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“The Arts in Education Charter:
Context and Potential”
Talk by Professor John Coolahan
At
CNCI Conference, Lighting A Fire
National Gallery of Ireland, 19 April 2013
The Arts in Education Charter (2013)
Some Aspects of the Background
• 1979 “The Place of the Arts in Irish Education”
Arts Council consultative committee to liaise with D. of
Ed. planning committee for arts in ed.
- Climate of recession – official inaction
- Action on the ground - fragmented
• June 2008 “Points of Alignment” – Committee had
support of DES, D. of Arts and Arts Council
- wide ranging inputs
- Climate of recession - official inaction
- Action on the ground - fragmented.
“The Changing Context” – Position
Paper (2008)
• Curricular reforms; Role of ICT; Role of Education Centres, Role of
T. Ed.; Artists – School Guidelines (2006) etc.
• Changing Attitudes towards Childhood – Strategy;
Ombudsman, Minister for Children etc.
• Gov. Depts – Dept of the Arts (1993); Heritage Council (1995) Local
Authority Arts Officers, DES; Min. for Children
• 1998 CNCI; 2004 ECO
• Expanded range of Arts organisations  Education, (163)
• Increased Research on Arts Education  Audit
• Impact of New Technologies for Arts Education
• Favourable Economic Situation
• Flowering of the Arts in Irish Society
• Public Valuing of Arts for Education (2006).
The Context 2013
• Most of 2008 features still in evidence
• Unfavourable economic situation
• Increased experience of organisations and artists
involved – much ‘best practice’
• Developed role of Local Authorities’ Arts
• High level of Commitment by Personnel
• Arrival of RTE Jr – multifaceted (15 April 2013)
• Junior Cycle Curriculum Reform in hand
• Expanded provision in ITE and CPD
• Impatience for Progress.
Sustaining the Concern (2008-13)
• Resilience of Arts Organisations
• Crucial Role of Arts Council
• Sequence of Conferences e.g. “Creating
Conversations”; “Youth-Culture: FYI”;
“Encountering the Arts”
• Engagement of new organisations such as
Encountering the Arts Ireland (ETAI);
Association for Creativity and Arts in
Education (ACAE).
The Arts in Education Charter
• Links back to Points of Alignment Report
• “In 2011, on coming to office, we resolved, as Ministers
with responsibility for this area of converged interest,
to prioritise action on Arts in Education”.
• “As signatories of this Charter we have worked hard to
draw up a practical Charter, and are envisioning a
future alignment centred on the students. We are
committed to maintaining this Charter up to date, and
to achieving its objectives” (p.3).
Ministers’ Commitments.
Significance of Charter
• First time a joint commitment made
• Commitment to a specific range of Projects
• A Partnership approach with Arts Council and arts
organisations
• Consultative process – open to change and development
• Charter to be in-built in system for long-term
• Linkages will be promoted to other relevant
Departments, incl. Min. for Children
• Regular reportage on implementation progress
• Improving co-ordination, collaboration, mapping of
activities.
Potential of Charter
• Symbolically an important initiative
• Financially, a modest initiative
• Potentially a supportive bulwark for effort
• Potential buy-in by private sector
• Can identify areas of weakness and initiate remedial
action
• Can use its good offices to create synergies with
greater impact than fragmented efforts
• Potential can be incremental, particularly when
national economy recovers
• “Creativity” as Ireland’s brand image.
Work of the Implementation Group (1)
• 4 Meetings to Date
• Analysis of brief
• Instituting planning of some key initiatives e.g.
Arts Rich Schools; the Arts Education Portal;
Artists in Residence, engagement of Education
Centres etc
• Communicating with various agencies.
Work of the Implementation Group (2)
• Input from Arts Council Ed and Youth section
• Planning for meetings with key stakeholders
• No specific budget
• Seeking to maximise input from existing
resources
• Initiating efforts at seeking sponsorship
• Reflecting on Mapping process of the Arts -
Education
• Report to, and advise Ministers regularly.
Attitude of Implementation Group
• Aim to give leadership and support for initiatives
• Operating a partnership approach with
stakeholders
• Open to suggestions and proposals to enhance
the Charter
• Aim to affirm achievements and foster
collaboration
• Aim to promote a higher profile for the arts in
education.
Realising the Potential
• Not a Panacea for all problems: but has potential
• Get Charter as an integral part of the Arts – Education
scene for future
• Respect for Arts Organisations and Art Educators
• Key aim to serve better needs of young people
throughout the country
• Charter as a facilitating, stimulating, supportive agency
• Seize the opportunity
• “Ar scáth a chéile a mhaireann na daoine” – “Ní neart
go chur le chéile.”

