offer an
explanation for procreation, but it's a lie: "You have to love him, Wendla, in a way that you at your age absolutely can't" (41). Ironically, Wendla does
end up having sex at such a young age, through a nonconsensual experience with Melchior; this leads to her pregnancy, an abortion, and ultimately her
death.

Coming Of Age In Kate Chopin's Spring Awakening
The play ''Spring Awakening'' is a coming of age story about the discovery of sexuality and the intense transition teenagers go through as they are
desperately trying to figure out who they are and who they will become. The title of the play makes an implicit reference to those aspects featured in
the story using a metaphor that doesn't give any hint of what the story might be about. While reading the play, readers realize that the words ''spring''
and ''awakening'' have a lot more meaning than what they might have thought. The two words in the title can be analyzed separately, as the word
spring the birth of physical changes and the word awakening is about the birth of emotional changes and the seek for meaningful answers as the
characters... Show more content on Helpwriting.net ...
Here, the word ''awakening'' is referring to the characters waking up from their childhood daze where they believed everything they heard and lived
in the comfort of the unknown to becoming curious about the world surrounding them and about the changes they are undergoing. Each character
becomes more aware of their own desires and explores them secretly as they are taught to repress them. They are growing as curious young adults
who need answers to the questions they have, but these answers are being hidden by society who want to keep them innocent for example Wendla's
mother not telling her how babies are made is a strong example of this issue. By preventing Wendla from knowing such information, her mother
thinks she is keeping her safe however further in the play we learn she actually put her even more at risk by doing so. Since society at that time was
ruled by religion, the question of sexuality is being severely repressed which is bad for teenagers since sexuality is an important aspect of growing up.
By hiding these things, society is pushing them to seek for answers by themselves. Also, by trying to protecting them form such subjects as stated
previously, the adult are putting them even more at risk since they have no knowledge of what is actually happening to them and the

Analysis Of The First Scenes Of Spring Awakening By Wendla...
Everyone is entitled to his or her opinion. However, I believe that it is a woman's right to be able to decide for herself what she does or does not do.
It is not the government's place or a man's role to influence her decision. During the first scenes of Spring Awakening, Wendla Bergmann begs her
mother to tell her about where babies come from. Although her mother acknowledges that Wendla is becoming a young woman, she cannot bring
herself to explain these life lessons to her daughter. Wendla laments about her mother giving her "no way to handle things," in the song "Mama Who
Bore Me." Conflicted, Wendla's mother finally responds, "to conceive a child, a woman must love her husband with all her heart." As a result of her
mother's desire to protect the innocence within her daughter, Wendla unknowingly has sex and gets pregnant. The young girl is then forced to undergo
an abortion procedure that consequentially kills both Wendla and her unborn child. While Donald Trump is openly against abortions, the presidential
candidate said that if the procedure is banned in the United States, women who seek them should be subject to some form of punishment. The notion
that women who are victims of sexual assault should be denied the right to terminate a pregnancy and then undergo further torture and torment because
they sough such measures is against the values of our nation. We are faced with choices every day. Some are easier than others. Some are harder than
others. However, they

Frank Wedekind's Spring Awakening And Atonement
Frank Wedekind's Spring Awakening and Ian McEwan's Atonement examine the notion that those who abuse power do so for personal gain. Through
the use of themes such as: Power in sexuality, including notions of submission and dominance. Coming of age, regarding how children either don't
want to grow up, or contrastingly grow up too quickly. The power dichotomy between parents and children, contrasting children oppressed by their
parents to those who act as a parental figure, and the use of guilt to disempower or empower. While examining these themes both authors use a plethora
of literary techniques, in order to emphases their own views on the topic of distorted power. Power in sexuality is a concurrent theme in Wedekind's
Spring Awakening... Show more content on Helpwriting.net ...
Additionally, when Melchior yells, "There's no such thing as love! It's all self, all ego", he is using his knowledge of Freud and his Nihilist view on
society to disempower Wendla, causing her to question her innocent views of love. McEwan utilises intertextuality to Nabokov's Lolita, to support the
power imbalance in the relationship between Paul Marshall and Lola Quincy. Lola's name is a direct reference to Lolita which subsequently
foreshadows her eventual rape, and the virulent relationship created between the two dichotomous characters. Both Paul and Melchior use their
superior knowledge or age to disempower more innocent characters in their respective texts. Whereas, Robbie contrastingly, empowers Cecilia with his
words. Both texts are a bildungsroman, dealing with the power acquisition often attributed to coming of age in an oppressive and infantilising society.
In Spring Awakening, Wendla's body has outgrown her mind, mentioning that underneath her "sackcloth... [she'll] be dressed like a fairy queen" a
symbolic act that highlights Wendla's innocence, juxtaposed against the harsh, scratchy imagery associated with a sackcloth, that represents her mature
physical–self. However, due to the rigid structure of her family, Wendla was bereaved from the power often paired with this process of maturing. In
Atonement, the most blatant example of Briony's "coming of age" is her lack of development between Part One and Part Four. Briony obsessing over
fairy tales,

Women In 1800s
The 1800s served as a turning point for the role of women in society. Nearing the end of the century, the idea that women should not work outside the
home began to be challenged, and women started to hold jobs of their own (Fischer et al., 2000). Great opportunity was given to unmarried women, as
they gained independence in living apart from their families (Fischer et al., 2000). Women began to fight for their independence, opposing the idea of
only being known as a housewife. Kate Chopin was among the individuals who challenged what the role of women in society was during the late
1800s. Chopin shares her perspective in her two short stories, "The Story of an Hour" and "The Storm." In "The Story of an Hour," the main ... Show
Mrs. Mallard's heart trouble is symbolic of her broken relationship with her husband, Brently. Of all the possible health issues that Mrs. Mallard
could have been battling, it is heart trouble that she if faced with. It is noted that Josephine speaks "in broken sentences; veiled hints" (Chopin,
"The Story"), so that the news of Brently's death is revealed to Mrs. Mallard as carefully as possible. However, the news of her husband's death
actually brings a new life to Mrs. Mallard: "Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body" (Chopin,
"The Story"). Mrs. Mallard's marriage has confined her to her home and has caused the loss of her freedom, which is represented by her heart
trouble. Her death is not caused by the joy of seeing her husband like the doctors thought, but rather due to a loss of joy, as she loses her newly found
independence upon seeing Brently walk through the front door. Chopin shares: "When the doctors came they said she had died of heart disease – of joy
that kills" ("The Story"). The window in Mrs. Mallard's bedroom also serves as an important symbol in the story, representing Mrs. Mallard's
freedom. Upon seeing the beauty throughout the streets as she looks out her window, Mrs. Mallard is finally able to realize that the rest of her life is
full of countless possibilities (Rosenblum,

HГ¤nschen In Frank Wedekind's Spring Awakening
For this assignment, I incorporated the characters originally from Frank Wedekind's 1891 play, "Spring Awakening." The characters and story were
later translated into the Broadway hit rock musical by Steven Sater and Duncan Sheik. The piece deals with the miscommunication between adults and
youth, between parents and children, as well as the dangers that extend from this lack of proper communication and education to youth. The story
follows Wendla, Melchior, and Moritz, all young people who are growing both physically and emotionally throughout the show and trying to learn
about the world around them despite the oppressive adults in their society. (I am using both the musical and the play to reference to following
information.)
1. Character: ... Show more content on Helpwriting.net ...
Dynamic: Moritz. Moritz is described as "sorrowful," and he is to a certain extent. He is the best friend of Melchior and is prone to frequent
anxiety. While Moritz is one of the main characters in the show, his story is very separate from all of the others. He struggles in school, and his
growing confusion towards puberty and oncoming adulthood causes him to lose sleep and, therefore, fail a year at school. When he confronts his
father with the news, after being politely turned away by Melchior's mother, Moritz's father hits and essentially disowns him. This leads to Moritz's
suicide. Moritz is a good example of a dynamic character because he is very realistic and the events of the story have a profound effect on him.
6. Stereotypical: Ernst. Ernst is a stereotype of an innocent, naive youth. He is your typical red–cheeked and wide–eyed character with a shy and sweet
nature. He also fits the stereotype of a young, closeted gay man, trying to hide his feelings until he is propositioned by HГ¤nschen and the two
become lovers. As a result of these stereotypes, Ernst can fall into the category of a stereotypical