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John Coolahan: The Arts in Education Charter

  • 1. “The Arts in Education Charter: Context and Potential” Talk by Professor John Coolahan At CNCI Conference, Lighting A Fire National Gallery of Ireland, 19 April 2013
  • 2. The Arts in Education Charter (2013) Some Aspects of the Background • 1979 “The Place of the Arts in Irish Education” Arts Council consultative committee to liaise with D. of Ed. planning committee for arts in ed. - Climate of recession – official inaction - Action on the ground - fragmented • June 2008 “Points of Alignment” – Committee had support of DES, D. of Arts and Arts Council - wide ranging inputs - Climate of recession - official inaction - Action on the ground - fragmented.
  • 3. “The Changing Context” – Position Paper (2008) • Curricular reforms; Role of ICT; Role of Education Centres, Role of T. Ed.; Artists – School Guidelines (2006) etc. • Changing Attitudes towards Childhood – Strategy; Ombudsman, Minister for Children etc. • Gov. Depts – Dept of the Arts (1993); Heritage Council (1995) Local Authority Arts Officers, DES; Min. for Children • 1998 CNCI; 2004 ECO • Expanded range of Arts organisations  Education, (163) • Increased Research on Arts Education  Audit • Impact of New Technologies for Arts Education • Favourable Economic Situation • Flowering of the Arts in Irish Society • Public Valuing of Arts for Education (2006).
  • 4. The Context 2013 • Most of 2008 features still in evidence • Unfavourable economic situation • Increased experience of organisations and artists involved – much ‘best practice’ • Developed role of Local Authorities’ Arts • High level of Commitment by Personnel • Arrival of RTE Jr – multifaceted (15 April 2013) • Junior Cycle Curriculum Reform in hand • Expanded provision in ITE and CPD • Impatience for Progress.
  • 5. Sustaining the Concern (2008-13) • Resilience of Arts Organisations • Crucial Role of Arts Council • Sequence of Conferences e.g. “Creating Conversations”; “Youth-Culture: FYI”; “Encountering the Arts” • Engagement of new organisations such as Encountering the Arts Ireland (ETAI); Association for Creativity and Arts in Education (ACAE).
  • 6. The Arts in Education Charter • Links back to Points of Alignment Report • “In 2011, on coming to office, we resolved, as Ministers with responsibility for this area of converged interest, to prioritise action on Arts in Education”. • “As signatories of this Charter we have worked hard to draw up a practical Charter, and are envisioning a future alignment centred on the students. We are committed to maintaining this Charter up to date, and to achieving its objectives” (p.3). Ministers’ Commitments.
  • 7. Significance of Charter • First time a joint commitment made • Commitment to a specific range of Projects • A Partnership approach with Arts Council and arts organisations • Consultative process – open to change and development • Charter to be in-built in system for long-term • Linkages will be promoted to other relevant Departments, incl. Min. for Children • Regular reportage on implementation progress • Improving co-ordination, collaboration, mapping of activities.
  • 8. Potential of Charter • Symbolically an important initiative • Financially, a modest initiative • Potentially a supportive bulwark for effort • Potential buy-in by private sector • Can identify areas of weakness and initiate remedial action • Can use its good offices to create synergies with greater impact than fragmented efforts • Potential can be incremental, particularly when national economy recovers • “Creativity” as Ireland’s brand image.
  • 9. Work of the Implementation Group (1) • 4 Meetings to Date • Analysis of brief • Instituting planning of some key initiatives e.g. Arts Rich Schools; the Arts Education Portal; Artists in Residence, engagement of Education Centres etc • Communicating with various agencies.
  • 10. Work of the Implementation Group (2) • Input from Arts Council Ed and Youth section • Planning for meetings with key stakeholders • No specific budget • Seeking to maximise input from existing resources • Initiating efforts at seeking sponsorship • Reflecting on Mapping process of the Arts - Education • Report to, and advise Ministers regularly.
  • 11. Attitude of Implementation Group • Aim to give leadership and support for initiatives • Operating a partnership approach with stakeholders • Open to suggestions and proposals to enhance the Charter • Aim to affirm achievements and foster collaboration • Aim to promote a higher profile for the arts in education.
  • 12. Realising the Potential • Not a Panacea for all problems: but has potential • Get Charter as an integral part of the Arts – Education scene for future • Respect for Arts Organisations and Art Educators • Key aim to serve better needs of young people throughout the country • Charter as a facilitating, stimulating, supportive agency • Seize the opportunity • “Ar scáth a chéile a mhaireann na daoine” – “Ní neart go chur le chéile.”