The Story Of An Hour And The Awakening Feminist Analysis
At the end of 19th century, American society presented an ideology of patriarchy. Feminists struggle for the equality and discrimination against female.
As feminist movement started, lots of female writers were explored. One of the most famous writers is Kate Chopin. Her works mostly present a
theme of women pursue freedom and equality. "The Story Of An Hour" and "The Awakening" are her representative works. In these two works,Kate
Chopin reveals how women lived under the oppression of male–dominated society, especially for women who got married. They were not financially
independent and their freedom and rights were deprived. Therefore female were forced to be an "angle in the home". Both challenge the preconception
that women can only be a housekeeper and marriage is the only way out.
"The Story of an Hour" was narrated by the third person. The main character Mrs. Mallard is a housewife and she has a heart trouble. Her Husband
dies in a railroad disaster. When she heard the news, "she did not hear the story as many women have heard the same, with a paralyzed inability to
accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms" (Pg 93). She did not cry out immediately, she seems
shocked for a while and suddenly break out. From my opinion, she isn't shocked, she is surprised. She is not just cry for the death of Mr. Mallard, but
also for the free life that she's going to live. She has been trapped and pressed for so long. Husband's

Spring Awakening By Frank Wedekind Essay
The play Spring Awakening, written by Frank Wedekind, pushed the boundaries of the strongly moralistic society of the Victorian age. It was written
in 1891, but because of its explicitness, it was not performed until more than a decade later, in 1906. One controversial aspect that is detailed in the
play is the unwanted pregnancy of the character Wendla Bergmann. Wedekind 's description of this topic illuminates the destructiveness of the
Victorian age, which believed in morality and virtuosity above all else. The complete lack of sexual education,middle class values, and hostile feelings
towards illegitimate children are the topics concerning sex and sexuality examined in Spring Awakening.
Act II Scene II of Spring Awakening illustrates the lack of sexual education taught to adolescents with the dialogue between Wendla Bergmann and
her mother. In the scene, Mrs. Bergmann returns home to announce to Wendla that her older sister Ina was visited by the stork who had "brought her
a little baby boy" (Wedekind 35). It is clear to see that Mrs. Bergmann, in keeping with the modes of morality, is shielding her daughter from any
knowledge whatsoever of sexual intercourse. She instead prefers to keep in Wendla in total ignorance, perhaps to keep her from experimenting or to
keep her untainted by such immoral knowledge. Despite this desire, Wendla is curious to learn how children are actually procreated and begs, "Please,
Mommy, tell me! ... Answer me– what goes on? – how does it all

Frank Wedekind's Spring Awakening
As an audience member in the play Spring Awakening I would say that the acting, directing, and design came together for a successful production and
interpretation of this 19th century German Drama. First off, the majority of the actors showcase the Realism and Naturalism that the producer Frank
Wedekind intended for this period piece. I would say the majority excelled because I was personally confused by the two adult leads having multiple
roles. But once I caught onto what was happening I feel that it did not take away from the play as a whole. Later in class I learned that the play
suggested that the adult leads should have multiple roles which helped me to understand the production. This is the director's choice to follow what is
suggested

Analysis Of Thoreau 's ' Solitude '
Thoreau opens "Solitude" with a melodious articulation of his pleasure in and sensitivity for nature. When he comes back to his home in the wake of
strolling at night, he finds that guests have ceased by, which prompts him to remark both on his strict separation from others while at the lake and on
the non–literal space between men. There is closeness in his association with nature, which gives adequate fraternity and blocks the likelihood of
forlornness. The immensity of the universe puts the space between men in context. Thoreau brings up that on the off chance that we accomplish a more
prominent closeness to nature and the heavenly, we won 't require physical nearness to others in the "station, the mail station, the tavern, the
meeting–house, the school building" – places that offer the sort of organization that diverts and disperses. He remarks on man 's double nature as a
physical element and as a scholarly observer inside his own particular body, which isolates a man from himself and adds encourage point of view to
his separation from others. Also, a man is constantly alone when thinking and working. He finishes up the part by alluding to allegorical guests who
speak to God and nature, to his own unity with nature, and to the wellbeing and imperativeness that nature gives. Proceeding with the topic created in
"Higher Laws," "Brute Neighbors" opens with an exchange amongst Hermit and Poet, who typify spellbound parts of the creator himself (creature
nature and the

Research Paper on Kate Chopin and Her Works
Kate Chopin is best known for her novel, The Awakening, published in 1899. After its publication, The Awakening created such uproar that its author
was alienated from certain social circles in St. Louis. The novel also contributed to rejections of Chopin's later stories including, "The Story of An
Hour" and "The Storm." The heavy criticism that she endured for the novel hindered her writing. The male dominated world was simply not ready for
such an honest exploration of female independence, a frank cataloguing of a woman's desires and her search for fulfillment outside of the institution of
marriage.
Chopin, fatherless at four, was certainly a product of her Creole heritage, and was strongly influenced by her mother and her maternal ... Show more
content on Helpwriting.net ...
Per Seyersted, Chopin's biographer, writes in his introduction to The Complete Works ofKate Chopin, Volume 1, that the reason why editors turned
down a number of her stories was very likely that her women became more passionate and emancipated (46). Given that "The Story of an Hour" was
published in 1894, several years after it was written, we can comprehend the importance of moral grounds as a basis for rejection. Marriage was
considered a sacred institution. Divorce was quite rare in the 1800s and if one was to occur, men were automatically given legal control of all property
and children. Even the constitutional amendments, granting rights of citizenship and voting, gave these rights to African Americans first, not women.
Women were not granted the right to vote in political elections until 1920. Obviously then, a female writer who wrote of women wanting
independence would not be received very highly, especially one who wrote of a woman rejoicing in the death of her husband. The fact that she pays
for her elation with her life at the end of the story is not enough to redeem either the character or the author.
In Donald F. Larsson's entry on Kate Chopin in Critical Survey of Short Fiction, we learn that consistently... strong–willed, independent heroines...
[Who] cast a skeptical eye on the institution of marriage is very characteristic of her stories (11). In "The Story of an Hour", we do not so much see
as intuit Mrs. Mallard's skeptical eye.

Spring Awakening By Frank Wedekind
Spring Awakening, written by Frank Wedekind and adapted into a musical by Steven Slater and Duncan Sheik, follows the troubles and turmoil of
German school children in the 19th century. These children are around 13 to 15 years old, so they are beginning to go through puberty and are
experiencing a sexual awakening. Due to the society around them, they know nothing about their own bodies or sexuality. This leads to some major
problems such as unwanted pregnancy, abortion, and rape. Though there are many moral and societal issues presented in the musical, Kennesaw State
University's production of Spring Awakening places the emphasis on the importance of sexualeducation and the problems that occur when proper
education is not given to students.
This musical primarily focuses on the actions of three children: Melchior Gabor, Wendla Bergmann, and Moritz Stiefel. While in class one day, Moritz
incorrectly pronounces a Latin term and gets ridiculed by the teacher. Melchior attempts to help him, but he is punished for speaking out. Moritz
explains to Melchior that he cannot sleep due to "nightmares" (sexual fantasies), and Melchior has to explain that every classmate is having those as
well. To help Moritz understand more, since there is no sex education, Melchior writes an essay explaining everything. Melchior and Wendla end up
meeting in a field and talk about their childhood and their wanting. In the meantime, though he has technically passed his midterm examinations,
Moritz is

Liberation in The Awakening and Their Eyes Were Watching God
Liberation in Kate Chopin's The Awakening and Zora Neale Hurston's Their Eyes Were Watching God
With few exceptions, our male dominated society has traditionally feared, repressed, and stymied the growth of women. As exemplified in history, man
has always enjoyed a superior position. According to Genesis in the Old Testament, the fact that man was created first has led to the perception that
man should rule. However, since woman was created from man's rib, there is a strong argument that woman was meant to work along side with man as
an equal partner. As JamesWeldon Johnson's poem, "Behold de Rib," clearly illustrates, if God had intended for woman to be dominated, then she
would have been created from a bone in the foot, but "he ... Show more content on Helpwriting.net ...
Edna weds Leonce Pontellier, a Creole, to retaliate against her father and sister. In defiance, Edna marries, not for love, but to punish her family for
their disapproval. Edna's first marriage is her initial attempt towards self–determination. Janie, on the other hand, in her initial attempt towards
self–determination, rejects the idea of marriage, but is forced into a loveless union to Logan Killicks because of her grandmother's persistence. Janie
had always believed in marrying for love, not security–a virtue her grandmother adamantly preached. Ironically, these oppressive marriages make these
women stronger. Initially, these women are looked upon as possessions, and, thus, their identities are degraded. Leonce treats Edna as a belonging
and looks upon her "as one looks at a valuable piece of personal property which has suffered some damage" (Chopin 7). Janie is regarded in the same
way by Logan, who "refuses to accept essential parts of her heritage, personality, and experience" (Kubitschek 23).
Because their husbands limit their avenues of opportunity to pursue any individual growth, they become more determined to rebel against the status
quo. Edna and Janie are expected to play the roles of a typical woman of their times: keeping home, cooking meals, and raising a family. The concept
that either woman could be capable of supporting herself was alien to this period. Edna

Spring Awakening, By Frank Wedekind
Introduction The subject of this investigation is "How did the 2007 Broadway production of Spring Awakening convey the structure of an authoritarian
society and its detrimental effects on the youth of the musical?" Adapted from the German play The Awakening of Spring A Tragedy of Childhood,
written by playwright Frank Wedekind, the musical Spring Awakening "[explores] the tortured inner lives of a handful of adolescents [living] in
19th–century Germany" and their struggles to deal with problems such as: sexual frustration, failure, and abuse; all made worse by the overbearing
adults who wield their power over the vulnerable young characters through indoctrination and fear tactics (Isherwood). Under the direction of Steven
Sater and Duncan Sheik, all the elements that went into making this musical reflect the central message of the play–a warning of the dangers of an
authoritarian society and how, if too powerful, can create horrific situations for the younger generation, depicted in the musical through tragedies such
as suicide and teenage pregnancy.... Show more content on Helpwriting.net ...
Thus, making it worthwhile to investigate and analyze as it provides social commentary that is applies to all generations of young people. Through
utilization of juxtaposition and symbolism in characterization, manipulation of staging, and the text itself, the 2007 Broadway production of Spring
Awakening clearly portrays the structure of an oppressive authoritarian society, and provides insight on how this environment affects a young

Theater Spring Awakening: Character Analysis
Broadway musical theatergoers typically associated a musical with the music that is being sung and not with the actors who are portraying the roles.
You go to the theater for the musical experience or to witness someone play a groundbreaking role. When a musical has a character with a disability,
what happens? Does this change the approach of the theatergoer? Our culture views disabilities in a musical or theater setting as an experience in itself.
People flock for the freak show aspect of it, not to see and understand the artists musical or theatrical skills. Theater is about having an interest in the
human condition and creative story telling. Through using shows like The Phantom of the Opera and Porgy and Bess as case studies, the goal ... Show
A reoccurring theme throughout the four shows examined in the remainder of this paper, The Phantom of the Opera, Porgy and Bess, Next to Normal
and Deaf West Theater Spring Awakening, is that of the main characters being unintentionally asked to overcome adisability. The Phantom of the
Opera looks at its main character the Phantom who was born with a disfigurement of his face and how he attempts to find love while hiding the
disability he was born with. Porgy and Bess tackles Porgy's disability and how different productions portray his disability and its severity. Next to
Normal looks into the life of Diana and her struggle with mental illness and how her invisible disability affects the lives of her family and those
around her. Deaf West Theater's production of Spring Awakening is kind of the odd one out in the case studies of shows in this paper. Spring
Awakening was originally performed by an all able–bodied cast but the 2016 revival takes deaf and hearing actors and submerges them into the lives
of emerging adults in Germany, 1891. While each of these shows plots are very different, each of them unite around their disabled characters and their
journeys through the show and the audience's perception of

The Transformation of Edna Pontellier in The Awakening Essay
"She wanted something to happen– something, anything: she did not know what"
(Chopin). In Kate Chopin's novel, The Awakening, the reader is introduced to Edna Pontellier, a passionate, rebellious woman. Throughout the novel, it
becomes apparent how unsettled Edna feels about her life. The reader can identify this by her thoughts, desires, and actions, which are highly
inappropriate for an affluent woman of the time. In the novel, Edna has an awakening and finds the courage to make the changes she sees necessary.
Kate Chopin is able to make quality connections in order to symbolize her innermost desires. Chopin does this by providing references to the sea, and
the birds, and then using them to foreshadow Edna's end of life
decision. ... Show more content on Helpwriting.net ...
In The Awakening, Edna finds herself yearning for this type of freedom and independence. She desperately wants to be relinquished from her stagnant
life of wife and motherhood. Kate Chopin chooses to represent
Edna's desires through these symbolic birds. These solid references are scattered throughout the novel. They are first seen in chapter one, when Mr.
Pontellier enters Madame Lebrun's: "A green and yellow parrot, which hung in a cage outside the door" (Chopin) and, "...the mockingbird that hung on
the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence" (Chopin). These are, arguably, the two most
significant pieces of symbolism in relationship to birds. This is because the parrot and mockingbird are in cages, representing the idea that Edna feels
trapped by her current life. Also, the birds are squawking at
Mr. Pontellier, representing the voice Edna is unable to express for herself early on in the novel
(Shmoop Editorial Team). The next reference to birds appears when Mademoiselle Reisz says to
Edna: "The bird that would soar above the level plain of tradition and prejudice must have strong wings" (Chopin). This is understood to mean that if
Edna truly needs her freedom and independence to be happy, then she must be courageous enough to go against the norms of society (Shmoop Editorial
Team).

Spring Awakening Play Theme
Spring Awakening is a rock musical set in late 19th century Germany. It follows the lives of young teenagers (from fourteen to sixteen) as they navigate
through the turmoil of their teenage sexuality. The musical contains some explicitly mature content and themes, such as sex, conception, erotic dreams,
expressed desire for physical intimacy, physical and sexual abuse, hitting, ambiguously consensual sex, suicide, inappropriate language such as cursing,
teenage pregnancy, masturbation, and death caused by an incorrectly executed abortion. The musical is based off of the play Spring Awakeningwritten
by Frank Wedekind in the late 1800's. At the time, it was written for the purpose of commenting on how German culture revolved around the purpose
of oppressing young teenagers' sexual desire and shaming those who were curious about sexuality. The controversial and, at the time, problematic
themes were meant to act as a wake up call to those who forced ignorance of sexual instruction on their children. This is the reason for the significance
of the setting, at the time Germany was focused on preventing children from becoming educated on sex. As the characters grew up, this setting was a
catalyst for the tragic events that occurred in the wake of the children being poorly informed on sex, pregnancy, and the cause of their sexual desires.
While the musical adapted from the original play does not contain the same social commentary, the harshness of the message is still evident.

Kate Chopin's The Awakening: Women's Role In Society Essay
Have you ever wondered what the lifestyles of Nineteenth Century women were like? Were they independent, career women or were they typical
housewives that cooked, clean, watched the children, and catered to their husbands. Did the women of this era express themselves freely or did they
just do what society expected of them? Kate Chopin was a female author who wrote several stories and two novels about women. One of her
renowned works of art is The Awakening. This novel created great controversy and received negative criticism from literary critics due to Chopin's
portrayal of women by Edna throughout the book. The Awakening is a novel about a woman, Edna Pontellier, who is a confused soul. She is a typical
housewife that is looking to... Show more content on Helpwriting.net ...
In The Awakening, Kate Chopin portrays women as being loving wives and mothers that live their life to care for their family and worship their
husbands. According to literary critic, Dana Kinninson, this story indicates two types of women, which are expressed by Adele Ratigndle and
Mademoiselle Reisz. Adele Ratigndle is "the ideal wife and mother who never experiences an impulse that deters her from the sole concern of
caring for her family. She also embodies every womanly grace and charm." Then you have Mademoiselle Reisz, which is the complete opposite of
Adele. She has devoted her time and energy to the development of her own abilities instead of a husband and home. Reisz is a pianist older woman
who lives alone and is depicted as homely and disagreeable. (Kinnison, 22) Adele and Mademoiselle's lifestyles seem to be the only two options for
Edna. Kinninson believes that Edna's options are the reward of complete self–sacrifice versus the reproof of female self–assertion. No middle ground
exist, just these extreme contradictions. Edna is a mother of two children but being a mother or "mother–woman" doesn't satisfy her soul and her desire
for self–hood. This is all part of her "awakening" and finding herself. (Kinninson, 23–24) James Justus, who is also a critic of American literature,
questions what Edna awakens to and if in fact her awakening is at

Similarities Between Spring Awakening And Water By The...
In the play Spring Awakening there are a plethora of characters that are very similar to characters from other plays and shows. One specific example
of a character being similar is Martha who is a teenage girl that tries to keep the fact that her father is abusing her secret. This character is very similar
to the character Fountainhead in Water by the Spoonful. Both of these characters try to deny something to other characters and to an extent themselves
in each respective story. In both respective stories each character tries to hard there past, so they do not get chastised by the other characters.
Fountainhead refuses to say he's a druggie, so the group doesn't think less of him even though they clearly know he is. In Spring Awakening Martha

Social Norms In The Awakening
A fate–determining flight There are people, who can not blindly follow accepted social norms, they can think for themselves what makes them happy
and which social role, if any, they want to play. Edna Pontellier, the main character of Kate Chopin's "The Awakening" is an individual who cannot
achieve spiritual harmony through the traditional social practices of her time period. Edna faces a hard choice: to either forcefully become orthodox,
thus unhappy, or to dare to deviate from the established social norms. The second path is best compared to a strong spring stream: it speeds up the
journey down the river, but desperately resists one's up–river journey. A stream, as a natural phenomenon has no intention to harm anybody, it simply
follows the laws of physics. Just like the stream, society follows certain laws and stays friendly and supportive as long as one fits into it and follows
its trends.... Show more content on Helpwriting.net ...
628) and starting to live separately from her family. Likely, she is not the first one, who fails to fit into society and tries to escape from it.
Mademoiselle Reisz shows Edna advantages of the free life and plays a role of an accelerator of Edna's awakening. She seems to guide and
emotionally support Edna in her hard journey. Yet, Mademoiselle Reisz warns Edna that "'The bird that would soar above the level plain of tradition
and prejudice must have strong wings." (p. 626). She recognizes that the path that Edna has chosen is extremely challenging and hard to follow. She
also recognizes that there is no distinct and easy way back from

Story Of An Hour Feminist Analysis
In society, women were looked upon to be under the patriarchal control of men. People such as Donald Hall, writer of the book on Literary and
Cultural Theory, explains his views on how "women have been denied social power and the right to various forms of self–expression (Hall 202)."
Writers such as Kate Chopin and Charlotte Perkins Gilman, (authors of the "Awakening"/"The Story of an Hour" and "The Yellow
–Wallpaper"
respectively), have taken these patriarchal views and have incorporated them into various stories that portray the oppression that women face in these
communities. Ultimately, their sole purpose of expressing such matters are to help identify how the patriarchal control of men evidently impacts how
women can express themselves as individuals. According to Hall's fifth key principle, many feminists have aimed to, "Focus on fundamental and
enduring differences between the sexes and that offer thoroughgoing critiques of male–centered norms (Hall 202)." For example, in the "Awakening,"
the main character, Edna, was told by her husband, Leonce, that, "If it was not a mother's place to look after children ,whose on earth was it? He
himself has his hands full with his brokerage business (Chopin 6)." Leonce felt ... Show more content on Helpwriting.net ...
Yellow displayed this through her written diary, although society has hindered her ability to do so. However she didn't want to run into any trouble
with her husband, so she is forced to hide it. This moreover, indicates the fear Yellow had over her husband, which for that reason explains why
women were so submissive towards men. This submissiveness hence concludes why men had patriarchal control over women, and how this control
leads to the oppression of

The Rock Musical, Spring Awakening
The rock–musical, Spring Awakening, tells the story of several angst–filled teenagers and their journey of self–discovery during a time of turmoil. The
show relates to every member of the audience in some way or another. The issues and themes that Duncan Sheik and Steven Sater present are
timeless and occur every day, around the world. They are not exclusive to any one gender, race, or sexuality. Everyone is entitled to his or her
opinion. However, I believe that it is a woman's right to be able to decide for herself what she does or does not do with it. It is not the government's
place or a man's role to influence her decision. During the first scenes of Spring Awakening, Wendla Bergmann begs her mother to tell her about where
babies come from. Although her mother acknowledges that Wendla is becoming a young woman, she cannot bring herself to explain the life lessons to
her daughter. Wendla laments about her mother giving her "no way to hand things," in the song "Mama Who Bore Me." Conflicted, Wendla's mother
finally responds, "to conceive a child, a woman must love her husband with all her heart." As a result of her mother's desire to protect the innocence
within her daughter, Wendla gets pregnant. The young girl is then forced to undergo an abortion procedure that consequentially kills both Wendla and
her unborn child. While Donald Trump is openly against abortions, the presidential candidate said that if the procedure is banned in the United States,
women who seek

The Spring Awakening Play Analysis
The Spring Awakening by Valencia College Theater on October 21 was extremely entertaining as well as a nice surprise. The director Julia Gange
did a wonderful job of presenting a very smooth performance that kept the audience amused. I felt as if the play was absolutely entertaining and was
presented very professionally. In my opinion, the show was awesome due to the quality of the acting as well as the presentation of the set.
One feature of the play that really amazed me was the perfection of the acting. The actors and actresses seemed as if they actually were the characters
in which they were playing. I was particularly impressed by the way that the characters seemed to actually emotionally feel and exist in their own
unique roles. The

Frank Wedekind's Spring Awakening
Spring Awakening by Frank Wedekind pushed many envelopes when it was first performed in 1906. The play, which is set in pre
–World War I
Germany in 1890, touched on many controversial topics such as teen sexuality, abuse, rape, homosexuality, suicide, and abortion. Wedekind's blunt and
dramatic use of the caseara in the dialog between characters and in Mortiz's soliloquy in the resolution as well as the use of expressionism helps further
enhance the overall theme of the play. Wedekind shows this in a series of short, frantic scenes that unraveled what lies beneath the surface of the
regimented German society at the start of the 20th century and discusses topics that no one wanted to address on a global scale.
Benjamin Franklin Wedekind... Show more content on Helpwriting.net ...
The town's pastor lacks sympathy for Mortz's internal downfall. It can be argued that Melchior is the most positive character in the play. Despite
the fact he is an atheist and openly struggles with religious belief, he is one of the positive characters although some of his actions counteract this
statement. Wedekind shows the views of christianity by showing Moritz, having committed suicide, not being able to go to heaven, or even to rest.
When Melchoir goes to the grave to see Mortz and discovers Wendela's grave, the ghost of Mortz visits Melchoir alongside a man in a mask who
stays unnamed at that time and asked him to come join him on the other side. He reassures Melchoir that joining him is a good idea because it
provides "a piece of mind, a contentedness..."(79). Melchior however does not listen to Mortz and accepts his sins. This choice reaffirm his title as one
of the more positive characters in the play. Him acknowledging his faults and understanding his need for punishment makes it possible to forgive and
understand Melchoir as an

Kate Chopin’S The Awakening Essay

Recommended

Recommended

More Related Content

More from Jessica Stapleton

More from Jessica Stapleton (6)

Recently uploaded

Recently uploaded (20)

Kate Chopin’S The Awakening Essay